Wednesday, 7 February 2018

Who is Black Lightning?



Originally published on Set The Tape

The CW is adding yet another superhero show to its ever expanding DC Universe, this time with a new live action series focusing on the character Black Lightning. With most, if not all, of the heroes and villains from DC Comics to choose from, many people have been asking why did they go for Black Lightning, and just who is he anyway?

Created by Tony Isabella back in 1977, Black Lightning, or Jefferson Pierce, is a metahuman with the ability to generate and manipulate electricity.

During the late 1970’s, DC Comics wanted to appeal to a broader audience, and this included having a comic book headlined by a black superhero. According to a number of sources within DC, the original plan for this black led book was a character called Black Bomber.

Black Bomber was to be a book about a lead character that was white, and was racist, however, thanks to being exposed to a chemical designed to allow troops to blend in with natives during the Vietnam war, this man was able to transform into a black superhero when stressed or in danger. Both the white and black versions of the character had no memories of being the other, and would each have their own ‘racially appropriate’ girlfriends. Black Bomber would also wear a super hero outfit that was similar to the Harlem Globetrotters basketball kit.

Despite obviously being a horrible, horrible idea the concept was given the go-ahead by editors at DC, with scripts for the first two issues being produced.  Thankfully, the editor that gave the go-ahead for the project left DC, and the project was handed over to writer Tony Isabella, who had previously worked on the black superhero book ‘Luke Cage’ at Marvel.

Black Lightning's first appearance.
Speaking about the project many years later, Isabella said: 'I will say that I created Black Lightning after convincing DC not to publish another ‘black’ super-hero on which they had started work.

'The Black Bomber was a white bigot who, in times of stress, turned into a black super-hero. This was the result of chemical camouflage experiments he’d taken part in as a soldier in Vietnam. The object of these experiments was to allow our [white] troops to blend into the jungle.

'In each of the two completed Black Bomber scripts, the white bigot risks his own life to save another person whom he can’t see clearly (in one case, a baby in a stroller) and then reacts in racial slur disgust when he discovers that he risked his life to save a black person. He wasn’t aware that he had two identities, but each identity had a girlfriend and the ladies were aware of the change. To add final insult, the Bomber’s costume was little more than a glorified basketball uniform.

'DC had wanted me to take over writing the book with the third issue. I convinced them to eat the two scripts and let me start over. To paraphrase my arguments…

'Do you REALLY want DC’s first black super-hero to be a white bigot?’

'Okay, he wasn’t precisely their first black super-hero, but I made my point. The Black Bomber stories were deep-sixed and I went to work on my own creation.'

Isabella luckily had another character already in mind for the series, Black Lightning, and convinced DC executives that this would be a better direction to take the book in. With the character being teased to audiences for several months he was finally revealed in the first issue of his own title, ‘Black Lightning’ in 1977.

Tony Isabella would write the first ten issues of the book, before it was handed over to Dennis O’Neil. Unfortunately, Black Lightning was one of a number of books cancelled before its twelfth issue as part of a large-scale streamlining of titles.

Black Lightning with The Outsiders.
Despite this, Black Lightning proved to be a very popular character, and continued to appear across multiple titles ‘Detective Comics’ and ‘Justice League of America’. The character would go on to become a part of the Batman led team book ‘The Outsiders’ in several incarnations, including a number of television appearances.

Black Lightning had a second series in 1995, also written by Isabella, but this too was cancelled after just over a year.

Despite having his own titles cancelled more than one, Black Lightning continued to be a popular character, going on to become a member of the Justice League for a while, as well as having his personal stories expanded to include his two daughters Anissa and Jennifer, who have gone on to become superheroes themselves, Thunder and Lightning respectively.

Black Lightning may not be a household name, his own comic series may not have lasted long, and he’s probably not a lot of people’s first pick for favourite character, but he’s been a steady part of the DC Universe for more than four decades, playing roles across dozens of books, several television shows, and even video games. With representation and diversity being so important today, just as much as it was when he was first created, an older superhero of colour, with a family that includes a queer superhero of colour in the form of his daughter Thunder, makes Black Lightning the perfect choice for the next CW series.


Go to Amy's Blog

Tuesday, 6 February 2018

Looking Back At… Mighty Morphin Power Rangers (Season One)



Originally published on Set The Tape

In the first of my ongoing series to celebrate the 25th anniversary of the Power Rangers franchise I’m going to be taking a look back at the very beginning, Mighty Morphin Power Rangers season one.

--------------------------------------------------------------------------------------------------------------------------

Whilst on a business trip to Japan, Haim Saban, the founder of Saban Entertainment, came across a television series called Super Sentai, a live action superhero series. Ever the businessman, Saban saw an opportunity to make some money, and quickly formed a deal with Toei to secure the rights to the franchise.

Combining together the Japanese footage of the costumed heroes and their giant robots fighting monsters with brand new American footage, Power Rangers was born. Using the Super Sentai season Kyoryu Sentai Zyuranger as the basis for the show, a series featuring dinosaur themed heroes, an American cast was brought in and production began on the show.


When Mighty Morphin Power Rangers aired on televisions on August 28 1993 it became an overnight success, with the show being picked up all over the world, and merchandise flooding stores. Within a relatively short period the show had become a phenomenon.

Looking back at the first season of the series 25 years later its easy to see why it hooked kids the way it did (myself included). It’s costumes were amazing, the action was unlike anything we’d had before, and the music was amazing. Seriously, I challenge anyone to go listen to the original opening theme and not feel pumped up for something amazing.

Whilst at the time the show was perfect in my eyes, it’s blatantly obvious now just how little money and effort went into the show, something that has thankfully gotten better of the years as old fans have now come to work on the franchise that they loved growing up.

The american sets are pretty bad, with the Command Centre clearly being a room surrounded by black curtains with blinking fairy lights sticking through. The dubbing of Japanese footage is laughably bad, with poor Rita Repulsa (played by Machiko Soga, dubbed by Barbara Goodson) getting the worst of it. The worst part of the show, however, is the sometimes laughable attempt at making the Japanese footage work around an American plot.


