Monday, 25 December 2017

The Walking Dead: Season 8 – Mid Season Review



Originally published on Set The Tape

The Walking Dead has been struggling for the last few seasons, with a drop in ratings and critical reception, meaning that the latest season of the show has a lot of work to do in order to bring itself back to the level of popularity of previous years. As such, the showrunners have made the choice to focus on action this year, labelling season eight as ‘All Out War’, as the fight against the evil Saviours reaches new heights.

Season eight has brought together the tree communities of Alexandria, Hilltop, and The Kingdon to fight against Negan (Jeffery Dean Morgan) and his followers. Kicking off the season with a bang (literally), the subsequent episodes have begun to slow in pace, falling back into old Walking Dead habits of poor pacing.

One of the biggest issues with this new season so far has been the lack of any real character development or growth. In the past the series has put story second to characters, willing to waste a whole episode on characters wandering around the woods not doing much, just to allow them a chance to develop, to talk through their feelings, their viewpoints, their motivations. Whilst this can sometimes lead to lulls in the story its never really boring if done right.

With so much focus this season on the war with the saviours these character moments have fallen away to the sidelines, and it’s led to the season being duller than usual. Yes, there are more gunfights, more explosions, and more running around from place to place, but after so long of the same thing it doesn’t feel exciting anymore. When we’re cutting between half a dozen different groups of people, all of whom are having shootouts, it gets old very quickly.


This doesn’t mean that there haven’t been some moments of character focus, we’ve had some time looking at Carl (Chandler Riggs) and his outlook on the war, we’ve had Jesus (Tom Payne) pushing for a more peaceful way, and we’ve seen the breaking of King Ezekiel (Khary Paton), but none of these plots have been given the time that they really need, or that the season would have done so in the past.

With the season ending on a surprise turn of the Saviours managing to get the upper hand, capturing some of our heroes, and destroying Alexandria, it’s unclear of how the second half of the series is going to go. The heroes went into this season with such a strong sense that they had the upper hand, that they would win the fight, but are now at one of the lowest points they could be. Seeing how this plays out is sure to be interesting.

One of the biggest shocks of this first half of this season, however, is the shock reveal that Carl has been bitten by a Walker, and is going to die in the final moments of the mid-season finale. With Carl being alive in the comics series, the character having been around since the very first episode, and still essentially being a kid, many fans felt that Carl was going to be safe, perhaps even being set up to take over as leader one day if Andrew Lincoln were ever to depart the show.

The reaction to Carl’s upcoming departure, however, has shown a much poorer side to The Walking Dead, angry, self-entitled fans. Within days of the reveal fans have been calling for showrunner Scott Gimple to be fired from the series, even having a Change.org petition with over 33,000 signatures from fans.


There’s nothing wrong with loving a series, but when you get to the point that you feel it’s okay to call for people to lose their jobs because you don’t like a creative decision about a fictional story, that’s not okay. Hopefully this isn’t something that will carry on for long, and the majority of the show’s fans will realise that tantrums like this will only hurt the series, because fans acting like this only hurts the overall impression of the show.

With a lacklustre series of episodes that has been trying to push action over story and character development, angry fans, and a lack of any wow factor, the first half of  season eight has been incredibly dull and boring. Unless The Walking Dead can address these issues soon it’s sure to continue to decline in both quality and ratings.


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Star Trek: The Next Generation: Mirror Broken #3 – Comic Review



Originally published on Set The Tape

‘In the otherdimensional Mirror Universe, there is no United Federation of Planets, only a Terran Empire, where advancement comes through assassination, brutality is commonplace and kindness is a weakness. The Terran Empire is on its last legs in its war with the Klingon-Cardassian Alliance, but Captain Jean-Luc Picard has learned of a final chance for victory: a revolutionary new Galaxy-class starship that could turn the tide of war. The ship is called Enterprise, and Jean-Luc Picard intends to take it. Having assembled a crew of co-conspirators, including the Enterprise’s first officer, William T. Riker, Picard puts into motion his master plan to claim the ultimate prize: a warship that could tame the galaxy.’

After plotting and planning for the first two issues, Picard and his renegade crew finally put their plan into place to steal the Terran Empire’s greatest starship, the ISS Enterprise-D.

The Enterprise is finally ready to be unleashed upon the galaxy, and Captain Jellico arrives on the ship to rule with an iron fist and evil temperament, having one of his crew dragged off to be tortured simply for not having a pressed uniform within minutes of being on board.

