Tuesday, 26 July 2022

Hooked by A.C. Wise – Book Review

 

Originally published on Set The Tape


Hooked is the new sequel novel to last year’s Wendy, Darling, which told the tale of an adult Wendy Darling and her life after Neverland, and what happened when Peter Pan kidnaps her daughter. Now we catch up with infamous pirate Captain James Hook, who managed to escape the clutches of Neverland decades before.

Hooked tells the story of James Hook, the man who fought against Peter Pan for decades in the mystical world of Neverland. Whilst other stories would have you believe that Hook was nothing but a villain, this story takes a different approach. We discovered in the first book in this series that Pan was more than simply a boy who couldn’t grow up, and was in fact a monster himself; and here we discover more of his monstrous acts as we meet an older James Hook living in 1930’s London.

Hook is an old, broken man. He walks with a limp, using a cane to get around, his missing hand has been replaced by a wooden prosthesis (his famous hook long since gone), and he scrapes by where he can, living in poor conditions and fighting the nightmares of his past with opium. He has escaped from Neverland, but Neverland hasn’t let him live in peace since. He’s a man with too many ghosts in his closet, too much pain to carry on his own. He’s not the monster that Pan made him out to be, but another victim of the real monster behind Neverland.

When something terrible escapes from Neverland and starts stalking Hook, the bodies begin to mount up across London, including the roommate of Jane, Wendy’s daughter. It appears that anyone who has been to Neverland may be being stalked by this monster, and only by working together can they hope to find a solution. Now, Wendy and her daughter have to put their misgivings aside and work with the infamous Hook in order to survive.

I really enjoyed Wendy, Darling, and thought that its dive into what happened to the character after leaving Neverland was interesting and at times heartbreaking, and as such, I was intrigued to see that same treatment be given the Captain Hook. And it very much does feel like a similar treatment, as this book follows some similar patterns and themes as the previous novel in the series.

The book begins by introducing us to our protagonist after they have left Neverland, showing us the life that they’ve managed to build for themselves. We get flashbacks to previous times in their life, showing both their time in Neverland, and their past after leaving before this point in time. The two characters who get this focus across the two books, Wendy and Hook, go through some ordeals after leaving Neverland. Wendy was locked in a mental asylum, Hook goes through drug withdrawal and addiction. Both of them have a queer romance in their lives. Both of them struggle to get over their time in Neverland. And both of them end up facing the prospect of returning in order to face their past.

I’m not entirely sure if I like this repeat of the formula or not. There are aspects to Hook’s story that I really like, particularly his romance with the man who helped him escape Neverland, but it does feel as if A.C. Wise is following a similar story pattern even if the details have been altered. And whilst that’s fine for the first half of the book because we’re getting to spend time with Hook and get to know him better, by the latter half of the novel it felt like too similar a retread. Some slight spoilers, but when the characters end up going to Neverland the quality really seemed to drop for me. I was really enjoying seeing this small group having to work on this strange, magical problem in the real world, but going back to Neverland to beat the villain felt like a retread of the first book in a less entertaining way.

That being said, there are things that I enjoyed about the book. It was nice to catch up with Wendy and Jane again almost a decade after the last book, getting to see how things had changed for them over the years. Jane had clearly been affected by her experience, and grown into a headstrong and independent woman, and seeing how the events of the previous book had shaped her was a nice touch. Though there is one character that was an important part of Wendy’s life who seems to have disappeared with no mention here, that I was sightly disappointed in.

There’s some good queer representation here, like with the first book. James Hook has a same sex romantic relationship before the events of this book, and is clearly still deeply in love with the man years later. Considering that Hook was more than a hundred years old, thanks to his time in Neverland, and that he was living in the 1930s once he escaped, it’s a pleasant surprise to see gay romance in a book set in that period. With queer romance often being removed from historic tales, it’s wonderful to see this series embracing these stories and putting them at the forefront.

A.C. Wise has delivered a decent sequel to the last novel, but one that falls a bit short of being quite as enjoyable. Thanks to an ending that I felt dropped in quality and became quite repetitive of the first book, Hooked ended up feeling like two very different stories combined together, and not always with the best results.


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Monday, 25 July 2022

Black Adam #1 - Comic Review

 

Originally published on Patreon


I was really looking forward to this book. I've been a fan of Black Adam since he was a part of the Justice Society run written by Geoff Johns, and have enjoyed the character across multiple books for years. As such, him getting his own limited series is something that had me excited. Unfortunately, this first issue left a poor taste in my mouth.

The book opens with Adam in his mortal form sitting in a meeting with the US government, answering questions. And it doesn't take many panels for things to feel a bit iffy, as we're bombarded by tech speak and acronyms galore so that we're left lost as to what's happening. But, perhaps this is a deliberate choice, telling us that Adam himself isn't really following what's happening.

The meeting is inter-cut with flashbacks to Adam fighting Darkseid, and killing him. It's them revealed that it was some sort of construct created by Desaad, and that it has infected Adam with some kind of deadly necrosis and burns. Back in the meeting, Adam eventually gets tired and just walks out. 

The action then cuts to a body of a Kanhdaki man in Washinton, who it's revealed was the head of the rival political movement against Adam. hiss death could look bad for Adam, so he has his people find out his last movements, which leads Adam to meet Malik Adam White, a junior doctor who is one of the most insufferable people around. 