The original Super Sentai series focuses on a group of young warriors from an ancient civilisation of dinosaur-evolved humans, who are awakened in the present after 170 million years in suspended animation to fight the evil witch Bandora, who is set loose from her prison on the Planet Nemesis by two astronauts.

Obviously, extremely different from the Power Rangers series, which saw five regular teenagers recruited by a space wizard to become super powered heroes in order to fight Rita Repulsa, an alien witch living on the moon.

Because the two shows were so vastly different in content the writers made some ‘creative’ plot decisions, which led to some disjointed and even downright bizarre episodes. As as child these were sometimes a little weird, even funny; watching the show as an adult, however, it’s downright bizarre.

The first season wasn’t completely bad though, the fight scenes are still great even today, with the casting of competent martial artists and gymnasts as the titular Power Rangers a good choice for ensuring that the audience gets what they signed on for, awesome action.

Whilst some of the cast weren’t the best actors, Austin St John and Walter Jones (the Red Ranger and Black Ranger respectively) proved competent enough to get by, and were more geared towards the physical side of the show in their story lines anyway. David Yost and Amy Jo Johnson (the Blue Ranger and Pink Ranger) were definitely the strongest of the main cast, something that the series very quickly realised, often giving them much bigger stories and asking them to take on more complex roles.

Surprisingly, it was supporting actors Paul Schrier and Jason Narvy, who played school bullies Bulk and Skull, would prove to be some of the best actors on the show, lasting for several years across multiple incarnations of the franchise. Narvy even went on to earn a masters degree and PhD in Theatre Studies, and now teaches as a professor.

The stand out for the first season, however, is Jason David Frank as Tommy Oliver, the Green Power Ranger. There are few people who will remember watching the series first time round who don’t have fond memories of the Green Ranger. Introduced with a five-part epic that saw him fighting against the power rangers, sporting a gold armour piece on his costume, and commanding his own giant Godzilla style Zord.


Jason David Frank would go on to become one of the most popular Power Rangers of all time, and despite loosing some of his appeal later in the franchise, he is brilliant in this first season.

Despite having a great season finale from the Super Sentai series to adapt, the massive popularity of the show meant that Saban didn’t want the series to end. As such, they commissioned Toei to make more footage for them from props and costumes that they had in storage. Because of this, the first season carries on beyond the point it was originally planned, and ends with just a regular episode, rather than something that stands out.

This wish to continue producing Power Rangers the way it was would lead to even greater creative challenges in the second season, though that will be covered in greater detail in the next Power Rangers article.

The first season of Mighty Morphin Power Rangers is a very mixed bag, it has some great moments that would be the foundation of the entire franchise, going on to be replicated even today, yet there are some very obvious moments where you can see just how flawed and poorly made it is too.

If you’ve never seen the original series before it’s definitely interesting to watch, even from a technical point of view of how the show was actually made. If, however, you saw it as a child, it’s sure to bring back some amazing childhood memories and nostalgia.


Go to Amy's Blog

Monday, 5 February 2018

Eccentric Earth Episode Six Show Notes



Welcome to the latest show notes for Eccentric Earth, where I will include the research for each episode (essentially my script), along with a number of photographs and documents.



Episode 06 - Elizabeth Cochrane



Elizabeth Jane Cochran was born on May 5, 1864 at Cochran Mills now part of the Pittsburgh suburb of Burrell Township, Armstrong County, Pennsylvania.

Her father, Michael Cochran, born about 1810, started out as a laborer and mill worker before buying the local mill and most of the land surrounding his family farmhouse. He later became a merchant, postmaster, and associate justice at Cochran's Mills (which was named after him) in Pennsylvania. Michael married twice. He had 10 children with his first wife, Catherine Murphy, and 5 more children, including Elizabeth, with his second wife, Mary Jane Kennedy.

As a young girl Elizabeth often was called 'Pinky' because she so frequently wore that colour. As she became a teenager she wanted to portray herself as more sophisticated, and so dropped the nickname and changed her surname to 'Cochrane'. Michael Cochran's death presented a grave financial detriment to his family, as he left them without a will, and, thus, no legal claim to his estate.


Indiana Normal School, Pennsylvania.


In an effort to support her now-single mother, Elizabeth enrolled at the Indiana Normal School, a small college in Indiana, Pennsylvania, where she studied to become a teacher. However, not long after beginning her courses there, financial constraints forced Elizabeth to table her hopes for a higher education. After leaving the school, she moved with her mother to the nearby city of Pittsburgh, in 1880, where, together, they ran a boarding house.


A newspaper column entitled 'What Girls Are Good For' in the Pittsburgh Dispatch that implied that girls were only good for birthing children and keeping house prompted Elizabeth to write a response under the pseudonym "Lonely Orphan Girl".

The editor, George Madden, was impressed with her passion and ran an advertisement asking the author to identify herself. When Cochrane introduced herself to the editor, he offered her the opportunity to write a piece for the newspaper, again under the pseudonym 'Lonely Orphan Girl'.



Her first article for the Dispatch, entitled 'The Girl Puzzle', was about how divorce affected women. In it, she argued for reform of divorce laws.Madden was impressed again and offered her a full-time job.

It was customary for women who were newspaper writers at that time to use pen names. The editor chose 'Nellie Bly', adopted from the title character in the popular song 'Nelly Bly' by Stephen Foster.

As a writer, Elizabeth focused her early work for the Pittsburgh Dispatch on the lives of working women, writing a series of investigative articles on women factory workers. However, the newspaper soon received complaints from factory owners about her writing, and she was reassigned to 'women's pages' to cover fashion, society, and gardening, the usual role for women journalists, and she became dissatisfied.


Porfirio Díaz.

She then traveled to Mexico to serve as a foreign correspondent. Still only 21, she spent nearly half a year reporting the lives and customs of the Mexican people; her dispatches later were published in book form as Six Months in Mexico.