Thanks to the majority of the Enterprise crew already hating their captain it becomes easy for Riker and Brehms to turn many of those on board against Jellico, making way for Picard and his assault force to board the ship and take over.

The assault on the Enterprise is short but brutal, with Picard and his crew willingly killing anyone who stands in their way. Data in particular is a frightening image during this assault, with huge laser cutters strapped on his arms and an eyepiece that looks like that which belonged to the Borg Hugh, he looks like a Borg version of Data, walking the halls of the Enterprise, killing anyone who goes against him.

The Enterprise itself is beautiful, with a unique redesign that has transformed it from an exploration vessel to a battleship, complete with a huge cannon beneath the saucer section and a third warp nacelle. The ship also has a design painted upon the saucer section that’s partly reminiscent of the dagger hilt of the Terran Empire logo, yet also like some kind of sleek predatory bird that really sets it apart from its regular universe counterpart.

This issue also introduces us to the mirror universe versions of Beverley and Wesley Crusher. It still seems too early to know just how Beverly differs from her regular self, but this universe’s Wesley is instantly different, with a manic, crazed appearance, and a calculating evil that’s almost chilling.

After two issues of build up it’s nice to see the book kick things up a gear, to see how vastly different these versions of our heroes are, and how brutal the action can be. Now that we’ve seen what these characters are capable of, and just how good the action can be, it sets the stage for what may be a very exciting and brutal series to come.


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Friday, 22 December 2017

Doctor Who: Ranking the Steven Moffat Episodes



Originally published on Set The Tape

As the Steven Moffat era of Doctor Who comes to an end this Christmas with the final appearance of Peter Capaldi in the lead role, there’s no denying that Moffat has crafted the series into its own animal under his leadership, distinctly different to the Russel T. Davies run that came before. With Chris Chibnal about to take over as showrunner, now is a good time to rank Moffat’s episodes.


37. Last Christmas

Doctor Who Christmas specials are always something of a hit or miss, and are usually some of the weakest episodes. Last Christmas sees The Doctor and Clara stuck inside a dream world with Santa fighting alien facehugger like creatures in the Arctic. A very disjointed and mismatched episode that fails to really add anything to the franchise.


36. The Doctor, the Widow and the Wardrobe

In this Christmas special The Doctor helps a family during World War 2 deal with the loss of their father. Whilst the emotional heart of the episode is enjoyable, and has a sweet conclusion, the inclusion of a Christmas present that acts as a doorway to another planet, living wood people, and deforestation drags the episode down a lot.


35. The Girl Who Died

Having Game of Thrones‘s Masie Williams appear in Doctor Who was a big deal, and something fans were looking forward to, unfortunately, a bland story about alien vikings led to her first of four appearances in the show being lacklustre and somewhat boring.


34. The Caretaker

Watching The Doctor pretend to be a normal person isn’t as good as the writers seem to think, having had the character do so several times in the revived series with ever decreasing results. Here, The Doctor infiltrates Coalhill School as the new caretaker in order to track down an alien threat. The interactions between The Doctor and the staff and students aren’t particularly funny, and the alien is quite boring and forgettable.


33. The Husband of River Song

The 2015 Christmas special is, like many others, fairly disjointed, mixing some very silly comedy and some more heartfelt character moments. The villain of the episode is too ridiculous to be anything other than bad, but the episode does give some great additions to the River Song story, as well as introducing Matt Lucas’ Nardole to the series.


32. The Zygon Inversion

The final part of a two-part story of Zygons on Earth beginning a terrorist war with humanity, the story lacked a lot of charm and wow factor that it needed to make it truly great. Thankfully, the second episode (the only one of the two penned by Moffat) included a truly brilliant scene in which The Doctor has the two sides facing off against each other ready to press a doomsday button and gives one of the best speeches he’s ever had about war, loss, and the pain of performing genocidal acts. This moment helps to elevate the episode, though can’t quite save it from being mundane.


31. Hell Bent

The Doctor returns to Gallifrey, takes over the planet without firing a single shot, and saves Clara from the timestream moments before her death. Whilst there are some moments in this episode that should feel grand and epic the undoing of Clara’s death is a big let down. With the series apparently unwilling to ever actually kill a companion (Donna forgetting her time with The Doctor, and Amy and Rory getting to live long and fulfilled lives in the past) it feels like there are very little stakes in travelling with The Doctor.


30. The Pilot

The Pilot introduced Bill Potts to the series, and established a number of plot threads that would go on to be important in the final episodes of Capaldi’s last season. The episode also featured the first overtly lesbian relationship in the series. A solid episode that reintroduced audiences to the world of Doctor Who as it follows Bill through her discovery of The Doctor.