His initial introduction is quite good, breaking the news to a white supremacist that his life is being saved by a Black man, but he quickly turns into someone who's constantly quoting movie lines, making bad jokes, and ending sentences halfway through and jumping onto completely unconnected points. Half of his dialogue felt broken and disjointed, and completely off-putting. He came across like a film where the audio track was having issues and kept jumping around and jumbling everything. That, coupled with him seemingly trying to pressure his best friend into being a sexual partner despite her telling him no repeatedly ended up with me hating him by the end of the issue.

And here's the big problem, he's the guy this book looks to be centring around, as Black Adam is dying, and he plans to pass his powers on to Malik because he's a descendant of his. Great.

This story isn't necessarily bad, and sounds interesting, but the execution of pretty much everything in this first issue put me off. I hated the dialogue because it was either technobabble, half sentences, or bad one-liners. The character of Adam felt like it was someone else, and not the Black Adam I'd come to know. The new character of Malik was just terrible. Unless there's a drastic shift next issue this is going to end up being a painful twelve issues to read.

The artwork, provided by Rafa Sandoval looks decent, and the action scenes are very well drawn. Adam looks great here, and you can see the pain and stress he's under whilst fighting the fake Darkseid, and can see the toll its taking on him. But, decent artwork can't save a series if the writing just isn't there; and I don't think Christopher Priest did anywhere near a good enough job.

Maybe I'm judging too harshly, and I'm hoping this is a first issue jitters and that things will improve. If they don't, though, I'm not sure how I'm going to make it through another eleven of these.


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Together We Burn by Isabel Ibañez – Book Review

 

Originally published on Set The Tape


'Eighteen-year-old Zarela Zalvidar is a talented flamenco dancer and daughter of the most famous Dragonador in Hispalia. People come for miles to see her father fight in their arena, which will one day be hers.

'But disaster strikes during their five hundredth anniversary show, and in the carnage, Zarela’s father is horribly injured. Facing punishment from the Dragon Guild, Zarela must keep the arena—her ancestral home and inheritance —safe from their greedy hands. She has no choice but to take her father’s place as the next Dragonador. When the infuriatingly handsome dragon hunter, Arturo Díaz de Montserrat, withholds his help, she refuses to take no for an answer.

'But even if he agrees, there’s someone out to ruin the Zalvidar family, and Zarela will have to do whatever it takes in order to prevent the Dragon Guild from taking away her birthright.'

One of the things that puts a lot of folks off fantasy stories is that they can often feel very similar. Thanks to the proliferation of European and especially British inspired fantasy there are a huge number of fantasy tales that take place in old castles, have armoured knights, and are filled with other stereotypes. But in recent years there’s been an increase in fantasy stories inspired by the histories, cultures, and myths of other places and people, and Titan Books’ latest release does this wonderfully.

Together We Burn takes readers to Hispalia, where we meet Zarela Zalvidar. Zarela is the daughter of one of the most beloved flamenco dancers in the city, and her father is a famous dragonador. At the start of the book we witness Zarela lose her mother when one of the dragons breaks free during a performance, burning her mother to death. Years later, another disaster hits her family’s dragon fighting arena. Several dragons break free, killing members of the audience. Some are killed, but others flee. Sadly, one of the dragons injures her father, leaving Zarela alone to take responsibility.

With the arena in need of repairs, the leaders of the city demanding that she provide compensation to the families of those lost, her father fighting for his life, and next to no money left, Zarela makes a bold decision: she will fight dragons in her family arena. With the help of the handsome but aloof dragon hunter Arturo, Zarela is determined to become the best dragon fighter she can be, restore her family legacy, and find those responsible for the disaster.

Together We Burn is a delightful fantasy story inspired by Spanish culture that feels fresh, original, and incredibly inventive. The world that Ibañez has created feels very similar to our own in a lot of ways. This isn’t a high fantasy novel with people of various races, wizards fighting with magic, or end of the world doom. Instead, it seems to ask a simple question: ‘How would society be different if dragons existed?’ And it turns out, not hugely. I loved that a lot of the time reading Together We Burn it felt like I was reading a historical novel. With a few slight changes it could have easily been a book set within the real world, and I think that’s a huge strength here, as it allows readers an easy access.

Hispalia is very similar to what people know about Spain, with similar architecture, culture, food, and language. There are parts of the book where the dialogue shifts into Spanish, when characters sit down to eat its recognisable food, and you can feel Ibañez’s love for the culture and history bleeding off the page. There are so many fantasy books where it feels like the setting comes as a secondary thought, but in Together We Burn the world around the characters feels so alive, so well thought out that it becomes a delight to read.

The characters are also a wonderful part of the story, and Zarela is a really good protagonist. She’s young, only eighteen, and falls into the category of ‘young female heroine’ that is very popular in YA books, but she reads as so much older. She feels mature in ways that a lot of teen characters don’t. She’s had a life where she’s had to grow up quickly, and the events of the book are a big part of that too. So many of the criticisms you see about YA heroines, that they don’t think things through, that they’re too emotional, or that they make bad mistakes, don’t apply here. Zarela has a level head on her shoulders, she isn’t impulsive, she doesn’t really make too many mistakes, and she makes for a great lead.

The other characters around Zarela are great too, and there’s a wonderful collection of folks in this book. Whether it’s her best friend, or her father, I was so pleasantly surprised with how well thought out and layered everyone was. A lot of the characters began feeling like they were going to fall into traditional, tropey roles, but Ibañez throws some wonderful curve-balls at readers and ended up subverting my expectations more than once. So many of the interactions and story beats took surprising turns and went in directions that I wasn’t expecting.