In one report, she protested the imprisonment of a local journalist for criticizing the Mexican government, then a dictatorship under Porfirio Díaz. When Mexican authorities learned of Elizabeht’s report, they threatened her with arrest, prompting her to flee the country. Safely home, she accused Díaz of being a tyrannical czar suppressing the Mexican people and controlling the press.



Burdened again with theater and arts reporting, Bly left the Pittsburgh Dispatch in 1887 for New York City. Penniless after four months, she talked her way into the offices of Joseph Pulitzer's newspaper the New York World, and took an undercover assignment for which she agreed to feign insanity to investigate reports of brutality and neglect at the Women's Lunatic Asylum on Blackwell's Island.



After a night spent practicing expressions in front of a mirror, she checked into a boardinghouse. She refused to go to bed, telling the boarders that she was afraid of them and that they looked "crazy." They soon decided that she was "crazy," and the next morning summoned the police. Taken to a courtroom, she claimed to have amnesia. The judge concluded she had been drugged.

Several doctors then examined her; all declared her insane. "Positively demented," said one, "I consider it a hopeless case. She needs to be put where someone will take care of her." The head of the insane pavilion at Bellevue Hospital pronounced her "undoubtedly insane". The case of the "pretty crazy girl" attracted media attention: "Who Is This Insane Girl?" asked the New York Sun. The New York Times wrote of the "mysterious waif" with the "wild, haunted look in her eyes" and her desperate cry: "I can't remember I can't remember."


Blackwell's Island Insane Asylum.

Committed to the asylum, Bly experienced the deplorable conditions firsthand. The food consisted of gruel broth, spoiled beef, bread that was little more than dried dough, and dirty undrinkable water. The dangerous patients were tied together with ropes. The patients were made to sit for much of each day on hard benches with scant protection from the cold. Waste was all around the eating places. Rats crawled all around the hospital. The bathwater was frigid and buckets of it were poured over their heads. The nurses behaved obnoxiously and abusively, telling the patients to shut up, and beating them if they did not. Speaking with her fellow patients, Elizabeth was convinced that some were as "sane" as she was. On the effect of her experiences, she wrote:


What, excepting torture, would produce insanity quicker than this treatment? Here is a class of women sent to be cured. I would like the expert physicians who are condemning me for my action, which has proven their ability, to take a perfectly sane and healthy woman, shut her up and make her sit from 6 a.m. until 8 p.m. on straight-back benches, do not allow her to talk or move during these hours, give her no reading and let her know nothing of the world or its doings, give her bad food and harsh treatment, and see how long it will take to make her insane. Two months would make her a mental and physical wreck.

After ten days, the asylum released Bly at The World's behest. Her report, later published in book form as Ten Days in a Mad-House, caused a sensation, prompted the asylum to implement reforms, and brought her lasting fame.



Led by New York Assistant District Attorney Vernon M. Davis, with Elizabeth assisting, the asylum investigation resulted in a number of changes in New York City's Department of Public Charities and Corrections (later split into separate agencies, the Department of Correction and the Department of Public Charities), which oversees the city's hospitals; these changes (per the recommendations of jury members in 1888) included a larger appropriation of funds for the care of mentally ill patients, additional physician appointments for stronger supervision of nurses and other health-care workers, and regulations to prevent overcrowding and fire hazards at the city's medical facilities.

Elizabeth followed her Blackwell's exposé with similar investigative work, including editorials detailing the improper treatment of individuals in New York jails and factories, corruption in the state legislature and other first-hand accounts of malfeasance. She also interviewed and wrote pieces on several prominent figures of the time, including the likes of Emma Goldman and Susan B. Anthony.


Elizabeth's route, as published in The World.

In 1888 Elizabeth suggested to her editor at the New York World that she take a trip around the world, attempting to turn the fictional Around the World in Eighty Days into fact for the first time. A year later, at 9:40 a.m. on November 14, 1889, and with two days' notice, she boarded the Augusta Victoria, a steamer of the Hamburg America Line, and began her journey.

She took with her the dress she was wearing, a sturdy overcoat, several changes of underwear, and a small travel bag carrying her toiletry essentials. She carried most of her money (£200 in English bank notes and gold, as well as some American currency) in a bag tied around her neck.

The New York newspaper Cosmopolitan sponsored its own reporter, Elizabeth Bisland, to beat the time of both Phileas Fogg and Elizabeth. Bisland would travel the opposite way around the world, starting on the same day as Elizabeth took off. To sustain interest in the story, the World organized a "Nellie Bly Guessing Match" in which readers were asked to estimate Elizabet’s arrival time to the second, with the Grand Prize consisting at first of a free trip to Europe and, later on, spending money for the trip.

During her travels around the world, Elizabeth went through England, France (where she met Jules Verne in Amiens), Brindisi, the Suez Canal, Colombo, the Straits Settlements of Penang and Singapore, Hong Kong, and Japan. The development of efficient submarine cable networks and the electric telegraph allowed Elizabeth to send short progress reports, although longer dispatches had to travel by regular post and thus were often delayed by several weeks.

Elizabeth travelled using steamships and the existing railroad systems, which caused occasional setbacks, particularly on the Asian leg of her race. During these stops, she visited a leper colony in China and, in Singapore, she bought a monkey.

Elizabeth reaches the United States.
As a result of rough weather on her Pacific crossing, she arrived in San Francisco on the White Star Line ship RMS Oceanic on January 21, two days behind schedule. However, after World owner Pulitzer chartered a private train to bring her home, she arrived back in New Jersey on January 25, 1890, at 3:51 pm.


Just over seventy-two days after her departure from Hoboken, Elizabeth was back in New York. She had circumnavigated the globe, traveling alone for almost the entire journey. Bisland was, at the time, still crossing the Atlantic, only to arrive in New York four and a half days later. She also had missed a connection and had to board a slow, old ship (the Bothnia) in the place of a fast ship (Etruria). Elizabeth’s journey was a world record.


