Friday, 10 December 2021

Aconyte Announces Summer 2022 Books

 


Publisher Aconyte Books, home to fiction set in a number of famous worlds such as Marvel, Arkham Horror, Legend of the Five Rings, and Zombicide to name but a few, have revealed a host of exciting new titles coming to readers in summer 2022. And I'm very excited by the books that are on offer!



Coming in May 2022, Legend of the Five Rings: The Great Clans of Rokugan - The Selected Novella's volume 2 brings together some wonderful stories by some top names. The book will feature 'Deathseeker' by Robert Denton III, 'The Eternal Knot' by Marie Brennan, and 'Trial of Shadows' by D G Laderoute.

In addition, the book will also include a series of spooky stories from the Legend of the Five Rings Halloween tales; which have never been in print before.

The new book features a beautiful cover by Mauro Del Bo.



Also releasing in May 2022 is the latest Marvel novel, the first in the new School of X series; School of X: The Siege of X-41 by Tristan Palmgren.

Spinning out of the pages of Palmgren's recent Marvel Heroines novel, Outlaw: Relentless, this new story follows Joshua 'Josh' Foley, also known as Elixir. An Omega-level mutant, Elixir must learn to come to terms with his anti-mutant upbringing, all whilst fighting off vampiric mermen, and an ancient leviathan in a story being descried as an 'intense survival adventure'.

The book features cover art from Christina Myrvold.



The final book releasing in May 2022 is the third, and final, entry in the epic Twilight Imperium series, Twilight Imperium: The Veiled Masters by Tim Pratt.

This trilogy comes to a close as the galaxy stands on the brink of war. But hope yet remains that the vast web of schemes that has led to this point can be exposed before it's too late to stop disaster. The final part of this sprawling space opera has been tipped to be an astounding conclusion.

The cover for Twilight Imperium: The Veiled Masters is provided by Scott Schomburg, and fits together with the previous two books to make one huge piece of art!



June 2022 kicks off with some more zombie slaying action in the latest Zombicide entry. After fighting zombies in the modern day, as well as travelling to the future and space, this novel brings the action to a new fantasy setting in Zombicide: Age of the Undead by C. L. Werner.

Set in a fantasy world whose peace has been shattered by the zombie apocalypse, a bold knight must enlist the help of a band of unlikely allies in order to track down the source of the undead corruption sweeping across the land.

Zombicide: Age of the Undead is based upon the Black Plague edition of Zombicide, and is set to be a fun horror adventure packed with humour.

The cover art has been provided by Daniele Orizio.


The next entry in the Watchdogs Legion series comes in June 2022 with the release of Watchdogs Legion: Daybreak Legacy by Stewart Hotston; which sees the return of the resistance group from Watchdogs Legion: Day Zero!

Set right after the events of the game, this novel sees our past heroes return to take on an emergent AI and an authoritarian state in this gritty, high tech thriller. Project Daybreak isn't as dead as they thought, and neither are those who died with it.

The cover for this book has yet to be revealed; make sure to keep an eye on Acontye Books for the announcement! 



The Legend of the Five Rings, A Daidoji Shin Mystery: The Flower Path by Josh Reynolds also hits shelves July 2022, and sees the extraordinary detective Daidoji Shin investigating a wonderfully complex and intriguing locked room mystery.

This third entry in the Legends of the Five Rings series follows on from Legends of the Five Rings: Poison River, which received the People's Choice award at the 2021 UK Games Expo.

The cover art for the book has been provided by Grant Griffin.



The second entry in the Terraforming Mars series comes in July 2022 as readers return to the red planet in Terraforming Mars: Edge of Catastrophe.

In this sweeping science fiction thriller set in the 26th century Mars is a thriving world; the huge crater left by the crashing moon in Terraforming Mars: In The Shadow of Deimos is now a domed city filled with industry and a burgeoning Martian-born workforce.

The cover art has been provided by RenĂ© Aigner.




Also arriving July 2022 is Descent Legends of the Dark: The Raiders of Bloodwood by Davide Mana.

A non-stop sword and sorcery action adventure set in the world of Descent: Legends of the Dark, the book sees a terrible invasion of Terrinoth. A handful of heroes is all that stands in between a monstrous horde and the total destruction of the heart of Terrinoth.

The stunning cover art is by Asur Misoa.



A new entry in the chilling Arkham Horror series comes in August 2022 with Arkham Horror: Coils of the Labrinth by David Annandale.

The first novel in the series to be written by Annandale, the book sees an unnatural horror penetrating our reality to prey on the dreams of its victims. Something sinister is lurking at the heart of a labyrinthine nightmare, something longing to be set free.

This gorgeous cover art has been provided by John Coulthart.



The next entry in the popular Assassin's Creed novel series comes in August 2022 with Assassin's Creed: The Magus Conspiracy by Kate Heartfield, the Aurora-award winning historical fantasy author.

The war between the Assassin's and the Templars causes havoc in the Victorian era when Pierette, a daring acrobat performing at the Great Exhibition, comes to the rescue of mathematician Ada Lovelace; saving her from a gag of thugs.

This breakneck thriller is set to open a new chapter in the Assassin's Creed universe. Keep an eye open for the cover reveal!



The final announcement for summer 2022 sees Squirrel Girl arriving on the scene in August. Squirrel Girl: Universe will be written by Tristan Palmgren, and will see the titular hero setting out in an adventure to save the galaxy.

Squirrel Girl is in a pickle and a jam, a metaphor that mixes about as well as it tastes. She and her friends are lost in outer space, where there is a conspicuous absence of oxygen and, even more troubling, a shortage of squirrels. What’s a girl to do?

Stay tuned for the reveal of the cover.


To keep up with the exciting announcements, as well as information on all of Aconyte's  upcoming and previous releases, make sure to head over to their website. I don't know about you, but I'm excited for a lot of these new releases, and look forward to seeing what other things they announce soon.


Buy Amy A Coffee

Go to Amy's Blog

Something More Than Night by Kim Newman - Book Review

 


'Dulwich College, England 1904. A young Raymond Chandler meets an enthusiastic cricketer named Billy Pratt (later Boris Karloff). Sharing a sense of being outsiders at school, the two young men become friends and Chandler encourages Pratt to help him uncover the mystery of the housemaster's strange wife and various disappearing objects. What the boys uncover will haunt them their whole lives...

'Hollywood, USA, 1944. When a young actress names Eliza Dane, also Chandler's mistress, turns up dead, in an apparent suicide having jumped from the Hollywood sign, Chandler realises he cannot escape his past. He seeks out his old friend and together they confront the terrible creature who entered their lives all those years ago.'

