Monday, 18 May 2020

Associates of Sherlock Holmes - Book Review



'A brand new Sherlock Holmes anthology to sit alongside George Mann's successful Encounters of Sherlock Holmes anthologies, and Titan's Further Adventures and New Adventures series.

'A brand-new collection of Sherlock Holmes stories from a variety of exciting voices in modern horror and steampunk, edited by respected anthologist George Mann. Stories are told from the point of view of famous associates of the great detective, including Lestrade, Mrs Hudson, Sherlock himself, Irene Adler, Langdale Pike, and of course, Professor Moriarty...'

Associates of Sherlock Holmes is a book designed for fans of Sherlock Holmes fiction. I now that that could be said about any new Sherlock Holmes book, but this book really appeals to those who've read the original works, with each of the stories being presented here being about, or told by, characters who have appeared in the stories before. Some of these are better known characters such as Inspector Lestrade or Mycroft Holmes, but they also include those smaller one-off characters like Violet Hunter. Thankfully, each of the stories comes with a small introduction from the individual authors, so that readers get a little understanding about the character being featured, and why they've been picked.

George Mann brings together a number of well known Sherlock Holmes writers together to tell a variety of stories, some that vary quite a bit in tone and genre. There are stories that feel like they'd fit easily into the original works, whilst others take on a much darker, even horror feel.

'Heavy Game of the Pacific Northwest' by Tim Pratt tells one of the more unusual stories in the collection, following Professor Moriarty's right hand man, Colonel Sebastian Moran, all the way to the United States. Set after the death of Moriarty, and before the return of Holmes, Moran has travelled to the Pacific Northwest at the invitation of a friend in order to hunt. An avid hunter, and a man known for going after big game, Moran is somewhat surprised to learn that his firend has summoned him to help track down and kill a mysterious ape-man said to inhabit the forests of Washington State.

The story certainly plays with your expectations, giving the reader an explanation for the mysterious ape-man; before pulling the rug out and leaving a lingering question of whether or not Moran does in fact encounter a Bigfoot. The story plays out well, slowly teasing the reader in as Moran enters the dense woodland, and has a very creepy air as he spends his time in the forests as both the hunter and the hunted.

'A Dormitory Haunting' by Jaine Fenn is a story that catches up with Violet Hunter, one of the main characters from the Conan Doyle story The Adventure of the Copper Beeches. Having only recently watched the Jeremy Brett adaptation of this particular story days before reading this book it was a pleasant surprise to see Violet return. Despite being something of a pawn in that story, being used by a vile man in his plots, she was a very clever young woman. She had the knowledge to seek out Sherlock's help even before realising how bad things were, and was quite active in that initial story at finding the truth.

Here we see her as the head of a private school in Walsall, something that Holmes mentions in the original story. We see a slightly older and more confident Violet, one who when confronted with a mystery makes a decision to get to the bottom of it and protect the girls under her care. We get to see how her experiences in the original story have shaped her, and made her a great amateur detective in her own rights.

Cavan Scott's 'Nor Hell A Fury' features one of the most memorable and prominent female characters from the world of Holmes, Irene Adler. Often celebrated as a woman who was able to best Sherlock Holmes, and earning his respect in doing so, we get to see what happened next for her in this story set in France.

One of the most interesting things that Scott does here, however, is allude to the idea that Watson has had to alter some of his stories for publication so as not to embarrass certain public figures. In this case, it appears that Irene Adler is not even her real name, and was a name that Watson gave her in the story, and that it was not the King of Bohemia who was involved in that particular scandal but a member of the Russian royals. It makes complete sense that Watson would need to alter certain facts and events in order for them to be published, but it's an idea that doesn't often come up in Holmes stories. It was also enjoyable to see that whilst Irene didn't win like she wanted here, she was still smart enough to end up with an insurance measure at the end, proving that even if she doesn't win she's smart enough not to lose.

'The Vanishing Snake' by Jefferey Thomas tackles one of the better known Sherlock Holmes stories, The Speckled Band, and takes the opportunity to correct a few things that were factually incorrect with the original story. Thomas points out that there's no such snake as a Swamp Adder, and that snakes don't drink milk, but instead of using these inconsistencies to damage the original story, uses them to take it in a new and interesting direction. The explanation for these mistakes skirts on the supernatural, yet works incredibly well, and offers readers an unusual alternative theory.

My favourite story in the collection, however, would have to be 'peeler' by Nick Kyme. The story centres on Holmes' best known ally, other than Watson of course, Inspector Lestrade. In this story Lestrade begins to investigate a number of attacks across London, where the victims are left killed and large portions of their skin removed.

The story has a very Jack The Ripper feel to it, and cashes in on the creepy horror of Victorian era London well. The plot advances at a pace quick enough to remain exciting throughout, yet also gives you time to slow down and see how the police investigate the kind of crimes that Sherlock and Watson ultimately get called in on. It's great to see how Lestrade teams up with the consulting detective from the opposite side, and how he feels about Holmes. The story is so well done that it's one that I could easily see expanded upon into a much bigger story, one that could easily be a book in itself.

