Doctor Who 'The Power of Kroll' Review

Kroll rises above the surface of the swamp.

The Doctor and Romana land on thee swamp moon of Delta Magna searching for the fifth segment of The Key to Time and find themselves caught in the middle of a conflict between the crew of a Methane Refinery and the native swamp people, the Swampies. 

The Swampies have claimed that the crew of the refinery have disturbed the waters of the moon and will incur the wrath of their deity Kroll.  The Doctor discovers that Kroll was once a regular giant squid that had been transported to the moon centuries ago and had eaten the fifth segment of The Key to Time, which transforms him into a monstrous creature.

Once Kroll has awakened it becomes a race against time for everyone to try and survive the destruction and death that Kroll is visiting upon the refinery crew and the Swampies alike.

Kroll attacks the Methane Refinery.

‘The Power of Kroll’ is a fine monster episode that does not reply on the villain having some grand scheme or plot that the Doctor has to stop, in this story Kroll is simply a monstrous animal, something that cannot be reasoned with or negotiated with.  Kroll acts purely on animal instinct, even attacking the Swampies that worshiped him.

Kroll itself is a magnificent creation; it looks beautiful and is used very effectively.  You almost get a sense that the production team knew they would not be able to create a monster that would be able to perform on screen the way they might want and as such Kroll spends a great deal of time beneath the surface.  Instead of being a bad thing this helps to build up tension, with the crew of the refinery using their sonar to watch the mysterious creature moving beneath the surface, never quite knowing exactly what they might be up against.

The story also gives us some excellent human drama as we see the crew of the refinery begin to turn on each other, with Neil McCarthy’s Thawn giving in to his fear of Kroll and prejudice to the Swampies, placing his own warped agenda over the safety of others.  This story also marks the appearance of John Leeson, the voice of K-9, on screen as refinery crewman Dugeen.

An excellent monster episode that works well within its limitations and has an excellent guest cast.  9/10

Amy.
xx

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Doctor Who 'The Impossible Planet/The Satan Pit' Review

The Tardis materialises inside a ‘Sanctuary Base’ used for deep space exploration.  The Doctor and Rose begin to explore the facility and discover a strange alien writing that the Tardis is unable to translate, something that both intrigues and disturbs the Doctor.

The duo discovers that the base is occupied by a small group of humans, and their servant race the Ood, who have come to the planet to investigate how it could even exist.  The crew are amazed to find that the Doctor and Rose have no idea where they are or what the planet is, at which point they reveal that the planet ‘Krop Tor’ is orbiting a black hole, something that should be impossible.

The crew are drilling down deep beneath the surface of ‘Krop Tor’ in order to reach the massive power source that is holding the planet in place.  As the crew are telling the Doctor this the base is hit by a powerful earthquake that destroys a section of the facility, including the area where the Tardis was housed, stranding the Doctor and Rose.

A dire warning greets Rose and the Doctor.

As the drill nears its target a malevolent presence begins to make itself know, with the Ood translators picking up messages about the Beast awaking and one of the crew, Toby, becoming possessed.  Once the drill reaches its destination the Doctor and a member of the crew, Ida, descend far bellow the surface.

Beneath ‘Krop Tor’ the Doctor and Ida find the remains of an ancient civilisation and a large seal in the ground, inscribed with more of the strange writing.  As they watch, the door begins to open; simultaneously, the Beast repossesses Toby and the Ood. The possessed Toby warns Rose and the remaining crew that the planet is now falling towards the black hole, and that the Beast is free, while the Ood, now claiming to be the Legion of the Beast, begin to close in on them, whilst the voice of the Beast says; ‘The pit is open and I am free...!’.

‘The pit is open and I am free...!’.

This two part story is one of the gems of season two, and the whole of the revived series.  It takes chances to do things other Doctor Who stories do not do, it introduces an element of the supernatural and isn’t afraid to leave questions unanswered.  Where most stories will go out of their way to explain everything to the audience this story does not tell you who trapped the Beast or when, what the mysterious writing says or if the Beast is some kind of alien or the actual devil.  However, instead of being a bad thing these mysteries make the episode more interesting.  Each person will take away their own answers from this episode, but I for one like to believe that the Beast actually was the devil.