In 1895, Elizabeth married millionaire manufacturer Robert Seaman. Elizabeth was 31 and Seaman was 73 when they married. Due to her husband's failing health, she retired from journalism and succeeded her husband as head of the Iron Clad Manufacturing Co., which made steel containers such as milk cans and boilers.


Elizabeth takes over Iron Clad Manufacturing.

Elizabeth was also an inventor, receiving U.S. Patent 697,553 for a novel milk can and U.S. Patent 703,711 for a stacking garbage can, both under her married name of Elizabeth Cochrane Seaman.

While in charge of the company, Elizabeth put her social reforms into action and Iron Clad employees enjoyed several perks unheard of at the time: fitness gyms, libraries and healthcare. Ultimately, the costs of these benefits began to mount and drain her inheritance.

For a time she was one of the leading women industrialists in the United States, but negligence and embezzlement by a factory manager resulted in the Iron Clad Manufacturing Co. going bankrupt.


Elizabeth in the later years of her life.

Returning to reporting, she wrote stories on Europe's Eastern Front during World War I and notably covered the Woman Suffrage Parade of 1913. Under the headline "Suffragists Are Men's Superiors", her parade story accurately predicted that it would be 1920 before women in the United States would be given the right to vote.

Elizabeth died of pneumonia at St. Mark's Hospital in New York City in 1922, just two years after returning to journalism, at age 57. She was interred in a modest grave at Woodlawn Cemetery in The Bronx, New York City.












--------------------------------------------------------------------------------------------------------------------------

You can find Eccentric Earth on a number of podcast providers, including:
iTunes: Eccentric Earth
PodBean: Eccentric Earth

You can also follow Eccentric Earth on a number of social media sites:

Twitter: @Eccentric_Earth
Facebook: @EccentricEarth
Instagram: Eccentric Earth

You can watch out episodes over on Youtube too! Eccentric Earth Youtube Channel

Eccentric Earth Episode 6 - Elizabeth Cochrane



Join me, your host Amy Walker, as I delve into stories from across history. This week I'm joined by Han Burch to talk about Elizabeth Cochrane, an investigative journalist who wrote under the name Nellie Bly in the 1800's, and took on some amazing assignments.


Twitter: @Eccentric_Earth
Facebook: @eccentricearth
Instagram: Eccentric_Earth
Email: EccentricEarth@outlook.com

iTunes: Eccentric Earth
aCast: Eccentric Earth
Podbean: Eccentric Earth

Eccentric Earth is a Trans-Scribe Production
Hosted by Amy Walker
Theme music http://www.bensound.com/royalty-free-music

Thursday, 1 February 2018

Star Trek Discovery: 5 Other Shows With Evil Parallel Universes



Originally published on Set The Tape

Star Trek has long been a franchise associated with the concept of evil alternate universes. Since the very first appearance of the Mirror Universe way back in ‘Mirror, Mirror’ in 1967 the concept of evil alternative universes has been a big part of the general public consciousness. Everyone knows that your evil twin has a goatee, for example.

With Star Trek: Discovery taking viewers back into the realms of the Mirror Universe and the evil Terran Empire, it brings to mind a number of other shows that have embraced the concept and delivered some truly memorable evil alternate universes…


Buffy The Vampire Slayer

Buffy The Vampire Slayer stayed very clear of science fiction, which after the awful ‘I Robot, You Jane’ in season one is probably a good thing. However, the show was able to use its horror genre to play with some very sci-fi tropes, one of the most popular being the time it went to an evil alternate universe.

In the third season episode ‘The Wish’, Cordelia makes a wish that Buffy never came to Sunnydale, creating a world where The Master rules over an army of vampires, several of our heroes are dead, or undead, and there’s little hope for humanity. What makes this episode, and its universe, so good, is the fact that it’s so grim. Buffy comes to town, and dies. Willow and Xander are vampires, and die. Cordelia tries to find a way back home, and dies.

Thanks to some great scripting, some very dark moments, and a chilling music score, ‘The Wish’ is not only one of the best episodes of Buffy The Vampire Slayer, but one that fans are quick to cite as a favourite.


Doctor Who

Doctor Who as dabbled in alternate universes more than once, and whilst the David Tennant episodes ‘Rise of the Cybermen/Age of Steel’ are certainly dark, their universe is hardly evil. Looking back further in time to the Jon Pertwee story ‘Inferno’ from 1970 sees The Doctor in a very evil universe.

Britain is a republic, where the Royal family were executed, and is ruled over by a mysterious overseer. Half the population are part of the police or military, enforcing harsh laws, whilst the rest of little more than slave labour. This universe featured several familiar faces, such as The Brigadier and Liz Shaw, though both were vicious military leaders, with the Brig sporting a massive scar and eye patch.

Unfortunately, this universe will never be revisited after a disaster sees the entire planet ripped to pieces.


The Flash

After a first season introducing audiences to the idea of time travel, the second season of The Flash went one better and introduced parallel worlds. Unfortunately for team flash, the first universe they came into contact with is one where every meta-human is evil.

Over the course of the second season we not only get a whole host of new villains coming into Earth-1, including evil doppelgangers of the regular cast, we would also go on to discover that the frightening evil speedster Zoom was also the Earth-2 Flash. It turns out that their hero is actually a villain, giving the people of Earth-2 false hope, just to make his eventual conquest so much crueller. now that’s pretty damn evil.


Community

A sitcom probably wouldn’t be the first genre to come to mind doing an evil alternate universe, but Community was always a show to embrace genre and buck expectations. The third season episode ‘Remedial Chaos Theory’ several alternative timelines are created by the roll of a dice, with one of the outcomes being ‘the darkest timeline’.

In this timeline Pierce is shot and killed, Annie is committed to psychiatric care for guilt over killing Pierce, Jeff loses an arm, Troy’s larynx is destroyed, and Shirley becomes an alcoholic. With Abed being TV show savvy he immediately identifies this as an evil universe, and creates stick on goatee beards for the group.

This timeline would later reappear as the evil versions tried to enter and take over the regular universe, though how real these events are is open to debate.


