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Thursday, 25 June 2020

Transphobic Baroness Removed From Booker Prize Position

Baroness Nicholson continues her campaign against LGBTQ+ rights this week, and has been removed from her position as honorary vice president at the Booker Prize Foundation.

The Baroness has made a number of statements against trans people, marriage equality, and the larger LGBTQ+ community over the last month. She has said that allowing same sex marriage has led to the erosion of society, and has engaged in targeted abuse of trans children, calling them sexual predators and paedophiles.

Last week Nicholson made transgender model and activist Munroe Bergdorf the target of her rage, and engaged in racist and transphobic attacks against her. Amongst other comments, she called Bergdorf a 'weird creature'. These comments were reported to the House of Lords commissioner of standards.

The comments were also reported to the Booker Prize Foundation, where Nicholson held the position of honorary vice president. The Booker Prize Foundation released an initial statement on the 23rd of June, but received criticism for their lack of commitment to do anything.

The initial response went as follows:

The Trustees of the Booker Prize Foundation wish to point out that the views expressed by Baroness Nicholson on transgender issues are her own personal views.

Baroness Nicholson has herself recently said that she retired as a Trustee of the Foundation in 2009, and was then made an honorary vice president. She has no role in the governance or operations of the Foundation. She is not involved in selecting the judges nor in choosing the books that are longlisted, shortlisted and win.

Following complaints that this comment was not only non-committal, but did nothing to address the situation, the Booker Prize Foundation released a more in depth statement, and severed ties with the Baroness by abolishing the position she held with them.

We, the Trustees of the Booker Prize Foundation, met today and wish to reiterate that the views expressed by Baroness Nicholson on transgender people are her own personal opinions.

The issues are complex, but our principles are clear. We deplore racism, homophobia and transphobia – and do not discriminate on any grounds.

Literature is open, plural and questioning. We believe every author’s work should be approached by readers in the same spirit. Integrity is central to both Booker Prizes, whose judging process is conducted at all times in keeping with these values.

Upon her retirement from the Board in 2009, Baroness Nicholson was made an honorary vice president, a role that gave her no say in the governance or operations of the Foundation or prizes. In recent days there has been some confusion about the nature of honorary titles used by the Foundation. Too many believe that these titles in some way symbolise the prizes. That is not the case.

We have today decided that these titles and roles should, with immediate effect, cease to exist. Those holding them have been informed and thanked for their longstanding interest.

This response has received a great deal of praise online amongst the trans community, as well as from a number of LGBTQ+ charities and organisations.

'Baroness Nicholson’s strange and obsessive tweets attacking our charity with abhorrent accusations and her misgendering of our patron Munroe Bergdorf, represent the very worst in what is already a highly toxic, cruel and misinformed debate around the lives and very existence of trans people.' Trans children's charity Mermaids said in a statement today regarding the decision.

'While the Booker Prize Foundation continue to receive some criticism for not directly condemning Baroness Nicholson’s tweets, we are pleased to see a clear rejection of racism, homophobia and transphobia. This is a moment of reassurance for a community suffering daily attacks from those who would see trans lives humiliated and undermined. We thank the Booker Prize Foundation for taking this bold and principled decision, reminding us all that voicing our opposition to hate and calling out prejudice, cruelty and lies wherever we find it, can still lead to a fairer society for all.

'We hope Baroness Nicholson will find a moment to reflect on whether her virulent opposition to transgender rights is justified or whether she might take time to listen to the vast majority of trans people seeking a voice.'

Whether or not this repercussion to the hateful comments she has made will cause Nicholson to rethink her stance is yet to be seen. As of the publishing of this article she has yet to comment on the matter.

Nicholson is also a colleague and friend of noted transphobe JK Rowling, and is a part of the Lumos charity that the author helped to create.

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The Fire Rose by Mercedes Lackey - Book Review

'Beauty Meets Beast in San Francisco. Accepting employment as a governess after hard times hit her family, medieval scholar Rosalind Hawkins is surprised when she learns that her mysterious employer has no children, no wife, and she is not to meet with him face to face. Instead, her duties are to read to him, through a speaking tube, from ancient manuscripts in obscure, nearly-forgotten dialects.