29. The Snowmen

Nothing screams Christmas quite like a snowy Victorian tale, so a Christmas special set in the past, involving sentient killer snowmen, the Paternoster Gang, and a huge mystery around The Doctor’s upcoming companion Clara make this one of the best Christmas specials yet.


28. Asylum of the Daleks

The first episode of the seventh season, and Matt Smiths last, Asylum of the Daleks managed to bring the Tardis team back together, offer an interesting adventure filled with easter eggs and nods to the classic series, as well as beginning the mystery around Clara Oswald. Whilst the adventure through a planet of insane Daleks proved interesting and even frightening at times, the emotional drama between Amy and Rory gave the episode something extra.


27. The Angels Take Manhattan

The final appearances of Amy and Rory, The Angels Take Manhattan pitted the Tardis crew against the Weeping Angels in a story of love and loss that not only showed how great Amy and Rory are as characters, but how strong their love for each other is. Featuring Weeping Angel babies, some brilliant action sequences, a chilling musical score, the return of River Song, and a conclusion that breaks the heart, the only thing that lets the episode down is the inclusion of a giant Weeping Angel.


26. The Empty Child/The Doctor Dances

The first episodes Moffat wrote for the series, this two parter gave us some truly memorable moments, such as a gasmasked child asking ‘Are you my mummy?’, and introduced fan favourite Captain Jack. Christopher Eccleston is great in these episodes, and brings some great life to Moffats script in what has become a top episode for many viewers.


25. The Magicians Apprentice/The Witch’s Familiar

This two-part season opener saw the return of Michelle Gomez’s Missy as she teams up with Clara to find The Doctor, who has gone on something of a bender as he prepares for his death. With the return of the Daleks, their creator Davros, and the planet Skaro, the episodes deal with the sins of the Doctor’s past. The inclusion of Missy helps to add some extra fun in these episodes, and the positive reaction to her teaming up with The Doctor may have led to her story arc in season ten.


24. Into The Dalek

The Daleks have become an icon of Doctor Who, and have been included in almost every single series of the show since they first appeared, as such it can sometimes be hard for the series to make them new an interesting. Into the Dalek managed that by shrinking down The Doctor and a group of soldiers and sending them inside a Dalek, giving us a look at the creatures that we’ve never had before.


23. Deep Breath

Regeneration episodes can be hard to get right, The Doctor usually spends some time asleep, then acts really weird until he can figure out who he is now. The first half of Capaldi’s first adventure is very much like this, with him acting much more like a madman than the Doctor. Thanks to a good ending, and some great scenes with the Paternoster Gang the episode ends up being quite good.


22. Dark Water/Death in Heaven

The conclusion to Capaldi’s first series as The Doctor, the two-part finale brought back the Cybermen, gave a tragic end to Clara and Danny’s story, and reintroduced The Master to the series as the insane Missy. Whilst the introduction of Missy divided fans, she would go on to be one of the best enemies the series has given us, and her first outing here showcases just how crazy and evil she can be.


21. Let’s Kill Hitler

The title alone gets this episode points, as the Tardis crew end up in Nazi Germany, dealing with Hitler, a mechanical assassin, and a murderous River Song. The revelation that River spent years as Amy and Rory’s childhood friend before she regenerated into the River we know was a surprise reveal, one that added further confusion to her complex timeline. The episode managed to not only include some ridiculously fun moments, but packed in an emotional conclusion as River goes against her programming to save the man she would go on to marry.


20. The Bells of Saint John

The first introduction of the real Clara Oswald, this episode is packed full of run and over the top action sequences, such as a jumbo jet crash and riding a scooter up the side of The Shard. A great episode that would go on to set the tone for The Doctor’s future adventures with his new companion.


19. Time Heist

Everyone loves a good heist movie. So when the series can condense one down into 45 minutes, include The Doctor and a cast of interesting and diverse sci-fi characters the series is giving us one of the best standalone experiences it can.


18. The Girl in the Fireplace

Another episode that has gone on to become a fan favourite, this episode saw David Tennant’s Doctor travelling from a spaceship in the future to 18th century France, where he intersects the life of Madame de Popadour, and has to save her from sinister clockwork men who want her organs in order to repair their ship.


