Sunday, 22 July 2018

Supergirl Season 4 Trailer



The trailer for season 4 of Supergirl has been released at Sand Diego Comic Con. Set to continue on from the shocking finale of season 3, the trailer gives audiences their first look at Sam Witwer as Agent Liberty, Alex as the new leader of the DEO, and the exciting new costume for Supergirl.



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Legends of Tomorrow Season 4 Trailer



The trailer for season 4 of Legends of Tomorrow has been released at Sand Diego Comic Con. Set to continue on from the shocking finale of season 3, the new season will follow Sara Lance, Ray Palmer, Mick Rory, and the rest of the team as they work with magician John Constantine to repair the damage they caused in releasing Mallus.




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Arrow Season 7 Trailer



The trailer for season 7 of Arrow has been released at Sand Diego Comic Con. Set to continue on from the shocking finale of season 6, the new season will follow Oliver Queen in prison, whilst his friends and allies try to protect their city from the return of villain Ricardo Diaz.



Season 7 of Arrow will premier on Monday 15th October.


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Nicole Maines Joins Supergirl As TV's First Transgender Superhero



During the Warner Bros. Television Hall H presentation at San Diego Comic Com yesterday (21st July) it was announced that 'Supergirl' would be making television history with the casting of transgender activist and actress Nicole Maines in the role of Nia Nal, the superhero Dreamer.

A member of the Legion of Super-Heroes in the comics, Dreamer is an alien from the planet Naltor, with the ability to see the future through her dreams. It's unknown if Maines will be playing an alien or not, but her character has been described as 'a soulful young transgender woman with a fierce drive to protect others'.

Whilst her characters name does differ slightly from the comic book version, and it would appear that she is not from the future like the other members of the Legion that have already been introduced, it has been confirmed that she will become the Dreamer that readers know and love, and that she will work at CatCo. whilst discovering her destiny as a hero; closely mirroring Kara's journey in season one.

Nicole Maines made headlines in 2013 when a Maine Supreme Court ruled that her rights had been violated under the Human Rights Act when she was denied use of the correct bathroom facilities. This became a landmark victory, one that set a precedent to allow trans people the right to use the bathroom of their choice.

She was also featured in the HBO documentary 'The Trans List', and was the subject of the book 'Becoming Nicole', written by Amy Ellis Nutt.

Speaking to Variety magazine following the announcement, Maines said, 'I haven’t really wrapped my head around it. It feels fitting to say with great power, comes great responsibility. I’m nervous because I want to do it right.'


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Saturday, 21 July 2018

Godzilla: King of the Monsters Trailer Released



Warner Bros. has revealed the first full trailer for the new instalment in the Legendary Pictures Godzilla universe, Godzilla: King of the Monsters.

Billed as the ultimate battle between the monstrous Kaiju, the film will star Vera Farmiga, Millie Bobby Brown, Ken Watanabe, Zhang Ziyi, Charles Dance, and Kyle Chandler.

The trailer shows the return of the titular Godzilla, as well as the first looks at the giant Pteradon Rodan, the benevolent ally to humanity Mothra, and Godzilla's ultimate adversary, the three headed dragon King Ghidora.


Godzilla: King of the Monsters is released 31st May 2019.


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Star Wars: The Clone Wars Returns For New Season



During the 10th anniversary panel at San Diego Comic Con, the creator of Star Wars: The Clone Wars and Star Wars: Rebels Dave Filoni made a surprise announcement that The Clone Wars would be returning to the small screen for a final season.

Originally running from 2008 to 2013, the series was cancelled mid way through its final season when Disney acquired Star Wars. Several of the unmade episodes were eventually adapted in other forms, including comics and novels, yet fans remained disappointed that they never got to see the planned end of the show.

The new season, consisting of 12 episodes will be airing on the new Disney streaming service expected to launch in 2019. No details of what the new season will contain have been released, but thanks to certain footage in the trailers it looks pretty certain that the season will contain the Siege of Mandalore, the conflict that depicts the final battle of the Clone Wars, where Ahsoka Tano and Maul would meet in combat for the first time.



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Thursday, 19 July 2018

Star Trek New Visions #22 – Comic Review



Originally published on Set The Tape


Whilst I’ve struggled to enjoy Star Trek New Visions in the past, often pulled out of the book due to the art-style melding together original series footage and new digital artwork, the latest story was very engaging and entertaining throughout.

A sequel to the original series episode ‘The City on the Edge of Forever’, one of the more popular episodes of the show, the crew of the Enterprise find themselves returning to the planet that houses the Guardian of Forever to assist the Federation science team stationed there.

When the Guardian of Forever informs the Enterprise away team that there has been a change in the timeline Kirk and Spock decide to pass through the portal into the past, hoping to rectify the changes that have taken place.

Arriving in the early twenty-first century, a time that has been devastated by nuclear war in the Star Trek universe, they find a perfectly normal town, one that wouldn’t look out of place today. When the two of them come across Gary Seven, a time-traveller who previously appeared in the episode ‘Assignment: Earth’, the three of them must work together to discover what has happened to change history.