'A requirement for the job was skill in translating medieval French, and she now understands the reason for that requirement, and assumes her unseen employer’s interest in the descriptions of medieval spells and sorcery is that of an eccentric antiquary. What she does not realise is that his interest is anything but academic. He has a terrible secret and is desperately searching for something that can reverse the effects of the misfired spell which created his predicament.'

My first experience with Mercedes Lackey, and her Elemental Masters series, was when I was asked to review the fourteenth book in the series, The Spellbound Child, by Titan books. by any rational means jumping into a series so far in should be a silly decision, and I have to admit that I was only prepared to do so because of the inclusion of Sherlock Holmes and John Watson, due in part to my love for Sherlock Holmes fiction. Despite this, I was able to get into the universe quite well, and the book was extremely entertaining.

The Fire Rose is the first in this series, and I thought it would be worth going back and seeing how it all began. I knew that some of the later books in the series continue on from each other, but was aware that many of the older books are more stand alone adventures, and often involved the re-imagining of classic stories. The Fire Rose takes inspiration from Beauty and the Beast, but despite seeing some parallels between the two tales it still very much stand up by itself.

The story begins in Chicago at the turn of the 20th century. We're introduced to Rosalind (Rose) Hawkins. She's a young academic whose father has recently passed away, unfortunately for her, his death has resulted in a number of creditors appearing in her life, and caused her to lose almost everything. Facing the prospect of having to find a job as a maid or servant in order to survive Rose is approached by a friend of her fathers, who has received a letter trying to find a woman who would be willing to take on the job of governess for his children. Because of the required knowledge and education laid out in the letter Rose seems to be the perfect candidate. With little choices left Rose agrees to take the job, and moves west to San Francisco.

Once arriving at the palatial home of Jason Cameron she learns that not only does he not have children, but he's not even married. It turns out that Jason was in some kind of accident that has left him disfigured and unable to pursue his research. Rose is told that what Jason really wants is a research assistant, one who will be able to translate ancient texts for him, all whilst he stays locked away in his own private wing. Despite initially being nervous about this sudden change in the arrangement Rose agrees, and begins to assist Jason.

Over the course of the next several chapters Rose is slowly exposed to texts that seem to indicate that magic might be real. Thanks to a number of unusual things happening around the house and her own rational, scientific approach, Rose begins to accept that magic might actually be real.

I wasn't sure how much the book would mirror the narrative of Beauty and the Beast, and have to admit that my knowledge of that story is mainly down to the Disney movie. I didn't know if the house would be filled with enchanted furniture, or if Jason would have been cursed for being a horrible person and was trying to make Rose fall in love with him. I'm glad to say that the book didn't take this approach, especially with the love story.

There was always something about a woman being held against her will in order to fall in love with someone that at with me a problematic, even as a kid, and I'm glad that it's been removed for this story. Rose isn't a prisoner, she's living in the house because that's where she works. She has a job, and she can quit at any time. This also means that when she does start to develop feelings for Jason it feels a lot more natural.

The book takes its time, and lets you get to know the characters well. It spends its time with Rose as she begins to learn more about the world of magic, but also with smaller things like her walks through Jason's estate or her trip to San Francisco. Lackey could easily have skipped some of this as it doesn't add much to the main narrative, but it helps to build Rose and her world so well. You feel like you really get to know her, and I became a lot more invested in her and her story than I thought I would.

Jason is the same, though readers spend much less time with him. At first he's not a very endearing figure, and the fact that he's tricking Rose to begin with and lying to her feels awful; but after a while you begin to see the reasons why he's made certain decisions. Just like Rose, readers get to discover the kind and warmhearted man beneath the wolfish exterior, and come to really like him as a person.

The only real criticism of the book that I have is that because of the slower pace at the start, because of the long scenes where we get to really spend a good deal of time getting to know Rose it does feel like the conclusion happens quite quickly. I would have been happy to have the book continue on for another fifty or a hundred pages more so that the ending had time to breath a bit. Despite this, the conclusion still left me satisfied, and I was happy with how the story wrapped up Rose and Jason's stories.

I'm a little sad that the next book in the series won't be carrying on the stories of these characters, that I won't get to see more of Rose exploring her own magics, or that I won't get to see her life with Jason; but I do understand that sometimes too much of a good thing can be bad. Mercedes Lackey gave enough of this world to leave me intrigued, wanting to read the next book in the series.