The first episode also isn’t afraid to take its time to establish the guest characters and the mystery around ‘Krop Tor’ before it slowly introduces the threat of the Beast, giving the audience time to care before we stat loosing characters.  The guest cast itself is well cast, with each character being nicely played and characterised well, each of them bringing something different to the table.

This story also marks the introduction of the Ood, a species that would go on to be used several more times over the course of the seasons.  The Ood are used well here, providing the Beast with minions to chase our heroes around the base.  Whilst in future episodes they become something of a victimised race, in this first story they make an amazingly frightening monster.

Is the Beast really the devil himself?

The Beast itself is an amazing creation, a giant cgi monstrosity that well and truly lives up to the idea that it may very well be the devil.  The Beast is voiced brilliantly by Gabriel Woolf a veteran to Doctor Who previously having played the villain Sutekh in ‘The Pyramids of Mars’.

An amazing horror mystery episode that isn’t afraid to leave the audience guessing or explore aspects of the Doctor Who universe not normally touched upon.  10/10

Amy.
xx

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Doctor Who 'Fathers Day' Review

Pete Tyler comes face to face with his adult daughter.

Rose tells the Doctor the story of how her father, Pete Tyler, was killed in a hit and run incident on the way to a family wedding when she was still a baby.  She tells the Doctor that he died on his own and that she wants to be able to be there for him, to comfort him as he dies.  The Doctor reluctantly agrees and takes Rose to see her father.

As they watch Pete is hit by a car and lays dieing in the road.  Rose finds herself unable to move, frozen by what she is seeing.  Once she recovers Rose asks the Doctor if they could try it again.  The Doctor and Rose travel back to the same point in time once again, where the Doctor warns Rose to wait until their past selves leaves.  Unfortunately Rose ignores his warnings and runs out into the road and saves her dad, creating a time paradox.

Rose is initially thrilled with her achievement, with her dad now alive and well and able to be there for her as she grows up.  Unfortunately the Doctor is less than pleased with her, warning her of the consequences of creating a paradox.  Whilst Rose leaves with Pete to go to the wedding the Doctor storms off back to the Tardis only to find that it is now just an empty shell.

The Doctor races back to the church to find Rose when they come under attack from Reapers, creatures that have appeared to ‘sterilise’ the wound in time that Rose has created by consuming everyone they come across.  Taking shelter within the church Rose must come to terms with the fact that whilst she has saved her father she may have doomed everyone else on earth.

The Reapers have come to 'sterilize' the paradox in time.

‘Fathers Day’ is the first story of the revived series to really take the time to delve into the past of the Doctors companion and shows the motivations behind Rose joining the Doctor in the Tardis.  The story also marks the first appearance of Shaun Dingwall as Pete Tyler.

Despite being a story about the end of the world and the dangers of time travel at its heart ‘Fathers Day’ is a love story, a love story between a father and a daughter.  We see what Rose is willing to do to save her fathers life, and what her father is willing to do for his daughter to ensure she has a future.  The sacrifice the Pete makes for Rose is one of the first truly emotional moments of the show, one that goes on to be remembered long after the story ends.

The performances in the episode are all top notch, with Eccleston playing a Doctor that has to fact the prospect of having chosen a ‘bad’ companion, Billie Piper acting her heart out as her character must live through the death of her father, and Camille Coduri taking a rather soft turn as Jackie Tyler.

The stand out performance of the episode has to go to Dingwall’s Pete Tyler.  Pete is set up as just a regular man, something of a wheeler-dealer and a flake, someone that’s not always reliable but come the end of the episode he’s the hero of the story.  His realisation that Rose is in fact his daughter and that he has to die to set things right is the real heart of the story, and his willingness to give his life to ensure that Rose has a future is amazing and echoes the Doctors sentiment earlier in the episode that ‘ordinary’ people are amazing.

A great episode that shows the heart and emotion that Doctor Who is able to achieve and gives its cast the opportunity to go to places they don’t normally get to go.  7/10

  
Amy.
xx

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Doctor Who 'Day of the Daleks' Review

When British diplomat Sir Reginald Styles is attacked and almost killed by a mysterious guerrilla fighter who vanishes into thin air before he can kill Sir Reginald Unit and the Doctor are called in to investigate the events.