These are just some of the stories on offer in the book, however, and there are a lot of others too. There are stories that feature Billy the Page, Shinwell Jones, Mycroft Holmes, Inspector Barnes, and many others. Each of the writers manages to take these small characters, some even having a single appearance in the original work, and manages to craft engaging and engrossing tales. The stories highlight how interesting and diverse the supporting cast were in Conan Doyle's original stories, and shows how great writers like those on offer here can take these characters and make them leads in their own tales.

Whether you're a fan who knows all of the original stories and can name all the side characters, or someone with only a passing knowledge of the Sherlock Holmes cannon, this book is sure to offer you something. Even if for some reason you don't enjoy every story (which I would be hard pressed to believe as they're all amazing) there will definitely be something here that will entertain.




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Wednesday, 13 May 2020

A Nightmare On Elm Street (2010) – 10 Years On



Originally published on Set The Tape

Horror films, and more specifically their villains, have the ability to become some of the most iconic things in not just film but pop culture in general. Even if they’ve never seen the films, most people would be able to identify Jason Vorhees or Leatherface because of their distinctive looks.

Even where there are different killers in each film, like Ghostface from the Scream movies, people know it’s the scream killer. The beauty of these iconic masks is that not only are they instantly recognisable, but that anyone can play that role, and quite often several actors and stunt performers will play these bad guys over the course of a franchise. The biggest exception to this for horror films has to be Freddy Krueger.

Freddy is as iconic as his mask-wearing brethren, with his green and red striped jumper, hat, razor glove, and burnt face. But it’s not just his clothing and appearance that makes him stand out, but the performance of Robert Englund. Englund played Krueger a staggering eight times across different films, and it’s the energy, mannerisms, and voice of Englund that helped to make Freddy an icon that came back time and time again.

Getting over this, and recapturing that magic, would prove to be the biggest hurdle for the 2010 remake of A Nightmare On Elm Street. The decision to remake the film came about in part thanks to the success of the Friday the 13th remake the year before, a film that was a critical and commercial success. Platinum Dunes, the production company that owned both franchises, thought that they could bring the same level of success to A Nightmare On Elm Street.


The new film looked good, with great cinematography from Jeff Cutter, the script was true to the spirit of the original yet managed to do enough of its own thing thanks to good writing from Wesley Strick and Eric Heisserer, and director Samuel Bayer executed a slick and entertaining film. Despite this, the remake is never given the amount of respect and love by Elm Street fans as the original film. Unfortunately, this is down to the performance of Jackie Earle Haley as Freddy.

Fresh off the success of playing Rorschach in the 2009 Watchmen adaptation, Haley was something of a hot commodity, with filmmakers wanting to get him into one of their projects as soon as possible. And that’s a fair thing: he’s a very good actor, and his performance as a deranged and unstable lunatic was probably the best thing from Watchmen,was so why not get him to play another deranged lunatic? It should have worked.

What seems to have happened, however, was that for whatever reason Haley was still playing Rorschach. His Freddy was slow, he hid in the shadows, and he grumble mumbled his way through most of his dialogue. Whilst not inherently bad creative decisions when you compare them to Englund, which moviegoers were always going to do, it comes across as a flat and dull version of the character. The energy and fun that Freddy adopted over the course of the franchise was gone. Instead we had a gloomy and nasty killer who didn’t actually seem to be having much fun in what he was doing.

Freddy was always a killer that loved killing. He revelled in not just the kill, but the hunt too. He liked that he was able to mess with his victims in their dreams, and would often perform elaborate torture and means of death in large part because he found it funny. Many of the films in the franchise could probably be classed as somewhat comedic at times because of this. Taking out these moments of dark comedy might sound like the right decision – after all, you’re making a horror. But it turns out that doing so leaves a film that feels like a pale imitation of the original, one that fails to please fans, and is often forgotten.


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Monday, 11 May 2020

Trans Woman Helle Jae O'Regan Killed



Transgender woman Helle Jae O'Regan has been identified as the victim of a workplace rampage that claimed her life and injured two others in San Antonio on 6th May.

20-year-old Helle was employed at Diesel Barbershop in San Antonio, Texas, where the incident took place.

According to police statements and media reports, 42-year-old Damion Campbell entered the barbershop to book an appointment whilst staff were preparing the premises to re-open, but when asked to provide payment he left the store, before returning with weapons. He was seen in surveillance video holding both a knife and a gun, and threatened the three members of staff present.

Two of Helle's fellow employees were able to escape, one without injuries whilst the other received several stab wounds. According to the police, Campbell choked Helle unconscious before stabbing her to death. Police have said that they do not believe Helle's gender played a role in her death.

 Helle has been described as a proud trans woman, who embraced her identity. On the Trans Day of Visibility she posted to her Instagram account where she shared pictures of her transition. 'I wasn't going to post anything but it's #transdayofvisibility so I decided I will. I was looking at the pictures I used to take before I transitioned versus now and it made me realize I'm way happier than I used to be. I love myself now. Thank you to everyone who's ever supported me and to anyone who hasn't I hope you come around. I'm happy and proud to be myself.' The post said.


Management of Diesel Barbershop chose to release a statement on their Facebook page in order to provide members of the public with more information, and to correct some reports that had provided incorrect information on the incident.

