Showing posts with label Comic Review. Show all posts
Showing posts with label Comic Review. Show all posts

Thursday, 20 February 2025

Ultimate Wolverine #2 - Comic Review

 


Writer: Chris Condon, Artist: Alessandro Cappuccio, 
Colourist: Bryan Valenza, Letterer: Cory Pettit

One of the things that I like more about this new Ultimate Universe over the first one is that whilst there's a pretty varied style across the board, and most of the books are doing their own thing, none of them have been bad, and certainly so far none of them have been incredibly objectionable. There have been some big changes, the world is so unlike the one we know that entirely different nations exist, and some well known characters have died already, but it's not as bad as a racist Captain America, incest twins, or heroes being eaten alive. But if there's one title that feels like it could possibly come close to entering that territory it's Ultimate Wolverine; but unlike those examples, the book has so far managed not to feel nasty or meanspirited.

The first issue of Ultimate Wolverine introduced us to this world's version of Logan, who had been through the same adamantium infusing experiments as the 616 version, but had also been programmed into this worlds Winter Soldier. This is a Logan who has yet to escape being a weapon, and is being used to hunt and kill anyone who opposes the rule of the Rasputins and Omega Red. We saw this in the first issue where he was sent to kill an Opposition cell, including two of their mutant leaders, Mystique and Nightcrawler. This is what I mean by this book has the potential to be like the worst parts of the old Ultimate Universe, because right from the start Ultimate Wolverine has shown it's not afraid to kill characters in horrible ways. But whilst things such as the Blob eating the Wasp felt like they were done for shock sake, here at least it feels like it fits.

We see that even more this issue, a world in which killing, cruelty, and darkness feel right at home. From the opening pages where we see the Maker creating the world he wants, to the Rasputin's torturing Logan, and the throwing away of loyal subject's lives in order to perform a test; the cruelty feels baked in, and as such it means that the brutality this series delivers doesn't feel as jarring, even though it's more extreme than what we'd see in the main 616 universe. The first issue of Ultimate Wolverine felt like it was creating the tone, but this issue shows us how that tone works, how the Eurasian Republic operates from the top and gives us insight into the twisted machinations that take place in the background.



As with the first issue, the art on the series is impeccable, and suits the tone wonderfully. Cappuccio and Valenza create some absolutely beautiful moments in this book that most pages had at least one panel that had me stopping for a moment just to pour over how good it looked. The scenes in the forest were beautifully crafted, and captured the desolate, cold atmosphere in ways that almost had you feeling the chill. The art works well in moments of violence too, where you see just enough that you can feel the visceral, animalistic nature that Logan brings to his killing, yet it never feels overly gory or gratuitous. It manages to walk that line between dark and disturbing incredibly well.

Ultimate Wolverine, like much of this new universe, feels like a slow burn story, one that's not just carefully crafting these characters but the world they inhabit, allowing the reader to get a little more each issue rather than presenting everything up front. It's an approach that's working incredibly well for this title so far, and has quickly elevated this book to my most anticipated Ultimate book each month.



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Monday, 17 February 2025

Boom Bandits: The Complete Saga - Graphic Novel Review

 


'In Scarcity, you can't trust anyone over the age of 40. For Pixie and Freydank, life expectancy is low and regularly disrupted by immortal elders from neighbouring Methuseland. When a small act of mischief forces them to flee their home, they discover a forgotten relic that - if unleashed - will smash the status quo and cause potential anarchy between the two cities.'

When people say the word comic most would hear it and think of superheroes, folks with powers and bright costumes who rush in to save the day against equally as strange villains. However, British comics are a very different animal, and those who grew up in the UK would be more used to seeing characters like Judge Dredd, Strontium Dog, or the ABC Warriors on the shelf of the local newsagent over someone like Superman or the X-Men. British comics are less about larger than life heroes, and more about examining the world around us through a satirical, often grim lens that will create these extreme characters and settings that have more to say about society than you'd first think. Helldunkel Studios new graphic novel, Boom Bandits, follows in this tradition.

Set in a far distant future, Boom Bandits introduces readers to a society divided, a world of haves and have-nots, where the rich tower above the poor un a beautiful city, whilst those without must eek out a hard existence in dangerous, gang filled slums. This isn't too unusual a setting, it's something that has been used in literature throughout the ages to quickly sans easily show a society that's grown corrupt by prioritising the elite. In this world, however, it's not just being rich that sets those above as different, it's also their age. Scar City is home to the Boomers, a group of older people whose wealth has allowed them to access technology that has slowed the ageing process down, allowing them to continue to live a lifestyle where they have access to all of the resources, and the younger people are left to rot in a world where the excess of the older generation has left it almost impossible to survive, let alone thrive. Can you see the social commentary yet?

Just the name of the book, Boom Bandits, hints at the kind of story it's going to tell, where the Boomers are equated to criminals, bandits who have stolen the world from those that have come after. They've taken the healthcare for themselves, they've got the best homes, they're protected by the best security and police forces, they can eat whatever they want, do whatever they want, and all the while they look down on those who are different from them as little more than dirty, violent, and criminal. Those who've been left behind, who survive in the ruins of the world left to them by the selfish Boomers, live in a society dominated by gangs and violent culture, mainly as there's not enough to go around anymore, and so those that live in the slums must fight to even get by.



It's here that we meet a pair of Boomers who've come to tour the slums are part of a vacation, who see the younger people and their literal fight to survive as something to be entertained by, treating the people as an attraction, barely considering them human, referring to them as Guttersnipes. When the technology that protects them from being harmed fails some of the locals express their dislike of the system by violently attacking the Boomers, something the earns a violent response. Not ones to get their own hands dirty, the Boomers send in their security forces, the Youthanisers, a third class of cybernetically enhanced people that 'protect' the Boomers and their interests, but are little more than state sanctioned killers. 

When one of the Youthanisers attacks people in the slums, killing anyone it can find, not caring if they're engaging in any crime or if they were part of the attack that spurred this on, a young girl named Pixie ends up in an underground vault that's home to an old mech from the Tech Wars. This silent young girl is somehow able to connect with this machine, seemingly with her mind, and uses it to battle the Youthaniser. Thus begins a war between the Boomers and the youth of society, one where survival itself hangs in the balance, and with the promise that society itself will forever be changed by the outcome.