17. The Silence in the Library/The Forest of the Dead

The episodes that introduced River Song to the Doctor Who universe. Whilst this episode would pack in a lot of content, microscopic creatures that live in shadows and eat flesh, and a virtual reality world that Donna becomes trapped in, it’s the story of River and The Doctor that makes this episode stand out. Upon first viewing it may not seem like much, but after seeing the rest of Rivers story her sacrifice to save her husband, who doesn’t even know who she is here, is utterly heartbreaking.


16. The Day of the Doctor

The 50th anniversary episode of Doctor Who had a lot to live up to, and mostly manages to do so, with Matt Smith and David Tennant’s Doctors teaming up with The War Doctor, played by the Oscar nominated actor John Hurt. Whilst the episode managed to pack a lot into its run time, the inclusion of too much fan service, such as the inclusion of Billie Piper and Tom Baker, did let it down somewhat.


15. The Time of The Doctor

The final story featuring Matt Smith, The Time of The Doctor sees The Doctor living hundreds of years on the planet Trenzalore defending the citizens from thousands of his foes. The episode packs in action and spectacle, but also gives a satisfying emotional conclusion to Smiths time on the show.


14. Time of Angels/Flesh and Stone

The first story to feature the Weeping Angels since their introduction in the acclaimed Blink, this two-part story had a lot to live up to. Thanks to the inclusion of River Song, some great guest actors, and some extremely creepy horror moments this two parter became the Aliens to Blink’s Alien, and gave us one of the best horror stories Doctor Who has produced.


13. The Pandorica Opens/The Big Bang

The season finale to Smith’s first year as The Doctor, the first part managed to include several iconic villains such as Daleks, Cybermen, and Autons, whilst the second part opted for a smaller character focused story. Whilst the two parts could have felt somewhat disjointed, they work together well to showcase not just The Doctor, but Amy, Rory, and River too.


12. A Christmas Carol

So far, still the best Christmas special the show has given us, this story sees The Doctor taking inspiration from Charles Dickens to help change a horrible old man into a good person in order to get him to save hundreds of lives. Packed full of fun, as well as a truly wonderful and heartbreaking love story, this episode showcases just what the franchise can do in a one-off special if it puts the effort in.


11. The Beast Below

The first adventure with Matt Smith’s Doctor following his regeneration, the story begins feeling very much like a Russel T. Davies story, with a silly concept and wacky monsters, but quickly shifts to a much deeper story that puts The Doctor in a horrible moral dilemma. The first episode that really showed that Moffat’s run on the series would be very different to the previous four seasons, it helped set the tone for things to come.


10. The Eleventh Hour

One of the best regeneration stories the series has done, The Eleventh Hour sees a freshly regenerated Matt Smith having to save the world from destruction with only 20 minutes to do so, without the Tardis, and with no Sonic Screwdriver. A great adventure story that showcased how fun and smart the new Doctor would be, as well as giving a great introduction to Amy Pond.


9. The Impossible Astronaut/Day of the Moon

The introduction of The Silence, one of the creepiest and most interesting group of villains in the show, this episode set up a massive mystery that would unfold across the rest of the series (and Smith’s entire run). Shifting the production to America, the episode managed to have a scope and grandeur that many episodes lacked, and the addition of geek favourite Mark Shepherd to the cast topped of the experience.



8. The Wedding of River Song

In a lot of ways, the conclusion to the story began in The Impossible Astronaut, this episode brought the story of The Silence to a conclusion, as well as finally marrying River Song and The Doctor. With a story that really makes the most of time travel, some scary moments, and one of the best scenes in the series, this episode is a great series finale.


7. The Night of the Doctor

Only seven minutes long, this mini episode led into the events of the 50th anniversary, and brought back Paul McGann to play The Doctor one last time. Showing a small piece of the Time War, and the regeneration of the 8th Doctor into the War Doctor, this short piece manages to pack so many great moments in.


6. Listen

Moffat has managed to come up with some great concepts for monsters, like the Weeping Angels who are statues when you look at them, or The Silence who you immediately forget when not looking at them, and Listen adds to these great concepts with a monster designed with perfect camouflage. What makes this episode particular great, however, is that we never really get an answer to if these monsters exist. Are the events of this episode filled with monsters, or just spooky coincidences? The lack of answers make this scarier.


5. A Good Man Goes To War

With Amy Pond taken prisoner by The Doctor’s enemies he gathers together an army of allies from across time and space in order to save his friend and defeat an army without firing a single shot. Showcasing how amazing and bad arse The Doctor can be when he need to, this episode also packed huge plot revelations with the reveal of River Songs true identity, as well as introducing the Paternoster Gang for the first time.