The Diesel family is devasted over the loss of life and acts of violence committed against the employees of our Bandera Oaks location on May 6th. This senseless act of violence has shaken us to our core and is affecting us all in ways we could have never imagined. Thank you all for your kind words, thoughts, and prayers as we try to comprehend what just happened and move forward through the rough days ahead.
Because of this tragic event on May 6th, the re-opening of all of the Diesel Barbershops in San Antonio and New Braunfels is being temporarily delayed until Friday May 15th.
To help dispel the false reports from the various media outlets, here are the basic facts of the events of May 6th, 2020 as best as I can relay them. Out of respect and privacy for the families and employees involved in this horrible tragedy, I have intentionally chosen to not identify the 3 of them by name.
3 Diesel Barbershop employees were at Bandera Oaks the morning of May 6th answering phones to book appointments and deep cleaning the shop for our re-opening on May 8th. An individual came to the front door (which was locked) and attempted to enter. We unlocked and opened the door to let him know we were closed and getting the shop ready to reopen on Friday. The man then asked about making an appointment for when we reopen. As we would have likely done for any of our clients, we let the man in to the shop to book his appointment. We gathered the necessary information but when it came time to secure his appointment by placing a credit card on file, he said he needed to step outside to grab a form of payment. When the man stepped back into the shop, the staff realized that along with the backpack he was now carrying, he also had a handgun and a knife. Attempts were made to give the man whatever he wanted…cash, equipment, or whatever it took to get him out of the shop. The man made it clear that he wasn’t there for money. He then began asking the employees: “What have you done wrong? What have you done wrong? God sent me here to kill you because you have done something wrong! What have you done wrong?” over and over again while forcing them to the back of the shop. Details beyond this are sketchy at best. In the end, one employee managed to escape and call 911. One employee was stabbed 5 times in the back, but she also managed to escape. Tragically, one employee lost their life in this senseless act of violence. Even as I type it, I still cannot believe it. It’s a nightmare of the most epic proportions.
From the beginning, there has been a great deal of incorrect information reported in the media. For example:
1. Chief McManus stated publicly in an interview that we were open, and the man was receiving a service. This is patently false. We were not open for business nor doing illegal haircuts. We were cleaning the shop to prepare it to open on Friday May the 8th and the front door was locked. We let the man in because he said he said wanted to book an appointment for when we reopen.
2. There was not an altercation in front of the shop. Everything occurred inside the shop. The employees who ran out of the shop ran to Pei Wei and Monarch Dental to call 911. Neither business is involved in this tragedy beyond that.
Here is what I know to be true and what I know I need to focus on to help me and my Diesel family process this senseless tragedy. A man attempted to kill 3 of my amazing employees. 3 wonderful, kindhearted, give you the shirt off of their backs, loyal employees for no reason at all. None. In fact, detectives tell us this appears to be a completely random act of violence. And because of that random act of violence, one life has been ended and a family is forever changed, two employees will be forever scarred and changed by this, and the entire Diesel Family is reeling in shock. We’re all just numb now. Numb.
Make no mistake about it. This tragedy will forever be a part of who we are, but it will not define us, what we do and how we take care of our clients. I kindly and respectfully ask that you all rally around the staff at the Bandera Oaks location and that you throw all of the love and support you can to the families of the employees who were directly involved in this horrible horrible tragedy. They need you. We need you.
Thank you for your support and love all of these years. It means more to me and to my staff than you will ever know.
We will be back and we will get through this. One. Day. At. A. Time.

Emmett Schelling, the Executive Director of the Transgender Education Network of Texas (TENT) spoke out on the incident. 'We are saddened to hear of the news about Helle O’Regan’s death. Trans and non-binary Texans, unfortunately, lays claim to being the state with the highest number of reported murders of transgender people than any other state these past five years. The stigma that exists and is continued to be perpetuated from the highest held offices in our state only feeds into this. We mourn for Helle’s life being cut so prematurely, but take comfort in hearing how much joy she brought to those who knew, loved and accepted her fully as her authentic self.'

Tori Cooper, of the Human Rights Campaign posted on the organisation's website saying, 'The Human Rights Campaign is standing with Helle’s family and friends in mourning today. Her death further underscores the dire and urgent need to end violence and discrimination against transgender people - and especially against transgender women - now.'

One of Helle's friends, Luke Tyler, spoke to local news networks about Helle, saying 'Every time I saw her, she smiled. She’d do anything for you. She was a caring person. I never saw her in a bad mood. Being trans is so hard, and her life was hard, but she lived like it was the best day of her life every day.'


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Aliens: Phalanx by Scott Sigler - Book Review



'It's Medieval carnage meets Alien as a pre-industrial society fights against extinction brought about by a massive infestation of Xenomorphs.

'Ataegina was an isolated world of medieval castles, varied cultures, and conquests, vibrant until the demons rose and spread relentless destruction. Swarms of lethal creatures with black husks, murderous claws, barbed tails and dreaded "tooth-tongues" raged through the lowlands, killing ninety percent of the planet's population. Terrified survivors fled to hidden mountain keeps where they eke out a meager existence. When a trio of young warriors discovers a new weapon, they see a chance to end this curse. To save humanity, the trio must fight their way to the tunnels of Black Smoke Mountain--the lair of the mythical Demon Mother.'

