Wednesday, 28 February 2018

Doctor Who: Vortex Butterflies – Book Review



Originally Published on Set The Tape

‘The Doctor has abandoned his crew to chase a mysterious message into deep space! As Cindy recovers from the splitting headache she developed on her most recent adventure, Gabby’s mysterious block-transfer butterfly powers evolve even further. But will the team ever be reunited? and what secrets will the Doctor find waiting for him, out in the cosmic dark?’

Doctor Who comics have always had a history of being more bizarre than its parent show, and of telling more complex and in some cases psychedelic stories. Much like Frobisher, the shape-shifting penguin companion of the sixth and seventh Doctor, the latest comic book companions Gabby and Cindy are more than meets the eye.

With the traumatic events of the previous volume still raw in the minds of the two young humans, the Doctor dumps them both on Earth in order to investigate a mystery that is effecting the TARDIS. Over the course of the book the Doctor discovers that Gabby has begun to evolve past simply being human, she is becoming a Time Sensitive, a being that possesses the time and space travel abilities of the TARDIS.

Whilst the book explores some heavy sci-fi concepts, and takes a lot of time to begin to make a lot of sense, it tells a very effective human story throughout. The book is as much a story of how travelling with the Doctor changes people, how it gives them the chance to grow into a bigger person, yet also how those adventures can go on to damage a person.

Cindy is reeling from her experiences with her clone daughters, forced to face the complexity and bizarre nature of time as she realises she is her own ancestor, whilst Gabby has just seen someone who looks like her best friend die. These are traumas that would effect most people deeply, yet the two of them are without the Doctor to help them through this, someone who undoubtedly has experience with dealing with trauma.

Thankfully, the book has the surprise inclusion of Sarah Jane Smith to help the two of them out, with the character using her extensive history with the Doctor to assist the young women with what has happened to them.

Any inclusion of Sarah Jane Smith is a genuine treat. With the late Elizabeth Sladen passing suddenly during the production of the fifth series of The Sarah Jane Adventures there is a hole in the Doctor Who universe. Getting to see her again, even in comic form, brings back all of the wonderful memories of not just the character, but Elizabeth Sladen herself. Her inclusion definitely makes the book better.

Whilst the human story is interesting, and the inclusion of Sarah Jane Smith is a good thing, a lot of the story is given over to the mystery of what’s affecting the TARDIS, and the Doctor investigating this across time and space. Unfortunately, this is one of the weakest areas of the book, and not even the inclusion of Peter Capaldi’s twelfth Doctor saves it from tedium.

A book with both a strong emotional undercurrent, and a plodding central mystery sadly makes ‘Vortex Butterflies’ a weak book overall.


Go to Amy's Blog

Tuesday, 27 February 2018

Black Panther: Who’s Who In The Comics?



Originally published on Set The Tape

The much-anticipated Black Panther hit UK cinema screens last week, with fans of the Marvel Studios movies waiting eagerly for the latest instalment in the ongoing franchise, and hoping for success from the first black led superhero film in the series.

Whilst Black Panther himself was introduced in Captain America: Civil War, Black Panther will be introducing a load more characters to the franchise.

But just who exactly are they? Here’s our handy guide to help you out…


T’Challa/Black Panther (Chaswick Boseman)

T’Challa is the ruler of the nation of Wakanda, and their protector Black Panther. Originally appearing in a guest role in issue #52 of Fantastic Four in 1966, he would go on to join the Avengers just two years later. During his time in the Avengers he would go on to make guest appearances in other books such as Daredevil.

Granted enhanced powers and abilities by a special herb grown only in Wakanda, T’Challa possesses enhanced senses, peak human strength, agility, endurance, and stamina. Combined with his genius level intellect and master martial arts skill, he’s a formidable opponent. Especially when he was the ‘King of the Dead’ and commanded an army of zombies (yes, that actually happened because comics are really weird).

Over the years T’Challa would go on to form a relationship with Ororo Monroe/Storm from X-Men, eventually marrying her, served as a member of the Fantastic Four, and even battled the armies of Thanos to protect his nation.


Killmonger (Michael B. Jordan)

Killmonger is one of Black Panthers deadliest enemies. Killmonger’s family was exiled from the nation of Wakanda after working for the villain Ulysses Klaw in an attempt to overthrow the Wakandan king. Growing up in New York City, he dedicated his life to getting revenge on Wakanda.

Returning to Wakanda, Killmonger ravaged several villages to draw out Black Panther. Despite appearing to have been killed in the ensuing battle, Killmonger would return to challenge T’Challa several times over the years.

Using a synthetic chemical that copies the herb used to give T’Challa his abilities, Killmonger is on par with the Black Panther physically, though has yet to defeat his enemy.


Shuri (Letitia Wright)

The younger half-sister of T’Challa, and Princess of Wakanda, Shuri is a fierce fighter in her own right, and has even worn the mantle of Black Panther for a time.

From a young age Shuri wanted to become the first woman to be the Black Panther, and after proving herself in battle by defeating Radioactive Man during one of Ulysses Klaw’s invasions of Wakanda, was trained by T’Challa to take on the role if he was ever unable to do so.

Shuri is also a skilled diplomat, and took part in treaty negotiations with other nations, including Atlantis. When Shuri was killed by The Cabal, a group of villains led by Thanos, she travelled to an afterlife where she received training and new abilities. Returned to life by T’Challa, Shuri now possesses the ability to transform into a flock of birds, on one large bird, as well as being able to turn her body into living stone.