A brilliant introduction to The Elemental Masters, and probably one of the better versions of the Beauty and the Beast style narrative that I've experienced.

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Wednesday, 24 June 2020

Usagi Yojimbo: Bunraku - Book Review

'Presented in colour for the first time, the ongoing adventures of Stan Sakai's seminal and long running series are now being published by IDW. This first volume of all-new material continues the saga of Usagi Yojimbo with the three-part "Bunraku," where Usagi becomes embroiled in a puppet drama where the players are not quite what they seem! Will the aid of a supernatural ally be enough for Usagi to prevent more death?'

This is the first time that I've read a Usagi Yojimbo book. I've been aware of the character and the comics for many years, but never knew where to start reading the title. This book, proved to be that perfect stepping on point. Usagi Yojimbo has previously been published through Dark Horse Comics, but has recently moved to IDW Publishing. Usagi Yojimbo: Bunrako collects together the first seven issues of the IDW run, it's the start of the character's time with the new publisher, so makes this book a perfect point for new readers.

However, this doesn't mean that it's not open to older readers, those who've been fans of the character for years. IDW have made the very smart decision to make this a continuation of the original comics. It's not a reboot, or a reset, as the stories featured in this book make reference to older stories, and feature returning characters. It even tells you which volumes of the previous books to check out to learn more about these characters and stories. It's a great stepping on point, but one that encourages you to go back and read more.

There are a few stories presented in the book, the first one 'Bunraku' sees Usagi teaming up with the demon hunter Sasuke. The story has a nice introduction by Matt Alt, who gives a small introduction to Bunraku, and really sells you on the amazing craftsmanship that goes into the art. The story itself has a few fun twists and turns, and every time I thought I'd figured something out it threw in a new twist or revelation that I wasn't expecting. It kept me on my toes and made sure I was entertained throughout, and was a brilliant first story for my Usagi education.

The second story, 'The Hero' sees Usagi escorting the wife of a Hatamoto, a banner-man for a Shogun. Unfortunately, the Shogun is at peace, and the woman's husband is unable to earn glory in battle. He's become bitter and abusive towards his wife and the fame that she's receiving through her writing. Compared to the fun supernatural elements in the first story this one is much more personal, and deals with some very heavy concepts such as honour, duty, and abuse. The story foreshadows that it doesn't end well, and despite the villain getting his comeuppance by the end you won't come away feeling any real sense of victory, because no one really wins in that story. It feels a lot more real than the other stories because of this. It presents good people and bad, those who are in the wrong and their victims, but that doesn't mean that the good guys will win and get a happy ending.

The last two stories in the book are much shorter, being only single issue stories each, but are still great nonetheless. 'Adachi' sees Usagi return to the Adachi Plain, where his life as a Ronin began. The story refreshes experienced readers on Usagi's past, whilst presenting it to new readers. We get to learn how he became a Samurai without a lord, and how his journey has changed him. He also has to confront some of the ghosts of his past and put some of his unresolved emotions to bed. This story is a great piece of background information to those new to the book, yet doesn't seem to just retread old ground for readers already aware of this, by expanding upon his history and giving Usagi a new story to deal with.

The final story, 'The Swords of the Higashi' is the most comedic story in the book, and is a lot of fun. Usagi joins up with a pair of bounty hunter friends of his, Stray Dog and Gen. Much like Sasuke in the first story, these two are returning characters, and the story makes reference to some older adventures for curious readers. The story here kind of becomes a little farcical, and manages to walk the line between funny and too ridiculous well. It proves to be a great story to end the book on.

I wasn't sure what to expect from Usagi Yojimbo, but I'm so glad that I gave this book a chance. It was exciting, had mystery, told a story with emotion, gave me insight into the character's history, made me laugh, and left me wanting to go and read up on the older books. It's hard to really ask more from a book like this. It kept me entertained throughout and made me want to spend more time in that world; not every comic can boast that. Whether you're a new fan or you've read every issue of Usagi Yojimbo, I'm sure this book will satisfy.