Kim Newman books are strange creatures. They're filled with plots that have more twists and turns in them than you'd find in a ball of string, characters that come to life in unexpected ways, and nods to other books and films that will have you smiling at the references. Having previously read and enjoyed his exploration of the Sherlock Holmes mythos in Moriarty: The Hound of the D'Urbervilles I was interested to see what he'd do with a book that not only celebrated the film and fiction of Hollywood in the 1940's, but featured two real life icons of that era.

Something More Than Night follows Raymond Chandler, who's only just just began his career as a writer and is waiting for his first book, The Big Sleep, to be published. He gets a call one night from his long time friend Billy Pratt, more famously known as Boris Karloff, who needs him to come to help identify a body. Chandler's been called in because the body resembles a victim from one of his magazine stories, and the police want to get his opinion on it.

Arriving at the scene, Chandler and Karloff watch as a car is pulled from the sea, the car of a friend of theirs. A body sits in the drivers seat, his head blown off with a shotgun. Stranger still, the police also find a woman in the trunk, a woman who is still alive after hours in the water. The woman is also known to Chandler and Karloff, as she was there years ago when their lives went through a strange ordeal; one that showed them the existence of monsters and strange abilities.

From here the story takes on a somewhat disjointed and complex narrative as we jump around in time, exploring the history these characters have together, the journey they went on, and what ultimately led to one of them dead in the sea with another locked in the trunk of their car. We get the story narrated by Chandler, who is able to give us his perspective on much of the events, as well as being able to relay to us the things he learnt where he wasn't present for things. As such, the book takes a much more personal approach to the story. This isn't just a series of events we're watching unfold, instead we see how the strange happenings alter how Chandler look at the world, how they push him to breaking point, and how much it effects him in a much more intimate way.

But perhaps the best thing about the book being written from Chandler's perspective is the fact that he talks like one of this characters, describing things like he himself is some kind of hard boiled detective. There are times when this seems to happen just naturally, giving the impression that perhaps there was a lot of Chandler's mannerisms and way of speech in his books; but other times he'll make a point of saying something like 'Marlowe would say..' before saying something very cliched and tongue-in-cheek. It's actually quite wonderfully done, as the times where it supposed to be natural feel natural, whilst the fact that Newman is hanging a lantern on those more ridiculous moments means that he's got the leeway to get away with it.

Due to the nature of the first person perspective we don't get to spend as much time with Boris Karloff as we do Chandler, and as a result of this I felt that I didn't know him as well by the end of the book. That being said, I really enjoyed how Newman did this. He came across as a man deeply guarded, somewhat shy, and a little embarrassed by his fame and recognition. He was quiet and thoughtful for much of the time he's in the book, and acts as a good foil to the more hotheaded Chandler.

I have to be honest, for a good portion of the start of the book I was a little unsure where things were going to be heading, due in part to the shifting narrative style that Newman employs. There's a big sense of mystery to things, and I wasn't quite sure why I was having certain events revealed, and what parts would become relevant later on. I really had to pay attention to everything that was happening. However, there came a point where I realised that despite this slow building start I'd become deeply hooked.

By the time the strangeness really starts and you realise that this isn't just a historical novel, but it's a story set in a world where the fantastical exists it's too late; you're already engrossed in things. By starting things more grounded, and slowly introducing weirder and odder elements Newman had ensured that I, like the characters, was completely thrown when my idea of what kind of world this was set in was thrown out the window. It was very well done; and lead to me staying up late reading.

Something More Than Night is a book that I'd be hard pressed to describe. It doesn't really feel like anything else I've read, but is also so unmistakably a Kim Newman novel. It has his sense of style, strangeness, and love of fiction that makes his work feel so unique. I think this is the kind of book that fans of 1940's detective stories and Hollywood movies will love for how much it clearly revels in that era, whilst those who might only have a passing familiarity with this part of pop culture will be drawn in by the central mystery plot and the great character work. Whatever your reason might be for picking the book up, it's sure to be an interesting ride.


Buy Amy A Coffee

Go to Amy's Blog

Wednesday, 8 December 2021

Star Wars Adventures: Tales of Villainy #12 – Comic Review

 

Originally published on Set The Tape


The previous issue of Star Wars Adventures: Tales of Villainy was definitely an issue of two halves, with one really good story and one that felt a little lacklustre. With the second half of the Rogue Squadron story taking place here, the second story in this issue was going to need to be something really good to compete with it. Luckily, we got a couple of great stories this month.

The first story, ‘Squad Goals’ part two by Cavan Scott, picks up where it left off last time, with Rogue Squadron coming across an Imperial ambush, whilst their grounded pilot, Ibti Myrak, discovers that they’ve fallen into a trap. As the issue starts, Rogue Squardon, down two pilots now due to Ibti being grounded and Lyle Kullan, the pilot they came to rescue, being missing, find themselves in hot water as they deal with Imperial fighters and a Star Destroyer.

The ship to ship action is really well done, and there’s always a sense of dynamic movement going on; something that isn’t always easy to portray in still images. It really feels like the pilots are having to think on their feet and react quickly, coming up with desperate plans and manoeuvres as they try to survive against overwhelming odds.

Meanwhile, Ibti has to find a way to help her teammates: something easier said than done. This is only the second issue that we’ve had Ibti, and as far as I’m aware its the only time she’s been used in a story, but thanks to how well written this is we get a really good sense of the kind of person that she is, and the lengths that she’s willing to go to to help her team, even if they’ve lost their faith in her. My one criticism would be that for a story that includes Admiral Ackbar and features a trap, it doesn’t include the phrase ‘It’s a trap!’ being yelled.

Manuel Bracchi and Bracardi Curry provide the art for this story, and it’s lovely work. The art is wonderfully detailed, and everything feels like it’s jumped straight out of the movies into the comic. The ships are packed with small details, like where the panels on the metal comes together, and the characters all look unique and dynamic, meaning that you’re never left confused about who you’re seeing. It’s still one of the best looking and best written stories in the series so far.

The second story, ‘Give and Take’, written and drawn by Andrew Lee Griffith, takes place in a much earlier time period during the early days of the Clone Wars. We follow Jedi Knight Aayla Secura as she and her droid, QT-KT, infiltrate a secret Separatist base where Geonosian scientists have been working on some kind of highly classified plans. Tasked with getting the information and bringing it back to the Jedi, Aayla and QT get to Mission Impossible their way through the facility. Unfortunately, things don’t go quite as planned as their escape is blocked by Asajj Ventress.

As a big fan of Star Wars: The Clone Wars it’s always good to get a story in the era, especially one that features Ventress, as she’s a firm favourite of mine. What makes this appearance of the character quite interesting too is that its one of the few times that she wields her twin sabers together as one, creating a double ended light saber with an odd curve in the middle of the handle. It’s a unique look, and one that makes for some interesting combat in this issue.