Titan Books have been publishing some really good Alien books recently. They've provided adaptations of existing entries in the series such as Alien Isolation, tie-in's to the comics like Alien: Prototype, and completely new stories like Alien: Cold Forge. Every book has brought something new to the table, whether it be a new type of Xenomorph, or a new insight to an existing story. But I don't think any of the Alien books are as different, or as bold as Alien: Phalanx.

The thing that immediately sets this book apart from the others is the fact that it's not really a science fiction story. Other than the presence of the Xenomorph, this is a fantasy story. It's set on another world, a world where nations have risen and fallen, where humans have their own societies that trade with each other, plot against each other, and distrust each other based on the gods they worship or the way they treat their women.

Much of the story of Alien: Phalanx is such a human, personal story, set within a world we've never seen before that at times I sometimes forgot that this was actually an Alien story. And I want to make it clear, that's not a bad thing at all. I was never waiting for the creatures to turn up, never found myself sitting through scenes I found dull or variations of things we've seen before waiting for the action to happen. It was a change I didn't know I wanted, but loved so much.

Most Alien stories will show you a group of people living their lives, whether they're colonists, or people on a ship, who end up in a situation where a Xenomorph either arrives or escapes from some kind of lab. Then it's a desperate fight to survive and escape. Not here. Here we had a world where the Xenomorphs have already been around for decades, where there are people who have no concept of a life or society that isn't built around surviving these creatures.

The humans of Ataegina are living underground, hidden away in ancient strongholds that have been repurposed into cities. In order for these cities to survive they need to trade for important things with other cities. This is where we find out lead characters for the book, runners who have to make the dangerous trek across the surface from place to place gathering supplies. Instead of the cramped hallways and tunnels that are usually the places to be afraid of, now it's the outside world. The people feel safe in their confined tunnels, whilst going for a stroll in the woods is an almost guaranteed death sentence.

The change that Sigler makes, to flip the expectations upon the readers is something so obvious, yet something I can't really remember having seen before. The Xenomorphs are things that live in the outside, that keep humans trapped away, living inside their own warren of tunnels. The fact that this is a pre-industrial world makes a huge difference too, as there is nothing for the humans to fight back with. No guns, no explosives, nothing.

Readers learn very early on that there are simple rules to survive in this world, stay quiet, stay hidden, and if one of them comes for you, you kill yourself. The fact that the people of this world have only one solution to a Xenomorph attack, kill yourself before they take you, is one of the most chilling things I think I've ever read in an Alien book. The moments where characters are forced to stand still as a Xenomorph comes past them, or sneak around knowing that the creatures are there somewhere, are some of the most tense and horrifying moments I've read in an Alien novel, and I loved every moment of it.

I won't go into too much detail about plot and characters, as I think this is a story best experienced with a little warning or knowledge as possible to get the most out of it, but I will say that the story did things that I was not expecting, went in fascinating new directions, and drew me in more than any other Alien story. These were characters that I spent a lot of time getting to know in the quieter moments, and a world I ended up really fascinated with. There were times I really struggled to put the book down because I just wanted to read more and more.

I hope that this is the start of a trend for the Titan Alien stories, where we get more unusual takes on the formula, and writers take bigger chances. I also hope that Scott Sigler gets to play with this universe again, as the imagination and energy he brought to it was absolutely amazing. I'd even love to read a follow-up book to this one, even if it doesn't have a single Xenomorph in it; because I would love to spend more time with the characters and their world.

Alien: Phalanx is an amazing combination of a traditional fantasy novel, mixed with the horror of the Alien franchise. It's a book that sent me on a roller-coaster of emotions, that had me wishing it was twice as long, and makes me eager to see what the author does next. Easily in my top ten books of the year.




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Sunday, 10 May 2020

YouTuber Arrested For Transphobic 'Prank'



YouTube content creator Ferdian Paleka has been arrested following a week long manhunt following outrage when he posted video where he performed a transphobic prank.

Paleka, who has more than 130,000 subscribers on his YouTube channel, was arrested on the morning of 8th May following a week long search. The YouTuber had been wanted for questioning following a video where he and his friends prepared food packages containing brick matter and rotten food, before they gave them out to trans women. They also referred to the women in the video as bencong, a pejorative term for trans women in Indonesia.

'We want to survey whether or not the bencong are on the streets in this fasting month.' He said in his video. 'If we encounter them, we'll give them the packages. But if they're not around that means the city is safe from them.'

Paleka and his friends handed the fake care packages over to several trans women, and were seen laughing at many of them whilst doing so.

The video received immediate backlash online, with many of his followers and members of the general public complaining about what he did. In response Palek released a fake apology video, where he stated that he would only release a real apology if he received 30,000 likes. 'I personally would like to apologise for what I've done. Not.' He mocked in his 'apology' video.

This was not the first time that Paleka has been accused of making a video that unfairly targets members of the LGBTQ+ community, and he has also been reported to have made videos that degrade women, and sex workers.