It's not hard to see the subjects that Boom Bandits is tackling, but like with all good satire it's done in such a way that you get from this what you want to take away. You can read the book simply as a story set in a fictitious future where gangs are fighting back against an oppressive system with little more to it than just being a decent sci-fi story; but if you want to you can go deeper, you can see the social commentary about generation inequality, crime, police brutality, and other topics. Boom Bandits has a lot to say, but it doesn't preach, it allows the reader to find these things on their own and trusts that you're smart enough to see what's being done here. And even if you're not, you're probably still going to have a good time reading it anyway.



Boom Bandits moves at a pretty brisk pace, and it likes to get the reader from important point to important point as quickly as possible. As such, it can sometimes feel like the story is moving a bit too fast, and there are times where I came away wanting a bit more space to explore this world and the characters a little more before the next big set piece of story beat was hit. That being said, enough time is spent with the characters that the few really important ones get fleshed out enough that you can understand their motivations, you feel a connection to them, and you feel bad when some of them don't make it to the end. Other characters, particularly some of the older Boomer characters, don't quite get the same treatment, and come off as a little cartoonish in their villainy, but this may be intentional, as it does help towards showing this 'upper' class as a faceless, detached mass, one that feels less individual and more of a system of oppressors. 

The art, also by the book's writer Bruno Stahl, looks absolutely fantastic. I have to be honest, the first time I read Boom Bandits was as individual issues for the first two parts of the book, and I read these digitally. I enjoyed the art at the time, but I honestly didn't connect with it as much as I did now having the physical book in my hands. The black and white art looks so much better on paper than it does a screen, and where before I may have felt that it needed a little something more to feel fully finished and realised now it just works for me. I loved the art on the book, and even once I was finished reading I'd find myself flipping through it several times, just soaking up the images. Digital comics may be more common now, and often easier to get than physical books, but as far as I'm concerned the best way to experience Boom Bandits is with the physical book in your hands.

Boom Bandits is a book that I enjoyed more as a complete, physical package, so if you missed out on the individual issues and have been holding out for the complete collection this new graphic novel will more than satisfy you. If you like British comics, and are a fan of 2000AD this book will feel right at home for you, as it feels like it was ripped right out of the pages of that publication (in the best way possible). I can't wait to see what Bruno Stahl and Helldunkel Studios gives us next, because this book was an absolute joy to read.



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Saturday, 8 February 2025

Wolverine #6 - Comic Review

 


Writer: Saladin Ahmed, Artist: Martín Cóccolo, 
Colourist: Bryan Valenza, Letterer: Cory Petit


After a few issues with Logan babysitting Leonard, a teenage infected with the Wendigo curse, we've finally gotten back into the main thrust of this first arc, which sees a mysterious infection that's turning people with Adamantium in their bodies into mind controlled killers; as well as turning their Adamantium from silver into a golden coloured metal instead. We pick up with Logan after his fight with Constrictor, Lady Deathstrike, and Cyber last issue, joining him in the middle of a vision that makes him think he's trapped deep under the earth, like Adamantium ore, after having been infected in the final moments of issue five.

Drawn out of his vision by Nightcrawler, it seems that Logan is no longer infected, whether because his healing powers allowed him to fight it off, or the infection chose to let him go, it's not clear yet; but Logan is back in the game and ready to go after his foes. However, they've vanished, leaving bodies and destruction in their wake. It's amidst this destruction that Logan comes across family, as the other Wolverine, Laura Kinney, is in the middle of fighting Leonard. Luckily, Logan is able to stop the fight, and father and daughter are able to team up to continue their chase of their infected enemies. It turns out that Laura has been on their trail too after a group of metallurgists in the UK were killed, leading the two Wolverines to come to the conclusion that anyone with knowledge of how to create Adamantium is being targeted by the infected. 

The two of them are able to track their foes to a facility in Arizona using the Blackbird's tracking system, and head there to continue the fight. Finding even more death, they're surprised when they come face to face with Donald Peirce, the mutant hating Reaver, who's cybernetics are coated in Adamantium, allowing him to be infected too. Joined by the other infected, the two Wolverine's have to fight for their lives; but discover a familiar, ancient face, leading them in a final page reveal that promises some interesting things to come. 

It feels like Wolverine has begun to increase in quality over the last two issues. After a fairly promising start the book seemed to lose a lot of momentum as Logan took a few issues out of the main story to deal with Leonard, something that so far doesn't seem to have added much to the series. Perhaps he's a Chekov's Gun, and he'll end up being important at a later point. The last two issues feel more like what people tend to come to a Wolverine book for though, as we get lots of blood, and action scenes where Logan and Laura fight their way through familiar and fan favourite faces.



The story is still kind of thin, there's some kind of ancient entity called the Adamatine that wants to change Adamantium and make the people with it in their bodies into mindless drones to its will, but that's about it. We don't know what it is, where it came from, or why it's doing this; though the final moments of this issue do give the impression that some kind of explanation will be coming next time. But, what we have here is enough in the sense that it's what we need as an excuse to have our titular hero and his daughter get into some fights. After all, we don't really expect complex, intellectual stories in a Wolverine title, we expect fighting and some Logan angst; and that's what we've been given so far.

The art team, Martín Cóccolo and Bryan Valenza, make some great work, and even if the story isn't to your taste it's hard to deny that the book doesn't look really nice. Everyone looks crisp and clean, character designs are really nice, and you get a great sense of the death and destruction happening around Wolverine as the background details are usually really well crafted. Even when the book felt a bit slow for my liking on previous issues I couldn't fault the artwork, and that continues here with some really great fight scenes and smaller character moments that never leave me disappointed.

After the last page reveal I'm very curious to see what's going to be happening next. It's something of a morbid curiosity as my experience with this character has been in stories that I've not hugely enjoyed, but perhaps Ahmed will change my mind on them and this will be the story that makes me see them as an interesting and impressive antagonist.