I can’t talk about the book without talking about one of the stand-out parts, however. The dragons. The world of Together We Burn has one of the more unique relationships with dragons that I’ve ever seen. Yes, there are wild dragons that stalk the wilderness between towns, and sometimes attack the city, but the main interactions that people in Hispalia have come from the dragon fighting. As the name dragonador implies, the dragons in this book take the place of bulls, and the dragon fighting copies the patterns and cultural place of bull fighting. The dragons become more than just monster, they become a part of this world, a part of their history and culture. It’s unique, fascinating, and always amazing when you see one of the characters step into the ring with one of these monsters.

Together We Burn is a wonderfully unique kind of fantasy book. It builds a stunningly well thought out and layered world, inhabited by characters that subvert expectations, go against convention, and prove to be delightful throughout. The book is filled with lore, mystery, drama, and romance, and is sure to tick a lot of boxes for folks. Whether you’re looking for strong female protagonists, unique fantasy worlds, or tense monster scenes, Together We Burn will provide it.


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Saturday, 23 July 2022

The Flash #783 - Comic Review

 

Originally published on Patreon


Okay, after the disappointment of Dark Crisis: Young Justice #1, this is how you do a decent tie-in comic.

Following he deaths of the Justice League, the rest of the heroes are trying their best to keep things together, and even find answers as to what might have happened to their friends. The Flash Family in particular have set themselves a very specific mission, find Barry Allen and bring him home.

If you've been reading the stuff leading up to Dark Crisis you'll know that Barry is being held inside some kind of strange pocket dimension where he's living out his dream life (which I'm 99.9% certain is what's happened to the members of the League who 'died'), and as such, a speedster might be able to break their way through and get him back.

With the help of Mister Terrific, the speedsters have managed to find a handful of signals that match Barry's cosmic signature. However, some of them might be other versions of Barry, and as such they're going to have to check them all out and hope that they find their Barry. Terrific has made some special wrist devices that will allow him to bring them back through the speed force when they've found Barry.

Unfortunately, before the team can set out on their mission Jai and Irey grab one of the devices and speed through the portal, desperate to prove that they're capable of being heroes. Jay Garrick goes after them, leaving Wally, Wallace, Max Mercury, and Jessie Quick to split the other two signals between them.

The twins, and Jay, find themselves in a version of Gotham with big billboards with the Allen name on it, and some strange Batman/Flash type figure lurking in the shadows. Max and Jessie land in what appears to be Mad Max, with a bearded Barry Allen driving a muscle-car at the head of a wild convoy. And the two Wallys end up in what very much appears to be the same dream world that our Barry is stuck in.

I really enjoyed this tie-in. Whilst it was informed by Dark Crisis, with the entire drive and focus of this story coming out of it, it still told a story that fit in The Flash book. We get to see more of the inner workings of the Flash Family, particularly the young twins. The stuff that happened here felt perfectly in character for this book, and could easily have happened without the Dark Crisis connection; and that's one of the best kinds of tie-ins for me.

The artwork on the issue, provided by Amancay Nahuelpan, looks great, and I really enjoyed how the different worlds that the characters found themselves in felt different from each other in their style. The most obvious one is the dream world that the Wally's go to, as it looks and feels like a classic silver age comic, but even the Mad Max world and the alternate Gotham feel different enough from the rest of the issue to be clearly another world.

I've been enjoying The Flash series for a while now, and love getting to spend time with Wally West (he's the Flash I knew growing up), and getting to have more of him and his family is always a lot of fun.  The new worlds we get introduced to have a lot of promise, and I can't wait to see what trouble the twins are going to get into, and just who's lurking in the shadows behind them.

Next issue looks set to be a lot of fun.


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Negalyod: The God Network by Vincent Perriot – Book Review

 

Originally published on Set The Tape


'Negalyod follows dinosaur shepherd, Jarri, as he joins a rebel group intent on destroying the totalitarian government that controls his dystopian world. Perfect for fans of Jurassic World!

'Dinotopia meets Mad Max in this extraordinary saga of futuristic human survival on a scorched Earth- Jeff Spry, SciFi Wire In a post-apocalyptic far future/alternate world, dinosaurs roam the desolate land, while the last denizens of humanity survive together in technological cities run by a military regime. Jarri, a loner who shepherds a group of dinosaurs, travels to the city when his herd is murdered. There he becomes involved with a rebel group who defy the totalitarian society, and uncovers a conspiracy that reveals the true nature of the world they live in. What he finds will change his life forever... Written and illustrated in lavish detail by ground-breaking author Vincent Perriot, this stunning graphic novel will make you think twice about reality.'

Negalyod: The God Network is the latest science fiction graphic novel offering from Titan Comics that transports readers to a strange world where science and technology have run amok, but where dinosaurs roam the vast desert lands where small pockets of humanity are doing their best to survive outside of giant cities in the sky.

Negalyod: The God Network follows Jarri, a dinosaur shepherd who has made a small life for himself tending a herd of triceratops’ with his faithful companion, Stygo, a Pachycephalosaurus. The two of them travel the vast, barren desert with their herd, taking them from one safe location to another. However, when a weather truck, a huge tanker like vehicle that produces lightning and storms, driven by cybernetic prisoners, passes by his herd it kills every single one of his triceratops.