The story is less dramatic than previous issues, relying more on the drama and mystery around the changes to reality to create tension rather than action and fights. It makes this issue feel more grown-up, more sophisticated. It’s a good example of how entertaining a writer John Byrne can be, and how well he can craft an original story out of existing imagery.

‘An Unexpected Yesterday’ feels like a more successful attempt at making a photo-comic than previous issues, most likely because it doesn’t rely on action. Previous stories have had characters fight aliens, crawl through battleships, and get into firefights, and they’ve never really worked visually because of the medium being used, and the reliance on newly created imagery. This story, by contrast, builds drama through mystery, and as such doesn’t need new art being mixed in with the original series visuals.

Yes, there are some original aliens featured in the story, but these don’t seem hugely out of place for the most part, and look like something that could have appeared in the original show. There are a couple of panels that don’t exactly look right, one where a uniform doesn’t match colours with the rest of the book, and one where a new creature is featured in closeup and looks too fake; but other than that the book is well put together.

Star Trek New Visions may not be to everyone’s tastes (and I have struggled with it in the past), but the latest issue proves that not only does the concept work, but can tell interesting and layered stories.


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TV Rewind… Agents of S.H.I.E.L.D. 1×05 – ‘The Girl in the Flower Dress’



Originally published on Set The Tape


After a few episodes of ‘adventure of the week’, Agents of S.H.I.E.L.D. returns to the plot of the pilot episode as the mysterious Centipede becomes the main focus, whilst also introducing a new villain for the series to follow.

Having seen in the very first episode of the season, the Centipede serum – a super soldier drug that uses some elements from Iron Man 3‘s Extremis – has a nasty tendency to cause those who use it to blow apart. Thankfully for the mysterious organisation, they have discovered the existence of Chan Ho Yin (Louis Changchien), a street magician with the ability to generate and manipulate fire.

It is not clear how Chan received his powers. There is a mention of him developing them after a fire at a nuclear power plant (though knowing where the series will go in future seasons I suspect he may somehow be InHuman), but his abilities are the key that Centipede needs in order to make their super-soldier programme work. As such, they send Rayna (Ruth Negga) to bring him in. A beautiful young woman (in a flower dress) with a passion for people with powers and the ability to sweet-talk Chan around, it becomes apparent throughout the course of the episode that Rayna is a character that has much more life than a single episode and will be a character that the audience will need to keep an eye on.

Negga’s performance is very subtle throughout and you never know whether you should be trusting her or not. She appears to mix truths in with lies, tells people what they want to hear and gets Chan to make choices to push him into decisions that she wants. She’s a manipulator.


Elsewhere, we finally discover exactly what Skye (Chloe Bennet) is up to with S.H.I.E.L.D.. Despite the past episodes doing their best to make it appear that she was working against the team as a double agent for The Rising Tide, things are actually much more personal. It’s revealed that whilst she’s been in contact with an outside party, it’s not some evil group, but her old boyfriend Miles (Austin Nichols).

Whilst this initially feels like something of a let down, the surprise turn is that she’s infiltrated S.H.I.E.L.D. in order to find information about her parents, information contained within a redacted S.H.I.E.L.D. file; and it actually makes things better than her just being a spy. It gives Skye more to drive towards for the rest of the season as she hunts for answers about her past, searching desperately for the parents that she knows nothing about.

The drama with Skye also gives the other members of the team a chance to voice some of the concerns that they’ve had about the character since the first episode. Whilst these moments are good not just for further character development – especially between Coulson (Clark Gregg) and May (Ming-Na Wen) – but they also shine a light on the fact that it was a little ridiculous that Coulson would invite a dubious hacker to join their team (a criticism that a lot of viewers were quick to level at the series).

‘The Girl in the Flower Dress’ packs a lot of story into its run time, bringing back plot elements from the pilot, setting up new mysteries and introducing new characters. Because of this, the pacing isn’t the best. It doesn’t quite feel as fun and slick as the previous two episodes but it is one of the most important at this early stage.


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Wednesday, 18 July 2018

Crowhurst – Film Review



Originally published on Set The Tape


Based upon the tragic true life story of Donald Crowhurst and his attempt to sale around the world Crowhurst tells a story about the mental breakdown of a man in over his head.

Donald Crowhurst (Justin Salinger) is an average family man struggling to make money after investing all of his savings into his navigational aid for sailors, the Navicator, which wasn’t selling. Instead of listening to his wife and getting a regular job, he chooses to enter the Sunday Times Golden Globe Race, a single-handed circumnavigation of the world. Designing his own boat, he enters the race but soon realises that he has no hope of winning. Instead of quitting the race he falsifies his progress, hoping to cheat and come last, but find himself in an impossible situation when he becomes the likely winner.

Despite having been beaten to release by The Mercy, the Colin Firth starred telling of the Donald Crowhurst story, Crowhurst was actually filmed first, and takes a very different approach to telling it’s tale. Whilst Mercy was a glossy big budget affair, Crowhurst feels a lot smaller in scale, focusing on the mind of the man rather than his journey.


