Tuesday, 2 January 2018

Jumanji – Does It Need A Sequel?



Originally published on Set The Tape

Jumanji has become a classic film, beloved by people who were children when it was first released twenty years ago, it’s place in people’s hearts boosted in large part because of the loss of Robin Williams, his death having elevated the nostalgia factor of many of his films.

After twenty years Jumanji is finally receiving a sequel, starring Dwayne ‘The Rock’ Johnson, Karen Gillan, Kevin Hart, and Jack Black. But should Jumanji really have a sequel? One of the biggest criticisms for the sequel release that I have seen, even before anyone had seen the film, or even a photograph of the cast, is that it’s wrong to produce a sequel to a Robin Williams film without Robin Williams. Whilst I can see where these people are coming from, this argument doesn’t make a whole lot of sense. Jumanji: Welcome To The Jungle doesn’t include Robin Williams’ character in the story, so does it matter that he’s passed away?

This wouldn’t be the first film franchise that has had a beloved actor pass away. Heath Ledger’s death after The Dark Knight had people saying that they couldn’t make The Dark Knight Rises, even though The Joker wasn’t in the third film; and just recently the Star Wars films have been rocked by the death of Carrie Fisher, but that doesn’t mean that Episode IX won’t be made because she’s no longer around.


Even if Williams’ character was supposed to be in this new film, they could still cast another actor in his role. I know that this is the kind of choice that many people are against, but it’s a move that if often made in Hollywood in order to maintain the integrity of the story that the filmmakers want to tell. Could you imagine Harry Potter if they hadn’t recast Dumbledore after Richard Harris’ death. Even if you discount death as a reason for recasting a character, changing an actor in a role happens all the time; look at how many people have played Gregor ‘The Mountain’ Clegane on Game of Thrones, or the two Aunt Viv’s on The Fresh Prince of Bel-Air.

Robin Williams aside, I’ve seen people argue that it’s been too long since the first film to do a sequel. So? There are so many films that have had a twenty year gap between them, or even longer, many that have been so well received and didn’t have people arguing that they shouldn’t be made. Mad Max: Fury Road had a 29 year gap between it and Mad Max: Beyond Thunderdome (and also recast Max for those paying attention). Tron Legacy had a 28 year gap. Return To Oz had a 45 year gap following The Wizard of Oz.

A two to three year gap between films is only a fairly new thing in film, with many older franchises, films that are seen as classics, having several years between films. If twenty years feels like too long a gap for you, then fine, you don’t have to watch it. If you feel that it’s been too long for the original audience to care let it be for a new audience. Let’s not forget, this isn’t even the first sequel to Jumanji that has been produced, and is also not the first to not include Robin Williams. An animated sequel series ran for three years following the release of the film, one that included the Robin Williams character. Whilst people may not be aware of this, or could have forgotten it’s existence, it shows that Jumanji is capable of existing beyond the original film.

The new Jumanji film may not appeal to you, you may feel that it’s been too long since the last film, that it shouldn’t be made without Robin Williams, that it’s too different from the original, or even that it ‘ruins your childhood’ (really shit argument by the way for anyone that ever says this), but then perhaps this film isn’t being made for you. Perhaps it’s time that you let go of your possession of the original and let a whole new generation of fans discover the franchise.


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Monday, 1 January 2018

Eccentric Earth Episode One Show Notes



Welcome to the first in a series of show notes for Eccentric Earth, where I will include the research for each episode (essentially my script), along with a number of photographs and documents.



Episode One - The Vampire of Dusselorf

Peter Kürten was born into a poverty-stricken, abusive family in Mülheim am Rhein, Germany on 26 May 1883, the third of thirteen children. Kürten's parents were both alcoholics who lived in a one-bedroom apartment, and although Kürten's father was an efficient workman who earned sufficient money to provide food, shelter and clothing for his family, the relationship between his parents was marred by the domestic violence Kürten's father would inflict upon both his wife and children, particularly when he was drunk.

When intoxicated, Kürten's father would often force his wife and children to assemble in one room before ordering his wife to strip naked and engage in intercourse with him as his children watched. He would be jailed for 15 months in 1894 for committing incest with his eldest daughter, who was aged 13. Shortly thereafter, Kürten's mother obtained a separation order, and later remarried and relocated to Düsseldorf.

The Kurten family.
In 1888, Kürten attempted to drown one of his playmates. Four years later, he befriended a local dog-catcher who lived in the same building as his family, and began accompanying him on his rounds. This individual would often torture and kill the animals he caught, and Kürten soon became an active and willing participant in torturing the animals himself.
Being the eldest surviving son, Kürten was the target of much of his father's physical abuse. Although he was a good scholar, he would later recollect his academic performance suffered due to the extensive physical violence he endured from his father. He frequently refused to return home from school. From an early age, Kürten frequently ran away from home for periods of time ranging from days to weeks.

Much of the time Kürten spent on the streets was in the company of petty criminals and social misfits. Via these acquaintances, Kürten was introduced to various forms of petty crime, which he would initially commit as a means of feeding and clothing himself when living on the streets.
He later claimed to have committed his first murders at the age of nine, when he pushed a school friend whom he knew was unable to swim off a log raft. When a second boy attempted to save the drowning youngster, Kürten held this boy's head underwater in order that both boys drowned. Both deaths were ruled by authorities as being accidental.