M’Baku (Winston Duke)

One of the greatest warriors in Wakanda, M’Baku was second in skill only to T’Challa. Whilst T’Challa was away from Wakanda serving with the Avengers M’Baku launched a plan to usurp the throne.

The ancient White Gorilla cult was outlawed in Wakanda centuries ago, so M’Baku revived the Gorilla Cult and took on the mantle of Man-Ape. When T’Challa returned to Wakanda he fought and killed M’Baku, though the villain would be revived by his followers.

M’Baku would fight against T’Challa many more times over the years, and would go on to join multiple villain groups such as The Masters of Evil, and the Villains for Hire. Despite cheating death several times, M’Baku would be killed permanently, with the mantle of Man-Ape passing on to his brother.


Ulysses Klaw (Andy Serkis)

Ulysses Klaw (the spelling of the character’s name was changed for the films), was the son of a Nazi war criminal who grew up to become an assassin. After being hired to kill T’Chaka, the father of T’Challa and former King of Wakanda. Although he did manage to kill T’Chaka, he was wounded in the process, losing his hand. Klaw would go on to replace his limb with a sonic blaster.

During a later attempt to kill T’Challa, he was stopped by Black Panther and the Fantastic Four. Klaw ended up leaping into a massive sonic converter device, resulting in his body being transformed into living sound.

Klaw would face T’Challa many times over the years, joining organisations such as The Masters of Evil in his quest to destroy the rulers of Wakanda.

In the Marvel films Klaue was a black market arms dealer who stole large amounts of the metal Vibranium from Wakanda. During the events of Avengers: Age of Ultron, Klaue lost his arm after angering Ultron.


Okoye (Danai Gurira)

A member of the Dora Milaje, wives-in-training to the King of Wakanda. The Dora Milaje are selected from the many tribes of Wakanda and act as personal body-guards to the King, with the possibility that one of them will one day be the next Queen.

Despite this tradition, T’Challa made it known that he had no intention of marrying any of the members of the Dora Milaje, but retained them as his personal guard. Okaye was fiercely loyal to T’Challa, and even accompanied him when he went into hiding for a time.


Nakia (Lupita Nyong’o)

Nakia was a member of the Dora Milaje for many years, and openly fantasied about marrying T’Challa one day. Over the years she would become obsessed with her king, even throwing herself off a fifty foot ledge just to get his attention.

Her obsession deepened as time wore one, and she even attempted to kill one of T’Challa’s former girlfriends. This resulted in her dismissal from the Dora Milaje. After fleeing Wakanda Nakia was captured by an enemy of Black Panther and killed. Nakia would be resurrected by Killmonger, taking on the mantle of Malice and setting on a quest of revenge against her former king.


Ramonda (Angela Bassett)

Queen Ramonda was the wife of King T’Chaka, the surrogate mother of T’Chall, and the mother of Shuri. Originally from South Africa, she met King T’Chaka after his former wife N’Yami died giving birth to their son T’Challa. She would go on to marry T’Chaka and raised T’Challa as her own son.


Zuri (Forest Whitaker)

Zuri was a fierce warrior and loyal friend to T’Chaka, the former King of Wakanda and Black Panther. Following the death of T’Chaka, Zuri became a special attendant to T’Challa before being killed in battle by the villain Morlun whilst protecting a wounded T’Challa.


Everett Ross (Martin Freeman)

A member of the US State Department who was assigned to the nation of Wakanda. He would assist T’Challa numerous times over the years when the King visited the United States, going on to become a trusted adviser and good friend to the hero.


W’Kabi (Daniel Kaluuya)

The chief of Wakandan security and a loyal second in command to T’Challa. W’Kabi was killed alongside Zuri protecting his King from the villain Morlun whilst Shuri was being prepared to become the new Black Panther.


Go to Amy's Blog

Monday, 26 February 2018

Eccentric Earth Episode Nine Show Notes



Harland David Sanders was born on September 9, 1890, in a four-room house east of Henryville, Indiana. He was the oldest of three children born to Wilbur David and Margaret Ann Sanders.

The family was of Irish and English ancestry and devout Christians, regularly attending the Advent Christian Church. His father was a mild and affectionate man who worked his 80-acre farm, until he broke his leg after a fall before becoming a butcher in Henryville for two years. Sanders' mother was a devout Christian and strict parent, continuously warning her children of 'the evils of alcohol, tobacco, gambling, and whistling on Sundays'.

Sanders (left) alongside his mother and younger siblings.

One summer afternoon in 1895, his father came home with a fever and died later that day. Sanders' mother obtained work in a tomato cannery to provide for her children, and the young Harland was required to look after and cook for his siblings. By the age of seven, he was reportedly skilled with bread and vegetables, and improving with meat; the children foraged for food while their mother was away for days at a time for work. When he was 10, Sanders began to work as a farmhand.


In 1902, Sanders' mother remarried to William Broaddus, and the family moved to Greenwood, Indiana. Sanders had a tumultuous relationship with his stepfather. In 1903, he dropped out of seventh grade (later stating that "algebra's what drove me off"), and went to live and work on a nearby farm.


At age 13, he left home. He then took a job painting horse carriages in Indianapolis. When he was 14, he moved to southern Indiana to work as a farmhand.

In 1906, at age 16, with his mother's approval, Sanders left the area to live with his uncle in New Albany, Indiana. His uncle worked for the streetcar company, and secured Sanders a job as a conductor, his third job since leaving school three years earlier.