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Tuesday, 23 June 2020

Descendant of the Crane by Joan He - Book Review

'Princess Hesina of Yan has always been eager to shirk the responsibilities of the crown, but when her beloved father is murdered, she’s thrust into power, suddenly the queen of an unstable kingdom. Determined to find her father’s killer, Hesina does something desperate: she engages the aid of a soothsayer—a treasonous act, punishable by death... because in Yan, magic was outlawed centuries ago.

'Using the information illicitly provided by the sooth, and uncertain if she can trust even her family, Hesina turns to Akira—a brilliant investigator who’s also a convicted criminal with secrets of his own. With the future of her kingdom at stake, can Hesina find justice for her father? Or will the cost be too high?'

I don't know what category to even begin to place Descendant of the Crane in. A lot of the time it feels like a historical fiction, but then there's things that place it within fantasy. It's got some amazing courtroom drama moments, but it's also full of political intrigue. It's a mystery story, but also has some elements of romance in there too. There's so much going on in the book that it's hard to pin it down as anything other than wonderful to read. It kept me engaged throughout and I was always guessing as to what was going to happen next, or what twists the next next chapter would bring to the story.

The story follows Hesina, a young woman who is not only having to deal with the sudden death of her father, but also with the fact that she now has to become the new ruler of her kingdom. Rather than just make the story about her grief over her father and all of the new trials and tribulations she as to contend with as a ruler Joan He makes things so much more complicated for her. Not only is the kingdom on the verge of war with one of their neighbours, but an investigation into the kings death begins, an investigation that turns Hesina's carefully planned life upside down.

Hesina thinks she knows how the world works, she thinks that she has an understanding of her kingdom thanks to the teachings of The Eleven, a group of revolutionaries that changed her country three hundred years ago and built a fairer, better society. Well, unless you're a Sooth and have magical powers, then you'll be slowly murdered on sight. Hesina thinks she understands how searching for the truth about her father's death will play out because of the laws put in place by The Eleven. But when she begins to see that despite these teachings, despite people seeming to follow this way of life, their are corrupt people not just in the world, but within her own palace, who will use this investigation to further their own political and financial ends.

The trial that comes from the investigation is one of the best parts of the book. The various accused that are brought in, who are all being framed by corrupt officials, must be defended by Hesina and her investigator Akira. Akira is a hugely interesting character, and its fun to learn more about him over the course of the book and try an figure out what kind of person he is, but seeing him in court was hands down my favourite thing. He approaches the witnesses and the evidence with a calm detachment, pointing out holes in testimony, and revealing false evidence with logic and deduction that made me think about Sherlock Holmes and his methods. Akira becomes something larger than life in the court, trampling over the fakery to reveal the corruption beneath, acquitting the accused with the undeniable truth. He's simply brilliant.

The rest of the story seems to play out somewhat like these court scenes. The reader is given something as fact, that Yan is a kingdom built on fair rules and order, but then reasoned and logical investigation begins to reveal that this is a false veneer, that what we, and Hesina, are led to believe is nothing more than a convenient lie.

Over the course of the book there are so many twists and revelations that just when you think you've reached an understanding of what's really going on you're thrown completely again. There's something that happens right at the end of the book that will leave you thinking 'okay, so this is how it ends', but then the epilogue throws some new light onto that and you'll come away thinking something completely different about one of the characters.

I'm strugglinging to really describe the book in any real, meaningful way, because I'm still trying to figure out what I thought of it. Oh, I know it was excellent, and that I loved the journey, but there was so much crammed into the pages that I kind of feel like I'm still catching up. It's like thinking you're going for a nice stroll in a garden, only to realise you've wandered into a hedge maze part way through. Suddenly there's more their than you expected, and you have to navigate the twists and turns to reach the end.

Descendant of the Crane was written as a standalone story, though it does seem like there's more to come, and Joan He has said on Goodreads that she's considered a companion book or two to go with it. I really hope that more books come out that carry this story on, as I'm desperate for more answers, to see more mystery uncovered, and to find out what happens to these characters. If there is no more, and it's just this one book, then it's a hell of a book, and there being no followup won't detract from my enjoyment at all.

Whether returning to this world, or exploring something new, I'm excited to see what Joan He does next. This book showed quite clearly that she's an author worth watching, one that can craft interesting and layered characters, an imaginative world, and a plot that will keep you hooked throughout. An amazing debut work from a woman sure to become a household name.

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