Enraged by the senseless slaughter of his dinosaurs, Jarri travels to one of the nearest settlements, hoping that he can find out who is responsible for the weather truck killing indiscriminately, and stop them. Upon arriving in the settlement, a vast slum-like city high above the plains, he learns that things are more complex than he first believed. Despite living above the deserts most of the people there are barely surviving, eking out a living as little more than slaves to those who live even higher up than them. Jarri soon finds himself meeting with the charismatic leader of a local resistance group, and decides that he could be his best way of getting higher up in the city to get his revenge. This sets Jarri on a path that will cause him to become an important ally to the resistance, and part of a mission that could change the world.

Negalyod: The God Network is a strange book. There’s a quote on the back cover comparing it to Mad Max, and that’s an apt description for a few reasons. The first and most obvious one is that it’s being set in a future time where the Earth has gone to hell and people are struggling to survive in harsh desert environments. But the less obvious comparison is that, like Mad Max, this story drops you into that setting with no real explanations. We don’t know why the world has ended up like this. We don’t know how humanity changed and evolved to this point. We don’t know why there are dinosaurs everywhere or why Jarri can speak to them. It’s just stuff that’s part of the story and we’re left to deal with it.

Because of this, there are times where the book feels like it’s being deliberately vague, to the point where even after reading through some parts of it twice I found myself having to try and fill in some of the blanks with small context clues and my own suppositions. This isn’t necessarily a bad way to tell a story, it does leave the author free to concentrate on the tale they want to tell, rather than having to spend time explaining the world that they’ve created, and it means that each individual reader can come away with their own, personal interpretation for the story. However, there are times where I was left wondering why things had happened a certain way, why characters made the choices they did, and even what the ending meant.

There’s a vagueness to the story here that feels part deliberate decision to leave things open to interpretation, and part laziness. That might sound overly critical, but when a story reaches a conclusion and you’re left asking what actually happened it feels very frustrating. I don’t know what the end of this story is trying to say. All I know is that the book ends with a world different to how the story started, but not why or how.

Just as the story is very vague and lacks any real depth, so do the characters. Jarri is our lead, and the only character I get a feeling that I know. His motivation is understandable, he goes in wanting revenge, and over the course of the book we do learn a little more about his history and why he’s such a driven person. But there are still times where I look at the character and don’t feel like I know much about them. And the secondary characters are even worse for this. Many of them react in the moment whenever something happens, but the way they react and their motivations seem to change from scene to scene. Someone can be very confrontational in one scene, but super friendly in the next. A character can be closed off and guarded one moment, but be an open source of information on the next page. The characters seem to be here to serve a story purpose and to move things forward, and have no real sense of consistency because those needs are constantly shifting.

The artwork for the book is provided by the writer, Vincent Perriot, with colours by Florence Breton. The art feels very simple at times, with very little detail being given over to the characters; however, the backgrounds and environments are filled with detail and small bits and pieces. Whilst you will find yourself skimming over the people, catching a glance at their faces and moving on, you can spend a good while sitting and looking through some of the bigger scenes, taking in everything happening behind the main focus. The colours for the book are pretty muted, with the desert environments coloured in oranges and tan colours, whilst the technology and cities are in cold blues and greys, giving the different locations their own feel and flavour that’s instantly able to be recognised.

Negalyod: The God Network is a book that I think may divide readers. Some will like the open, less clear style of storytelling and will enjoy being able to fill in those blanks, whilst others will find some frustrations with that. The book does have a look and style that sets it apart from other graphic novels on offer, but it’s one where I can’t predict how it’s going to be received by readers.


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Friday, 22 July 2022

Dark Crisis: Young Justice #1 - Comic Review

 

Originally published on Patreon


I've been really enjoying the Dark Crisis stuff so far, even the build up with Infinite Frontier and Justice League Incarnate has been enjoyable, as well as setting up a lot of the stuff that's happening now. However, Dark Crisis: Young Justice #1 is the first part of this new event that I really didn't like too much.

The issue starts off well, taking us back to the memorial service for the fallen Justice League. Rather than listening to the speech given by Nightwing this time, we stay in the crowd of assembled mourners, watching events through the eyes of Cassie Sandsmark, Wonder Girl. Cassie watches the event, paying particular attention to her old Young Justice teammates Conner Kent, Tim Drake, and Bart Allen. She thinks about the last times there were big crisis events, and how she and her friends seem to be the ones that end up getting hit hard by them.

This is an interesting point of view, and one that's not completely wrong. The teen heroes don't come out of these things well, so it' natural for her to look on this with a slightly different perspective. She's waiting for something bad to happen to her and her friends. And then it does.

Cassie and the others are in the middle of a conversation when Conner, Tim, and Bart all just seem to vanish all at once. Cassie is naturally panicked by this, but none of the rest of the hero community seem to really be that bothered;  even when it ends up being days later and there's still no sign of them. Cassie is the only one that cares. And this is one of my biggest problems with this story so far.

Yes, I know that the other heroes are stretched thin with the League dead and the villains stepping things up, but no one cares that three other heroes vanished without a trace. I could maybe forgive it if they were lesser known heroes, or if they didn't have important connections. But are you really telling me that after Bruce dies Dick wouldn't care that Tim has vanished? That the Flash family wouldn't be concerned that they may have lost another member? That Jonathan is that focused on building his new Justice League that he doesn't care about Conner? I just don't buy it.