As Sir Reginald leaves for Peking to prepare for an important peace talks Unit takes over his estate to try and get to the bottom of the mystery.  When the man reappears he is killed by a strange creature called an Ogron, and is then discovered by the Unit personnel.  Before they can examine his body in any great detail, however, it vanishes.  The only things left behind by the body are a pistol made of future technology and a crude time machine, leaving the Doctor to conclude that the man must have been from earth’s future.

As they are investigating the incident further the Doctor and Jo are captured by another group of guerrilla fighters, who reveal that have travelled back through time from the 22^nd century and intend to kill Ser Reginald to prevent a series of events that would eventually lead to the Daleks taking over the earth.

The monstrous Ogrons attack the Doctor.

‘Day of the Daleks’ is a great time travel story that could almost be seen as something of an inspiration for the Terminator series, with freedom fighters travelling back through time to stop the destruction of humanity.  The story also marks the return of the Daleks since their apparent ‘final end’ in the Second Doctor story ‘The Evil of the Daleks’.

This serial also introduces the Ogrons, the Daleks bestial alien servants that act as vicious enforcers in the Dalek ruled future, and would be used again in a number of books, comics and other television serials. 

The Doctor must convince the future rebels to trust him.

‘Day of the Daleks’ has a number of similarities to the William Hartnell story ‘Dalek Invasion of Earth’ in the way it depicts the earth as ruled by the Daleks, and is even set in similar time periods.  The third Doctor gets very little actual screen time with the Daleks in this story, instead fighting the Ogrons and the humans serving the Daleks, but it does serve as a great re-introduction of the Daleks into the new, revamped colour era of the show.

A great action romp through time (where the Doctor even uses a gun to kill!) that brings the Daleks into combat with Unit on modern day earth as well as giving us a glimpse of the Dalek ruled future.  8/10

Amy.
xx

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Doctor Who 'Mawdryn Undead' Review

On earth in 1983 the Brigadier, now retired from U.N.I.T., is teaching mathematics at Brendon Public School, where one of his students, Turlough, a stranded alien Trion posing as a human, steals the Brigadiers car and takes it for a joy ride.  Turlough crashes the car and is knocked unconscious, where he is then contacted by the Black Guardian who promises to return Turlough to his home if he agrees to kill the Doctor.  Turlough reluctantly agrees and is given a small crystal which the Black Guardian can use to communicate with Turlough and give him orders.

Meanwhile on the Tardis, the Doctor, Tegan and Nyssa find themselves caught in the warp ellipse of a starliner and are forced to materialise onboard the ship.  The three of them explore the ship and discover that the source of the interference trapping the Tardis is coming from a transmat device.  Joined by Turlough, who has arrived on the ship via the transmat as per the Black Guardians orders, they set out to stop the interference. 

Turlough is tricked into helping the Black Guardian.

The Doctor and Turlough travel to earth using the transmat and disable the device, allowing Tegan and Nyssa to follow in the Tardis.  Unfortunately the Tardis only appear for a moment before dematerialising again, leaving the Doctor and Turlough stranded.  The two of them make their way to the school where they find help from the Brigadier, who for some reason has no memory of the Doctor.

Tegan and Nyssa re-materialise on earth, in the exact place they should have been, but at the wrong time.  Tegan goes out looking for the Doctor and comes across a younger version of the Brigadier, who does know who the Doctor is, and a badly injured man they are led to believe is a regenerated Doctor.

The two groups must try to find a way to reunite, whilst also solving the mystery of the older Brigadiers missing memories, as well as the mysterious individual claiming to be the sixth incarnation of the Doctor.

Can he really be the new Doctor or is he something else entirely?

‘Mawdryn Undead’ is an intriguing little story that plays out brilliantly over the course of the four episodes.  Despite being the introduction of new companion Turlough and the return of the Black Guardian and his plot to kill the Doctor these take second place to the fin of seeing our heroes tackling a mystery from two different time periods.  Plus who doesn’t want two versions of the Brigadier in the same episode?

