Thursday, 19 May 2022

Brave New World by Aldous Huxley – Throwback 90

 

Originally published on Set The Tape


Brave New World is likely to be one of those book titles that you will recognise. Even if you don’t know a thing about the story, or even who the author is, there’s a good chance that you’ll have heard the name of this icon of science fiction and dystopia, that is celebrating 90 years since its first publication.

Written in 1931, Brave New World was largely inspired by the utopian science fiction writing of authors such as H.G. Wells, where a hopeful future was imagined for the human race. Aldous Huxley originally began wanting to create something of a parody of Wells work, and sent letters to friends of his about the book, saying that he ‘got caught up’ in his own ideas, changing this parody novel into a creation that stands by itself as a frightening look at the future.

Brave New World is set in the distant year of 2540, though under a new calendar the year is now 632. The world has changed a lot in this time, and a new global world state has emerged. The citizens of this new world state are genetically engineered and grown inside large factories. Once they’re born, these artificially produced children undergo indoctrination programmes, and are tested to see which pre-determined classes they will be a part of, and what their role in society will be. The citizens of this world are kept content and in line thanks to Soma, a drug that everyone is given to make them calm, peaceful, and accepting of the things around them.

The story follows Bernard Marx, a psychologist who works in the sleep-learning department. Marx has begun to question the way of society, finding the constant drugging and indoctrination programmes to be crushing free will and people’s ability to live full lives. When Marx takes a holiday out of the World State, he and his partner visit a ‘Savage Reservation’ in New Mexico. Whilst here they discover a woman from the World State who was left behind on a trip years before. Living with the people of New Mexico, this woman has spent years raising her son John, someone who was born naturally. It is revealed that John is the son of Marx’s boss. With John wanting to travel to the World State, to see this ‘brave new world’, and Marx believing that he can use John to ruin his boss’ plans to get rid of him, a plan is formed to bring John home.

The world of Brave New World is one that stood in stark contrast to other science fiction futures at the time. Whilst other authors imagined futures where humanity would grow and evolve and become better people, Huxley imagined a world where humanity regressed in a great many ways. This was in part deliberate, as Huxley was being influenced by the events of the time, such as the 1931 depression in Britain, and was translating much of the fear and depression of the time into his work.

Over the years since its publication, Brave New World has been compared to George Orwell’s 1984, which was published seventeen years later. Both books do have a lot in common, depicting dystopian futures where those in power cling to their positions by manipulating the populace, and free will is a barely held illusion. However, whilst Orwell proposed a future where torture and brute force reign, Huxley believed it far more likely that leaders would simply try to make the population apathetic to what was going on, to make them unable to care for the important issues, and to feel like they were unable to do anything to effect change.

In Amusing Ourselves To Death, American author Neil Postman discussed the differences between the two of them: “What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we were reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance.”

It’s hard to argue that both of them were right in their own ways, and that parts of both 1984 and Brave New World loom large in our society. We live in a world where politicians try to hide the truth, and flood us with irrelevant information in order to do so. We live in a world where rights and freedoms are under constant attack, yet people are told that the irrelevant, the vapid, and the pointless are more important priorities. In many ways Brave New World has already started to come true, and our society is largely giving up to apathy in the face of those who wish to do true harm to others.

Brave New World might not be spoken of in the same reverent, warning tones as other books in the dystopia genre; we don’t get told things are Huxleyian or that its ‘becoming Brave New World‘ whenever some societal change happens. But Brave New World is an important book, one that has warnings of a future that many of us can probably already see unfolding around us. As such, I can see why it’s a book that’s lasted as long as it has, and why it’s still as relevant today as when it was first published 90 years ago.


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Tuesday, 17 May 2022

The Elder Scrolls III: Morrowind – Throwback 20

 

Originally published on Set The Tape


Whilst The Elder Scrolls V: Skyrim might be the most famous entry in the Elder Scrolls franchise, with the most re-releases and new versions, easily the second favourite entry in this expansive fantasy saga is the third entry in the series, The Elder Scrolls III: Morrowind. And now that this stand out piece of gaming has turned twenty it feels like the perfect time to take a look back at it.

The Elder Scrolls III: Morrowind puts you in control of a recently released prisoner (a series staple), who has been transported to the island of Vvardenfell, a part of the Dark Elf nation of Morrowind. Unlike in previous entries of the Elder Scrolls series you’re unable to explore an entire region, with developers making the choice to limit the game to just a single part of Morrowind itself. However, this didn’t reduce the scope of the game in any way, as the team at Bethesda were able to give Vvardenfell more depth and detail than any previous Elder Scrolls game to date, making it a vast and expansive place to explore.

Once you have arrived in Vvardenfell, chosen your race, class, starting stats, and appearance, you step out into the wilds of Morrowind and are given pretty much free reign to go where you want and do what you like. Yes, there is a central story, and a pretty important one that sees you joining a secret group of spies and fighting to overthrow a powerful god-like being, but this is actually pretty optional. This was a system that had already been put in place in previous entries in the franchise, but The Elder Scrolls III: Morrowind really expanded upon this, giving players more factions to join, more quests to complete, and more locations to explore. As a result, you could spend dozens of hours progressing your character, improving your skills, and becoming a hero in Vvardenfell, yet never progressing the main quest.



The creative team behind The Elder Scrolls III: Morrowind were given the chance to put more detail than ever before into the game by getting rid of the random content generation that was a staple of previous releases, and actually getting to design every detail and item placement. The creators were able to craft a more cohesive environment for the player to explore. They could tell stories with environmental details, and even had more then 300 books scattered throughout the world totalling more than 1,200 pages of background information, history, and extra context clues for the world.

Upon its release the game became a huge success, with close to 100,000 copies sold within the first two months of release. This was in part due to the fact that this was the first Elder Scrolls game to be released outside of PC, with the game also coming out on the original Xbox. The game was able to release on the Xbox thanks to the console’s larger processing power compared to other consoles at the time, making it the only place The Elder Scrolls III: Morrowind could be played outside of PC. The game proved to be hugely popular on the Xbox, and was was one of the top selling titles for the console for a full year after its release; only being beaten in this regard by Halo.



The Elder Scrolls III: Morrowind received high scores across the board from a variety of publications, including IGN, Metacritic, and PC Gamer. This popularity, along with the high sales, encouraged the team behind the game to expand upon their work, and over the next year two expansions were released. The Elder Scrolls III: Tribunal sent players to the self-contained, walled city of Mournhold, the capital of Morrowind. Players were able to transport in and out of the city, unable to explore any of the surrounding area, and were able to explore more into the Tribunal deities that make Morrowind their home. The Elder Scrolls III: Bloodmoon was the larger of the two expansions, and gave players a whole new landmass north of Vvardenfell to explore. This expansion gave players new, snowy environments to explore, as well as bringing werewolves back into the series. Both of these expansions were eventually released alongside the base game as part of the Game of the Year edition.

The huge popularity of The Elder Scrolls III: Morrowind never really went away, even when other entries in the series were released. Even with new titles on offer, fans continue to go back to this game to replay it, and dedicated modders have continued to release new content to add to the game. It’s been that popular that modders have even been working on a huge re-master of the game for several years, planning to release The Elder Scrolls III: Morrowind with improved graphic and game-play for free. The region also featured in The Elder Scrolls Online, much to fan delight.