Maybe there will be some kind of explanation for this later on, that perhaps there's something making it so that people just don't care, something that' effecting their minds in some way. But if not, this feels really shitty of all the other heroes.

Whilst Cassie is searching for her friends the three of them wake up in what appears to be the past as the 90's comic events are in full swing. They're called together on Young Justice business and find themselves fighting Well Endowed, a big breasted cat girl villain. Yeah, this is pretty bad. I don't know why this villain was chosen, I don't really remember them being a thing, so if this is a call-back maybe it's one that should have stayed forgotten.

And that's about all there is to this first issue so far. With every other part of this event being really good this feels like such a let down. I like these characters, I was looking forward to this story, but it's starting to feel like not just a misstep, but a huge mistake. Hopefully the second part will redeem this.


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Batman Returns – Throwback 30

 

Originally published on Set The Tape


The fact that Batman Returns, a film set at Christmas, filled with snow, giant Christmas trees, and an emphasis on the cold winter months, came out in June is still something that I find incredibly odd thirty years later (we even looked at whether this is indeed a Christmas movie). Having grown up watching this film repeatedly as a child, it never really entered my mind that I could have come out at any other time other than around Christmas. But, as this is in fact a summer release, I guess we get to look back at this Batman movie a few months earlier than expected.

After the smash hit success of the 1989 Tim Burton helmed Batman, Warner Bros wanted a sequel. This was the time before superhero movies were big business, long before a mutli-platform shared universe like the MCU could even be considered possible; as such, even a sequel to a film that took the world by storm was considered a gamble. This is part of the reason why it took three years for the next film to hit cinemas, as not only did Warner Bros have to convince Tim Burton to return to the project, but the film went through several different versions and revisions, seeing many iconic Batman characters come and go before the final story was settled on.

Batman Returns follows on some years after the event of the first movie, with Batman (Michael Keaton) continuing on as the guardian protector of Gotham City. When a gang of strange circus performers attack the city in the build up to Christmas, billionaire philanthropist Max Shreck (Christoper Walken) is kidnapped and brought before the gang’s leader, the Penguin (Danny DeVito). Shreck makes a deal with the Penguin to help him come to the surface, find his long lost family, and find a place for himself in return for his life.



Shreck and the Penguin stage a kidnapping of the mayor’s baby, where the Penguin then saves it. Seen as a hero by the people of the city, they look beyond his physical deformities, and see a decent man. When the Penguin discovers that he came from one of the elite families of Gotham, but was abandoned because of his birth defects, he agrees to help Shreck with his corrupt plans to take over the city, running for mayor as his gang terrorises Gotham. When Shreck’s secretary, Selina Kyle (Michelle Pfieffer) learns of Shreck’s corruption she’s thrown out of a window. Luckily for her, she survives, and swears vengeance against Shreck, taking on the costumed persona of Catwoman to do so. With multiple villains terrorising Gotham, it’s down to Batman to save the city, and Christmas.

Batman Returns was a film with a lot riding on it. Batmania swept the world with the release of the first film, making it one of the most successful films of all time when it was released. Warner Bros wanted more of that action, and were trying their best to replicate that formula. And for the most part, they managed that. The film recaptured a lot of what made that first film a success, but thanks to additional creative control from Tim Burton, it felt different enough in a few ways that it still had an identity that felt its own.

Tim Burton has a very distinct style, and whether you like that style or not, we can all agree that he is fairly consistent in the type of films he makes. Looking at his work, Batman is something of an anomaly in his catalogue. It’s dark and Gothic, yes, but a lot of that flair, that spooky and fairy-tale-like visual quality that you expect from him isn’t there. It’s a much more grounded world. In comparison, Batman Returns is very much a Tim Burton movie, from the opening sequence of the baby basket passing beneath gnarled and twisted trees, to the creepy clowns that make up Penguin’s gang, to the shift from pop songs to a more orchestral theme. Batman Returns is very similar to the first film at first glance, but upon closer inspection it’s actually quite different.



And I think that those differences helped the film in a lot of ways. It feels less oppressive, and has a weirdly jovial quality to it that made it more open to children. Instead of gangsters, you had a spooky circus troop. Instead of poison gas that had people laugh themselves to death there was an army of penguins with rockets on their backs. Burton was much better able to marry together the dark elements of Batman with the childish elements of comics with this film, and it makes it the more enjoyable of the two.

Some of the casting does wonders for making this a more enjoyable film too, with both Christopher Walken and Danny DeVito being absolute delights to watch. They’re both clearly having a good time in their villain roles, and some of the best moments in the movie come from these two. DeVito in particular seems to spend so much time chewing the scenery that its a wonder there weren’t holes in half the sets. Whilst Jack Nicholson received acclaim for his portrayal of the Joker, the villains in Batman Returns are much more enjoyable to watch.

Whether you keep Batman Returns for Christmas time, or watch it all year round, it’s a film that fans of the character have a lot of time for. One of the best entries in the original Warner Bros series, and one of the better Batman films in general, it’s a film that’s going to be beloved for many more decades to come.


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Thursday, 21 July 2022

The Prey: Legend of Karnoctus – Film Review

 

Originally published on Set The Tape


With so many filmmakers having grown up watching 80’s B-movies it shouldn’t come as a surprise that they’re getting something of a resurgence. We’ve all seen the big franchises get remade, rebooted, or receive sequels, but there are also a lot of films that stand on their own but wear their influences on their sleeve, and The Prey: Legend of Karnoctus falls into this camp. A slightly silly, almost always over-the-top love letter to the 80’s monster action movies like Predator, this film might not be one of the best releases this year, but it’s certainly a fun one.