4. World Enough and Time/The Doctor Falls

The final episodes of Capaldi’s time as The Doctor, this story brings together Missy and The Master, as well as the return of the original Cybermen as it tells the story of not just their creation, but the defeat of The Doctor. With both The Master and Missy suffering fatal wounds, the beginning of The Doctor’s regeneration, and the death of Bill, these episodes manage to be hugely bleak. A brave choice to end the series on such a down note, but one that works brilliantly.


3. The Name of The Doctor

The final episode before the 50th anniversary, this episode not only acts as a better celebration of the franchise than the actual anniversary episode, but showcases just how great an actor Matt Smith is. Finally answering the mystery of who Clara Oswald is, featuring every single Doctor, and the return of both River Song and the Paternoster Gang, this episode is a true celebration of Doctor Who at its best.


2. Blink

The episode that introduced the Weeping Angels to the franchise, and made people pay attention to Moffat’s writing, this is still the best episode featuring the Weeping Angels. With The Doctor barely appearing in this story, it takes full advantage of following a regular person within the Doctor Who universe, and packs in the scares.


1. Heaven Sent

The only episode in the who franchise to only feature The Doctor, Heaven sent sees him trapped within a hellish clockwork prison, chased by a corpse-like monster that wants to kill him, following the death of Clara. Over the course of the episode we discover that The Doctor has been trapped within this prison for billions of years, living the same few days over and over again, dying each time. The refusal to give in, the determination to break his way out and save his friend, even if it takes all eternity punching a diamond wall shows how strong the character is, and the final moments when you realise that he’s been letting himself suffer and die again and again just so he can escape is chilling and shocking. A true showcase of how amazing the character really is.


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Wednesday, 20 December 2017

Looking back at… Jumanji



Originally published on Set The Tape

Released at Christmas 1995, Jumanji has gone on to become one of the most beloved family films of all times, featuring on many top 100 lists. Starring the beloved Robin Williams, the film is a wacky adventure involving giant jungle plants, rampaging animals, and crazed hunters, which manages to include a more serious story of family drama, loss, and trauma.

Beginning in 1969, the film sees a young boy,  Alan Parish (Robin Williams), at odds with his father play a mysterious board game Jumanji with his friend, Sarah Whittle (Bonnie Hunt). When Alan gets sucked into the mystical game the film shifts forward twenty six years as Judy (Kirsten Dunst) and Peter Shepherd (Bradley Pierce) move into Alan’s old home and discover Jumanji, releasing an adult Peter from the game, along with a host of wild animals.

Despite being filled with stampedes and chase scenes, the trauma of the four central characters is what’s at the core of the film. Alan is haunted by the loss of his family after being trapped within the jungles of Jumanji for half his life, chased by a nightmarish version of his father (Jonathan Hyde). Sarah has lived her life as an outcast, seen as crazy by the people around her because of what happened to Alan. Judy and Peter are freshly orphaned and still coming to terms with the loss of their parents.

During the course of the film the four main characters learn to overcome their fears and their past trauma, especially Alan, who must confront Van Pelt, the hunter from inside Jumanji that shares his face with Alan’s father.


The fact that the film is able to play around with it’s own timeline and undo all the events of the film by the final scenes is actually fairly good, rather than being something of a cop out, with Alan and Sarah able to remember everything that happened, using this knowledge to prevent the deaths of Judy and Peter’s parents. The resolution might seem a little contrite to some, but giving each of the characters a happy ending feels good and well earned.

Williams is great in the role, able to portray both the emotion and the craziness that the film calls for, being incredibly warm towards Peter and Judy and helping them through their trauma, even when having to deal with the fact that he has lost his family himself. The real gem of the film, however is Bonnie Hunt, whose performance as the psychobabbling Sarah is able to steal the scene from Williams almost every single time.

Whilst at the time of release the effects were considered to be very high quality, they have aged in places, particularly with the CGI elements appearing old. The practical effects, however, do hold up a little better, thanks in part to how well the cast are able to interact with them.

Bringing together some great action adventure moments and some of the best actors of the 1990’s, Jumanji is able to entertain and charm more than 20 years after it’s release, even inspiring a sequel all these years later. A great film with a lot of charm.


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Tuesday, 19 December 2017

Star Wars: Ahsoka by E.K. Johnson - Book Review



Originally published on Set The Tape

When Star Wars: The Clone Wars television series first began many people were dubious about the addition of a young padawan for Anakin Skywalker that no one had ever heard of before, Ahsoka Tano. By the end of the series, however, Ahsoka had become such a fan favourite that people were desperate to find out what happened to her during the events of Revenge of the Sith, if she survived the Jedi purge. When the character re-emerged in Star Wars Rebels fans were overjoyed to see her return to the Star Wars saga, though this was short lived at her apparent death at the hands of Darth Vader. Whilst still waiting to find out if she would somehow survive her encounter with the Sith Lord, Ahsoka’s history would be explored further in a book that shares her name.