The video was made in Bandung, in Indonesia, and as such is subject to certain laws. Ferdian, and his two accomplices who appeared in the video with him, were charged with online defamation under the Information and Electronic Transactions Act. If found guilty he could face up to four years in prison. He has also been charged with deliberately breaking the law and bringing harm to other, which could be punishable by up to 12 years in prison.

In light of these charges, and facing a prison sentence, Paleka went on the run, before finally being arrested on the Jakarta-Merak toll road in the early hours of the morning. Paleka was found after the police monitored his family, who tried to help him flee. He had dyed his hair, and shaved off his moustache in an attempt to avoid detection.

One of the victims of Paleka's prank, 39 year old Sani, said that she and a number of the others chose to report Paleka and his friends to the police to 'create a deterrent effect for the perpetrator so that such things would not occur again in the future'.


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Friday, 8 May 2020

5 TV Shows Based On Books



Originally published on Set The Tape


Thanks to shows like Game of Thrones and The Witcher being super popular there’s a good chance that you’ve seen a television series or two that began life as a book. When film adaptations prove to be unable to capture the full scope of a novel sometimes it falls to TV to step in and show film how it’s done. Here are five TV shows that began life as books.



His Dark Materials (2019 – present, BBC)

After the disaster that was 2007’s The Golden Compass it was only a matter of time before another attempt to adapt the Phillip Pullman series was made. A joint venture between the BBC and HBO, His Dark Materials is the live action version that fans have been waiting for. Spread out over eight hour long episodes, and incorporating elements from later books in the series, the first season of the show proved to be very popular, having been renewed for a second season before it even premiered.

Set in another world where each human has a ‘demon’, an animal familiar that’s a manifestation of the soul, the series follows Lyra (Daphne Keen) as she searches for her missing friend. Along the way she discovers a conspiracy involving the sinister Magisterium, the secrets of her past, and the existence of other worlds.

The series mixes together great acting, some superb writing, and brilliant special effects that bring the demons, and giant armoured bears, to life.





The 100 (2014 – present, The CW)

Based upon the novel series of the same name by Kass Morgan, the post apocalyptic science-fiction series follows a group of survivors who return to Earth after a devastating nuclear apocalypse.

After nearly a century of living on an orbiting space station called The Ark, a group of 100 delinquent teens are sent down onto the surface of Earth to see if the planet has become habitable again, as well as reducing the increasing population on The Ark. On the surface they find that people have managed to survive the apocalypse, and have broken into warring factions.

Over the course of the seven seasons the survivors of the 100 are drawn into the conflict between these groups in an effort to survive, and those living on The Ark follow them back to the planet and try to establish a new settlement. The seventh and final season is set to air this year, so now’s a great opportunity to catch up before it ends.





The Strain (2014 – 2017, FX)

Based upon the trilogy of books by Chuck Hogan and Guillermo del Toro (yes, that Guillermo del Toro) The Strain follows a small group of inhabitants of New York as a deadly new virus sweeps through the city; one that turns the victims into monstrous vampires.

The series begins with a very down to earth premise as members of the CDC are called in to investigate an airliner that has fallen silent upon landing, with all aboard dead. Very quickly, however, the show begins to reveal that the one responsible is an ancient vampire who wants to spread his contagion and take over the world. Luckily the CDC doctors get joined by a group of capable survivors to try to stop him, including an ageing vampire hunter played by David Bradley.

The Strain embraces its horror roots, and doesn’t shy away from scares or gore. The vampires in the series are monsters, and one of the few in TV that really lean into it. They don’t talk, they act like animals, and they’re vicious. The series has some great production values and a brilliant cast of actors, and at just four seasons long doesn’t make the mistake of overstaying its welcome.





Bones (2005 – 2017, Fox)

Loosely based upon the life and novels of Kathy Reichs, a forensic anthropologist, Bones became a huge hit police procedural series that went on to last for twelve seasons.

Bones follows Dr Temperance ‘Bones’ Brennan (Emily Deschannel), a forensic anthropologist, and FBI agent Seeley Booth (David Boreanaz), as the two of them work together to solve crimes. To help it stand out from other police procedural shows on American television such as CSI and NCIS the show incorporated much more humour than similar series, and is often described as a dark comedy as well.

The series is as much based upon the real life Kathy Reichs as her books, and Reichs has said that the series serves as something of a prequel to her novels. In a funny little twist, just as Reichs writes books about Temperance Brennan in real life, Brennan writes books about a fictional anthropologist in the series, called Kathy Reichs, in a weird little bit of fourth wall breaking.





Dexter (2006 – 2013, Showtime)

Possibly one of the better known shows on this list, Dexter follows the life of the titular ‘hero’ Dexter Morgan (Michael C. Hall), who spends his days solving crimes as a blood analyst for the Miami Police, but at nights hunts down and kills criminals to state his serial killer urges.

Based upon the book series by Jeff Lindsay, the show followed the books for the first season before breaking away and doing its own thing. Whilst the series became extremely popular, thanks to its unique and dark take on the standard mystery/police procedural, it waned in popularity towards the end, and the final episode is often cited as one of the most polarising, as many fans outright hated it. Sadly, the series also has a somewhat dark legacy after media reports of real life murders supposedly ‘inspired by’ the show.