Filmed over the course of almost a decade, the film tells the story of a cave system in Afghanistan, and the creature that makes it its home. The film begins with two men entering the caves to clear up a small drug making facility; however, something stalks the two of them from the shadows, eventually picking them both off. This is our first taste of the titular monster, and lets us know what to expect. After this we get some opening credits that help to set-up the film, complete with comic-style animations where one of our main groups of characters plan to steal a shipment of gold from Afghani forces.

We then meet our second group of protagonists, a team of American soldiers. We meet the soldiers during their down-time, and immediately start to like them as they sit around talking about things from their childhoods, such as favourite video games, Street Fighter and Legend of Zelda, and their favourite toys, dropping names like GI Joe, Thundercats, and Star Wars. These soldiers felt instantly familiar to me, because I’ve had similar conversations with people; I grew up with those things, and it means that viewers in my age range are able to connect with them a lot quicker. It’s a cheap ploy, but it did make me like them, so it works.



When our other group of soldiers, who might be CIA funded special ops, or maybe mercenaries (the film never clears this up), performs their theft of the gold, it gets the attention of Afghani reinforcements, and the US soldiers. When the soldiers go in to investigate they come under fire and head to a nearby cave for cover, but are sealed in when the entrance is blown up. Inside the cave they find Tagger (Nicj Chinlund) and Reid (Kevin Grevioux), who were stashing the gold whilst the rest of their team went to get the escape chopper. Stuck together, the two groups agree to try and find a way out of the caves; but little do they know, something is watching them from the darkness, and has begun to hunt them.

The trailer for The Prey: Legend of Karnoctus puts a lot of emphasis on the group of mercenaries, led by Nick Chinlund, and puts Danny Trejo’s character in the spotlight for most of it; probably using his cult status to grab attention. However, Trejo is in very little of the film, and feels more like a cameo than an actual role. Looking into this, it seems like Trejo was included in re-shoots for additional scenes years after the rest of the film was made, and as such doesn’t interact with the majority of the cast. So, if you’ve come to this hoping to see Trejo fight a big cave monster, you’re going to be a bit disappointed. However, the rest of the cast are entertaining enough that you soon forget his absence.



The group of young soldiers who get sealed into the caves with the grumpy older veterans are a fun bunch, and some of the better moments of the movie are those where we just spend time with them, getting to know them better. They have some decent dialogue, and soon come to feel like pretty fleshed out characters without much real attention being given to them. The inclusion of the drug lab, and the chemical leak they experience there that causes them some hallucinations, is a big part of this. We’re able to get to know them a bit better through the things that they see in their drug fuelled state. One of the soldiers sees his missing friend, and we realise that he’s the kind of person to never leave a man behind. Another hallucinates members of his family, and you understand that he’s just trying to get out alive so that he can go home and see his kid again. It helps to humanise them more than you’d think.

The creature itself, Karnoctus, is definitely in the B-movie category, and won’t really be entering the hall of fame with movie monsters like the Predator or the Xenomorph. Karnoctus is big and furry, and clearly a guy in a suit. It has a big, blue skinned face, four glowing red eyes, and a mouth filled with giant fangs. It’s very silly, and a bit over-the-top, but it kind of works. These kinds of films are at their best when they embrace the silliness, and the monster design certainly does that. The monster vision we get, this strange night vision mixed with x-rays, are interesting, and definitely seems to be a callback to Predator (especially as it has glowing blood too).

The Prey: Legend of Karnoctus is a pretty ridiculous film, it has some cheesey dialogue, a dodgy monster suit, and some bad CGI effects thrown in; but it’s not really that bad. It’s clearly been made by folks who love the ‘bad’ movies of the 80s, and you can see that writers/directors Cire and Matthew Hensman had a lot of fun making this movie. It might not win any awards, but it’s a pretty fun way to spend 90 minutes.


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Wednesday, 20 July 2022

Hawkeye Episodes 3 - 6 Review

 

Originally published on Patreon


So, I've finally finished watching Hawkeye. I was meaning to do two more write-ups for the show, bunching the episodes together in blocks of two, but things went a little squiffy with that, so I'm just going to talk a bit about the final four episodes of the season and my thoughts on on.

Overall, I really enjoyed the story the show told. I liked how it centred on Kate as much as it did Clint, and gave them both room to shine. It felt like a good send-off to Clint if this is the last time we see him, as well as a perfect set-up for Kate to become the new Hawkeye. It also managed to carry on elements from the Black Widow movie, and set-up Echo without it feeling too forced or crowded too.

Kate - I absolutely loved Kate. I've never really read anything with her, so this was my first real experience with her. I love how she's not got a dark past, or anything like that, but simply just wants to be a super hero because she thinks it'd be fun, and that it's the right thing to do. She's so full of energy and warmth in the scenes she's in, is an absolute delight to watch, and really sells that action. I really liked her more emotional scenes too, and found that her relationship with her mother was a really compelling part of the series; especially in that final episode. I also really hope that we get to see more of her and Yelena in the future because their chemistry is just perfect.