Set only a year after the events of Revenge of the Sith, Star Wars: Ahsoka focuses on the titular former Jedi as she navigates her way through the backwaters of Imperial space, attempting to stay under the radar and hide who she really is.

Whilst a book that just followed Ahsoka around whilst she travelled from world to world doing odd jobs and hiding from the Empire would be an entertaining read in itself, this being a Star Wars book it’s clear from the onset that Ahsoka will end up drawn into some kind of conflict by the books conclusion. As such, the first half of the novel has a very western vibe to it, with the reluctant hero being drawn out of retirement by the actions of a group of bad guys.

This first half of the book is filled with emotion, as we follow an Ahsoka that has been almost destroyed by the pain of what she has been through. Although she was no longer a part of the Jedi order when Order 66 occurred, she still has to struggle with the fact that everyone she knew and loved is likely dead. Whilst we know Jedi are not supposed to have strong feelings for others, even amongst their own order, the moments where Ahsoka describes Anakin and Obi-Wan as being fathers to her show just how important they were to her, and whilst they aren’t actually dead at this point, their loss from her life effects her deeply.

Thankfully, the book knows that it can’t all be doom and gloom for everyone’s favourite Togruta, and Ahsoka begins to make a number of friends on the quiet farming moon of Raada, including a friendship that appears to be written as possibly romantic. Unfortunately for our hero, the Empire arrives on Raada, for reasons unconnected to Ahsoka, and puts the populace in danger.

One of the best parts of pitting Ahsoka against the Empire in this book is the inclusion of an Inquisitor, one of the Empire’s specialist Jedi hunters. Whilst this doesn’t add any more information about this mysterious group, it does get to showcase how skilled and powerful Ahsoka is, and gives some credence to the confidence she showed in facing multiple Inquisitors during the events of Star Wars Rebels. By the conclusion of the story we see an Ahsoka that has gone from a trauma suffering survivor to a strong young woman that has found a purpose. She has attained her amazing white lightsabers and has joined with the fledgling Rebel Alliance, and has found her place in the fight against the forces of evil.

Star Wars: Ahsoka gives a great look into one of the best characters in the Star Wars universe, it explores a period that has not been shown in film or on television, and it answers a few questions that were left open from the events of both The Clone Wars and Rebels. A great read for a casual Star Wars fan, but an absolute must for anyone that’s a fan of Ahsoka.


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Star Trek: The Next Generation: Mirror Broken #2 – Comic Review



Originally published on Set The Tape

‘In the otherdimensional Mirror Universe, there is no United Federation of Planets, only a cruel Terran Empire, where advancement comes through assassination, brutality is commonplace and kindness is weakness. The Terran Empire is on it’s last legs in its war with the Klingon-Cardassian Alliance, but Captain Jean-Luc Picard has learned the final chance of victory: a revolutionary new Galaxy-class starship that could turn the tide of the war. The ship is called Enterprise. And Jean-Luc intends to take it.’

The second issue of the new Star Trek: The Next Generation mirror universe series, Star Trek The Next Generation: Mirror Broken, continues the tale of the desperate Terran Empire, and the crew of the ISS Stargazer as it’s captain, Jean-Luc Picard, intends to steal the most advanced ship in the empire, The Enterprise.

After the world building of the first issue, issue #2 expands upon Picard’s plan to become the captain of the Enterprise, introducing new conspiritors to his plot in the form of Geordi La Forge’s lover Leah Brahms, and William Riker.

Brahms is a character that appeared briefly in Star Trek: The Next Generation in a handful of episodes, where a relationship with Geordi was a possibility, but never actually came to pass. She was one of the people responsible for designing the warp core on the Enterprise, and as such her appearance here makes sense from a storytelling point of view, and is a great little easter egg for fans.

The Riker here is, like most others in the mirror universe, a much nastier version of himself, complete with a scar around his blinded left eye, and braided evil twin beard. Unlike most of the others involved in the plot to take the Enterprise, Riker needs some convincing, by getting in a vicious bar brawl with Picard (a bar brawl set in a bar run by Morn from Star Trek: Deep Space Nine, another great little treat for eagle eyed fans).