Perhaps the thing that I loved most in this story, however, was the inclusion of QT-KT, Aayla’s droid. For those who might not be aware, QT-KT appeared in a four episode arc in the animated series as part of D-Squad, an all droid team that included R2-D2. However, the team wasn’t going to include the pink astromech droid, but was supposed to include a pink R2 unit called R2-KT. To avoid confusion the name was changed slightly before the episode, and QT-KT was made. The thing about QT, and the original droid she’s based upon, R2-K2, that makes her so special though, is her origin.

Albin Johnson is one of the founders of the charity costume group The 501st Legion. This group have done a lot of good work over the years, helped children, attended conventions, and were even used on screen in The Mandalorian. Albin’s daughter, Katie, was diagnosed with terminal brain cancer when she was six-years-old. A fan of Star Wars, Katie wanted an R2 droid to watch over her when she was sick. With the help of some amazingly kind people Albin created a droid for her, painted her favourite colour, pink, called R2-KT.

Whilst Katie passed away at the age of seven, she got to spend time with her own little droid before she did. Since then the real life R2-KT has been used to visit children’s hospitals and raise both awareness of child illness, and money to help good causes. R2-KT eventually became part of canon, but QT-KT is still connected to her, and to Katie, so her inclusion always makes me think of that wonderful little girl and her love for Star Wars. Which means that this story will instantly get a place in my heart.

Star Wars Adventures: Tales of Villainy #12 is my favourite issue of the series to date. It has some great stories in it, some fantastic artwork, and for those in the know, a nod to a wonderful kid. What more can you ask for?


Buy Amy A Coffee

Go to Amy's Blog

Tuesday, 7 December 2021

Exposure by Louis Greenberg – Book Review

 

Originally published on Set The Tape


'In a Britain akin to this one, Vincent Rice falls off a ladder, literally at Petra Orff's feet. They introduce themselves, and he offers to take her to Metamuse, an alternative theatre experience like no other that he won tickets to in a competition he doesn’t remember entering.

'Vincent has a complex sense of home, and immigrant Petra senses a kindred spirit in him. As time goes on, inexplicable occurrences pile on top of one another, connected to Metamuse: certainly more than just a theatre experience. Unquiet dead seem to be reaching into the world to protest injustices both past and present.'

It’s interesting how over the last several years British fiction has started to change, how certain genres have started to feature more ‘alternative’ versions of Britain, ones where the government has become corrupt, health services are hard to access, and people’s rights have been clamped down on. As things continue to change in the UK and we slide further into fascism, these stories begin to seem less and less ‘alternative’ and more predicting the future (at the time of writing it had just been announced that the Home Office are trying to write into law the ability to strip people of their British citizenship whenever they want).

Exposure is one of these books, set in a UK where the National Health Service is a thing of the past, and huge corporations control people’s access to life saving care and important operations. Apart from this, the book doesn’t seem too far removed from our reality; and I’m sure as with other works that become more realistic with each passing day Exposure might not seem too imaginative in its depiction of Britain for very long.

The story follows Petra Orff, a woman who has lived in Britain since her university days, but is originally from South Africa. Feeling in many ways still an immigrant to the country, Petra does her best to fit in and to avoid drawing attention to the fact that she’s not from Britain; even going so far as being careful about the words that she uses when talking, and trying to keep her often loud mother from engaging with people she thinks might not take to immigrants. Her life is altered one day when a man literally falls out of the sky at her feet.

This is how she meets Vincent Rice, a second generation Black British man with Malawi and Jamaican family, who’s having to dismantle his recently deceased grandfather’s recording studio in order sell it on. The two of them hit it off, though somewhat awkwardly, and after having dinner together Vincent invites Petra to join him at a show. A world famous art troupe called Metamuse have decided to have their latest season of shows in quiet little Leamington Spa; something that seems strange in itself. Stranger still, however, is that Vincent won the tickets in a competition he doesn’t even remember entering.

Attending the first show, Vincent and Petra form a quick relationship, and become swept up in each other. But when they attend the second show things begin to go wrong; the show leaves them feeling disturbed, and Petra begins to experience strange things in her regular life. Convinced that there’s something sinister going on with Metamuse, and that it could be putting her and Vincent in danger, Petra becomes determined to get to the bottom of things.

One of the things that I really liked about Exposure was how for the longest time I wasn’t really sure what genre is was going to fit into. Obviously there are some romance elements thanks to the relationship between Petra and Vincent being a central focus, as well as the mystery elements when Petra begins her investigation into Metamuse, but it was clear that there was something else going on too, some kind of strange series of events that was altering Petra’s perception of the world. There are moments throughout the book where she sees disturbing images in people’s faces; where the sun hits them just right, or she catches their reflections, she sees monsters in place of people. There are also moments where she seems to have no memory of people that she’s supposed to know, or remembers people clearly that others have no memory of.

These strange moments, these odd happenings that begin to make you question the reality around Petra could be chalked up to someone dealing with a lot of emotional distress, whose mind might be having difficulty processing things; but it felt like it was more than that, and as such my mind started to come up with theories. Whilst I was completely off in what I was expecting things to be, there is something in this book that explains everything, that will have you going ‘of course it was that’, and might even leave you wanting to go back and reread the entire thing now knowing this revelation, so that you can experience the story in a whole new way.

The characters of Exposure are interesting too, especially the central duo. Petra is a strange mixture of unsure of herself, always wanting to be careful and not rock the boat, but also really headstrong and impulsive. There are times where she seems to want to just go with the flow and almost disappears into the background, whilst others she’s confrontational and brash. There are times where these traits can be good, but often she seems to choose to be the wrong thing in the wrong moment, and often causes herself to be her own worst enemy. But one thing about her I really liked was how passionate and caring she is. Especially towards Vincent, a man she’s just met and hardly knows anything about, yet is willing to put herself in danger for.

Vincent is a little more complex than Petra, mostly because we don’t spend as much time with him, and he plays his cards much closer to his chest. For a lot of the book we don’t know much about him, and it’s clear that he’s keeping big parts of  his life secret from Petra, dodging her questions and avoiding certain subjects. But on the whole he seems to be a decent man, though perhaps one who has lost his focus in life; though when you learn more about his history this becomes a lot more understandable.

Exposure is an interesting and twisting narrative filled with mystery, one that gets you thinking and will keep you reading long after you should probably have put the book down to take a break. It’s got some complex and flawed characters who feel like real people, and you genuinely want to see them do well and get through the events unscathed; though it soon becomes clear that this isn’t a story where that’s guaranteed. Perfect for fans of fiction like Black Mirror, this is a book that will stick with you after it’s done.


Buy Amy A Coffee

Go to Amy's Blog

Monday, 6 December 2021

School of X: A Marvel: Xavier's Institute Anthology - Book Review

 


'The next generation of the astonishing X-Men grow into true super heroes against their deadliest enemies, in this wide-ranging Marvel anthology?.