The story is also an important one for revealing some of the past of the Doctor, and the science behind regeneration.  It is hinted at that regeneration may not be a completely natural part of a Time Lords physiology, but something that the Time Lords created through scientific experimentation.  It is also revealed in this episode that the Doctor can only regenerate twelve times and that he has done so four times already, confirming that the first onscreen Doctor was indeed the first form of the Doctor.

The Brigadier and the Doctor together again.

A great little mystery story that introduces a new companion in a fun and interesting way, as well as bringing back the Brigadier after an eight year absence from the show.  A good fun story that is one of the best examples of the Davison Era. 8/10

Amy.
xx

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'Doctor Who Prisoners of Time' Issue One Review

Prisoners of Time is IDW’s celebratory mini-series for the 50^th anniversary of Doctor Who.  A twelve issue series that will have an issue focusing on each of the Doctor’s eleven incarnations and is set to be one of the biggest stories the company has ever produced.

Issue one kicks off with a mysterious figure studying the eleven forms of the Doctor and his various companions, narrating what makes the Doctor the Doctor, no matter what incarnation is the companions he surrounds himself with.  The mysterious figure sets out on a plot to separate the Doctor from his companions.  The scene is a great set up for the story and features various companions and events from both the classic series and the modern show.

The rest of the issue follows the First Doctor, as played on screen by the late great William Hartnell, and his three companions Ian Chesterton, Barbara Wright and Vicki as they visit one of the Doctor’s old friends for a lecture.  After the lecture the Doctor discovers that a number of students have gone missing from the school in the newly constructed London Underground and volunteers to help.  Once underground the team discovers that the Zarbi are behind the disappearances.

The story is very much an echo of the era it was set in, with a rather dull story that sidelines the female characters to allow the men to save the day.  It fits in with the way the show was in the early sixties, but unfortunately just doesn’t work too well in a modern comic.

The art in the book is not the worst I have ever seen but is very far from the best, with a number of panels feeling rather lack-lustre and dull than thrilling.  I can only hope that other artists come on board for other issues of the book otherwise it’s not going to be one of the most visually engaging reads.

Issue one sets up the premise of the story well enough but isn’t the most interesting of reads.  The danger with the format of the series focusing on different Doctors each issue is that whilst an average issue one can sometimes be expected (after all it’s just set up) each issue should also be treated as a stand alone one-shot story.  As such issue one isn’t the best and drags in a number of places.

Hopefully the quality will pick up over the course of the series run so that it can be an exciting part of the 50^th anniversary of the show.  6/10

Amy.
xx

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Torchwood 'Countrycide' Review

The Torchwood team swaps the city for the country.

The Torchwood team leave Cardiff and head to the Brecon Beacons to investigate into the disappearances of seventeen people inside a twenty mile area.  Whilst setting up camp the team see a pair of hooded figures in the woods, and after making chase find a body.  As the team investigate the body to try and find a cause of death they hear their range rover start and drive off without the team.

Tracking the range rover to a nearby village the team search the houses and find another two corpses.  Other than that they are deserted, apart from one lone survivor who accidentally shoots Gwen with a shotgun, thinking that ‘they’ had come back for him.  Barricading themselves in the pub the team tend to Gwen’s wounds as they come under attack. 

Can the team avoid a grizzly fate?

‘Countrycide’ is one of the few episodes of Torchwood not to have an alien threat and to be se outside of Cardiff.  

Set up very quickly as the ‘horror’ episode of the series it takes its time to set up the threat, keeping the villains in the shadows as long as possible to maintain the mystery of exactly what is hunting our heroes. 

Unfortunately the episode is a part of the first series of the show where they seemed to be hung up on the ‘adult’ content of the show, which they seem to used anger and sex to create.  As such there is not a great deal of character development beyond some arguments and nasty comments. 

The team have to fight to survive.

One for the greater disappointments of Torchwood is that it took them a while to figure out the tone and feel of the show and this episode does suffer a little for it.  If this episode had taken place during series two you  might have had a greater connection and empathy with the Torchwood team and felt the tension more, as it is it’s just like any old horror film with a cast of characters that don’t mean a great deal to you.

Despite these flaws the episode is still very engaging and at the end where the villain gives his reasons for doing what he does it’s one of the most chilling moments in the show.