The fight between Picard and Riker shows how vicious this universe’s version of Picard is, how much more eager to fight he is, and the fact that he will fight dirty too. Some of this is established earlier in the issue, when Picard is almost killed whilst working out in his gym aboard the Stargazer, before he kills his would-be assassin.

Thanks to this assassination attempt we get to see Picard vetting his crew for who can be taken with him to the Enterprise, a process that involves Inquisitor Troi reading the minds of the crew whilst interviewing them all.

This issue doesn’t move the plot forward in any great way, but it does help to further develop the mirror universe, showing how untrustworthy and vicious the people in the Terran Empire are, how quickly they will betray or kill the people around them in order to advance themselves.

A solid issue that focuses more on characters and building relationships over moving the plot forward in any significant ways. Whilst this may annoy some readers, giving the book time to establish these different versions of iconic characters is something that will surely pay off down the line.


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Monday, 18 December 2017

Star Trek: The Next Generation: Mirror Broken #1 – Comic Review



Originally published on Set The Tape

The mirror universe has always been an area of the Star Trek universe that has interested fans since its first appearance in the original series episode ‘Mirror, Mirror’ back in 1967. Since then it’s appeared several more episodes over the years, chiefly in Deep Space Nine, where it furthered the mythology of the mirror universe with the introduction of the Klingon-Cardassian Alliance.

Star Trek The Next Generation: Mirror Broken uses the storytelling of the Deep Space Nine episodes as a foundation for it’s story, examining what happened to the Terran Empire following the rise of the Klingon-Cardassian Alliance. Taking place after the fall of the Empire, with humanity having to have retreated to a much smaller territory centres around Earth, the story joins the crew of the ISS Stargazer, under the command of Captain Jean-Luc Picard.

This is not the Picard that we have come to know and love. Much like the other mirror universe counterparts he’s a much darker, evil version of himself. He appears to run his crew through fear and the threat of pain. He’s willing to go against orders and betray people around him if it means he can get further ahead and make more money. This is reflected in those in his command crew, including dark versions of Data and Reginald Barclay, along with Inquisitor Troi, who uses her Batazoid abilities to spy on the crew for Picard.

The first issue introduces a Terran Empire that is on the back foot, looking for a way to turn the tide of their conflict with the Klingon-Cardassian Alliance. Rumours abound of a new star ship that will allow them to do so, though no one appears to know if this is real or just desperate hope.

After capturing a Cardassian ship, killing all but two of the crew in the process, Picard learns that the project is real, and that the Empire is building a new, Galaxy-Class, Enterprise. Teaming up with one of the engineers on the project, Geordi La Forge, they plan on stealing the advanced vessel.

The plot is very much what you would come to expect from the mirror universe, with characters out to further themselves even over the good of the Empire as a whole, resorting to trickery, lies, and even violence in order to do so. These darker versions of the Star Trek: The Next Generation characters are shocking in how different they are, even an emotionless and logical Data comes across as a horrible person.

The artwork in the book reflects this tonal shift, with the beautiful painted art of J.K. Woodward using darker, muted colours to not just capture the darker themes of the book, but the colder world that the characters inhabit too.

Whilst it is almost guaranteed that Picard and his crew will get their hands on the new Enterprise, how they go about it, which other familiar characters they will meet on the way, and what they plan to do when they succeed are all entertaining prospects that will bring audiences back for future issues.


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2018 Movie Preview – Maze Runner: The Death Cure



Originally published on Set The Tape

‘In the epic finale to The Maze Runner Saga, Thomas leads his group of escaped Gladers on their final and most dangerous mission yet. To save their friends, they must break into the legendary last city, a WCKD controlled labyrinth that may turn out to be the deadliest maze of all. Anyone who makes it out alive will get the answers to the questions the Gladers have been asking since they first arrived in the maze. Will Thomas and the crew make it out alive? Or will Ava Paige get her way?’

Based upon the third volume of the Maze Runner young adult book series, written by James Dashner, Maze Runner: The Death Cure was due for a February 2017 release, however, the filming was put on hold last year when the film’s lead actor Dylan O’Brien was hospitalised following a car accident on set. Thankfully, O’Brien has fully recovered, and the film is slated to finally arrive in cinemas 11 months later than planned in January 2018.

Following the events of the first two films, Thomas and his friends have managed to escape from the maze and the evil clutches of WCKD and are working alongside the resistance to bring down the evil organisation. The shift in tone from the original Maze Runner’s sci-fi mystery to the more post-apocalyptic action adventure tone of Maze Runner: The Scorch Trials injected a lot of new energy into what could have been a fairly standard young adult series.