Justice League

The animated DC series Justice League introduced a new evil universe for the show, rather than re-purposing one from the comics. Set in a universe where the death of The Flash causes the rest of the Justice League to take on more brutal means, they rule the world with an iron fist as The Justice Lords.

The Justice Lords, whilst believing that they are doing good, come from a world where even the slightest infractions, such as getting angry and shouting, can see people dragged away to prison or Arkham Asylum.

This story line proved so popular that the Justice Lords were eventually incorporated into the DC Comics Universe, occupying Earth-50, and inspiring the story line of the video game series Injustice.


Go to Amy's Blog

Tuesday, 30 January 2018

Looking Back At Maze Runner: The Scorch Trials



Originally published on Set The Tape

Sequels can be hard to do, you’ve got to build upon the first film in new and interesting ways, you have to develop the story and characters, and you have to top what came before. This can be even harder to do when making a planned series. Not only do you need to make a sequel, but it needs to feel like a part of what came before.

Certain series that are adapted from books do this quite well, The Hunger Games gave us a sequel that followed a very close formula to the first film, but with more gloss and higher production values, bigger stakes, and better characters. It felt like the natural progression of the story. The Scorch Trials, however, doesn’t feel like the natural next step from The Maze Runner, and because of that it’s so much better than its predecessor.

The first film centered on interpersonal drama, mystery, and an almost unseen threat, The Scorch Trials takes a step towards something grander, with the stakes being the survival of the planet, the threats being multiple, and the set pieces dwarfing what was done in the first film.

The maze is gone, replaced with a barren, desert landscape, filled with the ruined and decayed cities of the civilisations that came before. It’s post apocalypse time, and the series definitely benefits from it. As does it from a more obvious enemy for the Gladers to contend with.

This film sees our young heroes having to not only contend with Cranks, humans that have been mutated by the Flare Virus into zombie creatures with plant like vines growing out of them, but they’re also being hunted by WCKD (pronounced Wicked), an evil corporation with their own military.


The constant threat, from both humans and the infected, means that The Scorch Trials doesn’t get to slow down the same way that The Maze Runner did, though this doesn’t mean that the film misses out on character development. The new challenges facing the Gladers means that they’re tested in ways that they weren’t before, and the characters have to adapt and grow, creating some interesting new dynamics between the group, particularly with Teressa (Kaya Scodelario).

The Scorch Trials larger scope means that it’s also able to introduce more characters into the world, expanding not just the roster of heroes, but providing some much-needed back story and history to the films universe. These new additions work well in the film, particularly Rosa Salazar as Brenda, who feels a lot more natural as a love interest for Thomas (Dylan O’Brien) than Teresa did.

The only misstep in the new additions to the cast is Aidan Gillen as Janson, the representative of WCKD who tries to convince the heroes that they’re the good guys. Perhaps it’s just me, and this is largely down to something that has nothing to do with The Scorch Trials, but if you want to make me think that WCKD is on the up and up, don’t have their front man be played by Lord Baylish from Game of Thrones. No one is ever trusting that guy.

The Scorch Trials is a very different film to what came before it, yet feels like a natural progression to a story that is still something of a mystery. How this series will play out in its final part, whether it will continue on as in this film, or if it will make another big leap; and if we will be provided with all of the answers to the mysteries, remains to be seen, however, whatever is to come in The Death Cure is sure to be interesting.


Go to Amy's Blog

Monday, 29 January 2018

Eccentric Earth Episode Five Show Notes



Welcome to the latest show notes for Eccentric Earth, where I will include the research for each episode (essentially my script), along with a number of photographs and documents.


Episode Five - Boston Corbett

Thomas P. Corbett was born in London in 1832, before immigrating to the United States with his family in 1839. The Corbett family moved around frequently before eventually settling in the town of Troy, New York.

As a young man, Corbett began apprenticing as a hatter, a profession that he would hold intermittently throughout his life. As a hatter, Corbett was regularly exposed to the fumes of mercury nitrate, then used in the treatment of fur to produce felt used on hats. Excessive exposure to the compound can lead to hallucinations, psychosis and twitching, known as the 'hatter's shakes'.

After working as a hatter in Troy, Corbett returned to New York City. He later married, but his wife and child died in childbirth. Following their deaths, he moved to Boston.

Boston, circa 1850.



Corbett became despondent over the loss of his wife and child and began drinking heavily. He was unable to hold a job and eventually became homeless. After a night of heavy drinking, he was confronted by a street preacher whose message persuaded him to join the Methodist Episcopal Church. Corbett immediately stopped drinking and became devoutly religious. After being baptised, he subsequently changed his name to Boston, the name of the city where he was converted.



He regularly attended meetings at the Fulton and Bromfield Street churches where his enthusiastic behaviour earned him the nickname 'The Glory to God man'. In an attempt to imitate Jesus, Corbett began to wear his hair very long. He also became a regular at sidewalk churches around the city, peppering street preachers’ prayers with boisterous refrains of 'Glory to God!' and 'Come to Christ!'

In 1857, Corbett began working at a hat manufacturer's shop on Washington Street in downtown Boston. He was reported to be a proficient hatter, but was known to proselytise frequently and stop work to pray and sing for co-workers who used profanity in his presence.

The ministers eventually encouraged him to stake out a corner of his own, not so much because the young man had potential but to keep his annoying chorus at a distance. Corbett, now 26, took the advice. He began working as a street preacher and would sermonize and distribute religious literature in North Square. Corbett soon earned a reputation around Boston for being a 'local eccentric' and religious fanatic.

On July 16, 1858, Corbett was propositioned by two prostitutes while walking home from a church meeting. He was deeply disturbed by the encounter. Upon returning to his room at a boardinghouse, Corbett began reading chapters 18 and 19 in the Gospel of Matthew, 'And if thy right eye offend thee, pluck it out and cast it from thee....and there be eunuchs, which have made themselves eunuchs for the kingdom of heaven's sake'.

Inspired by the words, and in order to avoid sexual temptation and remain holy, Corbett took a pair of scissors, snipped an incision under his scrotum, and removed his testicles.