Later that year Sanders falsified his date of birth and enlisted in the United States Army in October, he completed his three month service commitment as a wagoner in Cuba. He was honorably discharged in February 1907 and moved to Sheffield, Alabama, where another of his uncles lived. There, he met his brother Clarence who had also moved there in order to escape their stepfather.

The uncle worked for the Southern Railway, and secured Sanders a job there as a blacksmith's helper in the workshops. After two months, Sanders moved to Jasper, Alabama where he got a job cleaning out the ash pans of trains from the Northern Alabama Railroad (a division of the Southern Railway). Sanders progressed to become a steam engine stoker by the age of 17.

A Fireman working on the railway.
In 1909, Sanders found labouring work with the Norfolk and Western Railway. While working on the railroad, he met Josephine King, and they were married shortly afterwards. They would go on to have a son, Harland, Jr., who would die in 1932 from infected tonsils, and two daughters, Margaret and Mildred. He then found work as an engine stoker, or fireman, on the Illinois Central Railroad, and he and his family moved to Jackson, Tennessee.

During this time Sanders studied law in the evenings by correspondence through the La Salle Extension University, with the aim of becoming a lawyer.

Sanders lost his job at Illinois after he got into a brawl with a colleague. Sanders then moved to work for the Rock Island Railroad, leaving his wife Josephine and the children behind whilst he got settled.

When Josephine stopped writing him letters he learned that Josie had left him, given away all their furniture and household goods, and taken the kids back to her parents’s home. Josie’s brother wrote Sanders a letter saying, 'She had no business marryin’ a no-good fellow like you who can’t hold a job'.

Sanders went to Jasper, Alabama, where the Kings lived, and hid in the woods near his in-law’s house, planning to kidnap his children when they came out to play. When the kids failed to come outside, Sanders came out of the woods and talked with his father-in-law on the porch, then went inside and made peace with his wife.

After a while, Sanders began to practice law in Little Rock, which he did for three years. Unfortunately, his legal career ended after a courtroom fistfight with his own client.

After that, Sanders moved back with his mother in Henryville, and went to work as a laborer on the Pennsylvania Railroad. In 1916, the family moved to Jeffersonville, where Sanders got a job selling life insurance for the Prudential Life Insurance Company.

Sanders was eventually fired from this job for insubordination. He then moved to Louisville and got a sales job with Mutual Benefit Life of New Jersey.

In 1920, Sanders established a ferry boat company, which operated a boat on the Ohio River between Jeffersonville and Louisville. He canvassed for funding, becoming a minority shareholder himself, and was appointed secretary of the company. The ferry was an instant success.

Around 1922 he took a job as secretary at the Chamber of Commerce in Columbus, Indiana. He admitted that he was not very good at the job, and resigned after less than a year. Sanders cashed in his ferry boat company shares for $22,000 ($316,000 today) and used the money to establish a company manufacturing acetylene lamps. The venture failed after Delco introduced an electric lamp that it sold on credit.

Sanders moved to Winchester, Kentucky, to work as a salesman for the Michelin Tire Company. He lost his job in 1924 when Michelin closed its New Jersey manufacturing plant.

In 1924, by chance, he met the general manager of Standard Oil of Kentucky, who asked him to run a service station in Nicholasville. In 1930, the station closed as a result of the Great Depression.

Sanders working in his service station restaurant in 1930.
In 1930, the Shell Oil Company offered Sanders a service station in North Corbin, Kentucky, rent free, in return for paying the company a percentage of sales. Sanders began to serve chicken dishes and other meals such as country ham and steaks. Initially he served the customers in his adjacent living quarters before opening a restaurant.

It was during this period that Sanders was involved in a shootout with Matt Stewart, a local competitor, over the repainting of a sign directing traffic to his station. Stewart killed a Shell employee who was with Sanders and was convicted of murder, eliminating Sanders's competition.

Sanders was commissioned as a Kentucky colonel in 1935 by Kentucky governor Ruby Laffoon. His local popularity grew, and, in 1939, food critic Duncan Hines, a pioneer of restaurant ratings, visited Sanders's restaurant and included it in Adventures in Good Eating, his guide to restaurants throughout the US. The entry read:

Corbin, KY. Sanders Court and Café
Open all year except Xmas.
A very good place to stop en route to Cumberland Falls and the Great Smokies. Continuous 24-hour service. Sizzling steaks, fried chicken, country ham, hot biscuits.  

In July 1939, Sanders acquired a motel in Asheville, North Carolina. His North Corbin restaurant and motel was destroyed in a fire in November 1939, and Sanders had it rebuilt as a motel with a 140-seat restaurant.

By July 1940, Sanders had finalized his "Secret Recipe" for frying chicken in a pressure fryer that cooked the chicken faster than pan frying. As the United States entered World War II in December 1941, gas was rationed, and as the tourism dried up, Sanders was forced to close his Asheville motel. He went to work as a supervisor in Seattle until the latter part of 1942.

He later ran cafeterias for the government at an ordnance works in Tennessee, followed by a job as assistant cafeteria manager in Oak Ridge, Tennessee.

It was during this period that he began an affair with his mistress, Claudia Ledington-Price, who he made a manager of the North Corbin restaurant and motel. In 1942, he sold the Asheville business.