A good horror episode that’s only let down by the fact that the show’s still finding its footing at this early stage. 7/10

Amy.
xx

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Relationships

I’ve never been comfortable with dating.  In fact, I’ve avoided it where possible if I’m being honest.  There have been a number of situations over the years where the opportunities for a fling or a relationship have come along, but some part of me wouldn’t let me do it.  I never really felt comfortable with the idea of dating someone, even though I was desperate for some sense of companionship and love. 

I now know that it was being trans that was standing in my way.  I wasn’t comfortable with the gender roles in relationships because they just didn’t apply to me.  Even before I’d figured out I was transgender some part of me must have known it and stopped me from being in a relationship.  I can see it all quite clearly now, though at the time I just didn’t understand what was wrong with me.

Now I am out to both myself and the people around me and much, much more comfortable with myself as a person, even though I am very early in the transition stage, and couldn’t even begin to hope to pass as female I am at least being treated as one by my friends.  The thing is, now that I am comfortable with myself and acknowledge the fact that I am Trans I still feel like I can’t date anyone.

I find myself in this horrible situation where I don’t even know where to begin, how I’d go about doing it.  I look male.  I’m trying my hardest to start transitioning but to be 100% honest people will look at me and see a man, not in a million years would they see a woman.  So how do I deal with being a trans woman that looks male when dating?

I guess I just don’t understand how anyone would want to be in a relationship with me when I am at this point in my transition.  Personality is definitely the biggest factor when choosing someone to be in a relationship with, but lets all be honest, what the person looks like is a huge part too.

I’d like to believe that there are people out there who would turn around and say that they are attracted to someone for who they are 100% and that their looks don’t play any part of it, but would that be true?  Surely the thing that separates friendships and relationships is the physical attraction.

As such I look at myself and question how anyone would be able to enter a relationship with me when at the moment my whole physical being is going to change.  I’ve not even started hormones yet so there isn’t even a hint at what I might end up looking like.  Surely if someone wanted to be in a relationship with me they’d be taking a complete gamble on what I’d even end up looking like.

I know that there are people that are attracted to trans people, and that they wouldn’t find anything wrong with dating a trans person, but when the trans person doesn’t fit that model because they’re physically all male what then?

The main reason this is bothering me at the moment is that I just feel incredibly lonely.  I’ve been single most of my life, and am fairly used to it, but when everyone around you is either in a relationship or starting a relationship and you can’t help but think about your own romantic situation.

Because of these concerns I have about relationships whilst transitioning I can’t help but fear that I’m going to at least thirty or more before I’m even going to be able to have a relationship with anyone.  I know that thirty isn’t especially old, but I can’t help but feel like I’ve already lost out on so much of my life, so many experiences, that having to wait is just going to add to that list of stuff that I’ve missed out on.

One of the worst parts of being trans is that I feel like my life isn’t real, that everything I do doesn’t count or isn’t real because right now I’m not really me. I look around me at other people living their lives, building their futures and being happy and I feel like I just don’t have any of that.  Despite everything I’ve achieved in my life I just can’t take any real pride in it. 

For years I wanted to be a published writer, to have a book with my name on it.  I did that.  I set my sights on that goal and I achieved it, but it wasn’t what I thought it would be.  I can see why now, once again it was being trans that was ruining it for me without me even understanding why.  I look at the books I have worked on and all I see is the name Mark Walker, mocking me.  ‘Here’s your published work’ it says ‘but it doesn’t even have your real name on it.’

I hate being alone when everyone else around me is happy, but I can’t even begin to figure out how to change that.  I’m too hard on myself, and too cynical about the world.  I’m sure that if I really tried that I’d find a man or a woman who’d like me for who I was and what I was wouldn’t be an issue, but it just seems too fantastical to be true.  I just can’t believe that it would happen.

Amy.

xx

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Doctor Who 'The Lazarus Experiment' Review

The Doctor returns Martha home to her flat twelve hours after they first left in the Tardis, telling her that her reward is done and it’s time for her to get back to her normal life.  Under instructions from Martha’s mother Francine they turn on the television to see Martha’s sister Trish.  Trish is part of a news report about her boss, Professor Lazarus, who is claiming that later that night he will ‘change what it means to be human’.  Intrigued by his statement the Doctor and Martha decide to investigate.