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Batman #157 - Comic Review

 


Writer: Chip Zdarsky, Artist: Tony S. Daniel, Jorge Jiménez, 
Colourist: Tomeu Morey, Letterer: Clayton Cowles


I have to be honest, the longer Chip Zdarsky's run on Batman has gone on the more I've ended up disliking it, and this final arc might be one of the best examples for why I dislike it. There are multiple reasons why this issue annoyed me, things such as Bullock being fired from the cops again after just having gone back to them, a lingering question over whether Gordon was mind controlled or not when he murdered the mayor so might actually be a killer, Thomas Wayne having had an affair, Gordon having had an affair. Things that either cast our characters in a poor light, or things happening just for the sake of having them happen to have no lasting consequences (like Bruce maybe having a brother who's taking away his company, but no, he's not really his brother so that whole sub plot was a big nothing).

But the thing that I disliked most was the ridiculousness of the stakes and what Batman does in this issue. The simple (ish) plot about The Riddler messing with Gotham and framing Gordon for murder turned into a global plot by the Russian government to steal tech that would allow them to get the US nukes and start World War III, meaning Batman is now racing to stop a nuclear apocalypse and global war. This leads him to boarding a private jet and stopping the Russian agents, killing one in the process because everyone kills now I guess. However, the jet loses control and is crashing towards Gotham. So batman climbs onto the plane, uses two machine guns and some explosive gel to blow the wings off so it'll fit on the street it's crashing towards. He then lands the wing-less jet perfectly, bringing it down right in front of the villain. Before the jet even stops moving he's dived out of the windows, throwing batarangs to save a woman being hung, and lands whilst hitting the villain in the face. Because Batman can do ANYTHING.



This has been a common theme in Zdarsky's run. We've had Batman literally falling from space and walking away without much hassle, him fighting his way across the multiverse, having to battle an unstoppable robot that even Superman can't beat, stopping World War 3. Batman is a great character when he's a vigilante detective, but Zdarsky seems to want him to be the greatest human that's ever lived who can fell from space, save the world, and do the impossible without any preparation. This run feels like the worst example of the Bat God trope, and if Zdarsky turned around and revealed that it was all a parody of those kind of stories I'd still be annoyed, but at least it'd feel like it made sense.

The art, by Tony S. Daniel, Jorge Jiménez, and Tomeu Morey is superb, and the book looks great, and there are some really great panels here that out of context look like amazing Batman moments. But in context of the story and everything that's happening great art can't make up for a poor story. That being said, if the art wasn't as good as this I dare say I'd have ended up marking the book lower.

I really tried to like this issue, and the entire Zdarsky era, but by the close of this issue all I felt was relief that it was over. The final scene raising the possibility that Gordon murdered a man without mind control and did it in a fit of rage took out any sense of joy of the book at least being over. 



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Friday, 7 February 2025

Absolute Superman #4 - Comic Review

 


Writer: Jason Aaron, Artist: Rafa Sandoval, 
Colourist: Ulises Arreola, Becca Clay

There's been a shift in comics telling stories about corrupt governments, cruel corporations, and people in positions of power oppressing the regular folk to the point where they've become so broken that violent uprising is the only option left to them. Marvel and DC are doing this in their alternate universe lines of Ultimate and Absolute and it's interesting how these themes are present in both companies at this time; but then I look at the world we're in now and it's not hard to see why we have art like this. The latest issue of Absolute Superman takes a step away from the mysterious new Man of Steel to follow Lazarus agent Lois Lane as she tries to find out more about the mysterious helper of the downtrodden.

Lois' journey takes her around the world, talking to various people that have been saved by Superman, learning more about him, but also more about Lazarus and the people that she works for. We saw a small change in Lois in the previous issue, where she wanted to write her own report instead of allowing the clearly evil Brainiac 'AI' (we know it's totally not an AI) to do it for her. This issue we see this change in her continue, as she strikes out on her own, goes against protocol, and even dismisses the warnings from her father. Perhaps the biggest sign that she's the decent, kind Lois that we know and love is that she beats the crap out of a Peacemaker and arrests him for brutalising civilians, showcasing that despite the massive differences this world has a lot of these people are still the decent, kind people we know.

This issue also introduces us to two of the previously mentioned Omega Men, a group of terrorists/freedom fighters that have been bringing the fight to Lazarus in order to challenge their grip on the world. One of them will be immediately familiar to Superman readers, and it brought a huge smile to my face to see them this issue. The other, Omega Prime, is less obvious, and I think that when the mask comes off it could end up being anyone we know, or a completely new character. Whoever she is, I like her relationship with the other Omega Man, and her design is pretty cool too.



The art is provided by Rafa Sandoval and Ulises Arreola, who make fantastic work. This is one of the coolest looking books DC has on the shelf at the moment, and the style fits the darker, grittier tone that the book has well. The slums and war-torn places that we visit always look great, full of detail that sells the fact that these are bad places, places that you'd never want to find yourself, let alone live in. It's these smaller details that really make the book work for me. Whether it's the workings of General Lane's robotic legs, the cut in half helicopters, or the bulky Peacemaker armour, the book has a very real, tactile quality that I adore. 

Superman isn't in the issue much, despite his presence being felt throughout, but when he is on the page the art team make him feel larger than life, and the depiction of his dust cape remains one of the the more visually impressive parts of the series. This Superman feels so different to our regular one, and even without any dialogue just his presence on the page marks him out as different to Clark.

I'm loving the Absolute books, and each one of them is recreating these iconic heroes in new and interesting ways that feel unique to these titles, yet manage to stick to the qualities that made these heroes last for almost a hundred years. That being said, it does feel like each of the books has their own distinct identity, and they could almost be their own universes. I'm hoping that we get a little cohesion at some point, even if it's smaller details. Show us Peacemakers in Gotham, have a mention of Amazons in Superman, do something that shows this is the same universe, because whilst I'm loving these titles they don't feel like the same world yet, and the longer that feeling goes on for me the weirder it gets.



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JSA #4 - Comic Review

 


Writer: Jeff Lemire, Artist: Joey Vazquez, 
Colourist: Luis Guerrero, Letterer: Steve Wands


I've been a fan of the Justice Society since getting into comics, there's been something about this team of Golden Age heroes, who train up the younger generation and embrace legacy heroes, that really appeals to me. I still haven't finished the previous run on the title, the Johns written series about Helena Wayne, mainly due to the sporadic release schedule making it hard to stay invested. I think this made me a bit unsure going into Lemire's run, and the secretive manner of the first issue didn't help me settle into things too well. Now that we've started to get more answers as to what's going on I'm really coming to like this run, and this issue's focus on Doctor Mid-Nite, the Beth Chapel version, was an absolute treat for me.