Clint - I've always liked Hawkeye in the films, I thought that he was a good human presence on a team with people with personalities and issues that made them feel more than human. He helped ground things a lot of the time. So getting to see more of him, for him to get the focus here, was great. His disability being a part of the story was good, and I'm glad that it wasn't ignored. There have been people who've taken issue with Clint in his Ronin persona, specifically because he was shown killing a lot of Asian people in Endgame. Unfortunately, the only real focus on Ronin in this series does show him killing Echo's father, so it continues on the image of him taking out his pain and anger on people of colour; which is a very unfortunate thing. 

Echo - I loved Echo. The fact that Alaqua Cox had never acted before this is astonishing. She's perfect for the part. her acting is great, she manages to make you feel the anger and pain that she's going through just with her body language, and despite never speaking a word in the movie she has some of the most compelling and emotional moments. I love that she's going to be getting her own show, as not only is her character really interesting, but getting a deaf, amputee lead character in a super hero action show is going to be huge.

Yelena - Yelena was my favourite part of the Black Widow film, and Florence Pugh is still absolutely delightful here. She steals every scene she's in, seems to be having an absolute blast playing the character, and has wonderful chemistry with Hailee. But, she also gave one of her best performances for Marvel so far when she confronted Clint in the final episode. To see her go from the confident, fun-loving fighter into someone so in pain, dealing with her grief, was a shocking turn, and she played it amazingly. I can't wait to see more from her, and hopefully with Kate too.

I also liked how the almost too obvious set-up of Jack as the villain was a subversion, and I actually came to really like him come the end of the season and was even enjoying watching him fighting bag-guys with a sword in the final episode. (I really hope he does end up going LARPing). Eleanor was the much better choice for the villain, and I thought it was great for Kate to have to confront her come the end, and to make that choice of being a hero by taking her down. Her mother asks her if arresting her own mother on Christmas is really what heroes do, and of course Kate does, because her mother is a killer, and Kate is a good person.

The surprise return of Kingpin was also an amazing inclusion. Vincent D'onofrio is one of the best villains in the MCU, and getting him back was great. I don't believe for a second he actually died in the final episode, because he's just too good an actor to get rid of. I also can't believe that I didn't pick up on his blink-and-you-miss-it inclusion in episode three; because his chuckle is so unmistakably him. It's a great piece of foreshadowing that I'm sure smarter people caught.

Overall, I had a lot of fun with Hawkeye, and I think it's one of my favourite of the MCU shows so far. I guess next up in my quest to get up-to-date is Eternals.


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Star Wars: Shadow of the Sith by Adam Christopher - Book Review

 


'The Empire is dead. Nearly two decades on from the Battle of Endor, the tattered remnants of Palpatine’s forces have fled to the farthest reaches of the galaxy. But for the heroes of the New Republic, danger and loss are ever-present companions, even in this newly forged era of peace.

'Jedi Master Luke Skywalker is haunted by visions of the dark side, foretelling an ominous secret growing somewhere in the depths of space, on a dead world called Exegol. The disturbance in the Force is undeniable…and Luke’s worst fears are confirmed when his old friend, Lando Calrissian, comes to him with reports of a new Sith menace. After his daughter was stolen from his arms, Lando searched the stars for any trace of his lost child. But every new rumour only led to dead ends and fading hopes–until he crossed paths with Ochi of Bestoon, a Sith assassin tasked with kidnapping a young girl.

'Ochi’s true motives remain shrouded to Luke and Lando. For on a junkyard moon, a mysterious envoy of the Sith Eternal has bequeathed a sacred blade to the assassin, promising that it will give him answers to the questions that have haunted him since the Empire fell. In exchange, he must complete a final mission: return to Exegol with the key to the Sith’s glorious rebirth—the granddaughter of Darth Sidious himself, Rey. As Ochi hunts Rey and her parents to the edge of the galaxy, Luke and Lando race into the mystery of the Sith’s lingering shadow and aid a young family running for their lives.'

The first time I watched Star Wars: The Rise of Skywalker I had some complex thoughts. I came out of the cinema with a lot of the movie going around my head, trying to figure out whether I liked it or not. I ended up landing on hating it. My second watch through, many months later once I'd had a chance to think on it more I ended up disliking it. And when I watched it a few months ago, having read more of the comics and books that built the lore and story I ended up kind of enjoying it. There were still things I had issue with, but I'd stopped hating it at least. 

When it was announced that there was going to be a novel coming out that would expand upon it further, that would feature Rey, her parents, Ochi of Bestoon, and Luke and Lando's briefly mentioned quest, I was actually really excited to get to read it; especially as I was hoping that it would further enhance my The Rise of Skywalker experiences.

The plot of Shadow of the Sith follows several figures as events across the galaxy start to bring them together. The main focus, and the character we spend the most time with, is Lando. If you're a fan of Star Wars you know who Lando is, and he'll need little introduction. And you'll be pleased to see that the charming, smooth talking scoundrel is represented well in this book. The first time we meet him he's in a card game in a dangerous bar, trying to charm his way out of a dangerous situation. He's the Lando we all love. However, there's more to this Lando than any other time we've seen him.

Six years before the events of this book Lando's daughter, Kadara, was kidnapped. Lando has spent the years since searching the galaxy for any sign of her. This has changed Lando. Whilst he might still be the Lando you expect on the surface, underneath it he's a man with emotional scars, with a grief that no one should ever have to carry. As such, when he hears a group of unsavoury folks discussing kidnapping a child, and they mention the Sith, it's something he has to do something about, a family he has to help; because he can't bear for another family to go through the pain he has.