'The New Charles Xavier School for Gifted Mutants isn’t all it’s cracked up to be: The food is so-so, and it’s cold eleven out of twelve months, not to mention the creepy bunker vibes with mysterious tech popping up all over the place. But for the latest mutants to take on the mantle of X-Men, it’s home. Under the stewardship of Emma Frost, Cyclops, and Magneto, these new recruits learn to control their powers and defeat villainy. Yet danger lurks within the academy, and it isn’t just monsters or evil geniuses. Now, these fresh X-Men must take what they’ve learned and put their unique powers to the test against unexpected adversaries – from cyborgs and the undead to temporal chaos, and even alternate versions of themselves.'

I've struggled to keep up with the Marvel Universe over the years. There are so many books to read, so many big events, and so many moments that seem designed to shift the status quo that I never felt like I had a good grasp on things. There were certain books I tried to read, to check in with some of my favourite characters, but half the time they felt like stories written to tell big action stories, with a few character moments tacked onto them. 

Since Aconyte books started producing Marvel novels, however, I've found myself able to spend some time with characters again, to get to know them, and to read stories that are more about the people that these heroes are, rather than some big flashy action story. I have to be honest, I've been enjoying Marvel more as novels than I have as comics, and books like School of X: A Marvel: Xavier's Institute Anthology only cement this feeling, as this is one of the best collection of X-Men stories I've had the pleasure to read.

The collection brings together a number of authors who fans of Aconyte's work will be familiar with, as some of them have already written some Marvel titles for the publisher; as well as featuring a few new names too. It really does feel like the company have brought together their best people to work on this book.

The first story in the collection is 'Fifteen Minutes' by Jaleigh Johnson, who previously wrote Triptych which featured Fantomex and the X-Men. The story begins with a number of the young students at the school hanging out in their downtime, watching movies and hanging out. It's nice to see these characters outside of their super hero time, and to see that whilst they're still not as close as some of the teams we've seen over the years they're definitely forming into something of a family. The story focuses on Fabio Medina, the mutant known as Goldballs. This is before Fabio became part of The Five, and still didn't know the full extent of his powers, and thinks of himself as something of a joke.

When one of the Stepford Cuckoos, Celeste, suggests a karaoke night to break up the movies she gets shot down by the others, and Fabio notices how much this seems to hurt her. When he goes to sleep that night be begins to dream that he's inside various movies, detective noir films, a zombie movie, an action film, and so on. In each of these films the Cuckoos makes an appearance. Fabio begins to realise that they're a part of why he's trapped in these odd dreams, and has to figure out a way to break them out, and help Celeste if he can.

I really liked this story, not just for showing us what it's like for the young students when they're not learning or being heroes, but also for giving us some insight into some characters that don't always get the spotlight. Fabio has gone on to become an important figure in the X-Men books, but I still don't feel like I really know him, especially from this point in time; so getting to get inside his mind, seeing how he works, what he fears and desires, is very interesting. It also gives Celeste a chance to shine as an individual, rather than as a part of the Cuckoos as a whole. This is something that I don't think happens enough in the comics, so it was wonderful to see more of what she's like as an individual person.

The second story is 'Call of the Dark' by Robbie MacNiven, who gave us the wonderful First Team earlier this year. This story focuses on a character that made an appearance in First Team, but wasn't given a huge focus, Graymalkin. Having been born more than 300 years ago, buried alive by his homophobic father, and found himself in a time far beyond his own Graymalkin is an incredibly interesting character, not least because his power is given to him by the dark, the one thing he's most afraid of.

The story follows Jonas as he explores the dark and lonely halls of the former Weapon X facility late at night, going to places where he really shouldn't be. Along the way he discovers something lurking down in the dark underbelly of the school; a dark doppelganger that torments him, tries to get inside his mind, and who haunts his every moment. This story explores that fear, and Graymalkin's complicated relationship with the darkness. It's a dive into the inner workings of the character, one that reveals more about him than any other story featuring him that I've read. And it's written like a horror story too; which is just fantastic. 

The next story, 'Uncatchabe' by Cath Lauria, who wrote the Marvel novel Elsa Bloodstone: Bequest, is more of a traditional X-Men story, in the sense that it sees a couple of our students chasing bad guys and saving the day. It follows David Bond, also known as Hijack, the oldest student in the school. Whilst everyone else in in their teens or early twenties David is in his thirties, and as a result feels kind of detached from everyone else. He's not like the rest of his classmates, and has trouble fitting in. So he burns off steam by sneaking out of the school at night to take part in illegal street races in the nearby town.

Unfortunately for David, he's got a stowaway in the car with him, Alisa Tager, aka Cipher. Thanks to her ability to become invisible and intangible she was able to sneak along with him, and is interested in finding out what David gets up to at night. Whilst at first he's against the idea of her tagging along he relents and agrees to let her stay. However, when Alisa discovers that the street races are being used as a front for gun runners she and David set out to catch the criminals.

This was a really fun story, one that showed that you can still deliver exciting action moments whilst giving good character development. Lauria managed to breathe a lot of life into the two trainee X-Men in this story, particularly David, whom I knew very little about before this. It was nice to have a dynamic where one of the students is closer in age to the teachers, someone who doesn't really fit into either camp, and to get to see him learning to deal with that and find a place for himself.

'Eye of the Storm' isn't the first time that writer Amanda Bridgeman has worked with Aconyte, having written Pandemic: Patient Zero earlier this year, but it is the first time that she has worked with the Marvel characters; but it's clear through her story that she's more than capable of handling these wild and wonderful characters.

This story follows a trio of students who are busy trying to levee a river close to the school before a huge storm causes too much damage, hoping that they can prevent too much attention from being drawn to the area. There's Santo 'Rockslide' Vaccarro, who is a long time student at the school, and two newcomers who recently transferred in from Wolverine's school, Sooraya 'Dust' Qadir, and Iara 'Shark-Girl' Dos Santos. Together, the three of them work to try and get their task finished on time, but when they start vanishing one by one they realise something sinister is going on.

'Eye of the Storm' is similar to the previous story, in the sense that it does have a more action and adventure feel to it as it sees the three young heroes having to fight for their lives against the foe that's set their sights on capturing them. However, what I found most interesting about it was the dynamic between the three of them. Dust and Shark-Girl know each other, have fought together before, and have a camaraderie, but they don't really have this with Rockslide. They don't know him, and they're new to the Xavier Institute and their way of doing things, and feel a little angry that they've been sent away from their own school. There's a sense of antagonism and distrust that's simmering between the group, and it makes them having to work together more interesting.