He then ate a meal and went to a prayer meeting before going to hospital to seek medical treatment.

 The soldiers of Company I of the 12th Regiment New 
York Militia.
Weeks after healing, the castrated hat maker moved to New York City and resumed his trade. He remained a zealot, often attending the lunchtime prayers of the YMCA’s Fulton Street meetings.

In April 1861, early in the American Civil War, Corbett needed to decide if he would become a pacifist or a soldier? After prayerful consideration, he chose soldier and enlisted in Company I of the 12th Regiment New York Militia to join the Union Army in the Civil War.

Corbett's eccentric behaviour quickly got him into trouble. He carried a bible with him at all times and read passages aloud from it regularly, held unauthorised prayer meetings and argued with his superior officers.  Corbett would tell the women at his church that when he came eye to eye with his grey-suited enemies, 'I will say to them, ‘God have mercy on your souls’—then pop them off'.

Corbett also condemned officers and superiors for what he perceived as violations of God's word. During a drill in New York’s Franklin Square, Colonel Daniel Butterfield was livid at his troops’ improper formations and gave them a tongue lashing laced with profanities. Corbett, who had yet to see a second of fighting, barked back: 'Colonel, don’t you know you are breaking God’s law?'

He was sent to the guardhouse for several days but refused to apologise for his insubordination. Whilst in the guardhouse he proceeded to one-up his commanding officer by singing hymns at the top of his lungs. Butterfield sent a messenger to warn the impetuous prisoner to stop it or else. Corbett kept on singing.

When Butterfield finally offered to release Corbett in exchange for an apology, Corbett responded, 'No, I have only offended the colonel, while the colonel has offended God, and I shall never ask the colonel’s pardon until he himself has asked pardon of God.'

 Colonel Daniel Butterfield was not 
happy with Boston's shit.
Due to his continued disruptive behaviour and refusal to take orders, Corbett was court-martialed and sentenced to be shot. His sentence was eventually reduced and he was discharged in August 1863.

Corbett re-enlisted later that month as a private in Company L, 16th New York Cavalry Regiment.

On June 1864, while hunting Confederate Colonel John S. Mosby's men in Culpeper, Virginia, Corbett had found himself cornered by the so-called Gray Ghost’s troops near Centreville. His fellow soldiers were “nearly all compelled to surrender,” according to Harper’s Weekly, but not Corbett. He “stood out manfully, and fired his revolver and 12 shots from his breech-loading rifle before surrendering. . . . Mosby, in admiration of the bravery displayed by Corbett, ordered his men not to shoot him.” Instead, Corbett was sent to Andersonville, the most notorious Civil War prison.

Corbett was held prisoner at Andersonville prison for five months. Nearly one-third of the 45,000 Union soldiers sent to Andersonville died there, but Corbett managed to survive his incarceration.


He was released in an exchange in November 1864 and was admitted to the Army hospital in Annapolis, Maryland where he was treated for scurvy, malnutrition and exposure. On his return to his company, he was promoted to Sergeant.

Corbett spent some time recuperating at a hospital in Annapolis, then rejoined his regiment. Within a few months, the war was over.

On the evening of April 14, 1865 President Abraham Lincoln was assassinated. Whilst attending a production of the play ‘Our American Cousin’ at Ford’s Theatre in Washington, D.C., Lincoln was shot in the head by the well known actor John Wilkes Booth.

On April 24, 1865, Corbett's regiment was sent to apprehend John Wilkes Booth, who was on the run since the assassination then days earlier. The detachment left Washington via steamer on April 24 and headed about 50 miles down the Potomac to a landing at Belle Plain, Virginia.

Artists depiction of John Wilkes Booth shooting
Abraham Lincoln.
After a day of fruitless searching, the volunteers received a tip from a fisherman and his wife that men fitting Booth’s and his accomplice David Herold’s descriptions had crossed the Rappahannock River and were headed toward Bowling Green in Virginia’s Caroline County. The same informants suggested that the men were aided by a soldier named Willie Jett, who happened to be sweet on the daughter of a certain innkeeper in Bowling Green.

It was now midnight on April 26. After knocking on several doors there, Doherty’s men found Jett at a hotel and rousted him from bed. Jett wasn’t about to give up Booth and Herold, but Doherty informed him that he 'should suffer' if he didn’t do so. Jett agreed to lead them 12 miles to land near Port Royal owned by a farmer named Richard Garrett, where Jett had left the men two days earlier.

'Arriving at Garrett’s Farm', Corbett later wrote, 'the lieutenant said to me, ‘Mr. Booth is in that house, ride through the command, and see that every man’s pistol is in readiness for use'.’

When Doherty asked after the fugitives, Garrett claimed they were in the woods. Doherty didn’t buy it. So, as he later told the Washington brass, he 'seized this man by the collar, and pulled him out of the door and down the steps, put my revolver to his head and told him to tell me at once where the two assassins were; Garrett replied, ‘in the barn'.

It was after 2 AM by now. Doherty’s men descended on the tobacco barn and formed a ring around it, Corbett included. From inside, Booth was trying to talk himself out of the jam. 'Captain, draw off your men fifty yards!' Booth shouted, according to a soldier in the 16th Cavalry. 'A cripple as I am with only one leg and cannot walk without a crutch. I would like a chance for my life'. Doherty refused.

The back-and-forth between Booth and Doherty continued for an hour, until Booth yelled that there was 'a man here who wants to surrender awful bad'. Out came Herold, the accomplice. And Booth started talking again.

Concluding that their target was never coming out, a federal investigator named Everton Conger took a clutch of dry hay, lit it on fire, and stuck it through a crack in the barn. The barn was set on fire in an attempt to force him out into the open, but Booth remained inside.