At the age of 13, Kürten formed a relationship with a girl his age who, although happy to allow Kürten to undress and fondle her, would resist any attempts he made to engage in intercourse. In response, Kürten resorted to acts of bestiality with the sheep, pigs and goats in local stables to achieve satisfaction, but later claimed he obtained his greatest sense of elation if he actually stabbed these animals just prior to his achieving orgasm. Thus, he began stabbing and slashing animals with increasing frequency to achieve orgasm, although he was adamant this behaviour ended when he was observed stabbing a pig. He is also known to have attempted to rape the same sister his father had earlier molested.
In 1897 at the age of 14, Kürten left school. At his father's insistence, he obtained employment as an apprentice molder. This apprenticeship would last for two years before Kürten stole all the money he could find in his household, plus approximately 300 marks from his employer, and ran away from home. He relocated to Koblenz, where he began a brief relationship with a prostitute two years his senior whom he claimed willingly submitted to every form of sexual perversion he demanded of her. He was apprehended just four weeks later and charged with both breaking and entering and theft, and subsequently sentenced to one month's imprisonment. He was released from prison in August 1899 and reverted to the life of petty crime he had lived before his arrest.
Kürten claimed to have committed his first murder as an adult in November 1899. Kürten said that he "picked up an 18-year-old girl at the Alleestraße" and persuaded her to accompany him to the Hofgarten, where he claimed to have engaged in sex with the girl before strangling her to death with his bare hands.
No contemporary records exist to corroborate Kürten's claims. If this attack did indeed take place, the victim likely survived this assault. Nonetheless, Kürten would later state that, via his committing this act, he had proven to himself that the greatest heights of sexual ecstasy could only be achieved in this manner.
Shortly thereafter, in 1900, Kürten was arrested for fraud. He would be rearrested later the same year on the same charge, although on this second occasion, charges pertaining to his 1899 Düsseldorf thefts, plus the attempted murder of a girl with a firearm were added to the indictment. Consequently, Kürten was sentenced to four years' imprisonment in October 1900. He served this sentence in the suburb of Derendorf.
German infantry regiment during World War One.
Released in the summer of 1904, Kürten was drafted into the German Army; he was deployed to the Alsatian city of Metz to serve in the 98th Infantry Regiment, although he soon deserted. That autumn, Kürten began committing acts of arson, which he would discreetly watch from a distance as emergency services attempted to extinguish the fires. The majority of these fires were in barns and haylofts, and Kürten would estimate to police he had committed approximately 24 acts of arson upon his arrest that New Year's Eve. He also freely admitted these fires had been committed both for his sexual excitement and in the hopes of burning sleeping tramps alive.
As a result of his desertion, Kürten was tried by the military system and convicted of desertion in addition to multiple counts of arson, robbery and attempted robbery (the latter charges pertaining to acts he had also committed that year), and imprisoned from 1905 to 1913. Kürten served his sentence in Münster, with much of his time spent in solitary confinement for repeated instances of insubordination.
He would later claim to investigators and psychologists this period of incarceration was that in which he first encountered severe forms of discipline, and as such, the erotic fantasies he had earlier developed while incarcerated in Derendorf expanded to include graphic fantasies of his striking out at society and killing masses of people; these fantasies became ever more paramount and overbearing in his mind, and Kürten would later claim that he derived the "sort of pleasures from these visions that other people would get from thinking about a naked woman", adding that he would occasionally spontaneously ejaculate while preoccupied with such thoughts.
Christine Klein, Kurtens first confirmed victim.

The first murder Kürten is confirmed to have committed occurred on 25 May 1913. During the course of a burglary at a tavern in the town of Mülheim am Rhein, he encountered a 9-year-old girl named Christine Klein asleep in her bed. He strangled the child, then slashed her twice across the throat with a pocket knife, ejaculating as he heard the blood dripping from her wounds onto the floor by her bed.
The following day, Kürten specifically returned to Köln to drink in a tavern located directly opposite that in which he had murdered Christine Klein, in order that he could listen to the locals' reactions to the child's murder. He would later recollect to investigators he derived an extreme sense of gratification from the general disgust and outrage he had heard in the patrons' conversations. Moreover, in the weeks following Klein's funeral, he would occasionally travel to Mülheim am Rhein to visit the child's grave, adding that when he handled the soil covering her grave, he would spontaneously ejaculate.
Two months later—again in the course of committing a burglary with the aid of a skeleton key—Kürten broke into a home in Loscheckes. Discovering a 17-year-old girl named Gertrud Franken, Kürten manually strangled the girl, ejaculating at the sight of blood spouting from her mouth. Kürten managed to escape from the scene of both this murder and that of Klein undetected.