'Of Dirt and Bones' by Pat Shand comes next, and is one of my favourite stories in the book. Shand hasn't worked with Aconyte before this, but it a name that might be familiar to comic readers as he's worked on titles such as Grimm Fairy Tales: Robyn Hood and a number of Charmed novels in the past. Having worked on titles that focus on powered women it's no surprise that his story does a similar thing, as we get a spooky, magical tale that focuses on Phoebe of the Stepford Cuckoos.

The story begins with Phoebe waking from a strange dream in her diamond form, resulting in some light teasing from her sisters. During a training session that puts the students through a particularly brutal psychic assault that sees Phoebe using her telekinesis to break her way out, though she accidentally kills a goose flying by when she does so. After burying the goose in the woods because she feels guilty for taking its life strange things begin to happen, and soon the school is surrounded by awful zombie animals that have been walking out of the woods. Surrounded by the dead creatures, Phoebe believes that it's her fault, and that the school might end up in danger if she doesn't do something about it.

This story was absolutely delightful. The atmosphere drips off the page in this story, and it feels like a creepy horror/fairy tale mash-up that puts our lone Cuckoo in the centre of things. Whilst I mentioned the first story in this collection giving us an insight into one of this trio I think this one did so in a much bigger way, really showing us what it's like for Phoebe as she feels lost and alone in the world, hounded by guilt and feelings of loneliness. I could have read an entire book like this, and really hope that this won't be the last time Shand plays with these characters.

Neil Kleid is another name that's new to the Aconyte team, but has a history with writing Marvel characters. His story, 'Kid Omega Faces The Music' is, as the name suggests, a story that focuses on the most narcissistic omega-level mutant, Kid Omega. The story follows him as he tells the story of how he snuck out of the school in order to go to a convention with the goal of stealing Wonder Man's glasses. The plan seems to be going fine until Kang the Conqueror turns up and tries to blast Wonder Man with an energy pulse that will send him through time. When Kid Omega is hit instead he finds himself being thrown through different periods of X-Men history, always around Magneto.

Kid Omega has always been something of a dick; it's one of the reasons why we love him. He sees mutants as being superior, and himself as being superior even within the mutant world. This is something that he seems to have in common with Magneto, a figure who has always battled for mutant rights and freedoms, sometimes violently. As Quentin bops through time he sees a young Magneto, fighting to wipe out humanity and put mutants on top, a Magneto who puts himself in the line of fire to save humans, a Magneto troubled by his path in life, and many others. Over the course of his travels Quentin begins to realise that his views, like the young Magneto's aren't quite as simple as he thinks, and begins to suspect that there is a way for humans and mutants to live together if they tried.

This is a really good story, one that forces a character who hardly ever thinks of anyone but himself, and always thinks his view is the right one, to reevaluate his stance on a number of things. It forces him to see that others like him have come before and failed, and that the lessons they've learned are ones that he should pay attention to. He begins to grow as a person, even if only a little. I very much appreciated getting a chance to see how Quentin ticks through this story, and loved how different the writing style of this story was. It was also cool to get a hint of Krakoa here too, events that are happening in the comics now, but would have been the future for the Quentin we're following here.

The final story in the book, the biggest of all of them, is 'Depowered' by Carrie Harris, who wrote the first Xaviers Institute book, Liberty and Justice For All. This story follows the young students when their teachers head out on an important mission, leaving them alone in the school. All's fine until a jet arrives unannounced, bringing with it Dani Moonstar, who's powers were lost on M-Day, and Polaris, the daughter of Magneto, whose own magnetic powers are on the fritz. The two of them have come to the school hoping to find help for their lost and damaged powers. Unfortunately, not long after they arrive a squad of Sentinels follows, forcing the young students to have to work as a team in order to defend their home. 

There's a lot of action in this story, and a lot of characters get moments to shine, but if there are two characters in particular who get the focus it's Eva Bell and Christopher Muse, the two leads from Harris' other X-Men book. This story sees the two of them having to step up and become leaders, taking charge of the students when certain death looms on the horizon. It feels like a continuation of Liberty and Justice For All in the sense that these are characters that have clearly continued to grow from that point, and who are drawing from their experiences in that book to help deal with the Sentinels. But it's also a story that's seeing Eva having to deal with one of the most heartbreaking and tragic things in her life, as none of the other students are aware that this comes shortly after Eva's powers pushed her into the future, where she spent a decade making a new life and with her husband and child; a life now lost to her. A life she has to mourn losing without anyone knowing.

I really enjoyed this story, and it gave a lot of character a chance to show why they're not only great characters, but amazing additions to the X-Men line-up. It was also nice to see two familiar faces make a prose appearance in the form of Polaris and Dani Moonstar. They brought some interesting new energy into the mix, and gave the two leaders some wildcards with which to play with when they took charge.

There's a great mixture of stories in School of X, stories that feature a broad range of characters from across the X-Men titles and gives them a chance to lead their own stories. The stories delve into what makes these people tick, their hopes, their fears, their dreams. It showcases how them learning to become super heroes is more than just figuring out their powers, but learning and growing as people and finding their places in the world. An excellent addition to the X-Men mythos.


Buy Amy A Coffee

Go to Amy's Blog

Sunday, 5 December 2021

Valley of the Shadow: The Spiritual Value of Horror – Documentary Review

 

Originally published on Set The Tape


Religion often plays a part in horror. Whether it’s a demon from Christian mythology trying to break its way out of hell, or some kind of ancient and wicked cult whose faith compels them to perform awful deeds, it’s a facet of the horror genre that many will take for granted.  Because Christian faith is often used in horror, with some of the most famous films in the genre such as The Omen, Rosemary’s Baby, and The Exorcist all being heavily steeped in faith, it’s easy to see how some people who hold religion to be important to them could have a hard time connecting with horror.

This is something that video essayist and podcaster Tyler Smith is trying to tackle in his latest documentary film, Valley of the Shadow: The Spiritual Value of Horror. The film is hosted by Bill Oberst Jr., himself a man of faith who is also an actor with almost 200 acting credits to his name, the vast majority of which are horror. Oberst takes the viewer through an expansive evaluation of the various different sub-genres of horror, going into detail about the more famous films and how these particular projects handle their horror content, before finally talking about Christian faith, and how the two are tied together.

The film clocks in at a long two hours and twenty minutes, and the majority of this is dedicated to looking at the different aspects of the horror genre. There are sections that look at how animals and nature play a part in horror, but rather than bundling it all in together it takes the time to look at horror films about sharks, spiders, and alligators each on their own, reminding the viewer that there are actually a lot of horror films just for these select animals. It also talks about snakes, and brings up how a serpent was the first monster in the Bible, when the snake in Eden tempted Eve. This is the first real connection to faith for the first part of the film, and one of the few times the film will do this.