Whilst other entries in the Elder Scrolls franchise might be better known, and more technically impressive, The Elder Scrolls III: Morrowind is sure to remain one of the stand out and most popular parts of the series for many more decades to come.


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Monday, 16 May 2022

Godzilla Rivals: vs. King Ghidorah – Comic Review

 


Originally published on Set The Tape


As a lifelong fan of the Godzilla franchise, and any form of Tokusatsu, IDW Publishing‘s Godzilla Rivals is a series that I look forward to every time a new release is announced. It might not be the most regular series in comics, coming out several months apart, but the extra long format, the interesting stories, and the sheer sense of celebration for the creatures featured, make it a series worth waiting for.

The latest issue, the third in the series so far, sees the titular monster facing off against one of his most famous foes, King Ghidorah. The story begins in 1996, where an alien invasion is ravaging planet Earth. We see flying saucers creating devastation in Tokyo as the military tries its best to fight back the invaders, though with little success. During the battle Godzilla rises out of Tokyo bay and starts attacking the alien spacecraft, tearing the invaders to pieces. Unfortunately, this victory is short lived as the aliens capture Godzilla inside some kind of force-field, and take him prisoner, transporting him off the planet.

Several months later we catch up with the leaders of Earth as they shelter from destruction inside the secret base of Dr Ogilvy Hu, who is loosely based off the recurring villain Dr Who from King Kong Escapes. The self proclaimed villain admits that he has put his conquest of Earth to one side in order to help save it from Xilian destruction, and hatches a plan to send an ace pilot and a super advanced android to Mars with a weapon designed to destroy the Xilian control of the invasion, giving Earth a chance. Little do they know, however, that the Xilian city on Mars is home to more than just alien invaders, as the captured Godzilla is forced to fight for their entertainment against other Kaiju inside a huge area; and that he’s getting closer and closer to fighting their champion, Monster Zero himself, King Ghidorah.



The plot for Godzilla Rivals: vs. King Ghidorah is a bit different from some of the other Godzilla comics, mainly because other than one scene Godzilla doesn’t get to do much on Earth before being whisked away to Mars. Rather than being the protector of Earth, or even a threat to the planet, he becomes a displaced gladiator instead. It’s a fun concept, and one that writer Adam Gorham seems to be having a lot of fun with. It’s a neat way to craft a new type of Godzilla story, one where the humans aren’t waiting around for him to show up and save the day, yet where he can still have an impact upon proceedings. It’s also a neat concept for getting him into fights with other monsters.

The book is also filled with a lot of shout-outs and nods for fans of the franchise, and there are a lot of stuff to pick up on in the backgrounds and designs that are fun to see. For example, Dr Hu’s secret base has both mecha-godzilla and mecha-kong hiding in the background, the ship designed to take the heroes to Mars is based upon the P-1 that appears in Invasion of the Astro Monster, Jet Jaguar makes an appearance, and the device set to save Earth looks like the Oxygen Destroyer from the original movie. It’s clear that Gorham is a big fan of the franchise, and is trying to cram as many its and pieces into the issue as he can; which is something that I appreciate as a fellow fan.

Gorham doesn’t just provide the script for the book, but also does the art too. Gorham’s style is pretty standard fare, and he doesn’t do anything weird or wonderful with the art, which is a good thing as it gives the characters and monsters the chance to shine. Some of the best art in the book is of the creatures, and the scenes of Godzilla fighting monsters in the Xilian arena are some of the best moments in the book. Godzilla looks amazing, and the first panel of him fighting on Mars is absolutely gorgeous, but I think that it’s Ghidorah who really steals the spotlight. He looks amazing, and there are some genuinely frightening moments as he towers above everything raining down destruction.

I dare say that if you’re a fan of Godzilla you’ll already be picking the series up, but if by chance you’re not, if you’ve missed it because of the gap between issues, or you’ve been put off by the higher cost of the book, you need to consider picking this series up. We’re three issues in and so far its been three amazing issues, and we’ve already been told what the next two issues are going to be and they sound great! So do yourself a favour and grab this while you can.


Saturday, 14 May 2022

The Siege of X-41: A Marvel School of X Novel by Tristan Palmgren - Book Review

 


'Omega-level mutant Elixir must come to terms with his anti-mutant upbringing while fighting off vampiric mermen and a leviathan of ancient lore in this intense survival adventure from Marvel’s School of X.

'Once, Joshua Foley hated mutants, then he became one. It’s… problematic. When his healing powers manifested, the violent anti-Mutant Reavers rejected him and only the X-Men offered sanctuary. Now he’s surrounded by mutants who still see him as their enemy. A deep-sea training mission isolates him with a select team of new X-Men, which is bad enough, but then the attacks begin. A sect of sea monster-worshiping vampire mermen besiege the base, leaving them stranded and trapped. As the attacks escalate, their chances of survival plummet. Things go from awful to even worse when one of their team begins sabotaging their attempts to call for help, all in the name of a sleeping behemoth soon to awake…'

Super hero comics are a lot of fun. I've been reading them for decades and have always found a lot to love within the medium. It's something that has also translated to film and television well, in both animation and live action. They also make for good video games. But one area where sometimes this genre comes up a bit short of reaching its full potential is in prose novels. Sometimes authors try to give comic novels the same kind of structure as comics, trying to throw in lots of action and spectacle every chapter, and it never really feels right. Aconyte books have been avoiding this, in large part due to the fact that they've been combining their heroes with other kinds of stories. Whether it's giving us a heist story like Black Cat: Discord, or western survival stories like Outlaw: Relentless, Aconyte have been putting these heroes in situations outside their norm. And The Siege of X-41 is no exception, throwing a handful of heroes into a tense horror story.

The Siege of X-41 is kind of a sequel to Outlaw: Relentless and First Team, and follows Josh Foley and Vic Borkowski after their own individual adventures in those books. Both young men are carrying a lot of trauma from these events. Vic was being hunted by mutant haters, had his parents kidnapped, and even lost one of his arms (though it did grow back thanks to his mutation). Josh, on the other hand, used to be a mutant hater. Part of a mutant hate group, he went to anti-mutant rallies and supported the idea pf mutant eradication; until he became one. Ever since then he was held prisoners by the same people he used to support, was tortured by the again and again, and was forced to fight his way to freedom.

After helping the mutant mercenary Outlaw, Josh was arrested for his part in the Reavers. Instead of going to prison, however, he was signed over to the Charles Xavier Institute for the duration of his sentence. Knowing that if he were to try and hide his past it would come out eventually anyway, Josh plans to come clean about his past; but is prevented from doing so when student telepaths revel his secret to the school. Now Josh is an outcast and pariah, hated by his peers because of his past. One student who particularly hates him is Anole, Vic Borkowski.

When the two of them, along with fellow students Triage, and Graymalkin, the Jean Grey School exchange student Nature Girl, and their teacher, Karma, are assigned to a field exercise the two boys are both loathed to go; neither wanting to spend time with the other. These feelings are further compounded when they learn that they're being sent to the remote station X-41, a deep sea facility far beneath the ocean. Stuck in these small confines with each other, the two of them are forced to work together. However, when the station comes under attack from deadly vampiric Atlanteans they're forced to put their feelings aside when they're plunged into a deadly fight for survival. With the station damaged, their way home destroyed, and power failing, things have never been so desperate for any of them.