Those unsavoury sort are a mixture of criminals, scum, and evil droids, all led by Ochi of Bestoon. Ochi made a brief appearance in The Rise of Skywalker, looking particularly horrific in live action, and has become a recurring character in the current Darth Vader comics. As someone who's seen more of Ochi it's interesting to see him here, long after the fall of the Empire, when he's become something of a washed-out drunk. He's still incredibly dangerous, and some of the scenes with him in it are incredibly tense and scary, but he's also kind of broken now too; and it's an interesting situation to see him in.

Another main character is, of course, Luke Skywalker. This is a Luke probably at the height of his glory. He's a Jedi Master, the galaxy knows who he is, he has his school of Ossum, he's training his nephew to be a Jedi. This is Luke before he makes his mistake and loses everything. I think this is the Luke that a lot of people will want to see, especially if they were unhappy with never seeing this version of him on the big screen. This is a Luke who's very confident, who never seems to be worried or afraid, who has faith in the Force and believes that things happening around him are doing so for a good reason, and that he will get through it okay.

There's also a small family that we follow, a group around who all this focuses. Dathan, Miramir, and Rey. This book gives us the biggest insight into Rey's past that we've ever had, and provides some important information on Exegol, the Sith Eternal, and Rey's heritage. One of the things that I didn't like when first watching The Rise of Skywalker was the idea that Palpatine had had a child. The idea that he'd have had sex just felt kind of weird and wrong to me. Since then, and with this book, we've had it confirmed that Dathan is a clone of the Emperor, though one altered slightly. This plays a part in Palpatine's experiments to live on after death, and feels much more like the Emperor. Through the flashbacks in this book we get to see some of Dathan growing up on the Sith planet, as well as his escape. Some of these flashbacks also seem to coincide with events from the Darth Vader comic, and adds some extra details there that's cool for fans.

In the sequel trilogy Rey's parents are an idea. They're something that she's searching for, a belonging that she desperately needs. Even when we get told who they were, we spend barely more than seconds with them, seeing their eventual fate at the hands of Ochi of Bestoon. This book actually allows us to get to know them a little, so see them as people; and it's really nice. We don't really get any down time with them, they're constantly on the run, fighting to stay ahead of their hunters, but even in these moments they take the time to care for Rey, to make sure she's happy and has fun. They're good parents, and the scene where they hide Rey on Jakuu and say goodbye to her is a hard read because we've come to really care for the family at that point. Their eventual death also becomes an awful moment, and as soon as I knew it was coming my heart broke. There was no way that they were making it out of this story alive, we'd already been told that, but I wanted that to change, for something to alter it at the last minute because I'd come to care for them.

And their death, as awful as it is, is not the worst thing about this book. It's the fact that our heroes fail. Again, something we know before even picking up this book. We know from the events of the films that Luke and Lando can't save this family, that they don't find Rey and keep her safe. But even knowing this doesn't prepare you for how the book handles it, and the scene where Lando realises he's failed this family was so awful to read. I cried for him, I cried for this usually happy, charming, and carefree man because the weight of the galaxy came crashing down on him, the pain of losing his daughter came back, and he felt responsible for what happened to this family. Shadow of the Sith might be the best Lando story I've experienced, because it did something I never expected, it made me cry for Lando. 

The book deals with more than just Rey's family, however, and also features a powerful Sith spirit hunting for Luke and the artefacts in his possession; the masked figure on the cover of the book. For those that have read the Aftermath trilogy, this person will be familiar, and it's great to see her story continue on here. It gives Luke a powerful enemy to face, and a confrontation with the Sith that doesn't need the involvement of the hidden cult on Exogol, or the clone Emperor. It allows those plot threads to stay hidden away; though Luke does learn of the planet's existence. The confrontations between Luke and this figure are great, and the final fight between them happens on one of the more unique locations I've seen in Star Wars, and does some shocking, unexpected things.

There are also a lot of nods and winks to other parts of the universe that I absolutely adored here, but as there are some spoilers skip to the next paragraph if you don't want to see them. Lando gets to fly around in the Lady Luck, his ship that made its first canon appearance in Last Shot, but was a part of the old Legends canon. Shriv from Battlefront II makes an appearance, which was great as I'd recently re-played through the story. Enric Pryde from The Rise of Skywalker appears, wearing a particularly horrific coat. Lor San Tekka helps Luke out. Lina Graf from the Wild Space books and Star Wars Adventures gets name dropped, and Luke gets to borrow her ship. There are some Lasat knocking around. Ben Solo pops in for a bit. We get to see Unkar Plutt. Luke visits Tython and uses the same seeing stone Grogu used in The Mandalorian. There's a reference to purifying kyber crystals to make them white like in the Ahsoka novel. And most shocking and surprising for all, Luke gets to talk to Anakins Force ghost. There are so many connections to the bigger universe, so many off hand mentions, small inclusions, and tiny background details that Shadow of the Sith ends up feeling like it's this key piece connecting so many strands together.

I had heard from those who'd read the book already that Shadow of the Sith was a good book, that it was one of, if not the best new canon novel. I went in with high expectations for the book. And not only did it meet each and every one, it more often than not exceeded them. I came away with a bigger understanding of certain character and events, I ended up caring for people that meant little to me before it, and I had so many moments where I was smiling at the tiny details, where my mouth was hanging open from the surprises, or where I was openly crying. This is absolutely one of the best Star Wars books I've ever read, and it should be on every fans 'to read' list.


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