In 1947, he and Josephine divorced and Sanders married Claudia in 1949, as he had long desired. Sanders was "re-commissioned" as a Kentucky colonel in 1950 by his friend, Governor Lawrence Wetherby. After being recommissioned as a Kentucky colonel, Sanders began to dress the part, growing a goatee and wearing a black frock coat (later switching to a white suit), a string tie, and referring to himself as "Colonel." His associates went along with the title change, "jokingly at first and then in earnest," according to biographer Josh Ozersky.

The sign made for the first ever Kentucky Fried Chicken restaurant.
His look became so iconic over the decades that he never wore anything else in public during the last 20 years of his life, using a heavy wool suit in the winter and a light cotton suit in the summer. He even bleached his mustache and goatee to match his white hair.

In 1952, Sanders franchised his secret recipe "Kentucky Fried Chicken" for the first time, to Pete Harman of South Salt Lake, Utah, the operator of one of that city's largest restaurants. In the first year of selling the product, restaurant sales more than tripled, with 75% of the increase coming from sales of fried chicken.

For Harman, the addition of fried chicken was a way of differentiating his restaurant from competitors; in Utah, a product hailing from Kentucky was unique and evoked imagery of Southern hospitality. Don Anderson, a sign painter hired by Harman, coined the name Kentucky Fried Chicken.

After Harman's success, several other restaurant owners franchised the concept and paid Sanders 4 cents per chicken.


Sanders believed that his North Corbin restaurant would remain successful indefinitely, but at age 65 sold it after the new Interstate 75 reduced customer traffic. Left only with his savings and $105 a month from Social Security, Sanders decided to begin to franchise his chicken concept in earnest, and traveled the US looking for suitable restaurants.

After closing the North Corbin site, Sanders and Claudia opened a new restaurant and company headquarters in Shelbyville in 1959. Often sleeping in the back of his car, Sanders visited restaurants, offered to cook his chicken, and if workers liked it negotiated franchise rights.

Although such visits required much time, eventually potential franchisees began visiting Sanders instead. He ran the company while Claudia mixed and shipped the spices to restaurants.

The franchise approach became highly successful; KFC was one of the first fast food chains to expand internationally, opening outlets in Canada and later in the UK, Mexico and Jamaica by the mid-1960s. Sanders obtained a patent protecting his method of pressure frying chicken in 1962, and trademarked the phrase "It's Finger Lickin' Good" in 1963.

The company's rapid expansion to more than 600 locations became overwhelming for the ageing Sanders. In 1964, then 73 years old, he sold the Kentucky Fried Chicken corporation for $2 million ($15.8 million today) to a partnership of Kentucky businessmen headed by John Y. Brown, Jr.,a 29-year-old lawyer and future governor of Kentucky, and Jack C. Massey, a venture capitalist and entrepreneur. Sanders became a salaried brand ambassador.  

Sanders often took part in commercials for KFC.
The initial deal did not include the Canadian operations, which Sanders retained, or the franchising rights in the UK, Florida, Utah, and Montana, which Sanders had already sold to others.

In 1965, Sanders moved to Mississauga, Ontario to oversee his Canadian franchises and continued to collect franchise and appearance fees both in Canada and in the US. Sanders bought and lived in a bungalow at 1337 Melton Drive in the Lakeview area of Mississauga from 1965 to 1980.

In September 1970 he and his wife were baptized in the Jordan River.

Sanders remained the company's symbol after selling it, traveling 200,000 miles a year on the company's behalf and filming many TV commercials and appearances. He retained much influence over executives and franchisees, who respected his culinary expertise and feared what The New Yorker described as 'the force and variety of his swearing' when a restaurant or the company varied from what executives described as 'the Colonel's chicken'. One change the company made was to the gravy, which Sanders had bragged was so good that 'it'll make you throw away the durn chicken and just eat the gravy' but which the company simplified to reduce time and cost.

As late as 1979 Sanders made surprise visits to KFC restaurants, and if the food disappointed him, he denounced it to the franchisee as 'God-damned slop' and threw it on the floor.  

In 1973, Sanders sued Heublein Inc.—the then parent company of Kentucky Fried Chicken—over the alleged misuse of his image in promoting products he had not helped develop. In 1975, Heublein Inc. unsuccessfully sued Sanders for libel after he publicly described their gravy as being 'sludge' with a 'wall-paper taste'.

Sanders and his wife reopened their Shelbyville restaurant.
Sanders and his wife reopened their Shelbyville restaurant as 'Claudia Sanders, The Colonel's Lady' and served KFC-style chicken there as part of a full-service dinner menu, and talked about expanding the restaurant into a chain. He was sued by the company for it.

After reaching a settlement with Heublein, he sold the Colonel's Lady restaurant, and it has continued to operate, currently as the Claudia Sanders Dinner House. It serves his 'original recipe' fried chicken as part of its non-fast-food dinner menu, and it is the only non-KFC restaurant that serves an authorised version of the fried chicken recipe.

Sanders remained critical of Kentucky Fried Chicken's food. In the late 1970s he told the Louisville Courier-Journal:


'My God, that gravy is horrible. They buy tap water for 15 to 20 cents a thousand gallons and then they mix it with flour and starch and end up with pure wallpaper paste. And I know wallpaper paste, by God, because I've seen my mother make it. ... There's no nutrition in it and they ought not to be allowed to sell it. ... crispy recipe is nothing in the world but a damn fried dough ball stuck on some chicken.'