There is a lot about The Siege of X-41 to enjoy. A lot of the book deals with our two lead characters, their trauma, and their inability to move past it unless they're forced to do so for their own survival. This kind of character focus is something that we just don't really get in comics. With so few pages, and with the need to keep readers supplied with action scenes and big moments, a lot of the time we don't get to just sit down with these characters and find out how they're doing beyond a quick surface level glance. This book goes much further than that, and a good portion of the story is given over to how these two young men deal with their trauma.

Vic is the less complex of the two. He's a guy who's visibly a mutant, whose appearance makes him stand out, and as such he can't escape from the prejudice that mutants face. Despite this, he grew up in a loving home, part of a small community who didn't really treat him any different. It's not until the events of First Team that he really had to deal with the horrors that some mutants face. His home life was shattered, his family were put in danger, and he was brutally hurt all because some people don't like the way he was born. And whilst he got to fight against these bigots, got to save his family, and got to deal out some harm to the people who wanted to kill him, he's still carrying a lot of scars from that. This book is where we really see the effect those events had on him. He becomes withdrawn, less outgoing, and starts to struggle with his schooling. And when Josh turns up he becomes the perfect focus for all of that anger and pain.

Joshua, like Vic, carries a lot of trauma around with him. He was part of a group of bigots who were going out of their way to harm mutants. He'd been sold on the lies that mutants were a danger, that they needed to be kept away from 'normal' people, and that people like the Ravagers were doing the right thing. He was indoctrinated and radicalised into a hate movement. That alone would leave someone with a lot of stuff to work through, but then you have to take into account that one day Josh became the thing he'd been taught to hate. Then he was brutalised by people he considered his friends, held prisoner, tortured, used as a weapon. Even his family, who stood by him when he was being a bigot, have turned their backs on him now that he's a mutant. He's lost everything, been a victim of torture for months, and has found himself as the thing he was taught to hate. No wonder he spends so much of this book suffering.

These two characters are a fascinating look into different types of trauma, and how people can be affected by it. Vic becomes cold, and starts to lash out at others, especially the one he sees as being something of a threat because of his past. Josh, in contrast, just wants to retreat away, to isolate himself and keep his head down to avoid everything. They've both lost their way, they don't know what their life has become since these awful events, and don't know where they're supposed to go going forward.

Whilst this would have been enough to focus on anyway, and Tristan Palmgren could have easily has the two of them and their struggles been the main focus of the novel and it be thoroughly entertaining, we get so much more when the book takes a sharp turn into horror. The group that get picked to go to X-41 are chosen in part because their powers aren't useful there. They're being taught that not every situation is going to be one where their abilities are going to help them, and that they'll need to rely on their teammates and their other skills to get by. This is a great lesson to teach, and one that will stand future X-Men in good stead; but it also means that for the most part these young heroes have been reduced to being regular people in a horror story.

The setting of the story, this isolated, old, deep sea station is a perfect place to set a horror story. It takes the group almost a day of sinking down through the ocean, getting used to the pressure in their tiny submersible, to even get there. They can go outside for limited times in bulky diving suits, but they've got a limited oxygen supply. The station itself is cramped, forcing them into close quarters and being unable to avoid each other. It's completely dark outside, and if the hull breaches the freezing water will rush in to kill them. Even without an outside threat this sounds absolutely terrifying. And Palmgren knows this. There are scenes when the team first arrive on the station and they're just checking the place out that feel genuinely tense. They're searching the rooms for the source of a strange noise and it has you on the edge of your seat because the tension is built so wonderfully, and you're so worried about what they might find.

And once again, Palmgren could have left it there, they could have crafted a wonderfully tense story just using this isolated and horrifying location to deal with these characters traumas. But they added more. The ghoulish, vampire-like mermen who attack X-41 are really horrifying things. They're adapted to the deep environment, they can see in the dark, the cold doesn't effect them, they're hard to kill and don't seem to feel pain, and they just want in. The way they keep attacking the station, testing the defences, trying to find a way in so that they can pick off the people one by one made me instantly thing of the Alien franchise. It has the same level of horror you feel watching Aliens, knowing that the small group of survivors who've barricaded themselves inside won't stay safe forever, and that the monsters are going to get in at some point. 

But this is also seemingly not enough for Palmgren, as they then start to introduce cosmic horror too as we learn that there's something huge, powerful, and otherworldly sealed away beneath the ocean floor. Something that the monsters fear and worship in equal measure, and whose release could spell the end of life on earth itself. So yeah, this book goes full on Cthulian horror too. 

I have to be honest, as someone who loves good character focused drama, who finds the ocean terrifying, who loves a base under siege story, and who has a soft spot for cosmic horror this book absolutely ticked all my boxes. And then it's also an X-Men story too! This felt so much like it was the kind of story that we'd never get as a comic, that comic companies would say wouldn't work in that medium because of the long, tense moments where nothing really happens except a build up of horror. It felt like the kind of story that you could only get in this medium, and it proves why comic hero characters can work in this format if the story is creative and engaging enough.

I don't now how Tristan Palmgren came up with the idea of throwing these characters into a horror story like this, all whilst dealing with intense drama centred around trauma, but it's an absolutely genius concept. This is easily my favourite novel in this series, and possibly my favourite Marvel novel that Aconyte have done. Depending on how you look at the cosmic horror elements it may also beat a lot of their Arkham Horror books for how scary it is. If you like super heroes and want to see something different done with them this is the book for you, and if you're a fan of horror you're going to really like this one. The Siege of X-41 has easily become the gold standard for all other Marvel novels to beat.


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Friday, 13 May 2022

The Boy Behind the Door – Blu-ray Review

 

Originally published on Set The Tape


The streaming service Shudder has brought another of their movies to home release, giving those who don’t subscribe to their horror themed channel the chance to catch one of their more popular original movies. This time it’s the turn of 2020’s The Boy Behind the Door, which sees two young friends living through a nightmare when they get kidnapped.

The story begins in happier times, showing our two protagonists, Bobby (Lonnie Chavis) and Kevin (Ezra Dewey), walking through the countryside on their way home from their baseball game. The two young kids talk about their friendship, how much they mean to each other, and how they’ll be ‘friends to the end’. Unfortunately, their nice day comes to a crashing halt when Kevin vanishes. As Bobby searches for him, someone grabs him from behind and everything goes dark.

Bobby wakes several hours later, bound and gagged in a crate in the back of a truck. Managing to free himself, Bobby is about to make a break for freedom when he hears Kevin screaming for help from inside the large building nearby. Unable to leave his friend behind, Bobby enters the house, and begins a deadly game of cat and mouse with the people who took the two of them.



The set-up for The Boy Behind the Door is an absolutely chilling one. This isn’t a horror film that relies on the supernatural or the unknown to frighten its audience. There are no ghosts or ghouls or demons waiting to jump out of the shadows; instead, the film is a very realistic nightmare, a scenario that every parent fears to some degree or another. And I think that parents are going to be the ones most frightened and disturbed by this movie, as they imagine their own Kevins and Bobbys being snatched away by evil people. It’s one of the most primal fears a lot of people have, and the film capitalises on this.