From here Oberst will take us through films about infection and replacement, talking about the paranoia of The Thing and Invasion of the Body Snatchers. The film discusses how the evolution of zombies has changed over the years, not just in the genre as a whole, but even specifically in the George A Romero films, and how they’ve been used to discuss certain themes like the civil rights movement in Night of the Living Dead, consumerism in Dawn of the Dead, militarisation in Day of the Dead, and the increase in online life and voyeurism in Diary of the Dead.

The film also spends a decent amount of time looking at two of the most popular creatures in horror: the vampire, and the werewolf. These are areas where I expected a more religious viewpoint to be discussed, especially in regards to the vampire and is connection to the religious imagery of the crucifix. But that doesn’t really happen here. Instead we’re given an examination of how eternal life can at first be seen as a wondrous thing for the vampire, before transforming over time into a curse; as well as how the opposite can be true for the werewolf, where at first people are terrified of the curse put upon them, but can eventually come to embrace the animalistic nature of the werewolf.



Throughout these sections we get a selection of films from across the years, with some of the earliest horrors being featured being The Cabinet of Doctor Caligari and Nosferatu, whilst also getting discussion of films from just last year. However, whilst this selection does show that writers Tyler Smith and Reed Lackey obviously have a broad knowledge of the horror genre they have a very westernised interest in or view of it.. The only films that the documentary references or talks about that aren’t English language movies are old German films, and there’s not a solitary mention of a single Asian horror, despite these being some of the most popular horror films in the world. Perhaps this is because of the low levels of Christianity in Asian countries, or at least the fact that Christiainity isn’t informing horror films there. But as the film references other horror films that have no real connection to Christiainity, other than being made in countries where it’s a majority religion, it’s disappointing that more care wasn’t given to include these films too.

After spending the first two hours talking about the various parts of the horror genre, the film then turns its sights to Christianity. We get clips from films such as The Last Temptation of Christ, The King of Kings, and Passion of the Christ, and the discussion finally turns to talking about how horror and faith intersect, and how they believe that many of the morals that horror tries to impart on the audience, of striving to do better, of sticking together and helping each other, are all good Christian values. And whilst this section of the film is certainly interesting, the fact that this discussion, the main topic of the film, doesn’t happen until two hours have gone by meant that it felt in some ways almost tacked on at the end.

I’m no stranger to long video essays, I’ve watched hours long breakdowns on franchises I’ve never even seen because I find analysis interesting, and HBomberGuy’s ‘Sherlock is Garbage, And Here’s Why’ is a video I’ve watched multiple times, despite it clocking in at almost two hours itself. But the thing with these YouTube video essays that I enjoy, and that keep bringing me back, is that they analyse their topics well, they make their points across the entire essays, and they keep me entertained. In contrast, Valley of the Shadow: The Spiritual Value of Horror failed to keep my attention. It was interesting to examine horror as a genre, but looking at the genre separately to the point the film was trying to make, then coming back round at the end to outline the views, made it feel like a two hour introduction to a twenty minute essay.

I really wanted to like this film. It seemed like it was going to try to look at horror from an interesting perspective; that it would examine the way that faith and Christianity have been used in horror, and how horror isn’t necessarily bad just because of the subject matter it includes. But it ended up being an overview of horror with a short message at the end that having good values is nice, and that horror does well with faith. I’m sure some will enjoy this message, but it felt like it was delivered in a very long, not completely entertaining way.


Buy Amy A Coffee

Go to Amy's Blog

Saturday, 4 December 2021

Star Wars: The High Republic Adventures – The Monster of Temple Peak #4 – Comic Review

 

Originally published on Set The Tape


It’s bittersweet whenever a comic series that you’re loving comes to an end. On one hand you get the conclusion to a story that you’re enjoying and get to see how things resolve, but on the other it means that you’re not going to get any more issues. This is honestly how I’m feeling now that Star Wars: The High Republic Adventures – The Monster of Temple Peak has come to a close – though this might not be the end for Ty Yorrick and her adventures.

With Ty coming face to face with the Gretalax last issue, but choosing not to destroy the creature, it wasn’t entirely clear where this issue would be focused. This issue lets the reader in on the revelations that Ty had made in the previous issue, the discovery of the origin and the motivations of the Gretalax pretty early on, revealing that most of what we’d been led to believe across the course of the series has been an elaborate web of lies.

Despite having given up being a Jedi it’s clear that many of their teachings and their morals have stuck with Ty, and the fact that she chooses to right a wrong, to confront the real villain of the story rather than just finishing the job and collecting the money proves this. It shows that despite her protestations Ty isn’t just just a simple monster hunter, that she won’t just take a job for the coin and kill whatever she’s been asked to. Justice and injustice means something to her, and that’s clearly the most important thing that she took away from the Jedi Order.

Speaking of the Jedi, we finally get an answer as to why she left the Order, even though there is clearly more story there to tell. We have seen the catalyst, the event that leads to her split from them, but we still don’t know if leaving was a choice she made, or a punishment placed upon her. I suspect that this is very deliberate, as the final moments of the book seem to make it clear that this won’t be the last that we see of Ty, and I suspect that there’s still a lot about her back story to discover whenever we next get to see her.

It’s sometimes hard to talk about an issue that’s so plot heavy like this one because you don’t want to spoil any of the details or revelations, and whilst that’s the case here I do feel confident in saying that readers are going to enjoy what happens. Cavan Scott has been excellent throughout this series, but this is the issue where his writing shines the most. Now that we get to see everything come together it just reinforces what I’ve been thinking throughout, that he’s one of the best writers working on The High Republic right now, and his comic work is excellent.

The artwork on this issue is incredibly well done too, with Rachael Stott, Vita Efremova, and Nicola Righi producing some of the best work on the series yet. The action sequences feel full of energy and move with a great pace; we get more characters than we’ve had elsewhere, and they all look good; and the work on the various monsters that appear here are brilliant. Everything about this issue looks good, and I think that this creative team might be producing some of the best looking stuff in any of the Star Wars Adventures titles.

Whilst I’m sad to see this series come to an end I’m happy with how it came to an end. The story concludes well, having answered many of the mysteries set up, but leaving things open for the future. I’m very excited to see where and when Ty will appear again, but until then I’m glad I’ve got this story to tide me over.


Buy Amy A Coffee

Go to Amy's Blog

Friday, 3 December 2021

Star Wars: The High Republic Adventures #10 – Comic Review

 

Originally published on Set The Tape


Masks and helmets are a big part of the Star Wars universe. Whether it’s one of the dozens of types of stormtroopers, Sith Lords, or pirate raiders, it seems like half the characters in the Star Wars universe hide away their features. As such, building up a character around their mask, adding a sense of mystery to them and giving them a unique look, then deciding to take that away is a brave move. This issue sees the destruction of the skull mask that Jedi Padawan Quort has worn since his introduction, and considering the removal of this mask could change how people look at this character completely, it’s kind of a bold decision.