Sanders was diagnosed with acute leukaemia in June 1980. He died at Jewish Hospital in Louisville, Kentucky of pneumonia on December 16, 1980 at the age of 90. Sanders had remained active until the month before his death, appearing in his white suit to crowds.

His body lay in state in the rotunda of the Kentucky State Capitol in Frankfort after a funeral service at the Southern Baptist Theological Seminary Chapel, which was attended by more than 1,000 people. Sanders was buried in his characteristic white suit and black western string tie in Cave Hill Cemetery in Louisville.

By the time of Sanders' death, there were an estimated 6,000 KFC outlets in 48 countries worldwide, with $2 billion ($5.9 billion today) of sales annually.

A fictionalized Colonel Sanders has repeatedly appeared as a mascot in KFC's advertising and branding ever since his death. Sanders has been voiced by impressionists in radio ads, and from 1998 to 2001 an animated version of him voiced by Randy Quaid appeared in television commercials. In May 2015, KFC reprised the Colonel Sanders character in new television advertisements, with multiple actors playing the role each year since.

Members of the WWE franchise have repeatedly dressed up as the colonel in recent years, with one wrestler, Dolph Ziggler, dressed as Colonel Sanders beating up a man in a chicken suit in a wrestling ring during SummerSlam 2016.

The Japanese Nippon Professional Baseball league has developed an urban legend of the "Curse of the Colonel". The curse was said to be placed on the team because of the Colonel's anger over treatment of one of his store-front statues, which was thrown into the Dōtonbori River by celebrating Hanshin fans following their team's victory in the 1985 Japan Championship Series.

As is common with sports-related curses, the Curse of the Colonel was used to explain the team's subsequent 18-year losing streak. Some fans believed the team would never win another Japan Series until the statue had been recovered.

The Colonel Sanders statue following it's recovery.

The Colonel was finally discovered in the Dōtonbori River on March 10, 2009. Divers who recovered the statue at first thought it was only a large barrel, and shortly after a human corpse, but Hanshin fans on the scene were quick to identify it as the upper body of the long-lost Colonel. The right hand and lower body were found next day, but the statue is still missing its glasses and left hand. It is said that the only way the curse can be lifted is by returning his long-lost glasses and left hand.

The statue was later recovered (with replacement of new glasses and hand) and returned to the KFC Japan. As the KFC branch that the statue originally belonged to no longer exists, the statue was now placed in the branch near Koshien Stadium.


One of Colonel Sanders' white suits with its black clip-on bow-tie was sold at auction for $21,510 by Heritage Auctions on June 22, 2013. The suit had been given to Cincinnati resident Mike Morris by Sanders, who was close to Morris's family. The Morris family house was purchased by Col. Sanders, and Sanders lived with the family for six months. The suit was purchased by Kentucky Fried Chicken of Japan president Maseo Watanabe. Watanabe put on the famous suit after placing the winning bid at the auction event in Dallas, Texas.

Before his death Sanders used his stock holdings to create the Colonel Harland Sanders Charitable Organization, a registered Canadian charity. The wing of Mississauga Hospital for women's and children's care is named The Colonel Harland Sanders Family Care Centre in honor of his substantial donation. Sanders' foundation has also made sizeable donations to other Canadian children's hospitals.


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Eccentric Earth Episode 9 - Colonel Sanders



Join me, your host Amy Walker, as I delve into stories from across history. This week I'm joined by Adi Anhang to talk about Harlan Sanders, the man who founded KFC, and the unusual life he led before he started cooking chicken.


Twitter: @Eccentric_Earth
Facebook: @eccentricearth
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Eccentric Earth is a Trans-Scribe Production
Hosted by Amy Walker
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Friday, 23 February 2018

Remake Rivalry: The Eye versus The Eye



Originally published on Set The Tape

In the first of an ongoing series of articles comparing remakes to their original films, I take a look at the 2008 Jessica Alba film The Eye, and the original Hong Kong-Singaporean film of the same name from 2002.

The original The Eye tells the story of Wong Kar Mun (Angelica Lee), a young woman living in Hong Kong that has been blind since the age of two. After receiving a cornea transplant her sight is restored, but she also begins to see strange apparitions that she believes to be ghosts.

Along with her psychologist Dr. Wah (Lawrence Chou), she investigates into her donor, and discovers that her new eyes came from a Chiu Wai-ling (Chutcha Rujinanon), a young woman from Thailand who had the psychic ability to foresee death and disaster.


The 2008 remake has a very similar story, though some small details have been changed. Instead of having lost her eyesight at the age of two Sydney Wells (Jessica Alba) lost her sight at the age of five. The location has also been moved to Los Angeles, with her donor Ana Christina Martinez (Fernanda Romero) being from Mexico.

Despite these small alterations much of the remake follows a similar path, with events unfolding much in the same way that they do in the original. The remake has less focus on Sydney before the operation that the original did with Mun, but makes up for this by giving more focus over to her rediscovering her sight. The remake includes moments of Sydney just taking in the world around her, her blurred vision a thing of wonder to her.

The remake also makes it obvious that Sydney lived a very different way before her operation, with her apartment having to be fitted with new lamps because she didn’t need them before, her computer having a speaking function so that she can hear what is on screen, and her printer being braille. These are very small details, but it reinforces the notion that this isn’t just a story about a young woman suddenly seeing ghosts, but as someone whose entire world has suddenly changed.