That being said, we don’t have a huge amount of time to really be frightened during The Boy Behind the Door, as Bobby goes from  frightened kid to a determined child desperate to save his friend pretty quickly. Whilst both of the young actors get a chance to shine in this movie, it’s really Lonnie Chavis who gets the most screen time, the hardest scenes, and the best material to work with. We see him desperately hiding from his kidnappers, fighting back against them, overcoming his fears, and grappling with the realisation and the guilt that he’s hurt people. He goes through a huge range of emotions over the course of the movie, and Chavis plays them all so incredibly well. His performance would have been impressive coming from any actor, but from a child of just twelve it’s all the more astonishing.

The film doesn’t just star these two great child actors, however, and also features Kristin Bauer van Straten in the role of the lead kidnapper. Of the two people who take the young boys she’s the one who gets the most screen time, and as such she becomes the face of this very real evil. I love the fact that the film acknowledges that the image of the frightening man taking your children away isn’t always the correct one, and that women can also be abusers. It’s a nice little twist on what many other films in a similar vein do, and she brings a level of skin-crawling creepiness to the role that a male actor just wouldn’t. She comes across as so unrelentingly evil, so happy in the awful things that she does, that you never once feel sympathy for the awful things that come her way, and may even begin cheering when Bobby manages to inflict some wounds against her.



The two directors, David Charbonier and Justin Powell, who also wrote the film, do a good job at keeping the viewer interested during the long, quiet scenes towards the start of the film. We spend a good portion of the early part of the movie following Bobby as he sneaks through this house, and the use of long hallways, shadowed spaces, and lingering shots makes the audience feel uncomfortable as we wait for something terrible to happen. Once things ramp up, Charbonier and Powell manage to keep things feeling tense as the film shifts from a slow creep to a desperate race to survive.

The one area where this new Blu-ray release is let down is in the extras. The film comes with a music video and a series of bloopers, and that’s it. The music video is barely more than a minute in length, and feels more like a dialogue-free trailer more than anything else, and the bloopers are incredibly dull. There aren’t really any ‘funny’ moments in them, and most of it is actors sneezing, messing up their lines, or moving in the scene incorrectly. Watching through both extras felt incredibly dull, though thankfully they’re both very short. If you’re picking up this set hoping to see some behind the scenes making-of stuff, or were hoping to watch through with an informative commentary, this is not the release for you.

The Boy Behind the Door is a horror film that will frighten a lot of people, but especially parents of younger children who have probably imagined a similar nightmare scenario for their own kids. The movie uses a very real, very well founded fear to drive the horror forward, and thanks to some stand-out performances by the main cast, manages to be engaging and effective throughout. Sadly, thanks to a lack of any real extras of any note on the new release, the film is slightly let down.


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Thursday, 12 May 2022

Godzilla vs Mighty Morphin Power Rangers #2 – Comic Review

 

Originally published on Set The Tape


The second issue of IDW Publishing‘s Godzilla vs Mighty Morphin Power Rangers picks up where the last issue left off, with the Power Rangers having been transported to a world in ruins where giant monsters reign supreme, forced to fight for their lives against powerful foes as their enemy, the moon witch Rita Repulsa, makes plans from the shadows.

As with the first issue of the series, the second issue starts in the middle of the action and doesn’t really slow down; even the brief moments of dialogue and exposition that occur seem to be sandwiched between big moments, or take place in the middle of fights themselves. This is leading me to the conclusion that perhaps this isn’t going to be a series that really slows down at all, and that writer Cullen Bunn is going to cram as much as possible into every issue.

The second issue opens with the core five Power Rangers having just entered this new dimension, having witnessed the Green Ranger and the Dragon Zord lose a fight to Godzilla. Never being ones to stop and think much before jumping into a fight, the Rangers deploy their zords to take on the titanic monster. When that doesn’t work they have to form the Megazord, giving fans a fight they’ve been waiting for since the series was announced.

Unfortunately, all this is playing into Rita’s hands as we learn that Godzilla is the only thing protecting Earth from the Xilian invasion and the monsters that they’re deploying against humanity. Sadly, the Power Rangers have pretty much been trained to see a monster and immediately kill it. Child soldiers, what are you going to do eh? Over the course of the rest of the issue we get to learn a little more about the invasion of this version of Earth, witness some more fights, and get some surprising monster reveals setting up for an even bigger third issue to come.

Due to how fast the issue moves, and how much of it is centred around fighting, there’s not a huge amount of stuff that I can say about the plot that doesn’t give away too much. What we do get goes pretty quickly, and we get some brief snippets of information about this other version of Earth, but a lot of those details are things that we’re left to fill the blanks on ourselves. That being said, Bunn seems to know what the reader will enjoy, and sets out to deliver some pretty dynamic fights across the issue, and adds in some firm favourite monsters from both franchises.

The art on the issue is provided by Freddie Williams II and Andrew Dalhouse, who worked on the first issue too. As with the first issue, the art feels different to the other various Power Rangers comics on the market at the moment, setting it apart on the shelves. The two of them really shine in the moments where we have giant robots fighting huge Kaiju, and whilst there’s nothing wrong with the regular humans it’s these titanic battles that are the highlight for sure.

With this series set to be only five issues long I knew that it would have to move at a quick pace, but with two issues down and the story never slowing down for a second I’m starting to hope that this pace doesn’t continue forever. It just feels a bit too fast and hectic to the point where it doesn’t seem like the heroes, or the reader, really gets a moment to breath and take in what’s happening. Perhaps a moment like this will come over the next three issues, as I’m sure a calm moment will help to make whatever big conclusion is to come feel all the bigger; but if the pace continues like this it’s going to make for a very overwhelming story when collected all together.


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Wednesday, 11 May 2022

Alien: Colony War by David Barnett - Book Review

 


'Political tensions boil over on Earth, spreading to the outer fringes of known space as the UK colony of New Albion breaks with the Three World Empire. When an oil-drilling facility on nearby LV-187 is destroyed, its French colonists slaughtered, the British are blamed. Military forces arrive from the Independent Core Systems and combat erupts.

'Trapped in the middle are Cher Hunt and Chad Mclaren. Cher is trying to find out who was responsible for the death of her sister, Shy Hunt (of McAllen Integrations from Alien: Into Charybdis). At the same time Mclaren, accompanied by the synthetic known as Davis, follows in the footsteps of his late wife, Amanda Ripley, seeking to stop the weaponization of Xenomorphs. When a horde of the deadly aliens overwhelms both groups, however, their only hope may lie with Royal Marine Corps unit known as "God's Hammer."'

The Alien series has always done social commentary, whether it's looking at the corruption of large companies and the way they treat those who work for them as expendable resources, the over confident military system that thinks it can solve every problem with superior technology being beaten by 'primitive' foes, or incarceration and the way prisoners are treated. This is a series that has always had something to say, even if some folks miss those themes and focus on the killer aliens and the horror. Alien: Colony War is possibly one of the more overt books in this regard, and because it's taking a look at politics rather than corporations (though the two are so often linked) it seems to have thrown a few people and garnered some mixed reviews. However, thanks to some interesting political commentary, some good characters, and set-up for bigger things in the future, I think this is one of the more interesting entries in the series to date.