Despite these issues Dexter is still a popular series, and some of the early seasons really stand out as creative and engaging television.



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Wednesday, 6 May 2020

Scream 3 – 20 Years Later



Originally published on Set The Tape


It’s a pretty universal fact that horror franchises don’t do sequels well. There are certainly exceptions where sequels are genuinely good, like Aliens, or so bad they’re good like Jason X, but for the most part as a horror series goes on you tend to get diminishing returns. This is especially true with 2000’s Scream 3.

Whilst Scream and Scream 2 are both good films, thanks in large part to some clever writing by Kevin Williamson and great directing from legend Wes Craven, Scream 3 struggled to recapture a lot of that magic. This was in part due to the loss of Williamson, the original creator of the franchise; his outline for the third film was mostly thrown out by new writer Ehren Kruger. The film went from focusing on the lead Sidney Prescott (Neve Campbell) and her struggles against the ghostface killer, first in high-school then college, and instead made it about the latest fictional Stab movie, and put a bunch of new characters into the spotlight.

The change from identifiable and relatable locations and people to something far removed from what most know made a big difference. These were no longer teenagers who were like people we knew being stalked and killed, they were spoilt Hollywood starlets, and sleazy executives. No one really cared much about the characters. Whilst the film did bring back series staples such as Neve Campbell, Courtney Cox, and David Arquette, they had limited screen time and failed to bring back a lot of what made the first two films great.


The film tried to make use of its new Hollywood setting, however, by throwing in some celebrity cameos. Jason Mewes and Kevin Smith appear as Jay and Silent Bob touring the film studio, for some bizarre reason, and really throws you out of the movie for a moment thanks to how jarring it is. However, the best part of the movie might actually be the cameo from the late, great Carrie Fisher, who plays a records clerk who is mistaken for Carrie Fisher; the small scene where she laments missing out on getting to play Princess Leia because Carrie Fisher slept with George Lucas is so steeped in Carrie’s trademark humour that you can’t help but love this moment of genuine comedy in a film that has none of its own.

Scream 3 tried to be a good sequel. It tried to tie things back to the first film by introducing a long-lost half brother for Sydney out of nowhere, who apparently set off the chain of events that caused the entire franchise. But it comes off as feeling cheap, a last minute alteration to the mythology that could have happened, but just comes across as a lazy rewrite because they realised their killer didn’t really make much sense.

The Scream franchise isn’t as bad as some horror series. It has some great moments spread across the four films, and has a central cast of great actors. It’s a shame that the series failed to be consistently good across all instalments, but sadly it seems that the only one where Kevin Williamson didn’t write it is the one to let the franchise down.



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Tuesday, 5 May 2020

Britfield & The Lost Crown by C.R. Stewart - Book Review



'Tom has spent most of his life locked behind the cruel walls of Weatherly Orphanage, but when he learns that his parents might be still alive, Tom knows he must do what he can to find them. He can't leave Weatherly without his best friend Sarah, so armed with a single clue to his past, BRITFIELD, the two make a daring escape.'

The description for Britfield & The Lost Crown, along with the dramatic front cover, made it feel like this was going to be an exciting and vast adventure, filled with intrigue and danger. The book started that way, with the daring escape from Weatherly Orphanage being one of the best parts of the book, but once this part of the book was out of the way it did begin to slow down a little.

The lead character, Tom, has grown up in different orphanages his whole life, and only has vague memories of his life before and his parents. He's grown up in one abuse home after another, being treated like a prisoner, he and his fellow orphans used as free labour in sweatshop conditions. He's had to grow up fast, and has missed out on a lot of the things that most children get to have.

When he's suspected of being behind the theft of a book from the evil orphanage owners home (something that he admittedly did do), he's told that he has two days to give them information on every breaking of the rules that has ever happened. He's asked to betray every other child in Weatherly's, and his reward is information about his parents; whom he'd assumed died years before.

Tom, being a good person, knows that he can't betray his friends, even if it means that he can get his family back; so a plot is hatched to break him and his best friend Sarah out of the place. The planning of the escape, the pandemonium that ensues because of it, and the breaking out of Weatherly's were my favourite part. The kids were clever, they'd plotted out an elaborate and complex plan that sounded like it could really work; and of course, like any good plan there were things that went wrong along the way that threw obstacles in our heroes way. It was so much fun to read, and despite knowing that Tom and Sarah must escape, there was still a sense of tension.

Once Tom and Sarah manage to leave the orphanage they engage in a chase across England, being followed by a detective who's written to be the greatest police officer in the country, Gowerstone. Gowerstone is brought in to find the missing children by the orphanage owners, but then doesn't seem to be working for them. He is able to take charge of multiple forces across the country, in Cambridge, London, and Canterbury, and seems to be answerable only to the Prime Minister. He seems to know each step the kids are going to make before even the reader, and has access to all kinds of info that he's a walking supercomputer.