With the JSA scattered, some trapped in the underworld, some on Earth, and others captured by an alliance of the team's many villains, Lemire seems to be doing a good job at balancing the multiple characters, and everyone feels like they're doing something that plays into the larger narrative. This issue drops us with Beth Chapel, the second character to wear the Doctor Mid-Nite costume. Despite having read a lot of Justice Society books I've not spent a whole lot of time with Beth, so getting to see this issue through her was great for me, and gave me a good impression of her character, showcasing how resourceful and smart she can be, even when stripped of her equipment and back-up.



We also spend some time catching up with Todd Rice, Obsidian, this issue. Obsidian has been in the series since the first issue, but we learned that he was an imposter, and that Johnny Sorrow was tricking the team; which makes this the first time we're getting to see the real Obsidian since the series began. Todd is trapped inside a hospital, one where he's being drugged every time he wakes up, his room bathed in bright light. His mind addled by drugs, strapped to a bed, Todd seems lost and disorientated, and it's down to his own inner strength and guile to win him through and free him from his imprisonment. It's a nice reintroduction to the character, and for those only getting into the JSA with this run I think it shows some of the best of his character. 

The art team do a wonderful job this issue, and I love how Joey Vasquez and Luis Guerrero make everything pop. The book has a larger than life, almost cartoonish feel to it, where it doesn't feel like realism is the main goal of the art, but it's the desire to have fun that takes president. This works well with these kinds of characters, as both the JSA and their villains tend to look a bit goofier than characters introduced after the Golden Age. And I say goofy affectionately there. I adore the sillier look a lot of Golden Age characters have, where they look like they're wearing real clothes instead of high-tech uniforms. The art on the book enhances that feel, and for that I really like it. With more of the mystery being revealed this issue, and several of the pieces moving, I'm looking forward to seeing how things come together, and what happens when the team get reunited.



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Thursday, 6 February 2025

Birds of Prey #18 - Comic Review

 


Writer: Kelly Thompson, Artist: Juann Cabal, 
Colourist: Adriano Lucas, Letterer: Clayton Cowles

With the previous arc over we catch up with the Birds as they take some downtime. Dinah and Sin are hard at work training, testing Sin's new powers and abilities, whilst Cass and Barda train in another way entirely, in video games. Unfortunately, the team's peace is shattered when Barbara gets some intel that indicates the cult who are after Sin and Megaera are coming to Gotham to capture her. Not wanting to risk civilians, Dinah and Sin head out to a remote cabin in the woods to set as trap for the cultists. Meanwhile, Cassandra and Barda get called away to help Constantine, who's transporting a demon inside himself in a magical plane, but who needs some help getting it where it belongs. 

Birds of Prey has done a great job at balancing personal character moments with big, larger than life adventures that takes a team like the Birds to solve. This issue continues that, with things split pretty decently between the team just hanging out with each other and having fun, with the two missions that they get sent on. Even when they're on mission Thompson does a fantastic job at injecting a lot of character into everyone, and it really does feel like this team keeps doing stuff together because they're actually having fun being heroes and enjoy each other's company. It's a great tone that allows the book to take itself seriously, but never feel dour or grim, and it always ends up being a load of fun.



Juann Cabal and Adriano Lucas do a fantastic job on the art, and every character has a ton of great visual moments. Whether it's the small facial expressions that Barda is making in the background when she finds out that she's not going on the mission, or the way that Cass looks sad even through her mask when Barda breaks her game controller, these moments inject a lot of life into the book and make it an enjoyable read. The art team also throw a few background gags in there, like 'The Art of Ambush' book on the coffee table as ninja's are sneaking up on the heroes. 

Perhaps the best moment from the art team is when Barda actually uses one of the frames around a panel to launch herself into an attack. Does this mean that Barda can break the fourth wall, is that one of her New God powers, or am I overthinking the whole thing? I don't know how that works, but it's brilliant to look at. I think a lot of people may have overlooked Birds of Prey for other big name teams, but this is easily one of the best team books on shelves right now. 



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The Ultimates #9 - Comic Review

 



Writer: Deniz Camp, Artist: Chris Allen, 
Colourist: Federico Blee, Letterer: Travis Lanham

I have been enjoying The Ultimates, but the last couple of issues felt like a slight dip in quality for me. I didn't really vibe with the Guardians story last month, and it felt like the series was changing gear a little. This issue, however, feels like a powerful return to form that I can't help but love. Issue nine does what this series seems to do best, it took a step away from the overall story and focused on a small corner of this new universe and fleshed it out for us, delivering more of the larger revolution against The Maker, whilst also showing us how bad things in 6160 can be.

Issue nine focuses on Luke Cage, who we meet twenty years ago as he's sentenced to one year to life in prison, his crime is never revealed to him, he doesn't get a trial, he's just a fifteen year old boy who realises he's facing the rest of his life in prison. Over a shifting timeline, we see Cage at various points in his life, being abused by a for-profit prison system that wants him as a slave. He's beaten by faceless guards, abused, maligned, and very literally stripped of his status as a human. So when Iron Lad sends him a package that promises to give him power it leads Luke down a path to revolutions. 



This issue is a fantastic book, it's the kind of issue where if I've got someone asking if this new Ultimate Universe is any good I'd hand them it to read; because I think this is a perfect way to win people over to it. It captures the tone of The Ultimates perfectly, of an oppressed people leading a movement against a cruel regime to fight for a better tomorrow.

The art for the issue is provided by Chris Allen and Federico Blee, who create a wonderfully oppressive atmosphere. The prison world that we're introduced to feels cold, hard, and unwelcoming, and you're sold on how terrible it is immediately. Luke himself looks great, and it's wonderful to see his gradual change over the years, and if you're not hyped to see him as the super powered saviour of the oppressed, wrapped in the chains used to imprison him I don't know what would win you over. If The Ultimates keeps making issues like this the series is going to become a must read for decades to come.



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Monday, 20 January 2025

Girl Rebels - Graphic Novel Blog Tour

 


''From what age are we allowed to change the world?' Six girls, five empowering adventures. From climate activism to fighting for education and gun control, each story delves deep into the personal struggles and triumphs of remarkable individuals.