Alien: Colony War ties into several other novels, such as Alien: Isolation, and Alien: Prototype, as well as a few of the comic series that have explored characters such as Amanda Ripley, Zula Hendricks, and Davis. As such, if you're not completely up to date with everything there will be some sections of the book where you'll be having to play catch-up (I was in this category), but David Barnett does give the reader all of the important information that you need as the story unfolds; meaning that you're not going to come out of the book without understanding what happened.

The story begins on a private towing and salvage ship, the Clara, which is secretly transporting a cache of Xenomorph eggs they found on a salvage mission. They wake up in the Weyland Isles System, a part of space that has been colonised by the British. They learn that whilst they were asleep in cryo someone snuck onto the ship and stole the eggs. Unfortunately for them, they don't have long to ponder this issue as the ship was also sabotaged, and they crash onto the planet below, New Albion.

At the same time we're introduced to Merrilyn Hambelton and her daughter Therese on the French controlled world of LV-187, a small colony set up to mine the vast quantities of oil beneath the planet's surface. The colony came under attack by Xenomorphs a few weeks before, the creatures killing or capturing most of the colonists. Merrilyn and Therese have manged to survive by hiding and sneaking around, but their odds of survival are going down.

We're also introduced to Cher Hunt, a journalist who is looking into the death of her sister. After receiving cryptic messages about the incident she travels to New Albion hoping to find answers. It's here that she meets her contact, Chad McLaren, husband of Amanda Ripley, and the rogue AI Davis, who's inhabiting the body of a synthetic dog. Chad and Davis outline the details of Cher's sister's death and the existence of the Xenomorphs. The three of them decide to head to LV-187 to try and find proof of their existence, and evidence that can be used against those trying to weaponize the creatures. Little do they know, they've just entered a web of political double-dealing and plots that could plunge this part of the galaxy into war.

There are a lot of threads in Alien: Colony War, a lot of things going on in the background and characters to keep track of. If you're looking for a simple story of a group of characters fighting the Xenos to stay alive you do get that here, but of that's all you're after this book might be giving you more than you were expecting. In a lot of ways this feels like a middle part of a series, a stepping stone in a larger story; and that might put some casual readers off. We have the history of returning characters like Chad and Davis, and their history with the Xenos and other important figures to deal with. There's also the feeling like this book is setting up a lot of stuff that's going to be important going forward, with an ending that seems like it's going to reverberate into the rest of the Alien universe for a long while to go.

But how does it read if you're not abreast of everything? Well, it's still a good book, and you shouldn't be put off reading it just because you don't know everything. The stuff that happens on LV-187 is good, scary Xnomorph stuff, with a small group of survivors trying to stay alive long enough to escape the ever growing hive. There are some great tense moments as the characters are sneaking through the dark halls of the facility, trying to get to the next place they hope can provide shelter, and when the Xenos come they're fast, brutal, and frightening; which is everything you need from this kind of story.

Barnett also does a decent job of getting you invested in the characters quickly, thanks in part to Merrilyn and Therese. This mother daughter relationship gets you attached fairly fast, and it's a common type of relationship to the series. It hearkens back to Ripley and Newt in Aliens, and I like those kind of themes coming back from time to time, as motherhood and family are important parts of the franchise. There are some less savoury characters that make appearances on the colony too, and whilst at first you don't like them they do begin to grow on you over time and win you over because they're not outright evil, and you end up sighing with disappointment when they invariably meet an awful end because you actually find yourself wanting them to stick around more.

The characters and the sections of the book that I've seen receive the most discussion is the politicians on New Albion and the themes of British patriotism and imperialism. It's pretty obvious from the book that David Barnett is not a fan of 'Britain', and I say that in the sense of the kind of people who voted to leave the EU, who trash the streets when their teams lose at football, who vote Tory, and who we in the UK like to describe as 'flag-shaggers'. The book has a very negative view of this new upsurge in isolationism that Britain has, and transcribes it to the narrative here. Instead of breaking away from the EU, New Albion is declaring itself independent, trying to recapture the 'glory' of the British Empire. I guess they'll be doing some genocides then.

These sections of the book are very on the nose, and the leader of New Albion, Maurice Pepper, was instantly Boris Johnson in my head. In the few scenes he was in Barnett managed to inject him with the same kind of mannerisms and jumped up sense of self importance that Johnson has. It was surprisingly well done, and did make me instantly hate this man. So if that was the goal, it was achieved brilliantly. The political parts of the book aren't the main focus, and there's definitely much more of the book given over to Xenomorphs and the traditional elements of the series; but these sections are important and seem to be setting up larger changes to come.

There is something else in this book that I've seen people talk about, and it is a pretty big spoiler for the ever unfolding lore, so if you don't want spoilers jump ahead to the next paragraph. Some folks learnt in this book that the death of Amanda Ripley as we were told in Aliens is in fact a lie. I don't know how much of this was known before this point as I'm not fully up to date on all the comic releases, but we get told here that Amanda Ripley didn't die as an old woman a few years before Ripley came back, and is instead in cryo to stop cancer from killing her after spending years fighting Weyland-Yutani and the Xenomorphs. I've seen some people disliking this, and I can understand this reaction, but I kind of like it. I like it because this series is always expanding and changing, so having characters like Amanda out there that can be used is always a good thing. I also like it because it makes the second film so much more tragic. Ripley was suffering because she thought her daughter had died. She went to LV-426 in large part because of that loss. And all of that happened whilst her daughter was still alive, and walking a similar path to her. It makes it feel all the more tragic because she could have had that reunion she wanted so badly, but missed out on it. I also don't agree that is messes up continuity, as Amanda's death was faked for her protection, and we got told of her death bu Weyland-Yutani, who we know are not to be trusted. It changes things, yes, but I don't think it breaks things. And I think it adds some interesting developments to the series and the Ripley family.

I've seen some criticism of this book online, some folks who didn't like some of the new developments as mentioned in the above paragraph, and some people who weren't as fond of the political stuff. But these elements mixed in with the more traditional fight for survival story made this more interesting for me. I found that it tried some new things and did stuff differently, and because of that I think this is an enjoyable read that Alien fans will want to try out.


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Tuesday, 10 May 2022

Nettle and Bone by T. Kingfisher – Book Review

 

Originally published on Set The Tape


'After years of seeing her sisters suffer at the hands of an abusive prince, Marra—the shy, convent-raised, third-born daughter—has finally realized that no one is coming to their rescue. No one, except for Marra herself.

'Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince—if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning.

'On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon. Together, the five of them intend to be the hand that closes around the throat of the prince and frees Marra's family and their kingdom from its tyrannous ruler at last.'

T. Kingfisher has quickly become one of my favourite authors with her recent horror releases The Twisted Ones, and The Hollow Places; two books that I found absolutely chilling and read very quickly. Something about her writing is incredibly compulsive, making you want to read on long after you should have put the book down, and her new fantasy novel Nettle and Bone is no exception to this rule.

Set in a small harbour kingdom, nestled between a Southern Kingdom and Northern Kingdom, our story follows the daughters of the royal family. We meet Marra, the youngest of the three daughters, who watches as her older sister goes off to marry the prince of the Northern Kingdom to ensure the safety of their people. However, when her sister meets an untimely end, the middle daughter is sent off to marry in her place. Knowing that she might have to marry the prince if another tragic accident happens, Marra is sent off to live in a small convent, keeping her out of harm’s way, in case she’s ever needed.