Just days after the murder of Gertrud Franken, on 14 July, Kürten was arrested for a series of arson attacks and burglaries. He was sentenced to six years' imprisonment, although his repeated instances of insubordination while imprisoned saw his incarceration extended by a further two years. Kürten served this sentence in a military prison in the town of Brieg.
Released in April 1921, Kürten relocated to Altenburg, where he initially lived with his sister. Through his sister, Kürten became acquainted with a woman three years his senior named Auguste Scharf, a sweet shop proprietor and former prostitute who had previously been convicted of shooting her fiancé to death, and to whom Kürten initially posed as a former prisoner of war.
Two years later, Kürten and Scharf married, and although the couple regularly engaged in sex, Kürten later admitted he could consummate his marriage only by fantasising about committing violence against another individual, and that, after their wedding night, he engaged in intercourse with his wife only at her invitation. For the first time in his life, Kürten obtained regular employment, also becoming an active trades union official, although with the exception of his wife, he formed no close friendships.
In 1925, he returned with his wife to Düsseldorf, where he soon began affairs with a servant girl named Tiede, and a housemaid named Mech. When his wife discovered his infidelity, Tiede reported Kürten to police, claiming he had seduced her; Mech alleged Kürten had raped her. The more serious charge was later dropped, although Tiede's allegations were pursued, thus earning him an eight-month prison sentence for seduction and threatening behaviour. Kürten served six months of this sentence, with his early release being upon the condition he relocated to Düsseldorf.
On 3 February 1929, Kürten stalked an elderly woman named Apollonia Kühn. Waiting until Kühn was shielded from the view of potential witnesses by bushes, Kürten pounced upon her, grabbing her by the lapels of her coat and shouting the words, "No row! Don't scream!" before dragging her into nearby undergrowth, where he proceeded to stab her 24 times with a sharpened pair of scissors. Although many of the wounds he inflicted were so deep they impacted her bones, Kühn survived her injuries.
On 8 February he strangled a nine-year-old girl named Rosa Ohliger into unconsciousness, before stabbing her in the stomach, temple, genitals and heart with a pair of scissors, spontaneously ejaculating as he knifed the child and inserting his semen into her vagina with his fingers. He then made a rudimentary effort to hide Ohliger's body by dragging it beneath a hedge, before returning to the scene with a bottle of kerosene several hours later and setting the child's body alight, achieving an orgasm at the sight of the flames. Ohliger's body was found beneath a hedge the following day.
On 13 February, he murdered a 45-year-old mechanic named Rudolf Scheer in the suburb of Flingen Nord, stabbing him 20 times, particularly about the head, back and eyes. Following the discovery of Scheer's body, Kürten returned to the scene of the murder to converse with police, falsely informing one detective he had heard about the murder via telephone.
Despite the differences in age and sex of these three victims, the fact that all three crimes had been committed in the Flingern district of Düsseldorf at dusk, that each victim had received a multitude of stab wounds likely inflicted in rapid succession and invariably involving at least one wound to the temple, plus the absence of a common motive such as robbery, led investigators to conclude the same perpetrator had committed all three attacks. Furthermore, the seemingly random selection of these victims led criminologists to remark as to the abnormal nature of the perpetrator.
Although Kürten did attempt to strangle four women between March and July 1929, one of whom he claimed to have thrown into the Rhine River, he is not known to have killed any further victims until 11 August when he raped, strangled, then repeatedly stabbed a young woman named Maria Hahn.
Maria Hahn, killed by Kurten on 11 August.
  Kürten had first encountered Hahn on 8 August, and had arranged to take her on a date the following Sunday. After several hours in Hahn's company, Kürten lured her into a meadow in order that he could kill her; he later admitted Hahn had repeatedly pleaded with him to spare her life as he alternately strangled her, stabbed her in the chest and head, or sat astride her body, waiting for her to die. Hahn died approximately one hour after Kürten had begun attacking her.
Fearful his wife might connect the bloodstains she had noted on his clothes with Hahn's murder, Kürten later buried her body in a cornfield, only to return to her body several weeks later with the intention of nailing her decomposing remains to a tree in a mock crucifixion to shock and disgust the public; however, Hahn's remains proved too heavy for Kürten to complete this act, and he simply returned her corpse to her grave before embracing and caressing the decomposing body as he lay beneath her remains. 
He then reburied Hahn's body. According to Kürten's later confession, both before and after he had attempted to impale Hahn's corpse to a tree, he "went to the grave many times and kept improving on it; and every time I thought of what was lying there and was filled with satisfaction."
Three months after Kürten had murdered Maria Hahn, he posted an anonymous letter to the police in which he confessed to Hahn's murder, adding that her remains had been buried in a field. In this letter, Kürten also drew a crude map describing the location of her remains. This letter would prove sufficiently detailed to enable investigators to locate Hahn's remains on 15 November.
Letter sent to the police by Kurten, detailing Hahns location.
Following the murder of Maria Hahn, Kürten changed his choice of weapon from scissors to a knife in an apparent effort to convince police more than one perpetrator was responsible for the spate of assaults and murders. In the early morning of 21 August, Kürten randomly stabbed an 18-year-old girl, a 30-year-old man, and a 37-year-old woman in separate attacks. All three were seriously wounded, and all would state to police their assailant had not spoken a word to them before he had attacked them.
Three days later, at a fairground he observed two foster sisters (aged five and 14) walking from the fairground, through adjoining allotments, en route to their home. Sending the older girl, Luise Lenzen, on an errand to purchase cigarettes for him upon the promise of being given money in return for the favour, Kürten lifted the younger child, Gertrude Hamacher, off the ground by her neck and strangled her into unconsciousness before cutting her throat and discarding her body in a patch of runner beans.
When Lenzen returned to the scene, Kürten partially strangled her before stabbing her about the torso, with one wound piercing her aorta. He also bit and twice cut her throat before sucking blood from the wounds. Neither girl had been sexually assaulted.  
The following day, Kürten accosted a 27-year-old housemaid named Gertrude Schulte, whom he openly asked to engage in sex with him. Upon being rebuffed, Kürten shouted, "Well, die then!" before repeatedly stabbing the woman in the head, neck, shoulder, and back. Schulte survived her injuries, although she was unable to provide investigators with a clear description of her assailant, beyond assuming his age to be around 40.
Kürten attempted to murder two further victims—one by strangulation; another by stabbing—in September, before opting to predominantly use a hammer in his murders.
On the evening of 30 September, Kürten encountered a 31-year-old servant girl named Ida Reuter at Düsseldorf station. He successfully persuaded Reuter to accompany him to a café, then for a walk through the local Hofgarten close to the Rhine River. At this location, he repeatedly struck her about the head with a hammer both before and after he had raped her. At one stage in this assault, Reuter regained consciousness and began pleading with Kürten to spare her life. In response, Kürten simply "gave her other hammer blows on the head, and misused her".
11 days later, on 11 October, he encountered a 22-year-old servant girl named Elizabeth Dörrier outside a theatre. As had been the case with Reuter, Dörrier agreed to accompany Kürten for a drink at a café before the pair took a train to Grafenberg, with view to a walk alongside the Kleine Düssel river, where she was struck once across her right temple with a hammer, then raped, Kürten struck her repeatedly about the head and both temples with his hammer and left her for dead.
Dörrier was found at 6:30 a.m the following morning, although she would die from her injuries the following day, without awakening from the coma in which she was discovered. On 25 October, Kürten attacked two women with a hammer; both survived, although in the second instance, this was only because Kürten's hammer broke in the attack.
On 7 November 1929, Kürten encountered a five-year-old girl named Gertrude Albermann in the Flingern district of Düsseldorf; he persuaded the child to accompany him to a section of deserted allotments, where he seized her by the throat and strangled her, stabbing her once in the left temple with a pair of scissors as he did so. Kürten stabbed the child 34 further times in the temple and chest, before leaving her body in a pile of nettles against a factory wall.
By the late summer of 1929, the murders committed by the individual the press had dubbed The Vampire of Düsseldorf were receiving considerable national and international attention. Due to the sheer savagery of the murders, the diverse background of the victims, and the differing methods in which they had been assaulted and/or murdered, both the police and the press theorized the spate of assaults and murders were the work of more than one perpetrator.
Newspaper illustration depicting the killer.