'The Girl Rebels graphic novel shares the extraordinary journeys of six young women who refused to be silenced in the face of adversity and have since become symbols of change. Through rich storytelling and stunning visuals, readers will be inspired by the unwavering spirit of Greta Thunberg, Malala Yousafzai, Yusra Mardini, Emma ‘X’ Gonzalez and the Parkland Kids, and Melati and Isabel Wijsen. Each turn of the page will draw readers into the lives of these young girls, who never intended to become spokespeople or flag-bearers, but have now become inspiring icons and role models for thousands of young people all over the world.

'Carefully crafted by a talented team of international authors, the anthology presents a compelling exploration of youth activism and social change. The noblest battles of the modern world are brought to life by diverse and renowned illustrators, such as Bret Parson and Gijé. Girl Rebels is for fans of thrilling real-life stories and youth activism around the globe. Join these brave young women on their journey to change the world and discover the power of resilience, determination, and solidarity.'

I think that it's human nature to want to leave some mark on the world, to feel like your life meant something, even if only something small. It's the reason why people make art, why the seek fame, and for some, it's why they enter the world of politics. And whilst all of these paths are indeed ways to make a legacy for yourself, to be remembered for doing something, the people who make the biggest impact tend to be those who don't seek fame and fortune. It's the people who try to make the world a better place simply because it's a good thing to do who become the most inspiring. Girl Rebels takes a look at several young woman and girls who have done just that, who have stood up for decent ideals, who have put themselves in danger, to try to make the world around them a better place. 

As the title of the book says, this collection of short biographical comics focuses on girl, most still just children when their real story begins, who have done what most of us would see as the impossible. They've stood up to tyrants, have gone against political systems, have challenged people in power, and for that they've earned the title of rebels. There will be names here you know of, and others you don't, but each of them will end up being some of the most inspiring people you'll hear about; people we should all try and emulate a little bit more.



The first story centres on Malala Yousafzi, a young woman who was born in Pakistan, a country where girls and women are treated as second class citizens, where they're not given an education, where their role is simply to serve the men in their lives. Thanks to Malala's father, Ziauddin, being a teacher who believed in progressive morals and the freedom of women, taught his daughter to read and write in a system that said it was wrong. He opened a school for girls, and life was good for a while for Malala and her family. Until the Tehreek-e-Nafaz-e-Shariat-e-Mohammadi (TNSM), an Islamist extremist group, began to enforce Sharia Law in Malala's homeland of Swat. Faced with open violence and threats for daring to be educated, Malala refused to back down, and even began to speak out against the TNSM in the media. And for this, Malala was shot in the head.

This would be where most stories would end, but Malala survived this attack, recovered in Britain, and went on to continue her fight for the rights of women and girls in Pakistan, and the world. Malala would meet with world leaders, speak on the international stage, and would become the youngest person to win the Nobel Peace Prize (amongst other accolades) for her work in fighting for education equality. 

Malala is perhaps one of the most famous names in this collection, and her story of being gunned down by terrorists because of her beliefs and refusal to be broken, as well as her survival against all odds, made her an international name. Whilst I was aware of the key points of her story there were still a lot of details about her that I didn't know, and this book helped to fill in those gaps in my knowledge; but most importantly, it spent time showing the girl behind the story. The early parts of her chapter spend time showing her family life, of the happiness she had before the TNSM came into her life, and it helped to remind me that she's not just this amazing, inspiring figure, she's a real person.

The art on this section is provided by Vittoria 'Vic' Macioci, an Italian illustrator, who makes a heavy use of both red and blue throughout. The colours aren't just used randomly, however, as Macioci seems to be using them very carefully. For the most part most of the panels will be coloured in various shades of blue, with even the people being in these cold, muted tones. Except for Malala. She's always in red, and stands out on every panel. But she's not the only one. Every now and then there's more red. Her father is coloured red when he's teaching Malala to read, her mother is red on the occasions she's doing something like encouraging her daughter, or revealing she's also learning to read. The rest of the time the two of them are blue, blending in with everyone else. It seems that Macioci is using red as a sign of rebellion, of going against the norm. Malala is the embodiment of this, is always doing this, and her fire and passion shows through in her colouring, and the times others join her, their colours change too. It's a trick that people might not even pick up on, and I didn't at first, but the art seems to be reinforcing that Malala is different to the people around her, that she's something special, and that she can inspire others to be as well.



The second chapter is about Greta Thunberg, the most famous of the girls featured in this collection, and the one whose face graces the cover. Like Malala, Greta is another girl that I was aware of, and its her tireless action, and the way that western media outlets have painted her, that has brought her international fame. I've heard people in my life bring up Greta with derision, calling her 'weird', or 'annoying', people in the generation above me talking about her like she's a loud child who should stay in her lane. These are people whose opinions are mostly shaped by uncritically absorbing one right wing, billionaire own news source who wants to make anyone who threatens them the villain. This isn't that surprising, as there are many people who will take what's in a tabloid as gospel and believe what they're told. But for many, especially younger people, Greta is an iconic, fierce proponent for a better world for all of us. 

Greta's section begins long before her fight for the environment began, and shows us a very young girl who struggles to fit into the world around her. Greta has Aspergers syndrome, as well as obsessive compulsive disorder, both of which made her early life difficult. This especially came into affect when Greta, who was just eight at the time, learned about climate change in school and couldn't understand why no one cared that we were destroying our planet, and putting humanity's future at heavy risk. Thanks to the way that Greta saw the world, and her obsessive personality, she became focused on doing something to change this. Greta, at fifteen, staged a school walk-out, sitting outside the Swedish parliament to bring attention to her cause. Even though she began alone, others followed, and soon there were hundreds of others with her, as well as hundreds more in other countries.

Greta became a leader of the movement because of her actions and her passion, and her example inspired many other people to begin fighting for a better world. Over the coming years Greta would speak on the international stage, talking COP24, gave an impassioned speech at the UN, and working with Native American reservations, as well as meeting with multiple world leaders and famous figures. Greta might be young, and her even younger appearance has led to many people discounting her as 'just a child', but she has always risen to the occasion, bringing brutally honest speeches, well researched points, and an undeniable passion to everything she does. The world is on the brink, and to deny climate change and the ill effects that it's had on the planet would be so blatantly wrong that you're either living in complete denial, or have little sense. This is an issue that is affecting us all, that will affect the youngest the most, and is leading to human extinction. It cannot be ignored, and Greta Thunberg is not only making it her life's work, she's inspiring others to do the same; and with so much resting on this issue that doesn't just make her a rebel, it makes her one of the best of us all.