One area that I feel the remake misses out, however, is in her musical career. In the original Mun is part of a blind orchestra, playing the violin. Once she regains her sight she is told that she can’t be part of the orchestra anymore because she’s no longer blind. This is a massive blow to the character, as she’s losing both an activity that she loves, and a community that she’s part of. The remake, by contrast, has Sidney in a regular orchestra, one where she is a stand out because of her disability. The original made a big thing about the orchestra being a place for Mun to feel at home, to be around people who share her experience, but the remake misses this completely.

The biggest difference between the two films though, is the tone. The original film feels much more grounded and real compared to the American remake. The remake has a much glossier, cleaner look to it, whilst the original has a more rundown aesthetic. This carries across into the cinematography, where the remake uses a lot more warmer tones compared to the pale greens and greys of the original.

Whilst this may not make a big difference normally, it does serve to make the remake less scary. The original film is much darker, and the ghosts inhabit the world in a much more frightening way, whilst the remake seems to rely on more jump scares than atmosphere to generate fright.


One of the best scenes in the original (and one of my all time favourite horror movie moments) sees Mun trapped in a lift with a ghost, who’s slowly moving closer and closer to her. This scene is repeated in the remake, but fails to capture the tension and dread that the original had. This one scene is perhaps the biggest indicator of how the two films are different. The original is a horror film with a mystery for the main character to solve, where the remake feels like a mystery that happens to have a few ghosts in it.

The films endings are where they differ the most in story, with the remake having Mun fail to prevent a disaster she had been having visions of that results in the deaths of hundreds of people, whilst the remake has Sidney saving everyone. Whilst both scenarios result in the character losing their eyesight once again, they have vastly different tones and end messages.

Whilst the remake isn’t a bad film by any stretch, it does lack a lot of the atmosphere and nuance that makes the original such a good horror film. By all means, watch both, but if you can only see one, make it the original.


Go to Amy's Blog

Thursday, 22 February 2018

Looking Back At… Mighty Morphin Power Rangers (Season Two)



Originally published on Set The Tape

In the second part of my ongoing series to celebrate the 25th anniversary of the Power Rangers franchise, I take a look at the second season of Mighty Morphin Power Rangers.

As talked about in the previous part of my Power Rangers retrospective, the original season of the show was a lot more successful than the producers originally expected, and as such was extended beyond its initial 40 episode plans, augmented with new Japanese footage filmed just for Saban. But this posed a problem for the company, with no more Kyoryu Sentai Zyuranger footage available, how was the series meant to carry on?

The solution: acquire the rights to another Super Sentai series and use this to make more Power Rangers. Whilst this would become a model that Saban would use for the next 25 years the second season of Mighty Morphin Power Ranger (and season three, but more on that next time) would be the only time when this did not mean a complete overhaul for the show.

Whilst in subsequent times a new Super Sentai series would be used it would mean the Rangers would get new powers and new costumes, the producers felt that children might not be able to identify with the series if the heroes suddenly looked different. As such, they began the process of combining together their own American footage of the Rangers with footage from the series Gosai Sentai Dairanger.


This meant a number of changes to the show, one being the introduction of new Zords, as they would need to use footage of the Gosai Sentai Dairanger Zord fights in the show. The iconic dinosaurs of the first season were upgraded by Zordon (David Fielding), transforming them into the Thunder Zords, based upon mythological creatures.

The biggest change because of footage restrictions, however, would be the departure of the Green Power Ranger, replacing him with the White Power Ranger. This storyline was teased across several episodes as the show slowly stripped Tommy Oliver (Jason David Frank) of his powers and eventually had him leave the series.

Whilst the intention was for him to leave the franchise and headline a new Saban project, VR Troopers, the outcry from fans meant that Saban had to scrap their plans to introduce a new character as the White Ranger, instead having Tommy return to take on that role. Commanding the White Tiger Zord and the talking sword Saba, the White Ranger quickly eclipsed the Green Ranger as children’s favourite, becoming an iconic part of the franchise.

As the show had stopped using footage from Kyoryu Sentai Zyuranger the decision was made to remove the villain Rita Repulsa (played by Machiko Soga, dubbed by Barbara Goodson) from the show. A new American villain, Lord Zedd (Robert Axelrod), took over the role of atagonist; though the show soon received complaints from parents that the character was too frightening for children. Considering he’s a skinless man with a metal grill face and his brain showing, parents had a good point.


Over the course of the season Lord Zedd would be toned down a lot, and was tempered even more with the return of Rita, now played by the American actress Carla Perez thanks to Rita being deaged, who would go on to become Zedds wife in the latter half of the season.

The biggest change to the franchise, however, was the departure of half of the original cast. Thanks to the show becoming a huge success and earning more money than original thought, and due to the long working hours, a number of the original cast went to Haim Saban and asked for a rise in their pay.

Rather than attempt any kind of negotiation, or to consider paying his actors more, Haim Saban fired them on the spot. As such Jason Lee Scott (Austin St. John), Zack Taylor (Walter Jones), and Trini Kwan (Thuy Trang) needed to be written out of the series.

In a strange move the show didn’t remove the characters immediately, instead using older footage along with body and voice doubles to keep using the characters for several more episodes. In this time the series laid the seeds of their departure in the form of an upcoming peace conference that some of the local teens would attend, as well as introducing their replacement characters.


Whilst at the time children were unaware of these events, and would be completely fooled by the real actors being missing, it’s painfully obvious now which episodes don’t have the three of them in, as none of the stand ins are particularly convincing, and the older footage is very obvious.