The film feels very low-tech, filmed with a fuzzy 60’s vibe and shot in tight, confining sets I actually had to check that it wasn’t a re-release of a much older film. It’s made to look very much of the time it’s set, with an older style of shooting not just in quality, but in the way shots are frames and the camera lingers for long pauses. In a lot of ways, the film comes across more like a television drama than a feature film.

What surprised most about Crowhurst, however, is how strange the film decided to be. We know from the real life log books found on board the Teingmouth Electron that Donalds mental health went seriously downhill during his voyage, and most likely led to his suicide, but I wasn’t prepared for how the film would portray this loss of sanity.

Director Simon Rumley, better known for his work in horror, makes the film feel more like an experimental movie. Characters spend time screaming at the camera, scenes are inter-cut with strange and bizarre cutaways, shots linger for no reason, and you’re assaulted by loud noises.

I understand that they’re trying to depict a man losing his mind, but these moments often feel too over the top and bizarre to actually be entertaining, and drew me out of the film on several occasions.

Despite Salinger’s good performance throughout, which is no easy feat given he’s in every single scene and has to show a descent into madness, the film often feels quite dull. It’s no fault of the filmmakers, there’s only so entertaining one man in a boat can be, but often the stylistic choices from the director harm the overall quality of the product.

Crowhurst is a tale of tragedy, of a man who got in over his head and ultimately lost his life. It should be heartbreaking and sad, but by the time the end credits rolled I was relieved that the film was over.


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Thursday, 12 July 2018

TV Rewind… Agents of S.H.I.E.L.D. 1×04 – ‘Eye Spy’



Originally published on Set The Tape


‘Eye Spy’ proves once again that Agents of S.H.I.E.L.D. are really good at doing cool, intriguing opening sequences. Following the previous episode’s truck flipping gravity tech, this episode takes on a much less showy, but equally stand out, approach, with dozens of red masked suited men making their way through the streets of Stockholm. It instantly stands out, it’s slightly creepy, and the moment when one of them is killed in a dark subway, their hand ripped off, is genuinely shocking. It’s easy to see why this was one of the scenes that Marvel decided to show off at Comic Con before the series aired as it’s bold and different.

It also introduces the best mystery we’ve had on the show so far as the team have to track down Akela Amador (Pascale Armand), a former S.H.I.E.L.D. agent and protege of Coulson (Clark Gregg).


With Skye’s (Chloe Bennet) initial suggestion that Amador could have psychic powers pretty much laughed at (something which definitely wouldn’t happen in later seasons) we slowly learn that her seemingly supernatural abilities actually comes from technology, more specifically, a mechanical eye that allows her to have x-ray vision. Despite this being a universe where we’ve already experienced super soldiers and aliens, and will eventually meet super powered Inhumans, having Amador’s powers rooted in tech is a good choice.

It makes the extrarordinary feel more grounded, plus, it gives Skye, Fitz (Iain De Caestecker), and Simmons (Elizabeth Henstridge) the opportunity to get involved and actually do some stuff this week; which is good as Fitz and Simmons have felt much more like background characters up to now. The scenes with the tree of them in the ‘short bus’ (a silly name but it genuinely made me laugh at the rest of the team’s reaction to it) are all fun and very charming, although the moment Skye fails to use her gun right may have been a little too far.

The episode also gives Ward (Brett Dalton) a good opportunity to do something other than grumble. Sent in undercover posing as Amador for her handler is a really good story thread, and it shows how good an agent he can be, even if he is dodging reflective surfaces and avoiding looking at his hands the whole time. He feels more like the pilot episode Ward, the confident field agent that can go in on his own and get the mission done. That being said, the moment when he’s instructed to flirt with a guard right after vowing he’d do ‘whatever it takes’ just a moment before is ridiculous, yet works so well.


The combination of action, intrigue, and banter are pretty much perfect in this episode, and it appears that many of the slight missteps that the series has taken up to this point have finally been resolved.

By the conclusion of the episode every character has had the opportunity to show off what they can do, even the criminally underused agent May (Ming-Na Wen) who gets to have a brilliant fight scene this episode; as well as having set up an hugely intriguing ongoing mystery for the rest of the season. Who was controlling the man who was controlling Amador? What what that mysterious writing Ward found? What did Amador see in Coulson to ask ‘what’s been done to him’? The show has already left a few threads open so far with The Rising Tide and Centipede, but this feels like the most intriguing one, the one with the most potential.

I said that the previous episode, ‘The Asset’, was a good spy story, ‘Eye Spy’ in comparison is a great spy story. I struggle to think of anything in the episode that doesn’t work or fails to meet it’s mark, other than maybe one joke that it could have done without. If the first half of this season of Agents of S.H.I.E.L.D. maintained this quality I think a lot more people would have stuck with it, unfortunately, due to some less than stellar writing over the next few episodes this is definitely the high point until the series lines up with Captain America: The Winter Soldier.


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