By the end of 1929, Düsseldorf police had received more than 13,000 letters from the public. With assistance from surrounding police forces, each lead was painstakingly pursued. As a result of this collective investigation into the killings, more than 9,000 individuals would be interviewed, 2,650 other clues painstakingly pursued and a list of 900,000 different names would be compiled upon an official potential suspect list.
Two days after the murder of Gertrude Albermann, a local Communist newspaper received a map revealing the location of the grave of Maria Hahn. In this drawing, Kürten also revealed precisely where he had left Albermann's body (which had been found earlier that day), describing the exact position of her corpse, which he stated could be found face-down among bricks and rubble.
An analysis of the handwriting revealed the author was the same individual who had anonymously informed police in a letter dated 14 October that he had killed Hahn and buried her body "at the edge of the woods". Each letter Kürten had thus far sent to newspapers and police describing his exploits and threatening further assaults and murders was examined by a graphologist, who confirmed the same individual had written each letter, thus leading the Chief Inspector of the Berlin Police, Ernst Gennat, to conclude that one man was responsible for most or all of the spate of assaults and murders.
The murder of Gertrude Albermann would prove to be Kürten's final fatal attack, although he did engage in a spate of non-fatal hammer attacks and attempted strangulations between February and May 1930, maiming 10 victims in these assaults. All recipients survived and many were able to describe their attacker to police.
On 14 May 1930, an unknown man approached a 20-year-old woman named Maria Budlick at Düsseldorf station. Discovering Budlick had travelled to Düsseldorf from Köln in search of lodgings and employment, this individual offered to direct her towards a local hostel. Budlick agreed to follow this individual, although she became apprehensive when this man attempted to lead her through a scarcely populated park. The pair began to argue, whereupon another man approached the duo, asking whether Budlick was being pestered by her companion. When Budlick nodded, the individual with whom she had been arguing simply walked away. The man who came to her aid was Peter Kürten.
Kürten invited the distressed young woman to his apartment on Mettmanner Straße to eat and drink before Budlick—correctly deducing the underlying motive for Kürten's hospitality—stated she was uninterested in engaging in sex with him. Kürten calmly agreed and offered to lead Budlick to a hotel, although he instead lured her into the Grafenburg Woods, where he seized her by the throat and attempted to strangle her as he raped her. When Budlick began to scream, Kürten released his grasp on her throat, before allowing her to leave.
Budlick did not report this assault to police, but described her ordeal in a letter to a friend, although she addressed the letter incorrectly. As such, the letter was opened at the post office by a clerk on 19 May. Upon reading the contents of the letter, this clerk forwarded the letter to the Düsseldorf police. This letter was read by Chief Inspector Gennat, who deduced there was a slim chance Budlick's assailant might be the Düsseldorf murderer.  


Chief Inspector Ernst Gennat interviewed Budlick personally.
Chief Inspector Gennat interviewed Budlick, who recounted her ordeal, further divulging one of the reasons Kürten had spared her was because she had falsely informed him she could not remember his address. She agreed to lead the police to Kürten's home. When the landlady of the property let Budlick into the house, Budlick confirmed to Chief Inspector Gennat this was the address of her assailant. The landlady confirmed to the chief inspector the tenant's name was Peter Kürten.
Although Kürten was not at home when Budlick and Chief Inspector Gennat searched his property, he spotted the pair in the communal hallway, and promptly left the property. Knowing that his identity was now known to the police and suspecting they may also have connected him to the crimes committed by The Vampire of Düsseldorf, Kürten confessed to his wife he had raped Budlick and that because of his previous convictions, he may receive 15 years' penal labour. With his wife's consent, he found lodgings elsewhere, and did not return to his own home until 23 May.  
Upon returning home, Kürten confessed to his wife he was The Vampire of Düsseldorf. Hurged his wife to collect the substantial reward offered for his capture, Auguste Kürten contacted the police the following day. In the information provided to detectives, Kürten's wife explained that although she had known her husband had been repeatedly imprisoned in the past, she was unaware of his culpability in any murders. She then added that her husband had confessed to her his crimes as The Vampire of Düsseldorf, and that he was willing to likewise confess to police. Furthermore, he was to meet her outside St. Rochus church later that day. That afternoon, Kürten was arrested at gunpoint.
Kürten freely admitted his guilt in all the crimes police had attributed to The Vampire of Düsseldorf, and further confessed he had committed the unsolved murders of Christine Klein and Gertrud Franken in 1913. In total, Kürten admitted to 68 crimes including 10 murders and 31 attempted murders.