Thankfully, once the character’s left the maze the world opened up in a huge way, introducing a ravaged earth, a zombie virus, an oppressive regime, and a rebel movement. Whilst some franchises would struggle to fit all of this into a middle part of a trilogy, the Maze Runner series seemed to take it in it’s stride. Thanks to a cliffhanger ending to that second film, and a delay in production, it’s something of a relief to actually have the final chapter coming out soon.


With an action packed trailer that shows the young cast of the film leading an assault on a moving train, featuring crazy stunts, gunfights, and a helicopter extraction, Maze Runner: The Death Cure appears to be embracing the action aspect of its story. Whilst it would be easy to compare this to the final chapters of the Hunger Games series, the fact that the Maze Runner franchise has a smaller scale to their conflict, and a setting more reminiscent of Mad Max, means that it stands apart from many of the other young adult book adaptations.

With a central mystery that has still to be fully explained, some creative action sequences, impressive visuals, and believable characters (played by some great genre tv and film faces), the Maze Runner series is definitely worthy of attention. If you haven’t delved into this franchise yet because you’re tired of young adult book adaptations, do yourself a favour and go watch the first two films before Maze Runner: The Death Cure comes out, because you’re missing out on a series that impresses in ways that The Hunger Games or Twilight never did.

Maze Runner: The Death Cure will star Dylan O’Brien (Teen Wolf) as Thomas, Kayla Scodelario (Pirates of the Carribbean: Salazar’s Revenge) as Theresa, Walton Goggins (The Shield) as Lawrence, Thomas Brodie-Sangster (Game of Thrones) as Newt, Nathalie Emmanuel (Game of Thrones) as Harriet, Giancarlo Esposito (Breaking Bad) as Jorge, Ki Hong Lee (Unbreakable Kimmy Schmidt) as Minho, Aiden Gillen (Game of Thrones) as Janson, and Patricia Clarkson (Shutter Island) as Ava Paige.


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Friday, 15 December 2017

Ghostbusters 101 – Book Review



Originally published on Set The Tape

Ghostbusters 101 brings together the Ghostbusters with their inter-dimensional counterparts from Ghostbusters Answer the Call as their two universe’s collide with disastrous results.

When the Ghostbusters decide to try to raise some extra cash by letting members of the public come to their headquarters to experience being a Ghostbuster for themselves, the latest interns play around with the dimensional portal and encounter a ghost from another universe.

With a part of the ghost coming through the portal, the entity is able to try to pull itself back together, resulting in the two worlds merging together, bringing the two teams together to figure out a way to separate their two dimensions.

The combination of the two Ghostbuster teams actually work incredibly well together, mainly thanks to the newer team not just being carbon copies of the originals in female shells, but completely different and unique. The over the top enthusiasm and craziness of Holtzmann annoys both teams in equal measure, the friendliness and history knowledge of Patty wins over the original Ghostbusters, and Abby and Erin are able to work alongside Egon and Ray, using science as a common ground.


The book is able to give each character their own moments to stand out, to demonstrate why they’re good at what they do, and why they deserve to be a Ghostbuster. Even the relatively new characters of the 101 class get some moments to themselves, with Garrett, a character only introduce in the second issue of the cross-over, getting a poignant scene where he discovers his sick father has died by coming face to face with his ghost, giving him the chance to have a goodbye.

Ghostbusters 101 is able to mix these character moments with some fun comedy beats, with the Answer the Call’s Kevin being as ridiculous as always, and even uses the merging of dimensions for some small single panel gags, including the New York Mayor changing person halfway through a speech before reverting back to normal.


The best moments, however, are the ones that address what could have been inconsistencies, especially with the cameo appearances of the original cast in the latest film being explained away, and even the idea of Ghostbusters across multiple dimensions being tied back into the original film mythology.

Whilst in the past the Ghostbusters ongoing series has made an effort to make each dimension stand out with its own art styles, even recreating the classic cartoons, Ghostbusters 101 uses very subtle differences in the looks of the two teams and their separate New York’s. Whilst this does mean that each dimension doesn’t stand out as much as previous inter-dimensional adventures the series has done, it does mean that the merging of the two worlds feels much more fluid and natural, instead of being jarring.

A good combination of both the classic Ghostbusters films and the latest remakes, the book not only gives a great stand alone adventure that fits well into the mythologies of both versions of the franchise, but justifies that the newer version can exist without erasing what has come before; something that may help to placate the screaming man babies that condemned the latest film simply for having an all female cast.


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