Gowerstone was the first part of the book that threw me. It seemed like C.R. Stewart wanted some kind of super special police officer/secret agent type tracking down the kids, but never really gives too much of an explanation for it. How were the orphanage owners able to get him on the case, yet he be working in an official capacity? I'd understand them calling him in if her were a private detective, but he's very clearly working for the police. It's also never explained how he's able to command so many different branches of the police, and has apparently unlimited resources, including firearms squads, to find two runaways.

The strangeness of Gowerstone made me begin to suspect that the author wasn't hugely familiar with the workings of British police forces, and this began to spill out into other parts of the book too. Every location that Tom and Sarah visit is almost overly described, but in a very clinical way. The author gives almost map-like directions when they travel around London, telling us which streets they take and in sequence, giving us historical facts about when certain buildings on those streets were built. Canterbury is broken down into which parts of the city were built in which century, but the smaller details about what the streets were like were glossed over.

There were a few other things, such as people describing travelling through London with 'blocks', and saying that London Underground tickets would cost £2.50 each really threw me out. It came as no surprise to learn at the end of the book that C.R. Stewart was not a British native, and lived in the US. They seemed to want to set their story in England and include these famous, historical location, and they clearly did a lot of research about these places; unfortunately it often came across as a little cold and distant. I wanted to see these places through the eyes of the two children, not with a breakdown of the historical info the author researched.

I wish I could say these were the only issues I found with the book, but once the kids left the orphanage I began to enjoy the story less and less. Okay, stealing the Hot Air Balloon was fun, and an interesting and unique form of cross-country escape, but the two of them didn't really feel in too much danger. This was largely because most of the people they came across helped them, gave them food, gave them clothing, helped them escape the police, did things for free for them. Either everyone in Britain are super nice people who help children (trust me, we're not) or Tom and Sarah have some kind of pheromones that makes everyone do things for them. It began to get a little ridiculous if I'm being honest.

I know I seem like I've criticised the book a lot, and that's just because it wasn't to my particular tastes; you might feel differently. As a book intended for kids I'm sure that a lot of the things that brought me out of the narrative or bugged me won't be an issue to children in the target audience. As it is, the book is a fun little adventure story, it has some mild peril that won't traumatise child readers, and has lots of nice people in it helping the heroes. If that's the kind of thing you're looking for for your own children, this book will definitely keep them entertained.




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Friday, 1 May 2020

Auxiliary: London 2039 by Jon Richter - Book Review



'London is quiet in 2039--thanks to the machines. People stay indoors, communicating through high-tech glasses and gorging on simulated reality while 3D printers and scuttling robots cater to their every whim. Mammoth corporations wage war for dominance in a world where human augmentation blurs the line between flesh and steel. And at the centre of it all lurks The Imagination Machine: the hyper-advanced, omnipresent AI that drives our cars, flies our planes, cooks our food, and plans our lives. Servile, patient, tireless ... TIM has everything humanity requires. Everything except a soul.

'Through this silicon jungle prowls Carl Dremmler, police detective--one of the few professions better suited to meat than machine. His latest case: a grisly murder seemingly perpetrated by the victim's boyfriend. Dremmler's boss wants a quick end to the case, but the tech-wary detective can't help but believe the accused's bizarre story: that his robotic arm committed the heinous crime, not him. An advanced prosthetic, controlled by a chip in his skull. A chip controlled by TIM.

'Dremmler smells blood: the seeds of a conspiracy that could burn London to ash unless he exposes the truth. His investigation pits him against desperate criminals, scheming businesswomen, deadly automatons--and the nightmares of his own past. And when Dremmler finds himself questioning even TIM's inscrutable motives, he's forced to stare into the blank soul of the machine.'

My previous experience with reading work by Jon Richter was one of his horror anthology book, Jon Richter's Disturbing Works Volume Two, and whilst I really enjoyed his short stories and saw that he was able to craft really good tales in multiple styles, I had no idea how his work would be as a full novel. Thankfully, it seems like Jon Richter is able to turn his hand to mystery thriller as well as he is horror.

The future of Auxiliary: London 2039 is something of a nightmare if I'm being honest. It's not a typical dystopia, or an apocalypse, but it's a future where humanity seems to be stunted, with no room for growth. It's a future where people rarely leave their homes, living their lives inside small, boxlike apartments. Most jobs are being performed by robots, people have what they want delivered to them, they have machines cook for them, they get entertainment on demand, they even have robots for sex. Everything a person needs to get by is provided to them, as long as they don't want total freedom.

Whilst some people might see this as the ideal future, there are some in the world of Auxiliary: London 2039 who don't. One of these is Carl Dremmler, our protagonist. He's one of the lucky people, his job is still deemed to be necessary, and as such he's one of the few humans who actually works. He's a police detective. It sounds exciting, but from very early on it's clear that crime isn't really something that happens all too much anymore, and Dremmler is lucky if he has anything mildly exciting to actually do.

Things take a surprising turn for our hero, however, when he's called to a crime scene where a man has murdered his girlfriend, but is claiming that his robotic arm came alive on its own and did it. Dremmler is very quick to explain to the audience that such a thing would be impossible, and gives us all sorts of reasons why it just couldn't possibly happen. He even goes into an interview with the suspect and tells him he must be lying because his explanation just couldn't happen. It's like someone claiming a unicorn stabbed their wife; it just couldn't be.