Peter Kurten's mugshot following his arrest.
He made no attempt to excuse his crimes, but justified them upon the basis of what he saw as the injustices he had endured throughout his life. Nonetheless, he was adamant he had not tortured any of his child victims. Kürten also admitted to both investigators and psychiatrists that the actual sight of his victim's blood was, on many occasions, sufficient to bring him to orgasm, and that, on occasion, if he experienced ejaculation in the act of strangling a woman, he would immediately become apologetic to his victim, proclaiming, "That's what love is all about".
He further claimed to have drunk the blood from the throat of one victim, from the temple of another, and to have licked the blood from a third victim's hands. In one of these instances, he had drunk so much blood from the neck wound he had inflicted upon victim Maria Hahn that he vomited. Kürten also admitted to having decapitated a swan in the spring of 1930 in order that he could drink the blood from the animal's neck, achieving ejaculation in the process.
On 13 April 1931, Peter Kürten stood trial in Düsseldorf. He was charged with nine counts of murder and seven of attempted murder, and was tried before Presiding Judge Dr. Rose. Kürten pleaded not guilty by reason of insanity to each of the charges. Aside from when delivering testimony, Kürten would spend the duration of his trial surrounded by a heavily guarded shoulder-high iron cage specifically constructed to protect him from attack by the enraged relatives of his victims, and his feet would be shackled whenever he was inside this cage.
Proceedings began with the prosecution formally reciting each of the charges against Kürten, before they recited the formal confession he had provided to police following his arrest. When then asked by the presiding judge to describe why he had continued to commit acts of arson throughout 1929 and 1930, Kürten elaborated: "When my desire for injuring people awoke, the love of setting fire to things awoke as well. The sight of the flames excited me, but above all, it was the excitement of the attempts to extinguish the fire and the agitation of those who saw their property being destroyed."
Having first claimed that his initial confession had been delivered to simply allow his wife to recoup the reward money offered for the Düsseldorf Vampire's capture, several days into his trial, Kürten instructed his defence attorney that he wished to change his plea to one of guilty. Addressing the court, Kürten proclaimed: "I have no remorse. As to whether recollection of my deeds makes me feel ashamed, I will tell you [that] thinking back to all the details is not at all unpleasant. I rather enjoy it."
Further pressed as to whether he considered himself to possess a conscience, Kürten stated he did not. Nonetheless, when pressed as to his motivation in confessing, Kürten reiterated: "Why don't you understand that I am fond of my wife, and that I am still fond of her? I have done many wrongs; have been unfaithful over and over again. My wife has never done any wrong. Even when she heard of the many prison sentences I have served, she said: 'I won't let you down, otherwise you'll be lost altogether.' I wanted to fix for my wife a carefree old age."
To counteract Kürten's insanity defence, the prosecution introduced five of the most eminent doctors and psychiatrists in Germany to testify at the trial; each testified that Kürten was legally sane and had been perfectly in control of his actions and impulses at all times. Typical of the testimony delivered by these experts was that of Professor Franz Sioli, who testified as to Kürten's actual motivation in his crimes being the desire to achieve the sexual gratification he demanded, and that this satisfaction could only be achieved by acts of brutality, violence and Kürten's knowledge of the pain and misery his actions would cause to others.
Dr. Karl Berg would testify that Kürten's motive in committing murder and attempted murder was 90 percent sadism, and 10 percent revenge relating to his perceived sense of injustice for both the neglect and abuse he had endured both as a child and the discipline he endured while incarcerated. Moreover, Dr. Berg stated that despite Kürten's admission to having embraced and digitally penetrated the corpse of Maria Hahn, and to have spontaneously ejaculated while holding the soil covering the coffin of Christine Klein, his conclusion was that Kürten was not a necrophiliac.
Further proof of Kürten's awareness was referenced by the premeditated nature of his crimes; his ability to abandon an attack if he sensed a risk of being disturbed; and his acute memory of both his crimes and their chronological detail. Also disclosed in the first week of the trial were the deaths of the two boys whom Kürten had confessed to drowning at the age of nine, with the prosecution suggesting these deaths indicated Kürten had displayed a homicidal propensity dating much earlier than 1913. However, this view was disputed by medical witnesses, who suggested that although indicative of an inherent depravity, these two deaths should not be compared to Kürten's later murders as to a child, the death of a friend can be seen as nothing more than an inconsequential passing.



Kurten on trial beside his defence lawyer, Dr. Alex Wehner.
Upon cross-examination, Kürten's defence attorney, Dr. Alex Wehner, did challenge these experts' conclusions, arguing the sheer range of perversions his client had engaged in was tantamount to insanity, although each doctor and psychiatrists remained adamant as to Kürten being legally sane and responsible for his actions.
In a further attempt to discredit the validity of many of the charges recited at the opening stages of the trial, Wehner also questioned whether the occasional physical inaccuracies of the crimes described in his client's confession equated to Kürten having fabricated at least some of the crimes, thus supporting his contention Kürten possessed a diseased mind. In response, one of these experts, Dr. Karl Berg, conceded that sections of Kürten's confession were false, but argued that the knowledge he possessed of the murder scenes and the wounds inflicted upon the victims left him in no doubt as to his guilt, and that the minor embellishments in his confessions could be attributed to Kürten's narcissistic personality.
The trial lasted 10 days. On 22 April, the jury retired to consider their verdict. They would deliberate for less than two hours before reaching their verdict: Kürten was found guilty and sentenced to death on nine counts of murder. He was also found guilty of seven counts of attempted murder. Kürten displayed no emotion as the sentence was passed, although in his final address to the court, he did state that he now saw his crimes as being "so ghastly that [he did] not want to make any sort of excuse for them".
Kürten did not lodge an appeal his conviction, although he did submit a petition for pardon to the Minister of Justice, who was known to be an opponent of capital punishment; this petition was formally rejected on 1 July. Kürten remained composed upon receipt of this news, and asked for permission to see his Confessor, to write letters of apology to the relatives of his victims, and a final farewell letter to his wife. All requests were granted.
As Kürten awaited his trial, then later as he awaited his execution, he was extensively interviewed by Dr. Karl Berg. In these interviews, Kürten stated to Dr. Berg that his primary motive in committing any form of criminal activity was one of sexual pleasure, and that he had begun to associate sexual excitement with violent acts and the sight of blood via indulging in both day-dreams and masturbation fantasies — particularly when he had been isolated from human contact.
The majority of his assaults and murders had been committed when his wife had been working evenings, and the number of stab or bludgeoning wounds Kürten inflicted upon each victim had varied depending upon the length of time it had taken him to achieve an orgasm. Furthermore, the actual sight of his victim's blood had been integral to his sexual stimulation. Kürten further elaborated to Dr. Berg that once he had committed an attack or murder, the feeling of tension he experienced prior to the commission of the crime would be superseded by one of relief.
In reference to the actual choice of weapon used in his attacks, Kurten stressed that although he had changed his actual method of attack to deceive investigators into believing they were seeking more than one perpetrator, the weapon he used was inconsequential in reference to his ultimate objective of seeing his victim's blood. Elaborating, Kurten stated: "Whether I took a knife or a pair of scissors or a hammer in order to see blood was a matter of indifference to me or mere chance. Often after the hammer blows the bleeding victims moved and struggled, just as they did when they were throttled." Kurten further confided that although he had occasionally penetrated his female victims, he had only done so to feign the act of coitus as a motive for his crimes. He also confessed that many of his later strangulation victims had only survived his attacks because he had achieved an orgasm in the early throes of the assault.
Berg would go on to use his interviews with
Kurten to publish his book, 'The Sadist'.