Thankfully, once the new Rangers were introduced the series rose in quality somewhat, and led to an even bigger growth in popularity. Along with the new additions of Steve Cardenas as Rocky DeSantos the new Red Ranger, Karen Asheley as Aisha Campbell the new Yellow Ranger, and Johnny Yong Bosch as Adam Park the new Black Ranger, the remaining original cast would go on to star in the Mighty Morphin Power Rangers Movie, which would air just after season two.

The second season of Mighty Morphin Power Rangers was easily one of the most difficult for the show behind the scenes, but also led to a surge in popularity for the franchise, resulting in higher audience figures, increased merchandise sales, video games, and a big screen outing.

Whilst some of the episodes in the latter half of the season suffer in quality due to being filmed around the movie schedule, overall it’s a great season, with my personal favourite Megazord in the form of the Thunder Megazord, and my favourite Ranger in Johhny Yong Bosch’s Adam.


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Wednesday, 21 February 2018

Star Trek: New Visions - Isolation - Comic Review



Originally published on Set The Tape

‘Captain Kirk has found himself all alone on the Enterprise before – but what happens when each individual member of the crew finds themselves in a similar state? And who is behind this… isolation?’

The ongoing Star Trek: New Visions photo comic continues to tell bizarre and oft times baffling stories with its latest issue, ‘Isolation’.

The latest story sees the members of the Enterprise crew suddenly finding themselves all alone on the ship following a mysterious power surge within the ships systems. Kirk, Spock, McCoy and the others appear to be in the same place, but somehow in separate planes of existence where they cannot see, hear, or touch each other.

The initial splitting up of the crew makes for an interesting moment, especially on one page where we see the crew members standing alone one at a time in identical panels, where just moments before they were all together. Whilst it may seem like something of a cheat, using the same background over and over again, it works surprisingly well at showing that they are each isolated and alone, yet because they are all on one page together it reinforces the notion that they are split across several planes of reality.

Once alone the crew begin to search for solutions, with each character doing so in their own way. Spock takes a logical and scientific approach, and is the first to fully figure out what’s going on. Scotty uses his engineers mind to try to create a way back to his friends. And Kirk, as to be expected, Kirk soon finds himself with a beautiful woman and fighting a number of aliens.

As the story unfolds both the reader and the characters learn that they are at the mercy of Aaruu, a member of a pan-dimensional race of beings called the Twii, who has been studying the ship and its crew for years. No longer content to just watch the crew, he has now directly interfiered with them, splitting them up, and even pitting them against imagined foes.

This gives some interesting interactions between characters, such as Sulu and a fake Uhura who is trying to seduce him, but is used to its best when Kirk is made to fight against the Klingon Kang, and the Gorn that he fought in the iconic episode ‘Arena’.

Whilst the story is fairly engaging it does drag in places, with several of the scenes of the crew stumbling around the ship alone feeling overly long and unnecessary.

Another area that lets the story down, unfortunately, is the artwork. Unlike a traditional comic, Star Trek: New Visions is created using images taken from the original series show, as well as brand new computer graphics and photographs merged together. Whilst this does have the effect of making it feel like each panel is a screenshot from an episode, it often times feels disjointed.

For example, there are frequently panels where characters have been placed into new backgrounds, which sometimes results in scale or dimensions being slightly off. There are also some panels where the colours seem to have not been checked, as costume tone changes completely between concurrent panels.

The new alien, Aaruu also looks completely out of place in every panel he is in, mainly due to the fact that he looks like an obvious photo edited CGI character next to real people. The artwork drew me out of the story several times because of these inconsistencies and badly rendered effects, and I can’t help but feel that the book would have worked a lot better if it was traditional art instead.

Whilst not a bad story in itself, some poor pacing and at times inconsistent art lets the book down.


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Tuesday, 20 February 2018

Ranking the Stargate Atlantis Seasons



Originally published on Set The Tape

Originally planned to be the spin-off series once Stargate SG1 came to an end, the show was altered slightly when the parent series continued on, with the two shows being run concurrently. Here’s how we rank the seasons of Stargate Atlantis…


5. Season One (2004 – 2005)

The first season of Stargate Atlantis sees a team of scientists and military personnel travel across the universe to the Pegasus Galaxy, where they find the lost Ancient city of Atlantis, as well as the race that destroyed the Ancients, the Wraith.

The first season has the Atlantis team stranded far from home, with no way of contacting Earth, let alone having any kind of back-up or support. This meant that the season was about trying to find a way to open up travel with Earth, and to make new allies in the Pegasus Galaxy.

This season is the bleakest of the five, with the isolation of the expedition giving it a very different feel to the later show. Despite having some very strong episodes, the season lacked a spark that made it really special, and decisions were made behind the scene to correct this going forward, including removing one of the main cast members to be replaced by Jason Momoa in the second season.


4. Season Five

The fifth and final season of the series had some truly great episodes, and managed to finally find its feet after the departure of Torri Higginson by bringing in geek favourite Robert Picardo to lead the expedition.

Whilst it did manage to tell some interesting stand alone stories, many of the season arcs were a lot weaker than in previous seasons. Coupled with a rushed conclusion and a baffling episode set in an alternate Las Vegas, the season, and the entire show, ended on down note.


3. Season Two

The second season of Stargate Atlantis made some major improvements over the first, it established a way of Atlantis to keep in contact with Earth, meaning that they had supplies and equipment, new supporting characters, and even had access to a battleship commanded by X-Files legend Mitch Pileggi.