Despite how much Dremmler hates the world around him, hates the reliance on technology, hates that he has nothing to do, hates that he has sex with a machine, he still can't believe that the technology could be evil. At least at first.

Over the course of the book Dremmler begins to collect evidence that suggests that there's a lot more going on than first appears. He has to go against the wishes of his boss to do it, but he begins to find a bigger picture, one that suggests the unhackable computers that control human life might not be completely safe, and that their might even be a huge conspiracy behind it all.

I don't want to say too much more about the plot specifics, as a large part of any mystery is seeing the pieces come together, and trying to figure out the answer for yourself. What I will say, however, is that the story never makes any huge jumps that don't make sense. Some mystery stories seem to reach a point where the clues peter out, where the protagonists can only move forwards thanks to something that happens outside of their control that sets them onto a new path. Here, Dremmler makes all of the important things happen. He finds the small clues, he spots the things in the background, he makes the connections that drive the story forward.

Dremmler is a good detective. He's a bit burned out, he's started to hate his job and his personal life is a flaming wreck, but he's damn good at what he does when things hit the fan. He could have an easy solve on his hands, he could say that the boyfriend killed the victim because of course the technology couldn't be at fault, but he doesn't; even when following the clues makes things worse for him. Despite appearing to not care at the start of the book we see that the truth matters to him, and that he'll put getting the answers before his own safety and security. He's a good man, and a good protagonist.

Whilst we don't get many other characters over the course of the book, thanks in large part to most of the population living inside their small boxes, those we do meet are all interesting and unique. There's also a lot of variation on gender in the book, which was a pleasant surprise. It seems that in the future society that Jon Richter has made society isn't stuck in its thinking of only two genders. The binary seems to be well and truly broken, even if there only seems to be mention of male, female, and neuts, gender neutral people that have their own unique sets of pronouns. This was an interesting part of the book for me, and I'd have liked to have seen a little more about this, possibly expanding and exploring to see if there were more than these three genders, as gender is a spectrum after all, but I understand that this would perhaps have taken a little time and focus away from the main story.

Auxiliary: London 2039 is an interesting and engaging mystery story, set in a strange future world. It takes the ideas of the reliance on technology and explores how this could shape and change society in negative ways, without it being something apocalyptic or horrific. Not only will fans of science fiction enjoy it, but anyone who likes a good mystery story.




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Wednesday, 29 April 2020

We Summon The Darkness – Film Review



Originally published on Set The Tape

There seems to be a slew of media set during the 1980s right now. Things like IT or Stranger Things being prominent examples. Whilst a lot of this stems from nostalgia, especially as those who grew up in or were born in the 80s are taking over film and television production, sometimes it can feel like thing are being made in that era just so movie makers can cram the backgrounds full of things from their childhood. We Summon The Darkness, on the other hand, actually seems to have a good reason to be set during the 80s, and doesn’t just cram 80s references down people’s throats.

The United States was being swept by a moral panic during the 80s, one that would go on to be known as the ‘Satanic Panic’, where some conservative and religious people blamed the moral decay of the youth on the influence of heavy metal music. This was the time when music had hidden messages that turned teenagers into worshippers of Satan, especially if you played their records backwards, if the claims of the morally outraged were to be believed. We Summon The Darkness not only uses this as a backdrop for its story, but makes it the heart of everything that happens.

Three teenage girls, Alexis (Alexandra Daddario), Val (Maddie Hasson), and Bev (Amy Forsyth) begin the film driving to a heavy metal concert, and we get some time at the beginning of the film getting to know them. They seem like pretty normal girls, excited to go and see one of their favourite bands live. Along the way they meet a group of guys, and the six teens seem to hit it off; so much so that the girls take the guys back to Alexis’ parents house after the concert.


This is where the film takes something of a shift, however, and the girls that you were probably expecting to be the victims of the piece turn into coldblooded killers. The shift is actually quite scary, and the moment that Alexis and Val switch off their nice girl act is very creepy. They were so convincing as nice, fun-loving young women that their change to villains becomes such a dramatic moment. It really shows off the acting ability of both Daddario and Hasson, as they play two completely different people in the latter half of the film.

The girls plan to murder the three boys and make it look like a ritual killing, in order to draw more people to God and the church, should be fairly simple on the surface, yet seems to go wrong at every point. There’s almost an element of farce, as one problem happens after another to derail the scheme. Whilst these moments border on the ridiculous, the film never quite makes that step over the line into dark comedy; a move that I was expecting as Johnny Knoxville is a part of the cast.

I was expecting the film to become comedic at some point because of Knoxville, as everything I’d seen him involved in before had been humerus in some way. Both Knoxville and director Marc Meyers subverted this expectation quite nicely, and Knoxville was actually very good in a serious role.

We Summon The Darkness doesn’t really do a whole lot new with its plot, and wasn’t a film that set my world on fire, but it did have good production values, a well written script with some great dialogue and believable character interaction, and a cast that genuinely impressed. I can think of a lot worse ways to spend an hour and a half.




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