However, Kürten would contradict these claims by proclaiming to both Dr. Berg and legal examiners that his primary motive in all his criminal activities was to both "strike back at[an oppressive society" for what he considered the injustice of his being repeatedly incarcerated throughout his life, and as a form of revenge for the neglect and abuse he had endured as a child. These desires had fermented in his mind throughout the long periods he had been confined in solitary confinement for various forms of insubordination, and Kürten explained that he would deliberately break minor prison rules as a means of guaranteeing that he would be sentenced to solitary confinement in order that he could indulge in these psychosexual fantasies.
To Dr. Berg and the legal examiners, Kürten did not deny that he had sexually molested his female victims, or to have stroked or digitally penetrated their genitals as he stabbed, slashed, strangled or bludgeoned their bodies, although throughout his trial Kürten consistently claimed the sexual assault of his victims was not his primary motive.
On the evening of 1 July 1931, Kürten received his last meal. He ordered Wiener Schnitzel, a bottle of white wine, and fried potatoes. Kürten devoured the entire meal before requesting a second helping. Prison staff decided to grant his request.
At 6 o'clock on the morning of 2 July Peter Kürten was beheaded by guillotine in the grounds of Klingelputz Prison, Cologne. He walked unassisted to the guillotine, flanked by the prison psychiatrist and a priest.
Shortly before his head was placed on the guillotine, Kürten turned to the psychiatrist and asked the question: "Tell me... after my head is chopped off, will I still be able to hear, at least for a moment, the sound of my own blood gushing from the stump of my neck? That would be the pleasure to end all pleasures." When asked whether he had any last words to say, Kürten simply smiled and replied, "No."
Following Kürten's 1931 execution, his head was dissected and mummified; the brain was removed and subjected to forensic analysis in an attempt to explain his personality and behaviour. The examinations of Kürten's brain revealed no abnormalities.
The autopsy conducted upon Kürten's body revealed that, aside from his having an enlarged thymus gland, Kürten had not been suffering any physical abnormality.
The interviews Kürten granted to Dr. Karl Berg in 1930 and 1931 would prove to be the first psychological study conducted upon a sexual serial killer. These interviews would also form the basis of Berg's book, The Sadist.
Shortly after the Second World War, Kürten's head was transported to the United States. It is currently on display at the Ripley's Believe It or Not! museum in Wisconsin Dells, Wisconsin.
The mummified head of Peter Kurten on display at
Ripley's Believe It or Not museum.

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You can find Eccentric Earth on a number of podcast providers, including:
iTunes: Eccentric Earth
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Eccentric Earth Launch!



Eccentric Earth, the history podcast that focuses on the weird, wonderful, and the forgotten, has now official launched across all major podcasting providers!

iTunes: Eccentric Earth
aCast: Eccentric Earth
PodBean: Eccentric Earth

Make sure that you check out our first episode, where I'm joined by Adi Anhang to talk about the German serial killer, the Vampire of Dusseldorf.

You can also follow Eccentric Earth across a number of social media platforms.

Twitter: @Eccentric_Earth
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Thank you for all of the support, I hope that you all enjoy the show.


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Eccentric Earth Episode One - The Vampire of Dusseldorf



Join me, your host Amy Walker, as I delve into stories from across history. In our first episode I'm joined by Adi Anhang, and together we discuss one of the most notorious serial killers in German history, Peter Kurten, The Vampire of Dusseldorf.


Show Notes: Episode One Show Notes

Twitter: @Eccentric_Earth
Facebook: @eccentricearth
Instagram: Eccentric_Earth
Email: EccentricEarth@outlook.com

iTunes: Eccentric Earth
aCast: Eccentric Earth
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Eccentric Earth is a Trans-Scribe Production
Hosted by Amy Walker
Theme music http://www.bensound.com/royalty-free-music

Friday, 29 December 2017

Judge Dredd: Mega City Zero - Book Review



Originally published on Set The Tape

The year long story ‘Mega City One’ has been collected together in one huge 12 issue volume that tells a hugely different type of Judge Dredd story, one that has made massive changes to the current status quo for Dredd and his universe that are still playing out today.

The story begins with Judge Dredd waking up in a sea of green, grass covering everything the eye can see. Through some initial investigating Dredd, and the readers, discover that this is what remains of Mega City One. The huge Mega Blocks are gone, the sky is no longer full of vehicles, the streets are no more. All that remains of Dredd’s home is endless grass.

This is the main mystery and drive of the book, as Dredd not only pieces together what happened to Mega City One, but must try to find a way of undoing it, if possible, and restoring law and order to the land. Along the way he meets a trio of young girls, Quill, Lolo, and Iggy, that he initially arrests, but then ends up taking under his wing, caring for them, raising them, and even training them to be Judges. The relationship between Dredd and the girls is one of the highlights of the book, especially as it shows a more caring side to a character that often gets stereotyped as cold and uncaring.

Whilst he’s not suddenly a happy and loving person, he does mellow enough to show that under that stern expression and Judge’s uniform he’s still a human being, capable of caring for others. This weird family is a great addition to Dredd’s world, and whilst the girls initially hate him, they really do even come to care deeply for him come the end of the book, calling him Judge Dad on more than one occasion. The addition of the helmet wearing pug, named Pug Dredd, completes the family unit.


The mystery of the grass and the disappearance of 800 million plays out slowly, making room for smaller, single issue adventures along the way. Dredd and the girls come across a society of people who put grammar above everything, a misogynistic men’s rights matrix simulation, and even a group of cannibalistic vegans. Judge Dredd has always been a book with some degree of social commentary and poking fun of of the times it’s made in, whether it be the subtle naming of stories, to in your face characters and events, and this continues here in ‘Mega City Zero’, with issues such as ‘Grammar Nazi’s’, ‘#NotAllMen’ and ‘You Have 4 New Followers’.

Though some of these issues feel very stand alone to begin with, it becomes clear that they are playing some small part in a much bigger whole come the end of the book, with these experiences not just shaping Dredd into the man that he must become for this new world, but also filling in a lot of the gaps in the history of what has happened since the destruction of Mega City One.

The book crafts a long and interesting story, one that is as much about it’s characters as it is something of a reboot of the Judge Dredd universe. It takes it’s time letting you get to know the girls, as well as giving a good insight into how Dredd himself has changed. It takes a lot of the history of the universe and uses this to inform it’s decisions, yet manages to create a unique jumping on point for new readers as it establishes it’s own version of the Judge Dredd franchise.