Marra settles into her new life of not-quite a nun, finding purpose in the convent, finally free of the shackles of royal life. However, when she travels to the Northern Kingdom to attend the birth of niece she begins to suspect that not everything is going well for her sister. On a later visit, she learns that her sister is being abused by the cruel prince, and that the abuse and the constant pregnancies are taking their toll on her. Marra becomes determined to do something about this before the strain takes another sister from her. She makes a vow to kill the prince. Setting out with a dog made from bones and wires, she begins to recruit a strange assortment of people to help her in her quest, including a witch who can talk to the dead, a fairy godmother, a former night, and a demon possessed chicken.

Nettle and Bone is a wonderfully dark, yet strangely funny book, that manages to include some absolutely wild things like a chicken possessed by a demon, yet manages to make them feel not only real, but one of the least strange things that happens. Whilst I was at first surprised to see that this book was fantasy, given Kingfisher’s previous horror books, this is very much a dark fantasy story, and walks a very fine line between fantasy and horror much of the time. When the book first begins we’re introduced to Marra as she crafts her Bone Dog from scavenged pieces found in a bone pit, deep in a land where disease and darkness has spread, leaving many of the inhabitants roving, cursed cannibals. This sets the kind of tone for the book early on, and from here it never really feels like it gets much brighter.

The world of Nettle and Bone feels like a grim place to live, a world where the evils of the universe are just out of sight, both supernatural and human. The book has a lot of darkness, a lot of evil, and yet there’s always a sense of hope and happiness that manages to weave its way through, due in no small part to who Marra is. Marra is a wonderful protagonist for this story. She’s grown up as a princess, pampered and living in luxury, yet never once wants that. Once she’s been shipped off to live in a convent she finds herself enjoying life more, given more freedom than she’s ever had before. She enjoys getting to do the manual work she was always denied, and finds a passion as a healer and midwife. She understands that being born into positions of wealth and power don’t make you better than others, and that simple lives can be full of love and happiness, and that makes her a wonderfully unique princess.

The other characters in the book, especially those that come to join Marra on her journey, are utterly delightful. Her small band is definitely one of the more unusual groups of heroes, featuring a pair of magical old women who always bicker and jab at each other, a fairy godmother who doesn’t seem to have much power but holds a secret, a witch who can commune with and command the un-dead, a former knight running from his past as a killer but with a heart of gold, and the demon chicken. All of these characters seem like people who shouldn’t get on, who wouldn’t normally gel well together, yet they make for a truly delightful group of heroes. Even the dog made of bones becomes a firm favourite.

Nettle and Bone is a book that feels like the perfect blend of horror and fantasy, where the darkness of the universe feels baked into every element, creating a truly dark and disturbing universe. It has a wonderful group of protagonists who you’ll come away from the book wanting to see more of. And the plot, whilst simple in its end goal of ‘kill the prince’, is so full of twists and turns and amazing bumps along the way that it’s an absolute delight to read. Whilst this book was not what I’d come to expect from T. Kingfisher, it’s so obviously her work, her blend of darkness, creativity, and wonderful characters, that it easily joins her other books as one of my favourites.


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Monday, 9 May 2022

Aliens vs Predator: Ultimate Prey - Book Review

 


'Fifteen new and original stories for a first-of-its-kind anthology , set in the expanded Aliens vs. Predator universe.

'Here the ultimate hunters, the Predators, pitted against their ultimate prey, the Xenomorphs from Alien, with humans caught in the middle! Taking place on Earth and in distant space, these tales have been crafted by a who's who of today's most talented authors of the fantastic.

'Inspired by the events of the original Aliens vs. Predator movies, graphic novels, and novels, these are the ultimate life and death struggles.'

I've been a lifelong fan of both the Alien and Predator franchises since my uncle lent me VHS's of Aliens and Predator when I way, way too young to be watching them. Five is an appropriate age for those films, right? Ever since watching them I fell in love with those creatures and their universes, so the combined Alien vs Predator media was an absolute must for me. Whether it was graphic novels, books, video games, or movies, I engrossed myself in whatever I could get. When it was announced that Titan Books would be producing stories teaming up these two creatures I was especially excited, not least because their two separate anthology books, Aliens: Bug Hunt and Predator: If It Bleeds, were excellent.

The first story in this novel is 'Below The Secret' by Chris Ryall, and acts as a nice entry point into the book. This story follows April, a young woman who wanting to do something a bit different and wild agreed to take part in a storming of Area 51. Joining up with a group of people she meets online she thinks it will be a bit of silly fun that won't go anywhere, that will enable her to get some cool pictures for social media, and won't really amount to much. However, as the group enters the grounds she and Brockton split off from the others and head to a non-descript building where Brockton claims the real secrets are held. The two of them get inside using information Brockton bought, and discover an elevator that takes them deep underground, and brings them face to face with the deadly secrets hidden inside the facility. 

This story takes place in our world as we know it now, a world with people looking for ways to boost their social media following, doing silly Internet challenges, and looking for thrills to distract them from the boredom of regular life. As such, it feels like a shock when the characters come face to face with the titular creatures, even though we obviously know its coming. In some ways this story feels like it could be part of the same universe as the films, where these creatures have been using Earth as a hunting ground and various governments and private companies have taken notice. With some surprising moments and great tension, its a brilliant start to this collection.

The second story, 'Isla Maranzas' by Steven L. Sears, is a historical piece, one told in the form of what seems to be a written account of a man stranded on an island somewhere in the Caribbean in the 1770's. This narrator, whose name we don't learn, was shipwrecked on the island two years ago, and has been surviving the best he can, avoiding the deadly creatures that call it home. He has come to believe that this island is a home to a war between demons and angels as he has seen monstrous Malvados, creatures that burst from the chest and grow into monstrosities, fighting against Nephilim, giant warriors in armour who came down from the heavens. When another ship arrives off the coast the narrator must warn the sailors not to come ashore, for fear that they fall victim to these deadly demons.

I adored this story. The historical setting was wonderful, and something that I always enjoy seeing the Predators dropped into. Seeing it through the eyes of a man who has no context for the reality of things, and has come to the conclusion that he's seeing angels and demons is delightful in its ingenuity. The story also showcases some amazing Black women warriors, who were made slaves but come into their own in this setting and prove themselves to be worthy of the respect of the Yautja; and its absolutely delightful.

'Homestead' by Delilah S. Dawson is another historical piece, though no definitive time is given for when it takes place. Set somewhere during the expansion into Wild West, the story follows Lucy, the heavily pregnant wife of a farmer. Lucy is alone at her homestead as her husband, Robert is in town. Lucy begins to experience strange things around the land, seeing odd shapes moving out in the fields, and feeling like she's being watched. When something starts happening to her cattle, when monsters rip out of their bellies, Lucy is forced to flee to the next farm for help. But with the creatures everywhere, and her labour starting, safe haven might be hard for Lucy to find.