The art for Greta's section is by Jérôme Gillet, also known as Gijé, a 2D animator and artist from Lubumbashi. The colours for the chapter tend to be quite muted in tone, with pages filled with sepia tones, light blues and greys, the occasional splash of yellow or red peaking through to offer some warmth. It's a different kind of look to what most big two publisher comics offer, but for those that read more independent European comics it definitely evokes that kind of feel. The most impressive part of the art, however, is how well Gillet has managed to capture Greta's likeness. Even when it's tiny child Greta, younger than the public knew her, it's so clearly her. A lot of the expressions that we're used to seeing on Greta are here, and the drawings have much of the determination, humour, and quiet reflection that we've come to recognise in her. It's easily my favourite section artistically, and for me it was the most beautiful.



The third chapter tells the story of Yusra Mardini, a young woman that I'd not heard of before reading this book. Born in Syria, Yusra grew up in Damascus, where her father, an ex-swimmer for the Syrian national swimming team, trained Yusra and her sister to swim from a young age. Yusra developed a passion for swimming, and was inspired watching the 2004 Olympics, deciding that she wanted to compete on the international stage when she was older. In 2011, however, Syria descended into civil war, a conflict that put her family at risk; and Yusra was even almost killed when a rocket landed in the same pool she was training in, with her only surviving because it didn't detonate. 

Deciding that they weren't safe in Syria anymore, the Mardini family made a dangerous trek to Lebanon, then Turkey, where they arranged to be transported via boat to Greece. However, the dinghy, which was dangerously over capacity, was abandoned by their smuggler, and the twenty people on board were left in dangerous waters. With the motor broken, and the boat taking on water, Yusra and her sister jumped into the water and pulled the dinghy towards their destination for hours. Eventually reaching Lesbos, Yusra and her sister continued on through Greece, to Macedonia, Serbia, Hungary, and Austria, until they reached their final destination, Germany. The two of them were eventually reunited with their parents and younger sister in Germany, and it was here that Yusra continued her swimming career.

With the help of a social worker, she met an Olympic swimming trainer, who saw her skill and potential. Yusra began to swim again, and after a short while she was asked to join the newly created Refugee Team in the 2016 Summer Olympics. Unsure about entering the games as a refugee, she eventually decided to do so after receiving a message from a young refugee boy from Syria who was inspired by her story. Thanks to this Yusra entered the games, and was one of the first Refugee athletes. Despite not taking the winners podium, Yusra and her story inspired people across the world, and she would use her new fame to speak on the behalf of refugees in some of the most important places, and would meet with world and religious leaders. She became the youngest ever UN Goodwill Ambassador, and would form the Yusra Mardini Foundation to support sports and education for refugee communities. Yusra helped to show the world that refugees are not only deserving of respect and support, but that if given the chance they can do amazing things. 

Jocelyn Joret brings Yusra's story to life, using fairly simple and bold artwork to do so. Joret's style is distinctly different to the other sections in the book, and has a more cartoonish look at times. The characters are often drawn with simple dots for eyes, with big, exaggerated expressions that are used the heighten the emotions people are expressing. Joret also uses blues and oranges that are used to make some stark contrasts.



There are a lot of things that can inspire people to try and do great things, but it's a heart breaking fact that it's often tragedy that leads to this. This is highlighted in shocking detail in the fourth chapter of Girl Rebels, Emma and the Parkland Kids. The story begins at Marjory Stoneman Douglas school in Parkland, Florida on the morning of February 14th 2018. The first couple of pages shows the students arriving at school, being excited for the day, exchanging valentines, and enjoying the happiness of youth. And then the gunman arrives. We spend a few pages seeing the events of the now infamous shooting, and whilst the book doesn't show graphic images of people being killed it still manages to hammer home the brutality and horror of the event, and it makes for a hard read. 

But what makes this different from the 2,933 other school shootings since the US began recording them? It's because this time the kids didn't just let politicians and new pundits offer 'thoughts and prayers' and do nothing to change things. David Hogg, one of the students, was one of the first to speak out about the incident, and spoke various reporters that night, challenging people to actually do something to stop this from happening again. Other students joined Hogg, and whilst they were passionate about making a difference they needed organisation, and this came in the form of Emma (X) González. The teens created the Never Again Movement, and organised a rally that gained national attention and put Emma in the spotlight. 

Through Emma's impassioned speeches, the students use of social media, and the much needed change that was wanted by most every student in the US, the movement gained traction, and David Hogg was even able to stump Florida's senator during a live debate that showed the corruption within politics and their refusal to denounce money from gun lobbies. However, it was the action on the 24th March that made history. Eight hundred protests took place across America, and 800,000 people marched on Washington, more than double those who attended Trump's inauguration. Emma delivered a brutal, heartfelt speech that day that moved millions who watched it, and helped to begin a series of changes that would see 137 new gun laws passed in the US. Whilst it feels like little has changed, with 1,493 school shootings taking place in the last six years since Parkland (not including the others in 2018) the actions of the Never Again Movement and the children who led it have helped to show the world that America and its gun laws are broken, and that its children are paying for that with their lives.

The Parkland section is illustrated by Brett 'BlitzCadet' Parson, a US artist who has worked for big comic publishers in the past. His work felt somewhat familiar to me, and it wasn't until I read his credit that I realised why. Parson had worked on Tank Girl in the past, and when seeing his depiction of Emma González you can see a lot of that fierce, almost punk aesthetic in her that Tank Girl oozes. In some ways the story being told here feels like it should be one of the larger than life parody stories found in a book like that, of children having to campaign for the right to exist, to not have to fear being shot at any moment, in a country where guns have more rights than children. But it's not parody, it's somehow real life. The art fits that tone well, where it feels like it's larger than life and ridiculous, yet is very grounded in how it presents itself. The opening few pages, that show the shooting, are perhaps the most impactful in the book, pages that don't need dialogue to tell us what's happening, to describe the tragedy involved, because the art puts you in that moment with brutal honesty.