At the end of the previous issue, the Jedi temple on Takodana came under attack from Nihil ships, whilst a bomb was detonated within the temple itself, reducing it to rubble. Whilst our heroes seemed to weather that destruction, left with only minor injuries, it did result in Quort’s mask being destroyed. The previous issue had told us the importance of that mask, how for his people it was something sacred and special to them, how it was to help the young grow and become an adult; and this issue reminds readers how important it is right at the start with a flashback to a young Quort being told that when the time is right he’ll choose to take the mask off. But now that choice has been removed from him, his agency has been taken away.

We also know that the mask helps with anger and violent tendencies, so its sudden loss adds a new worry: will it result in Quort losing control and veering dangerously close to the Dark Side? Thankfully, this seems to be a misplaced worry, and if anything the loss of the mask had Quort finally standing up and believing in himself, acting with a bravery and confidence that he’s not had this entire series. I really liked this change, I liked to see him realising that the time had come for him to grow up, and how it gave him a new sense of self.

The design for Quort was really good too. We’d been given small hints at what he might look like over the course of the series; a glimpse of blue skin, and his white hair, but there were still big questions around if he’d look fairly human, or if he’d be truly alien. What we got was a nice mixture of recognisably human, but with elements like his ears that had an animal, almost feline look to them. Without his mask he has a sense of grace and smoothness to him that he didn’t before; he’s less bulky and lumpy, and I think that his confidence and his abilities are only going to continue to grow from this point.

Elsewhere in the issue we got further development on the Nihil story, and saw that Krix seems pretty settled into his position as a leader within the group. The more we see of him and his story the more it seems like he’s being pushed towards a point where it will be impossible for him to ever really come back from this dark path that he’s on; though redemption is a big theme in Star Wars, so that possibility is never really off the table.

The art in this issue is provided by Toni Bruno and Rebecca Nalty, who have worked together on the previous issues in this art. Their styles work well together, and they have produced some of my favourite work on Star Wars: The High Republic Adventures so far, delivering a simple look that still manages to appear detailed and neat. They also don’t make the younger characters look too young, which I really like. At the start of the series many of the Padawans looked to be close to ten years of age, whereas now they’re looking like they’re in their mid-teens, which definitely suits it much better.

This story arc has been a lot of fun, and it feels like Quort has come on leaps and bounds and has firmly established himself as one of my favourites in the entire High Republic. And this issue absolutely flew by for me, I had to double check it was the regular length because it felt like it was a very quick read; but I think that just shows that I had a blast with it. I’m looking forward to seeing more great stories with Quort in the future.


Buy Amy A Coffee

Go to Amy's Blog

Thursday, 2 December 2021

Sailor Suit and Machine Gun – Blu-ray Review

 

Originally published on Set The Tape


As a fan of Asian cinema there will be times where you hear about a film, probably multiple times, that you think sounds like it would be something you’d love to see, but finding a copy of it is hard, if not impossible. If you do manage to track one down it’s often a bad recording, with subtitles or a dub that haven’t been given enough care or attention; leaving you with a film that makes little sense.

Sailor Suit and Machine Gun is one of these films for me. I’d heard about it so many times, but had never been able to find a copy. I’d all but given up hoping to ever see it. Fortunately, Arrow Video have come through, providing an excellent new Blu-ray release for this classic film. This marks the first time that this film, or any of the films by director Shinji SĂ´mai, has been released in the west, and it’s very much worth your attention.

If you’ve ever been left anything in someone’s will you’ll be aware of how strange it can be to suddenly find yourself in possession of something you’re not expecting, especially if you never thought you’d get left anything. Getting left money is a strange experience, as you have the joy of better finances whilst dealing with the grief of losing a loved one, and being left items can be odd because you’ve got to work out whether you want to keep them or sell them on. But I don’t think anyone has ever inherited anything as strange as high-schooler Hoshi Izumi (Hiroko Yakushimaru) does, who shortly after losing her father finds out she’s inherited his Yakuza gang.



Izumi is dragged out of the world of study and tests and finds herself in command of a group of hardened criminals and killers, though only a small one to be fair. At first she rejects the offer of leading the criminal gang, but when she discovers that this means the men under her command are honour bound to go out in a blaze of glory attacking one of the bigger gangs, she agrees to lead them just to keep them from needlessly dying.

This begins a series of events that sees Izumi being expelled from school, forming friendships with her gang, and being drawn deeper and deeper into the world of organised crime. When she and her gang become the targets of a particularly sadistic rival crime boss, who thinks that Izumi has also inherited a shipment of drugs that was meant for him, Izumi and her gang find themselves fighting for their lives.

Despite the subject matter, Sailor Suit and Machine Gun isn’t really a Yakuza movie in the sense that many of the tropes of the genre are so wonderfully subverted. We’re used to seeing strong characters full of machismo, who dare not show their sensitive side for fear of having it used against them. But here we have this high-school girl being suddenly dropped into this world, and that just wouldn’t work. The men around her, the four people who make up her tiny criminal gang, are incredibly affectionate towards her. They care about her, they want her to be happy, they go out of their way to make sure that she has fun, even redecorating their shabby office into a bright and colourful place filled with comforts.



It’s clear that Izumi has an effect on the men around her, and none of them feel like the usual kind of people that you’d expect to find in a mob movie. Even her right hand man, a hardened killer and life long criminal takes on a fatherly role to her, going out of his way to make sure she’s alright. It would have been very easy to write this story where Izumi is just a figurehead, where those under her don’t respect her or listen to her, but instead she really does become their boss, and it’s rather delightful.

Of course, one of the main themes in crime movies is how power can corrupt, with decent people becoming cold hearted over time. And this does happen somewhat here, as Izumi embraces her role as a crime boss over the course of the film, making threats to other gangs, and threatening to kill people to avenge one of her fallen men. But you never get the sense that Izumi has changed, that this life has made her a bad person at all. She maintains her delight at the world and her sense of innocence, even when she’s shooting up a room with a machine gun. And this is what makes this film rather special, the very fine line it walks between a mob movie and a delightful comedy.

Alongside the regular version of the film the new release also comes with a restored version of the ‘Complete Version’, the extended cut of the film that was released a year after the original. These extra and extended scenes are great, and make the movie a lot more fun. We also get a decent 50 minute documentary called ‘Girls, Guns, and Gangsters’ which features cast and crew of the film coming together to talk about making of the film, its director, and the legacy that the movie created.

Sailor Suit and Machine Gun is one of those rare, delightful movies that goes against expectations and blends genres together in ways that you don’t expect. It’s the kind of film that you don’t really get outside of Japan, and one that is shocking that it took 40 years to get a western release. Whether you’re a fan of crime movies or not this is a film that you should definitely see, even if just for the ridiculously fun premise.