This isn’t a reboot, but it does act like a reset. It takes everything that was great and entertaining about the franchise and begins it anew and refreshed, setting into play a different and exciting new era for the character.


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Arrow Season 6 Mid-Season Review



Originally published on Set The Tape

The last season of Arrow did a lot of good. It introduced several new characters to the series that brought in a some much needed new energy, it gave Oliver a more diverse and entertaining team of people, and it gave us a villain that was a huge improvement on the year before. Despite all this, it was still the weakest of all the CW DC series.

Fortunately, the sixth season has continued to maintain much of this improvement of quality, and has even got better in a number of areas.

One of the biggest of these changes has been the shift in Oliver’s (Stephen Amell) personal life, with his son William (Jack Moore) now a part of his life and living with him full time after the death of his mother. This is a huge shift, one that gives Oliver a sense of responsibility that he can no longer dodge his way around. Yes, he’s been a company CEO and is the Mayor of Star City, but he’s always found ways of balancing these with him being the Green Arrow. Now, this is something he can’t do.

Now comes the time that Oliver has can no longer split his time between his personal life and his career as a vigilante, and as such comes the second major change to the series this year, Oliver has stepped down as the Green Arrow. Yes, this seems like something that won’t last for long, and has already come undone in a way as Oliver has taken up the mantle once again to allow Diggle (David Ramsey) time to recover from his injuries so that he can take on the role once again, but the show very much seems to be pushing this as a temporary return to the role.

How this will play out when the series returns is anyone’s guess, but it does look like Diggle will be taking over as Green Arrow again at some point. Hopefully he does, as this has been some of the more interesting parts of the season so far. This year has also shifted the villains around slightly, focusing on a group of much smaller level adversaries than previous seasons have. Instead of one big bad guy we’ve got a team-up of smaller threats like Vigilante (Johann Urb), Black Siren (Katie Cassidy), and Anatoly Knyazev (David Nykl).


After years of putting Oliver up against single threats that all have to rival his skills and abilities, like Prometheus (Josh Segarra) and Deathstroke (Manu Bennett), having a collection of people that couldn’t really pose a huge threat to him one on one, but together make a group very capable of destroying his world is a good change to the standard season narrative that we’ve come to expect.

The addition of the FBI investigation sub-plot also works particularly well this season, and feels like a nice call back to earlier years of the show. It’s good that this story hasn’t already been resolved, that it’s lasting for more than a handful of episodes, and that it feels like it’s going to have major consequences once it reaches it’s conclusion. Plus, Sydelle Noel is great as Agent Samandra Watson, and acts as a very different kind of threat to Oliver and his team.

So far season six of Arrow has proven to be incredibly solid, a series that is using everything that is has built in the past to deliver a strong season, bringing back dangling plot threads, using smaller villains from the past, and showing some huge character growth from previous years. Hopefully this will continue to the conclusion of the season.


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Thursday, 28 December 2017

Star Trek The Next Generation: Mirror Broken #5 - Comic Review



Originally Published on Set The Tape

‘In the otherdimensional Mirror Universe, there is no United Federation of Planets, only the Terran Empire, where advancement comes through assassination, brutality is commonplace and kindness is a weakness. The Terran Empire is on its last legs in its war with the Klingon-Cardassian Alliance, but Captain Jean-Luc Picard has obtained what he believes to be the final chance for victory: a revolutionary new Galaxy-class starship, Called Enterprise, that could turn the tide of the war. Having assembled a crew of fellow mutineers and pirates, including the Enterprise’s first officer, William T. Riker, Picard has achieved the impossible: engineering the theft of the Enterprise and the elimination of its captain. Just as Picard and the Enterprise faced its first challenge, a trio of Imperial ships looking to recover the stolen starship, an even bigger threat emerges – a massive Klingon-Cardassian armada.’

The final issue of Star Trek: The Next Generation: Mirror Broken brings a close to Captain Picard’s plot to seize control of the brand new starship Enterprise. With the issue opening with the Enterprise surrounded by a small fleet of Klingon and Cardassian ships this story is filled with action.

Luckily the writers, David and Scott Tipton, are smart enough to know they can’t just have the Enterprise tear through their opponents. This would end up feeling too powerful, too big a shift in the universe that the series has been building for the last four issues, and just kind of boring.

Thankfully, the book takes advantage of not just the Enterprise having some help from two other Imperial starships, but also makes use of the design of the Enterprise too, not only splitting the saucer section from the secondary hull but also deploying the Captain’s Yacht, a part of the ship that was never seen in action across all 174 episodes of Star Trek: The Next Generation.

The book brings together a daring plan, one that shows the Enterprise as an incredible force, and even brings in the classic Picard Maneuver to strike at dozens of targets in quick succession, using the third warp nacelle on this version of the Enterprise to allow them to use the tactic multiple times.

Thankfully, the final issue of the series not only includes action, but manages to include some great character moments too. The book makes you think that Picard is going to betray Riker, that he’s been using Troi to maneuver him into a position where he’ll be killed; which means that there’s a surprising amount of tension as you’re almost waiting for Riker to be killed before the issue ends. Whilst this doesn’t happen, it creates enough intrigue to have me wanting the book to return, to see more of these versions of the characters and how they interact with each other.

One of the other big character moments in the book is Guinan getting the chance to interact with Picard, showing us how caring and even tender Picard appears to be with her. It’s a surprising moment, and one that shows us a side to this version of Picard that I’d come to assume didn’t even exist.

With the book concluding with the crew’s victory, the Terran Empire posing a credible threat to the Klingon-Cardassian Alliance, and several interesting and unique character dynamics created, I really hope that the title will get a second run or, fingers crossed, an ongoing series.