The final chapter tells the story of sisters Melati and Isabel Wijsen, climate activists living in Indonesia. Born in Bali, the sisters grew up loving the beauty of their home, a beauty that was destroyed one day when they stumbled across a beach covered in rubbish and plastic waste from the ocean. The two of them attended a revolutionary school, one that was geared towards nature and living well with the natural environment. It was here that the two of them learned more about pollution and how waste has affected the natural world, particularly their home. It was these lessons about the environment, as well as the schools lessons on inspiring figures, that sparked a passion in the young sisters. Melati and Isabel decided that something needed to be done about the plastic waste ruining Bali.

Tackling all plastic waste wouldn't be an easy task for two children, so the focused on plastic bags, and formed Bye Bye Plastic Bags, a movement to ban plastic bags from Bali. The two of them organised beach clean-ups, the first ever flash mob in a Bali spiritual location, and spoke at the Global Issues Network to raise awareness. They targeted people at the airport to collect signatures for a petition to ban plastic bags, and created a scheme for local businesses that agreed to do so, labelling them as environmental businesses (as well as highlighting those that wouldn't do it). Despite their hard work they couldn't get an audience with the governor, not until the two of them went on a hunger strike to raise more attention to the cause. 

This meeting resulted in the governor agreeing to ban plastic bags in Bali, a decision that would push the sisters on to fight for even more change. The two of them would speak at COP24, the Economic Forum of Davos, and the UN. Over the years since Bye Bye Plastic Bags has gone on to form more than 50 teams around the world, they've mobilised more than 57,000 young people to take action, and removed more than 155 tons of plastic waste in Bali alone. Melati and Isabel have been named as two of the most inspirational young women in the world, and have gone on to inspire others, showing people across the globe that even a tiny change can spark something bigger, and that no positive action is too small to make a difference. 

Swiss illustrator Rebecca 'Ninig' Traynuig brings the Wijsen sisters story to life with beautiful art that feels reminiscent of watercolour art. Relying heavily on blue tones, Traynuig makes the young sisters stand out on the page thanks to them being the only figures with warmth to them, with browns and flesh tones used to make them and other people pop on the page. Traynuig's line work is fantastic, and captures a lot of emotion on her characters, and is able to portray the beauty of the environments well, and the final page of the story is a gorgeous double page splash that inspires hope, and shows two sisters love for each other and the world they've decided to fight for. 



Girl Rebels is one of those reads where you come away feeling changed by it. It's easy to be inspired by fiction, characters can be larger than life, the odds can be made fantastical, and it's easy to have good win out in the end; but when it comes to real life that's not always the case. The world is often a terrible, cruel, and uncaring place, filled with people who will turn on each other given half a chance and care for little outside themselves. But that's not everyone. 

There are good people out there, most people are. And there are those who don't just want to be good, but to do good, who are so filled with the drive to do more, to make things better for others that they have to stand up and do the extraordinary. It's inspiring to hear these kind of stories, but when it's children it becomes even more inspiring. And in a world where children are often infantilised and ignored, and girls especially, those who refuse to be put down or overlooked by the adults around them become beacons. These aren't just rebels, they're not just young leaders, impassioned speakers, or dedicated activists, the young people in this book are some of the best that humanity has to offer.



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Saturday, 4 January 2025

Top 10 Comics of 2024

 


There have been many amazing comics across 2024, with some great events, brilliant new series, and plenty of ongoing runs that have gone from strength to strength. I found it hard to pick just ten books to include on this list, and tried to limit them to books that have had at least two issues released in 2024, and because of this there are two honourable mentions at the end that don't quite meet this criteria.



Absolute Batman

The Absolute Universe is something that DC fans have been clamouring for for years, DC's take on the Ultimate line from Marvel. Using both Absolute Power and DC All In as a spring board, three books launched the Absolute line, and the first was Absolute Batman. Set in a world where things are dark and lacking hope, this version of Bruce is a man who grew up without wealth, who experienced a different childhood tragedy, yet still found the drive and strength to fight for his city as Batman. A huge, muscled figure, this Batman uses his knowledge from being an engineer to create a batsuit that features multiple inbuilt weapons, and a cape that incorporates chains, hooks, and the ability to scale walls, making him very different from the regular Batman. With three issue of the series out so far it's clear that we're going to be getting a very different version of the iconic hero, but one who still hold true to the ideals and qualities that makes him a hero.



Birds of Prey

This title was one of my favourites in 2023, and the series continued to be the wonderfully fun and well created book that won me over when it first launched. Thanks to its rotating cast, with a handful of core characters that have been there from the beginning, the book is able to bring in new members as stories dictate, allowing the creative team the freedom to do something different each arc. The last year has featured a fight with an ancient god, dimension hopping adventures that changes the style and aesthetic of the team each time, and an undercover mission to rescue kidnapped Amazons. As well as the superb stories, the series has featured some of the more creative and unique art on an ongoing book at the moment; art that won colourist Jordie Bellaire an award this year.



Superman

Cowboy Superman, a showdown with an army of Czarnians, a powerless Clark going up against magic, every Brainiac ever returning, Lois gaining powers, and Doomsday breaking his way out of hell have been some of the many highlights of Superman this year. Easily the best of DC's trinity's books, the series has delivered some of the best Superman stories in a while this year. Joshua Williamson has taken some big swings with the stories that he's been telling, and whilst they've been full of action and spectacle they've also made time for the smaller moments too, and there has been some great personal stories and quiet character moments to be found across the various arcs. With an exciting new era for Superman and his family just beginning, this title promises big things going into 2025.



Moon Knight (Various)

This entry is a bit of a cheat, as it's more than one book. Vengeance of Moon Knight, and Moon Knight: Fist of Khonshu were both released this year, and both have told the unfolding adventures of Marc Spector and his supporting cast of misfits and heroes in the narrative that Jed MacKay has been writing for a few years now. I would normally expect that this story would be over just one title, but Marvel love relaunching books with new number one issues to draw in fans (and annoy collectors) so this story has been split across two titles this year, and as such I will count them as one. I wasn't much of a Moon Knight fan before the MacKay run, but his time on the book has made Moon Knight one of the first books I read each week it comes out, and I can't wait for this era to get collected together into a bumper omnibus edition. Going from strength to strength, some recent shocking events has set the book in an exciting new direction that means it'll continue to be one of my most anticipated titles.