Buy Amy A Coffee

Go to Amy's Blog

Wednesday, 1 December 2021

Doctor Who: Survivors of the Flux - TV Review

 


Well, I was hoping that the Doctor being turned into a Weeping Angel would be something that would have some weight to it, something that wouldn't just be resolved within the first few moments of the next episode; but it looks as if that was perhaps hoping for too much. The dramatic conclusion of the previous episode seems to be just a slight inconvenience more than anything else, a momentary distraction for the Doctor as her transformation is simply used as a way of transporting her to the Division. Luckily, the rest of the episode moves with such a pace, and has so many entertaining moments, that this didn't even really bother me until after the episode was done and I was looking back at it all.

'Survivors of the Flux' covers a lot of things, and we follow several stories during this episode. With the Doctor having been taken away, and being separated from them by more than sixty years, Yaz, Dan, and Professor Jericho has spent the last three years travelling the Earth searching for answers, for a way back to the Doctor, and for information that can help them against the disaster awaiting them in the present day.

Whilst the companion stories can sometimes feel a bit flat, like the minor side plot that keeps them busy so that the Doctor can do whatever she needs to do to save the day, this is the first episode this series where their story actually felt like it meant something, and it was all the better for that. The trio begin in Mexico, searching for an artefact that could contain an important date, a date that could be the end of the world. From there they travel to India to get it translated, to Nepal to seek out a wise man (best single scene appearance in years), visit the Great Wall of China to leave an important message, before finally travelling to Liverpool to investigate the Williamson tunnels. 



It's very globetrotting, and the use of maps with dotted lines to show their routes, along with the historical setting and having to fight off mysterious attackers, gives it a very Indiana Jones kind of feel. It's also feels that Yaz and Dan have really grown into close friends over this time, and means that even if the Doctor doesn't know Dan very well it's entirely believable that he would want to continue on with the adventures after this series due to him and Yaz having spent years surviving in the past together. I also loved the fact that Professor Jericho has stuck around, as he fits in with the others well and brings a nice energy to the mix.

It's through these three that we finally get something of an explanation for the sudden appearances of Joseph Williamson across the series; though there are still some things left to be explained with him in the final episode. It seems that whilst constructing his underground tunnels he's found portals, doorways to different times and places that allow him access to the times we've seen him in the previous episodes. This might very well end up being an important piece of the puzzle in the final episode, some way to help resolve things, as well as providing Dan, Yaz, and Jericho with a way of getting back to the Doctor.

Speaking of the Doctor, her story definitely packs a lot into a relatively little amount of time this week, as we get to learn a lot about Division and its goals. The Doctor awakens inside some kind of station or ship, filled with strange technology, an Ood, and the mysterious woman she met whilst stuck in the time stream a few weeks ago. It turns out this place is Division itself, the place from which they operate, and the woman is none-other than its leader, the Doctors adoptive mother, Tecteun.



Tecteun reveals that the Division began on Galifrey, as a secret society that began shaping events across time and space. As its influence and its goals grew it recruited operatives from all races, in all dimensions, in order to shape reality to whatever form they wanted. Unfortunatley, thanks to the Doctor being the kind of person who would always fight against them and their goals they've given up on this reality, have unleashed the Flux as a way of destroying everything, and giving them the power to travel across the void into a parallel universe. Lofty goals to say the least.

The revelations here feels like we're getting a lot, like we're learning all about Division and their goals, whilst still leaving a lot of the details vague enough that nothing is contradicted by what we already know, and that we're not worrying about the details. Division could have had its hand in any of the events from across the history of the franchise, it could have operatives in any of the stories we've seen, and it could have any goals. But, because we don't know all of these tiny details yet it means that despite learning a huge amount this episode there's still a swathe of stories that can be told across all of the Doctor Who media range.

Outside of these two groups we also catch up with Bel and Vinder a little. Bel has tracked down Swarm and Azure, who are collecting up the various survivors of the Flux, and bringing them to some kind of construct in space. However, Bel has no sooner arrived when her craft is recalled to Earth by the Lupari, meaning that not only does she not get to continue in her investigation, but misses Vinder by mere moments. Vinder himself stumbles across Swarm and Azure disintegrating dozens of their captives in order to power themselves towards whatever goal they have in mind. Unfortunately, his arrival isn't a secret, and he's captured by the siblings, who trap him inside the same Passenger as Di.



We also get the surprise return of the Grand Serpent this episode, who seems to be using time travel to get himself a position of power on Earth. We follow him across a handful of decades across the years as he helps to establish UNIT, as well as getting himself placed as its head. These segments are a wonderful insight into the origins of the organisation, even if it does borrow the idea of an evil force being inside our hero organisation a little from Hydra and the MCU. These scenes also gives us a chance to check in with one of the more beloved families in the Doctor Who universe. 

Thanks to the use of some cleverly sourced and used dialogue we hear a young corporal Alistair Gordon Lethbridge-Stewart in the background of a scene from a time before he'd have met the Doctor; as well as the return of his daughter Kate. A lot of fans were upset a few years ago when it seemed like Chibnall was doing away with UNIT, but now it seems like perhaps this was part of a plan, and now we're seeing that Kate had 'gone dark' in order to deal with a threat within the organisation. It's clear that this will be playing a large part in the final episode, and it's a relief that UNIT isn't gone; as well as a treat that the Lethbridge-Stewart family keeps getting to come back. Also, it's incredibly humorous to think that UNIT have been looking after this Doctor's Tardis for decades, especially as the third Doctor spent years alongside UNIT, trapped on Earth, when they had a spare Tardis sitting around.

The episode ends with the Grand Serpent helping to launch a Sontaran attack on Earth, and attack that bleeds through time and brings the aliens to Yaz, Dan, and Jericho in the early 1900's, and sees Bel and Karvanista having to team up to stay alive. Meanwhile, Swarm and Azure have used the power that they've been building to use their connection with the Doctor to reach Division. The Doctor is forced to watch as they kill her mother, the only person who can give her answers.



Going into the final part of this series it feels like the stakes have never been higher. The universe itself is on the brink of destruction, Earth is under siege with its heroes compromised from within, the companions are lost and don't know where the Doctor is, and the Doctor is in the clutches of the villains, with her lost memories just out of reach. It feels like the final episode is going to be a non-stop affair, even if just to wrap everything up in a satisfying way.

It kind of feels like a shame that the series has only been six episodes long, as even though things have been done at a great, break-neck pace, it doesn't feel like we've had enough time with the characters and the story. And whilst I'd have loved to have seen this story be given more time and taken longer I've loved the journey we've had, and am genuinely excited for the finale; something that I've not felt in the Chibnall era until now. Perhaps things won't all be wrapped up, maybe some mysteries will be left, maybe some things will continue on over the course of next years specials, but whatever happens, I think the next episode is going to be a memorable one.


Buy Amy A Coffee

Go to Amy's Blog