In all of the stories collected in this book the reader knows more than the characters involved. We know how bad the Xenomorphs are, we understand the rules for not getting killed by a Yautja, but I don't think the tension of knowing all this ever felt as high as in this story. As soon as Lucy is finding odd things around the farm I was begging for her to get away, to run, and the fact that she didn't was such a source of tension. The fact that Lucy goes into labour during the story, has to contend with her child coming into the world whilst surviving against these monsters, just made it so much more frightening too. Delilah S. Dawson does such an amazing job here, and I want to see her do more in this universe.

Have you ever thought 'what if we combine Aliens and Predator with a haunted house story?' Chances are you haven't, but this is exactly what David Barnett does with 'The Hotel Mariposa', and its so wonderfully weird and unique because of it. This story tells the tale of a trio of reality TV stars, hosts of American Spook-Chasers, who've come to an abandoned and haunted hotel to try and get some proof of the paranormal, boost their ratings, and keep their show in production. The hotel has stories of ghostly figures, shifting hallways, and every few decades people found dead inside with holes in their chests. They've come to capture ghosts on camera, but little do they know that an alien hunter is watching them from the shadows, waiting for its prey to make an appearance.

'The Hotel Mariposa' is basically what would happen if a TV ghost hunting show ever got caught in the middle of an Alien vs Predator story. The three people who get caught up in the middle are pretty open minded, but never considered aliens to be a thing. Unfortunately for them, not only are they real, but the hotel really does seem to shift and warp reality whilst they're inside it. This isn't the paranormal, and there's a very clever sci-fi explanation for this, but the changing interior and ghostly visions add some extra spooky wrinkles to this story.

'Planting and Harvest' by Mira Grant is set on a deep space research station named Philomelus, a place where scientists have come together to work on new food strains, new proteins, and fast growing foods that could help change the landscape of space travel, colonisation, and the military. Whilst most of this research is fairly benign, it's done in the remoteness of space so that if anything does go wrong it can be easily contained, and so that the secrets they develop can remain in the hands of their company. Unfortunately, this remoteness becomes a serious problem when a shuttle filled with Xenomorphs docks on the Philomelus. In less than a day the creatures have spread throughout the station, killing all but a single scientist who was able to lock herself away in her lab. Desperate, and knowing that she won't survive without help, she sends out a distress signal into the deep reaches of space; a signal that is picked up by a passing Yautja hunting party.

The initial set-up for 'Planting and Harvest' seemed like a fairly standard Alien vs Predator story, a place becomes overrun with Xenos, the Yautja come in to hunt them. Whilst Mira Grant doesn't do anything with the set up that sets it apart from others the rest of the story really do feel quite different for a few reasons. The first is that Grant expands a part of the universe that most folks would never really think about, the huge demand for food stuffs and crops in this future. The details that Grant give are interesting and adds new layers to things. Some of the odd stories of the difficulties that come from this and the results when things go wrong were strangely delightful, and something that I very much enjoyed. The other thing that I really liked about this was that the lone human helped the Yautja to hunt down and kill the aliens, but not in the normal way we see. She didn't pick up a weapon and fight beside them to earn their honour, but instead used her brains to help save the day.

Susanne L. Lambdin's 'Blood and Honor' sees a human and a Yautja teaming up in slightly different ways when Kai Kentarus finds herself stranded and alone on a remote world where Yautja are hunting not just Xenomorphs, but a pair of queens too. Having been betrayed by her lover, poisoned and left to die, Kai is forced to struggle through this hellish landscape, avoiding deadly creatures as she goes. Someone who has gone up against the deadly hunters and barely survived in the past, Kai is astonished to find herself helping a captured female Yautja to escape from one of her own kind. It appears that a male hunter has gone rogue, turning on the female Yautja whilst also hunting the two queens that are at war. With threats from every side, Kai and her new ally, Blood Venom, must work together to survive.

In comparison to the previous story, this is much more of what I expect when a human and a Yautja end up working together; though there are some new twists on this formula. The most obvious thing is that there's a kind of civil war going on in both alien groups. For the Xenomorphs this is an ancient, infertile queen battling for dominance with a new, younger queen, and for the Yautja it's a rogue male that has begin hunting and torturing the females. There's no real reason given for this male hunter's turn, it's possible that he's a bad blood, or from a rival clan, but it kind of doesn't matter in this story, and instead it's a nice reflection of what Kai is going through as her former lover has tried to kill her. Males enacting violence against women isn't just limited to humans it seems. I also loved the fact that Kai is a trans woman. It's not a major part of the story, and it's not something that needed to be included, but as a lifelong fan of these franchises who's herself trans, it's amazing to see someone like myself included in this way. 

'Carbon Rites' by Jess Landry is a story with something of a mystery. It begins by introducing us to Blake, a young woman who lives in the quiet town of Morden. Blake has never left the town, has lived there since she was born, yet dreams of one day getting to go off and explore the world. Little does she know that there's a huge secret hidden beneath Morden, one that she's going to have to face if she's going to make it through the night. When a trio of armed strangers enter her diner as she's getting ready to close one night Blake discovers that a strange creatures is hunting her from the shadows.

There's a huge mystery element to 'Carbon Rites', one that makes me reluctant to talk too much about the story through fear of giving some of the answers away. The story has a very strange feel to it the moment it begins, and things don't feel quite right the more that we get t learn. As Blake fights to make it through the night these mysteries deepen, and you find yourself getting really dragged in to this story in ways you're not expecting.



'First Hunt' by Bryan Thomas Schmidt makes the human characters a secondary focus, as we begin this tale by being introduced to a group of Yautja out on the hunt. Bo'kui is an older hunter, one who has trained many young warriors and presided over their first hunts, their passage to adulthood. He now watches on as a trio of young warriors stalk their ultimate prey across a world that has recently become home to a new human colony. As the hunt descends upon the humans homes Bo'kui must make sure that his three charges don't do anything to bring dishonour to themselves as they battle the deadly Xenomorphs.

I really liked the fact that 'First Hunt' took a different approach to some of the other stories in the book and gave the Yautja a good deal of the focus. Other stories in this collection have at times followed the alien hunters, getting in their heads and showing us how they tick, but none to the degree that this story does; where half of it is told from their point of view. This gives us a lot of insight into how the Yautja think, how they feel during a hunt, and a look at the cultural significance their hunts and the way they comport themselves has. When the story shifts back to the humans we get a good sense of the horror that they're facing, coming into contact with both species for the first time, and trying desperately to survive in increasingly desperate odds. There are some genuinely frightening moments here, and it makes you glad you're not stuck on that world with them.

Yvonne Navarro delivers a surprisingly thought provoking and moving story in 'Abuse, Interrupted' as we see what happens when Jazz, a woman being abused by her partner, decides that she's finally going to try and escape her situation; only to find herself getting caught in the middle of an alien battle. This is the only story in this collection where the Xenomorphs and the Yautja aren't the real horrors, where they're not the thing that makes your skin crawl or leads you to feel afraid.

Navarro spends a good portion of the story letting readers get to know Jazz, and to understand her situation before anything happens that fits with the themes of this collection. It's done so well that I actually forgot that I was reading an Alien vs Predator story for a while, as I'd become invested in Jazz and her story. Navarro is able to get you to feel for Jazz incredibly quickly, and whilst seeing her facing off against alien monsters leads to some moments where you feel in awe of her strength and bravery, its when she comes face to face with the man who's been abusing her that you really begin to see the strength of her character. This might be an uncomfortable read for some, especially if you've been the victim of domestic abuse yourself, but it's well worth the read.