That night the two of them attend a function held at Lazarus labs and meet up with Trish, Francine and Martha’s brother Leo.  Francine is initially distrustful of the Doctor and his interest in her daughter but the two of them are interrupted when Lazarus begins his demonstration.  Stepping into a capsule in the centre of the room Lazarus claims he will perform a miracle.  The machine activates and is flooded with energy.  When it comes to a stop Lazarus emerges, now a young man.

Concerned with the effects the machine may have upon the subjects DNA the Doctor and Martha get a sample of Lazarus’ DNA to test, which they discover is fluctuating and highly unstable.  Meanwhile Lazarus mutates into a giant scorpion like creature and must drain the life force from victims in order to regain his human form, using it to stabilise his own DNA.  The Doctor and Martha must find a way of stopping the monstrous Lazarus before he kills again, with Martha’s family potential victims.

Lazarus activates his machine.

‘The Lazarus Experiment’ is by no means a complicated episode.  Boiled down to its simplest description it’s simply a creature movie where the mad scientist has made himself a monster and must be stopped.  There is nothing wrong with this style of episode, there’s no great thinking going on, you don’t have to pay a lot of attention, just simply be taken along for the ride and enjoy the action for what it is.

The Lazarus monster is a cool creation, though the CGI effects felt dated when the episode first aired.  It’s a real shame to see what could have been a very memorable creature be reduced to ‘wasn’t it crap looking’ status.

The Lazarus monster prepares to attack Francine and Leo.

Lazarus himself if performed brilliantly by long time Who contributor Mark Gatiss, who manages to play the elderly Lazarus convincingly enough and brings a lot of depth and age to the younger version of the character.  The addition of Martha’s family is also done well, with the mysterious Mr Saxon sending people to manipulate them against the Doctor, adding to the series’ through plot.

An entertaining monster movie like episode with a great creature and excellent supporting cast.  Easily overshadowed by some of the better episodes in series three it’s still a great little episode.  7/10.

Amy.
xx

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The Sarah Jane Adventures 'Whatever Happened to Sarah Jane?' Review

The Trickster captures Sarah Jane.

The story begins with Sarah Jane giving Maria a puzzle box that was given to her by a passing alien seer that ells her to ‘remember’ and pass it along to the person she trusts the most.  A meteor is on a collision course for earth and Sarah Jane has set up, yet not activated, a force field through Mr Smith that will deflect the threat away.  With everything seemingly in hand Maria returns home for the night and falls asleep.

The next morning she wakes to find that no one has heard of either Sarah Jane or Luke Smith and that a woman named Andrea Yates is now living in Sarah Jane’s house.  Investigating into Andreas past Maria discovers that in 1964 a thirteen year-old Sarah Jane drowned after falling from a pier when she was playing there with her friend Andrea Yates. 

With no one else remembering that Sarah Jane existed and the meteor still on its way to earth Maria must find out how this change of history has happened and if possible find a way of reversing the effects and bringing Sarah Jane back before it’s too late.

Maria is surprised to find Andrea in Sarah Jane's place.

‘Whatever Happened to Sarah Jane?’ is the first episode where The Sarah Jane Adventures showed audiences that it could be more than just a kids version of Doctor Who.  The story is filled with grown up concepts and deals with life and death without shying away from the emotion that comes with it.  The scenes where Andrea realises that she must ‘kill’ herself in order to bring Sarah Jane back are amazingly well written and acted and tug at the heart.

This story marks the introduction of The Trickster, who would go on to appear in a number of other Sarah Jane stories and becomes something of her biggest foe over the course of the show.  The Trickster’s scary design along with the brilliant acting skills of Paul Marc Davis create a villain worthy of Sarah Jane, one that is a welcome addition to the Doctor Who universe.

Brilliantly acted by the main cast and with a great performance from Jane Asher as Andrea Yates this story marks a turning point in the show where it becomes more than kids fighting monsters and develops into a show that can have a very serious edge that doesn’t shy away from emotion or consequences.  7/10

Amy.
xx

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