John Wilkes Booth dies of his wounds on the Garrett's porch.
Corbett was positioned near a large crack in the barn wall. In an 1878 interview, Corbett claimed that he saw Booth aim his carbine, prompting him to shoot Booth with his Colt revolver despite Secretary of War Edwin M. Stanton's orders that Booth should be captured alive. Lieutenant Edward P. Doherty, the officer in charge of the soldiers who captured Booth and Herold, stated that 'the bullet struck Booth in the back of the head, about an inch below the spot where his shot had entered the head of Mr. Lincoln'. Booth's spinal cord was severed.

Booth was carried to the front porch of the Garrett house and placed on a makeshift mattress. 'Kill me', he whispered later. He asked to see his hands, so one of the soldiers lifted his paralysed limbs. 'Useless, useless', Booth muttered. He died around 7 am.

Lt. Colonel Everton Conger initially thought Booth had shot himself. After realising Booth had been shot by someone else, Conger and Lt. Doherty asked which officer had shot Booth. Corbett stepped forward and admitted he was the shooter. When asked why he had violated orders, Corbett replied, "Providence directed me". He was immediately arrested and was accompanied by Lt. Doherty to the War Department in Washington, D.C. to be court martialed.

When questioned by Edwin Stanton about Booth's capture and shooting, both Doherty and Corbett agreed that Corbett had in fact disobeyed orders not to shoot. However, Corbett maintained that he believed Booth had intended to shoot his way out of the barn and that he acted in self-defense. He stated, 'Booth would have killed me if I had not shot first. I think I did right.' Stanton paused and then stated, 'The rebel is dead. The patriot lives; he has spared the country expense, continued excitement and trouble. Discharge the patriot'.

Upon leaving the War Department, Corbett was greeted by a cheering crowd. As he made his way to Mathew Brady's studio, the most famous photographer of the era, to have his official portrait taken, the crowd followed him asking for autographs and requesting that he tell them about shooting Booth. Corbett told the crowd:

Boston Corbett's portrait Mathew Brady's studio.
‘I aimed at his body. I did not want to kill him....I think he stooped to pick up something just as I fired. That may probably account for his receiving the ball in the head. When the assassin lay at my feet, a wounded man, and I saw the bullet had taken effect about an inch back of the ear, and I remembered that Mr. Lincoln was wounded about the same part of the head, I said: 'What a God we have...God avenged Abraham Lincoln'.

Eyewitnesses to Booth's shooting contradicted Corbett's version of events and expressed doubts that Corbett was responsible for shooting Booth. Officers who were near Corbett at the time claimed that they never saw him fire his gun (Corbett's gun was never inspected and was eventually lost). They claimed that Corbett came forward only after Lt. Colonel Conger asked who had shot Booth. Richard Garrett, the owner of the farm on which Booth was captured, and his 12-year-old son Robert also contradicted Corbett's testimony that he acted in self-defense. Both maintained that Booth had never reached for his gun.

While there was some criticism of Corbett's actions, he was largely considered a hero by the public and press. One newspaper editor declared that Corbett would, 'live as one of the World's great avengers.' For his part in Booth's capture, Corbett received a portion of the $100,000 reward money, amounting to $1,653.84 (equivalent to $26,000 in 2017). His annual salary as a U.S. sergeant was $204 (equivalent to $3,000 in 2017).

Corbett received offers to purchase the gun he used to shoot Booth. He refused stating, 'That is not mine-it belongs to the Government, and I would not sell it for any price.' Corbett also declined an offer for one of Booth's pistols as he did not want a reminder of shooting Booth.

After his discharge from the army in August 1865, Corbett went back to work as a hatter in Boston and frequently attended the Broomfield Street Church. When the hatting business in Boston slowed, Corbett moved to Danbury, Connecticut to continue his work and also "preached in the country round about." By 1870, he had relocated once again to Camden, New Jersey where he was known as a Methodist lay preacher.

Corbett's inability to hold a job was attributed to his fanatical behaviour; he was routinely fired after continuing his habit of stopping work to pray for his co-workers. In an effort to earn money, Corbett capitalised on his role as 'Lincoln's Avenger'. He gave lectures about the shooting of Booth accompanied by illustrated lantern slides at Sunday schools, women's groups and tent meetings. Corbett was never asked back due to his increasingly erratic behavior and incoherent speeches.

R.B. Hoover, a man who later befriended Corbett, recalled that Corbett believed 'men who were high in authority at Washington at the time of the assassination' were hounding him. Corbett said the men were angry because he had deprived them of prosecuting and executing John Wilkes Booth themselves. He also believed the same men had gotten him fired from various jobs.

In a letter appearing in the Cleveland Leader, a soldier named Private Dalzell, surmised to be a friend of Corbett’s, claimed that Corbett was 'pursued by threatening letters every day' and received 'no less than a dozen' along the lines of one that read: 'HELL, September 1, 1874. —Boston Corbett, Nemesis is on your path. J. Wilkes Booth.'

Corbett's paranoia was furthered by hate mail he received for killing Booth. He became fearful that 'Booth's Avengers' or organisations like the "Secret Order" were planning to seek revenge upon him and took to carrying a pistol with him at all times. As his paranoia increased, Corbett began brandishing his pistol at friends or strangers he deemed suspicious.

While attending the Soldiers' Reunion of the Blue and Gray in Caldwell, Ohio in 1875, Corbett got into an argument with several men over the death of John Wilkes Booth. The men questioned if Booth had really been killed at all which enraged Corbett. He then drew his pistol on the men but was removed from the reunion before he could fire it.

In 1878, Corbett moved to Concordia, Kansas where he acquired an 80 acre plot of land through homesteading. He built a one-room hovel with a wooden floor and rocked walls. Suspicious of anyone who ventured near his dugout, fearing that someone, perhaps Booth’s avenger, was out to get him, Corbett presented his pistol to most who approached. He even shot at children who got too close.

During this time he continued working as a preacher and attended revival meetings frequently. On Sundays, he rode into town to attend church astride his only friend, a pony named Billy. At the end of the sermon, he’d tell the preacher, 'The Lord wants me to say a few words.' Then he’d remove a pistol from each boot, place the guns on either side of the Bible, and hold service.

 Topeka Asylum for the Insane.