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Tuesday, 26 December 2017

Star Trek The Next Generation: Mirror Broken #4 – Comic Review



Originally published on Set The Tape

‘In the otherdimensional Mirror Universe, there is no United Federation of Planets, only a Terran Empire, where advancement comes through assassination, brutality is commonplace and kindness is a weakness. The Terran Empire is on its last legs in its war with the Klingon-Cardassian Alliance, but Captain Jean-Luc Picard has obtained what he believes to be the final chance for victory: a revolutionary new Galaxy-class starship, called Enterprise, that could turn the tide of the war. Having assembled a crew of fellow mutineers and pirates, including the Enterprise’s first officer, William T. Riker, Picard has achieved the impossible: engineered the theft of the Enterprise and the elimination of its captain, but a new problem emerges: what will be done with the remaining Enterprise crew members loyal to the former captain?’

The fourth issue of Star Trek The Next Generation: Mirror Broken sees a shift in the series, as Captain Picard and his band of misfits finally get their hands on the Enterprise. Now that the advanced ship is finally under his control the problems move away from how to obtain the vessel onto how to run it. An issue compounded by the fact that they have dozens of people on board who can’t be trusted.

One of these issues is solved by Captain Picard getting Wesley Crusher involved and out of sick bay. Whilst Wesley Crusher was always something of an un-liked character in the television series, and his presence on the bridge was always something that never quite felt right, here it actually makes a lot of sense. They have a skeleton crew, they only have one person trained to pilot the ship, so getting someone’s who incredibly smart, and knows the ships systems is the best move that they could make. Plus, having Picard tell him that he will not have someone on his bridge who wears a jumper is a great little poke at the series.

The question of what to do with those members of the crew that were loyal to the previous captain led to a surprising answer, as Picard gave them over to a penal colony run by the scientist that developed the mirror universe’s torture devices, where they will be experimented upon.

It’s a grim scene, and one that reminds the reader that this is not the universe that we are used to, and these are not the characters that we have come to love. The Picard from the television series would fight tooth and nail to protect people, this version smiles at the idea that he’s delivering people to torture and death.

The penal colony scenes did include a nice nod to the Star Trek: Enterprise mirror universe episode ‘Into A Mirror, Darkly’, as it included the mirror universe design for the Gorn, a much sleeker and reptilian design than the prime universe.

This issue also introduced us to another familiar face from Star Trek: The Next Generation, Guinan. Brought on board the Enterprise inside a huge metal container, surrounded in secrecy and rumours, her personality and role in this universe is still unclear, though it does appear that Picard relies upon her advice like his prime universe counterpart. How this relationship works, and what this version of Guinan is like are details that I’m eager to learn about.

With a cliffhanger that promises exciting action to come, with the Enterprise facing off against close to thirty Klingon and Cardassian ships, the issue sets the stage for brilliant things to come.


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Monday, 25 December 2017

Eccentric Earth Coming Soon!



Eccentric Earth is my latest project, a podcast where I will be joined each week by a special guest to talk about a story from history. The guests won't know what the topic is before recording, and will learn along with you, the audience.

We're aiming to find the strange, amazing, and little known stories from history, to learn, educate, and have a little fun along the way too.

The first episode of Eccentric Earth will launch in one week on 1st January 2018, so make sure that you stay tuned for more updates soon!


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The Walking Dead: Season 8 – Mid Season Review



Originally published on Set The Tape

The Walking Dead has been struggling for the last few seasons, with a drop in ratings and critical reception, meaning that the latest season of the show has a lot of work to do in order to bring itself back to the level of popularity of previous years. As such, the showrunners have made the choice to focus on action this year, labelling season eight as ‘All Out War’, as the fight against the evil Saviours reaches new heights.

Season eight has brought together the tree communities of Alexandria, Hilltop, and The Kingdon to fight against Negan (Jeffery Dean Morgan) and his followers. Kicking off the season with a bang (literally), the subsequent episodes have begun to slow in pace, falling back into old Walking Dead habits of poor pacing.

One of the biggest issues with this new season so far has been the lack of any real character development or growth. In the past the series has put story second to characters, willing to waste a whole episode on characters wandering around the woods not doing much, just to allow them a chance to develop, to talk through their feelings, their viewpoints, their motivations. Whilst this can sometimes lead to lulls in the story its never really boring if done right.

With so much focus this season on the war with the saviours these character moments have fallen away to the sidelines, and it’s led to the season being duller than usual. Yes, there are more gunfights, more explosions, and more running around from place to place, but after so long of the same thing it doesn’t feel exciting anymore. When we’re cutting between half a dozen different groups of people, all of whom are having shootouts, it gets old very quickly.


This doesn’t mean that there haven’t been some moments of character focus, we’ve had some time looking at Carl (Chandler Riggs) and his outlook on the war, we’ve had Jesus (Tom Payne) pushing for a more peaceful way, and we’ve seen the breaking of King Ezekiel (Khary Paton), but none of these plots have been given the time that they really need, or that the season would have done so in the past.

With the season ending on a surprise turn of the Saviours managing to get the upper hand, capturing some of our heroes, and destroying Alexandria, it’s unclear of how the second half of the series is going to go. The heroes went into this season with such a strong sense that they had the upper hand, that they would win the fight, but are now at one of the lowest points they could be. Seeing how this plays out is sure to be interesting.

One of the biggest shocks of this first half of this season, however, is the shock reveal that Carl has been bitten by a Walker, and is going to die in the final moments of the mid-season finale. With Carl being alive in the comics series, the character having been around since the very first episode, and still essentially being a kid, many fans felt that Carl was going to be safe, perhaps even being set up to take over as leader one day if Andrew Lincoln were ever to depart the show.

The reaction to Carl’s upcoming departure, however, has shown a much poorer side to The Walking Dead, angry, self-entitled fans. Within days of the reveal fans have been calling for showrunner Scott Gimple to be fired from the series, even having a Change.org petition with over 33,000 signatures from fans.


There’s nothing wrong with loving a series, but when you get to the point that you feel it’s okay to call for people to lose their jobs because you don’t like a creative decision about a fictional story, that’s not okay. Hopefully this isn’t something that will carry on for long, and the majority of the show’s fans will realise that tantrums like this will only hurt the series, because fans acting like this only hurts the overall impression of the show.

With a lacklustre series of episodes that has been trying to push action over story and character development, angry fans, and a lack of any wow factor, the first half of  season eight has been incredibly dull and boring. Unless The Walking Dead can address these issues soon it’s sure to continue to decline in both quality and ratings.


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