Absolute Wonder Woman

What can I say about Absolute Wonder Woman other than 'holy fuck this book is amazing!'? Well, it's the best of the Absolute line for a start. From the concept of Diana being the 'last Amazon', raised in hell to be a witch who comes to Earth to fight for humanity, to the fact that she wields giant weapons and rides a skeletal Pegasus, to the art on the book being absolutely gorgeous, there's so much to compliment the book for. This book embraces the supernatural and magic, and gives Diana a drastic reimagining, yet captures her spirit wonderfully. I dare anyone to read the first issue and not fall in love with this version of the character. The revelation in the third issue that this version of Wonder Woman is also disabled is just the cherry on the cake for me too, as having one of the most iconic comic characters, and the most iconic female character, being disabled is one of the best things that DC has done in years, and was so amazing to me as a disabled woman that I couldn't help but cry a little when reading it. This is one of those rare things in comics, a perfect book.



Batman/Superman: World's Finest

There's something about this title that's just infectiously delightful each and every issue. Set in the past, in a time that's evoking the Silver Age, these stories might be about it's titular heroes, but frequently manages to draw in characters from across the DC universe, offering readers the chance to have fun with characters they might never normally read. Whether it's a return to the Kingdom Come universe, the first meeting between Lex Luthor and the Joker, Eclipso taking over the world, 5th dimensional imps threatening existence, or Jimmy Olsen and Krypto teaming up with Batgirl and Ace, this book injects fun into every story that it delivers. With some of the best writing on the shelves right now, and amazing art from some of the best in the industry, each story feels like a love letter to this universe and its characters. 



West Coast Avengers

I've not been as surprised by any book this year as I have by West Coast Avengers. The premise of the book is simple, Tony Stark and Rhodey are looking to offer villains a chance to reform and become heroes, and start an Avengers team to facilitate this. What I didn't expect, however, was for the book to be very, very funny. I find comics to be one of the hardest mediums in which to make comedy work. You can't make a sentence sound funny just by saying it a certain way, you can't have good timing, and physical comedy can't really be captures in static images. You have to really know comedy well to make it work in this medium, but Gerry Duggan manages to do it effortlessly, and I ended up laughing out loud several times each issue. The book has only two issues so far (just qualified for the list) and I loved both of them. With some real super heroics and deeper character stuff to accompany the great gags, this is easily my favourite Avengers book available at the moment. 



The Flash

I absolutely adored Jeremy Adams' time on The Flash, and was very nervous about it changing over to Simon Spurrier as I was unsure of what to expect. And I will admit, when the book first started I didn't really like it. It went very hard sci-fi, and did some weird things. I dropped off for a while. But then I tried again, doing the first half dozen issues together, and things suddenly clicked for me, and from that point I've really liked the series. With the second arc of the series toning down the hard sci-fi somewhat, embracing more of the whimsical and fun that the previous run had which I loved so much, and putting the West family square at the front of things, it was back to being the kind of Flash book that I loved. It might not work for everyone, and like me it might not click for you straight away, but The Flash feels like one of those books that really rewards its readers.



Absolute Superman

There was no way all three Absolute books weren't making it onto the list. Much like the other two, Absolute Superman takes the core of our heroes and keeps it true whilst fundamentally changing everything else. Instead of being raised on Earth this is a Superman who lived on Krypton before its destruction. He was not raised human, instead, he was born into a cruel cast system that had him as one of the downtrodden. As such, when he comes to Earth and sees abuse, enslavement, and the degradation of people by those in power he stands up to defend them. He might be more alien than we're used to seeing him, but this is a Superman who still stands for everything that our Clark does. And turning the S crest from the symbol of the House of El into a brand that the lowest members of Kryptonian society wear is a perfect choice, as a symbol that to one people meant nothing, that labelled them as below everyone else will become a symbol of truth, justice, and hope for those who need it the most; and to me, that's very, very Superman.



Justice League Unlimited

Borrowing the name and concept from the cartoon series, Justice League Unlimited is the most ambitious Justice League book to date. Instead of a limited team, every hero in the DC universe gets to be on the League. Spinning out of the events of Absolute Power, the heroes are trying to come together more than ever before. With a huge space station that can house every hero, the Earth has never been more protected. Justice League Unlimited in a lot of ways feels like the modern version of Batman/Superman: World's Finest, a book that can use any character to tell stories that span the entire breadth of DC. With a number of mysteries already unfolding, and personal stories being put at the forefront, this book looks set to be one of the best Justice League titles in years (possibly ever), and it's all star creative team are sure to take it to great heights.


Honourable Mentions!



Hellhunters

This didn't make the cut because only a single issue has been released so far, but the first issue of Hellhunters gave me everything that I love about Marvel. I have two areas that I really enjoy in Marvel, the X-Men (the loss of Krakoa has hit me hard unfortunately), and it's horror books. The current run of Incredible Hulk almost made the list because it's a horror book, and things like Hellverine are my kind of thing. So a book that brings back Ghostrider '44, teams him up in World War Two with Nick Fury, Peggy Carter, Logan, and Bucky, and has them hunting down demon vampire Nazi's is the kind of pitch that feels too good to be true. Half of the first issue doesn't even feature any of the main characters, and is just a WWII horror story, and I loved it so much that by the time someone became a Ghostrider I'd forgotten this was even a Marvel book. I'm hoping this feeling continues as the series goes on, and if it does, that Hellhunters gets more than a single story, because so far it was an absolute blast.



Superman Special

Technically part of the ongoing Superman story, this single issue special focuses on Lois Lane now that she has Kryptonian powers and has taken on the identity Superwoman. The issue showcases her new life as a hero, letting her have an adventure with Lana Lang (also a Superwoman), and Supergirl, essentially a super powered girls night. We get to see how these changes have affected Lois and what it means for her life going forward. We also get some answers as to how she has these powers, and where they come from, a revelation that had me yelling with excitement as it promises some big things to come. Because it's a single special, and because it's part of the Superman story I couldn't give it a place on the list, but it might be one of the best issues of a comic I've read this year.


There are many, many more comics that I've read this year, and I've loved so many of them, so if a series you love hasn't appeared on my list it doesn't mean that I hate it, it just means that it can sometimes be very hard to pick your favourites. Here's to another great year of comics in 2025!



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