'Better Luck To Borrow' by Curtis C. Chen follows Lily Shóu, an incredibly gifted young teen who's trying to make a shady deal with a Weyland Yutani employee to sell them secret specimens whilst on a school trip. Lily found several strange alien creatures in stasis in her late parent's lab and has made a deal to sell them, but when the stasis fails the creatures, facehuggers, are released onto the boat they're on, infecting several large rat creatures. With Xenomorphs now loose on the boat and killing students things get even worse when a strange ship approaches and unleashes a deadly hunter.

This story felt like an odd one tonally, because it was very clearly a story that didn't hold anything back in terms of horror and gore, with folks getting ripped apart or teens having limbs burnt off by acid blood, but at the same time it felt like a YA story thanks to the young cast of characters and the competent female teen lead. It was a strange combo, but it really worked, and I definitely want to see more stories in this universe play in this kind of territory. I also really liked Lily, and found her to be an engaging and well developed lead for such a short story. It was also great to have a lead character with a disability getting to be a hero.

'Film School' by Roshni 'Rush' Bhatia tells its story mostly through flashback as woman is detained by security forces, being questioned about how she and her colleagues broke quarantine to land on the planet Tenebris. The woman was part of a documentary film crew, who decided to sneak onto the planet in order to find out what happened to the colony there, and why it's since been quarantined. After being dropped off by their ship they discover that the colony is deserted. Searching the surrounding area they find an infestation of Xenomorphs, and a group of Yautja hunting them for sport. Stuck with no way off world, the group have to try to survive until their ship comes back for them.

This was a really good story because even though I knew what was coming it still felt incredibly tense as the documentary crew made their way around Tenebris looking for answers. It's one of those situations where you know something awful is coming, and you're just waiting to see how it happens. The interpersonal relationships within the group, and the breakdown of the team as things go wrong were particularly interesting, and even though you knew the narrator was going to get out alive it never felt like she was particularly safe; which was an impressive feat.

'Night Doctors' by Maurice Broaddus centres on Nyota and Miles, a pair of siblings who live on the Weyland-Yutani colony of New Allensworth. Miles is sick with a cough and Nyota takes him to the medical facilities in order to receive treatment, something that she's a nervous about doing thanks to her knowledge of how Black people have been treated my the medical establishment throughout history.  Nyota has heard of the stories of white doctors experimenting on Black people, of testing vaccines, and intentionally infecting them without permission or knowledge, and has a distrust around doctors. Unfortunately for Nyota and Miles, this is a part of history that doesn't seem to have died out, and the siblings find themselves learning about awful experiments.

I loved the fact that Maurice Broaddus drew inspiration from real world atrocities for this story, that he took a look at the things that the Black community have had to deal with for generations and thought about what might still happen in the future. The Alien universe has always been grim, and it's taken a dark approach to capitalist greed and how little faceless companies value human life; so it felt like no surprise that a company like Weyland-Yutani would experiment on people in order to get what they want. This is one of the few stories in the book where the alien creatures are far from the real monsters, and it's humanity that's the real force to fear.

E.C. Myers contributes 'Scylla and Charybdis', a story that has a slightly different take on the Yautja. When the colony ship Ketumani end up dead in space the crew are awoken to try and fix things. However, not long into the emergency a strange ship docks with them, and a large alien hunter boards them. Equipped with stealth technology and a strange projectile weapon, the creature stalks the crew through the ship, taking them out one by one. When the last of the crew is shot by the creature the story doesn't end, as this Yautja has been taking prisoners for a strange purpose.

I really liked this story. I enjoyed how the first half of the tale was a chilling story of a Yautja hunting this crew through their ship. There are some really tense and scary moments, and the captain becoming the last survivor and using trickery and clever tactics to try and take the hunter down is a real highlight here. However, this is only half the story. I won't spoil what comes after, because it's very intriguing, but there's some interesting human drama mixed in here too, as some neat developments and insights into Yautja society too.

'Another Mother' by Scott Sigler is the story in this collection I was most excited to read. A sequel to the phenomenal Aliens: Phalanx, still one of my favourite books and one of the most creative takes on the franchise, this story picks up a number of years later with two of the leads of that novel. We return to the remote world from that novel, where humanity has been living in isolation for generations as a feudal society barely entering the steam age. Thanks to having lived with the Xenomorphs for centuries, the people of that planet weren't able to expand and grow; but thanks to a group of brave warriors and some amazing discoveries, they were able to wipe out the colony and destroy the queen. Now, decades later it appears that some of these demons may have survived, and a new queen is around. There's also a lone Yautja on the planet, scouting the world as a potential hunting ground for her people. When she learns that some of these primitive humans have killed a queen she wants to do the same, proving herself worthy to her people. And to do that, she'll have to work with some of the humans.

I was so happy to return to this planet and these characters, especially with there having been a decent time jump so that readers could get a sense of the kind of lives the heroes got to live after the events of Aliens: Phalanx. This also proved to be a bit of a problem for me though, as it meant I was absolutely terrified for the returning characters. These were survivors from my favourite Alien novel, and I was so scared that something awful would happen to them here. I'm not going to say what happens, but I will say that the introduction of the Predators to this world felt so seamless and perfect that it felt like the natural continuation of this story. If you enjoyed Aliens: Phalanx I'm absolutely certain that you're going to get a lot out of this story.

The final story in the book is 'Kyódai' by Jonathan Maberry and Louis Ozawa, and is another sequel story. This time, it's a sequel to the film Predators. Louis Ozawa is a name that might be familiar to Predator fans, as he played Hanzo in the movie. With his character having dies to the hands of the Falconer predator in a swordfight, this story doesn't follow him, but his younger brother, Eiji. Captured in a similar way to his brother, Eiji finds himself falling through the air to a large jungle. When he lands he begins to search for answers and finds soldiers being hunted by Yautja, who are now using Xenomorphs as hunting dogs thanks to implants in their skulls that shock them. When Eiji discovers a shrine in the jungle he learns that this was the fate of his older brother, and makes a vow to survive the hunt no matter the cost.

'Kyódai' is a really great story for fans of Predators, not just because it continues that story and shows what comes next, but because it gives us a lot of insight into Hano, one of the best characters in the film. Through flashbacks and Eiji's inner thoughts we learn a lot about the brothers pasts, and the kind of people they are. We also see that despite falling in battle to the Falconer the other Yuatja looked at Hanzo with great honour, respecting his abilities to defeat his opponent in one on one combat. This adds some interesting detail to the Super Predators, and shows a more honourable side to them that the film didn't really explore. A great companion piece to one of the best Predator movies, this story is sure to make a lot of fans happy.

Overall, I loved all of the stories on offer in Alien vs Predator: Ultimate Prey. It really felt like a love letter to this join franchise, with both sets of creatures given great moments to shine and show off what makes them such great creations. There wasn't a single dull moment to be had here, there was great action, tense moments, lots of horror, and plenty of representation as we got amazing female characters, Black characters, disabled characters, and trans character to name but a few. This book expanded the franchise in some great ways, and I hope that we get more like this in the future.


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