Due to his fame as "Lincoln's Avenger", Corbett was appointed assistant doorkeeper of the Kansas House of Representatives in Topeka in January 1887. On February 15, he became convinced that officers of the House were discriminating against him. He jumped to his feet, brandished a revolver and began chasing the officers out of the building. No one was hurt and Corbett was arrested.
The following day, a judge declared Corbett insane and sent him to the Topeka Asylum for the Insane.


On May 26, 1888, as the inmates were exercising, Corbett spied a delivery boy tethering his horse in front of the asylum. He broke away from the group, jumped on the horse, and took off on horseback. He then rode to Neodesha, Kansas where he briefly stayed with Richard Thatcher, a man he had met while they were prisoners of war. Whilst there he tied a note to his “borrowed” horse, explaining who its rightful owner was, and set it free. When Corbett left, he told Thatcher he was going to Mexico.

It is unknown if Corbett ever reached Mexico, though some believe that rather than going to Mexico, Corbett settled in a cabin he built in the forests near Hinckley, in Pine County in eastern Minnesota. He is believed to have died in the Great Hinckley Fire on September 1, 1894. Although there is no proof, the name 'Thomas Corbett' appears on the list of dead and missing.

In the years following Corbett's presumed death, several men came forward claiming to be 'Lincoln's Avenger'. A few years after Corbett was last seen in Neodesha, Kansas, a patent medicine salesman in Enid, Oklahoma filed an application using Corbett's name to receive pension benefits. After an investigation proved that the man was not Boston Corbett, he was sent to prison. In September 1905, a man arrested in Dallas also claimed to be Corbett. He too was proven to be an impostor and was sent to prison for perjury, and then to the Government Hospital for the Insane.

--------------------------------------------------------------------------------------------------------------------------

You can find Eccentric Earth on a number of podcast providers, including:
iTunes: Eccentric Earth
PodBean: Eccentric Earth

You can also follow Eccentric Earth on a number of social media sites:

Twitter: @Eccentric_Earth
Facebook: @EccentricEarth
Instagram: Eccentric Earth

You can watch out episodes over on Youtube too! Eccentric Earth Youtube Channel

Eccentric Earth Episode 5 - Boston Corbett



Join me, your host Amy Walker, as I delve into stories from across history. This week I'm joined by Han Burch to talk about Boston Corbett, the man who took religious fanaticism a little too far, and played a major part in the events around Abraham Lincolns assassination.


Show Notes: Episode Five Show Notes

Twitter: @Eccentric_Earth
Facebook: @eccentricearth
Instagram: Eccentric_Earth
Email: EccentricEarth@outlook.com

iTunes: Eccentric Earth
aCast: Eccentric Earth
Podbean: Eccentric Earth

Eccentric Earth is a Trans-Scribe Production
Hosted by Amy Walker
Theme music http://www.bensound.com/royalty-free-music

Thursday, 25 January 2018

'Aliens vs Predator: Requiem' 10 Years On



Originally published on Set The Tape

The first Aliens vs Predator split a lot of audiences, with some loving the more watered down adventure style story and lack of horror, whilst others felt that the end result failed to represent either franchise well. Luckily, the sequel, Aliens vs Predator: Requiem, managed to bring audiences together… by being an awful, awful film.

Directed by Colin and Greg Strause, or ‘The Brothers Strause’, it’s quite obvious that this is their first time overseeing a large screen feature film, with very little flare to the proceedings. The film is dull, spending most of its time in dark locations that fail to grab attention or pop on the screen. Even the daylight scenes fail to have any kind of significant look or style to set it apart. The only moment that does look new and interesting is the brief appearance of the Predator home world, though this barely lasts five minutes.

The story, a direct continuation of the first film, picks up very shortly after the closing moments of AVP, with the Predalien hybrid loose on a Predator ship, which subsequently crashes outside a small town in America. Due to all of the Predators on the ship being killed, and the Predalien being a Queen (something that is never stated in the film and only explained in the behind the scenes materials on the DVD and Blu Ray), a specialist Alien hunter is sent to Earth to destroy it.


As far as a set up goes, it’s not the worst in the world. Watching Aliens overrun a town full of people should be entertaining, but it fails to live up to expectations. Seeing the remains of the colony on LV-426 in Aliens following the alien attack was frightening and full of mystery; seeing a similar scenario play out on modern day earth fails to capture any of these feelings, despite trying to recapture the horror of the original.

The characters that inhabit the town lack any interesting qualities. There’s an ex-con called Dallas (Steven Pasquale) and his brother Ricky (Johnny Lewis), whose story is filled with teen dating drama and lost car keys; then there’s Army mother Kelly (Reiko Aylesworth) who has just returned home from tour and is struggling to reconnect with her daughter Molly (Ariel Grade). The film wants the audience to connect with these characters and care about them, but it never gives Kelly and her daughter time to develop on screen in any meaningful way, and Ricky and Dallas are boring and dull in their scenes.

Unfortunately the film isn’t able to make up for this lack of characterisation with good action, as the vast majority of the picture is too dark and dull to be able to really know what happens. However, there is one scene that sees the Predator, Wolf, hunting Xenomorphs in the sewers that stands out as one of the sci-fi actioner’s best scenes, although it’s not hard to stand out against the rest of the feature.


The poor characters and lacklustre action is let down even more by a plot that makes little sense. For example, why would the Predators send their best hunter to erase all evidence of the Xenomorphs, yet allow him to hunt humans? The fact that the Predalien is also a Queen, but this is never explained, leads to what seems to be inconsistencies in the plot too, especially in how it builds its forces. Instead of laying eggs and creating new facehuggers, the juvenile Queen implants embryos directly into its victims, leading to a particularly gruesome scene involving a maternity ward.

Aliens vs Predator: Requiem fails to capture any of what made the first film bearable, or the original franchises good. Yes, it’s darker and gorier than AVP, but that on its own doesn’t make for a good film. Thankfully, being so poor put an end to the AVP franchise, allowing filmmakers to concentrate on their own independent series’ instead.


Go to Amy's Blog