The season also introduced Jason Momoa as Ronan Dex, the insanely tough renegade Wraith hunter who would bring some much needed energy to the show, going on to be one of the most beloved characters in the entire Stargate franchise.

The second season also saw the introduction of the retrovirus that would turn Wraith into humans, a story thread that would go on to be a major part of the show for the rest of its run, giving us one of the shows more memorable villains in Michael (Connor Trinneer).


2. Season Four

The fourth season saw a big change in the series, with the departure of Torri Higginson’s Elizabeth Weir, and bringing in Stargate SG1 main character Samantha Carter (Amanda Tapping) to act as the new leader of Atlantis. Since this was the first season of Stargate Atlantis to air since the cancellation of its parent show the move made a lot of fans happy, as it brought some of the legacy into the series.

Season four also saw some big story lines across its run, including multiple appearances from the Wraith Todd (Christopher Hyerdahl), the reappearance of Michael, and the resurrection (kind of) of Dr Beckett (Paul McGillion).

Thanks to some great character driven episodes, as well as some of the biggest action sequences the series had given to date, season four remains as a prime example of just how good the Stargate franchise can be.


1. Season Three

The middle point of Stargate Atlantis is easily its best, with season three delivering some of the best stand-alone episodes of the entire run, as well as introducing a number of elements that would go on to have massive effects for the rest of the series, including the introduction of Todd, the appearance of Pegasus Replicators, and the death of Dr Beckett.

A number of the episodes from this season made it onto my list of top Stargate Atlantis episodes, and were among the majority of those that just missed out on the top 10 spots. Even when at its weakest, season three delivers some of the best work for the show, and at its best provided the most heartbreaking character driven stories, and most amazing action sequences of the show.


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Monday, 19 February 2018

Looking Back At RoboCop



Originally published on Set The Tape

The original RoboCop is very much a product of its time, taking the violence and fear of a criminal future that pervaded much of the 1980’s, and pushing it to a level most films would try to avoid. Despite the extreme gore, horrific violence, and pervading lack of hope, RoboCop stands as one of the all time great movies from the decade.

Before the character of RoboCop would become watered down by two unsuccessful sequels, a mid-afternoon television series, and a much bemoaned remake in 2014, the original was a total surprise to audiences, combining together ridiculous moments of humour and satire with shocking violence, all with a very deep narrative about what it means to be human underneath.

People weren’t sure what to make of RoboCop when it was first released in 1987 (or February 1988 for UK audiences), though it quickly became a success, earning back four times its budget in the cinemas and cementing the career of its director, Paul Verhoeven.

It may have been this mix of tones that helped to make the film a success. For some it was filled with heavy comedic moments, others were shocked and enthralled by the violence, and some were drawn into the story of Alex Murphy (Peter Weller) being changed into a cyborg and struggling to regain his humanity and sense of self. RoboCop has more layers than would initially be believed, and this helped towards its popularity.


Despite being 30 years old and made with a relatively small budget of $13 million, the film still holds up well. Yes, there are some areas where the visual effects don’t quite hold up, such as with ED-209, but on the whole it looks spectacular, with the practical effects giving the film a very real and down to earth feel.

The fact that it isn’t a special effects heavy piece actually works to its advantage, and helps to tell the story. This is a version of future Detroit that is run down, besieged by crime, with poor citizens and people close to giving up, and not having big showy effects helps to realise this version of Detroit and to make it feel like a real place (despite none of the film actually being made in the real Detroit).

This is one of the things that makes the original RoboCop stand out against its recent remake. The grounded and more recognisable world of the 1980’s original compared to the high-tech and glossy vision of the 2014 remake means that it’s easier to identify with the human story within the film, especially that of Alex Murphy.

On that note it’s worth talking about the cast, all of whom are perfect for their roles. Peter Weller is astonishing in the lead role, able to bring more through his voice and chin as RoboCop than he was as the fully human Alex Murphy. Even before RoboCop removes his helmet in the latter scenes, you already know that there’s more going on beneath, that the real Alex Murphy is breaking through. Considering that the only part of the actor visible is the lower face, his voice has a robotic effect over the top of it, and that he moves in a very mechanical way, this is hugely impressive.


A large part of the success of the Alex Murphy story is the casting of Nancy Allen in the role of his partner Anne Lewis. Able to portray a hardened street cop in one scene, yet caring and understanding, almost motherly, in another, she acts as a perfect companion to Weller’s cyborg, giving him that real human connection to help the real him break through.

The film’s main villains, Clarence Boddicker (Kurtwood Smith) and Dick Jones (Ronny Cox), are incredibly well crafted, each playing a very different type of villain, yet working well together. Boddicker is the vicious street thug and gang leader, whilst Jones is the sleazy duplicitous corporate bad guy.

Smith may initially seem like a strange choice for a gang leader, with most people going on to remember him as the father from the 90’s sitcom That 70’s Show, he brings a level of sinister menace and subtly to the role that many films lack. As for Cox, he so perfectly fits the part of a corporate villain that its a role he would go on to repeat numerous times throughout his career.

On the face of things many would view RoboCop as an ultra violent shallow film, offering little more than guns and gore, but it has a lot more to say about corporate America, the decline of society and the rise of crime, and the human soul, than you’d initially believe. A great film with multiple themes, a sharp and witty script, and great casting, RoboCop deserves its status as a cult classic.


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