Scanners is one of those movies where even if you've never seen it you've heard about it, and likely you've seen a clip of it. We all know which clip, that very specific scene that's been used to sell people on the film since even before it came out; the head explosion. Perhaps one of the most famous shock moments in film history, it made Scanners into a film that is being remembered decades later, and helped to secure it's writer and director David Cronenberg as a creative with a unique vision. Like a lot of people, I'd seen that particular scene in Scanners, and it was about all I knew about the movie, and it's not been until Second Sight's new Blu-ray release that I've finally had a chance to watch this classic piece of cinema.
Scanners tells the story about a special group of people, people with psychic powers who have been labelled as Scanners. The Scanners are little known to the public, and it seems that the private military corporation ConSec are the only ones really aware of their existence; though ConSec are slowly starting to reveal the existence of Scanners as a product that people can purchase in order to increase security. However, there's also an underground resistance of Scanners, led by the cruel Darryl Revok (Michael Ironside), who want to recruit all of the Scanners to their side to revolt against humanity.
In order to combat Revok, Doctor Paul Ruth (Patrick McGoohan), the man who discovered the existence of Scanners and developed a drug that allows them to block out their powers, finds and recruits Cameron Vale (Stephen Lack), a homeless Scanner whose powers have forced him to live on the fringes of society. With help from Ruth, Vale learns to control his abilities, and agrees to help find and stop Revok, who's killing any Scanner who refuses to side with him.
Scanners is a fairly simple plot, and is more of a mixture of corporate espionage thriller and science fiction than horror; though it's hard to deny that the film employs plenty of body horror in its depiction of the Scanners destructive abilities. Having only known about the infamous head explosion scene I was surprised to find that this moment happened early in the movie, within the first ten minutes, but that it was not indicative of the movie as a whole. Scanners is instead a relatively slow burn of a film, one that seems more focused on how Vale learns to deal with the new reality that he's not crazy, and that he is one of a select group with unique powers.
The movie is fairly bleak at times, and the cold Canadian winter in which it was filmed in seems to bleed into the tone of the film at times, and you can feel the cold encroaching into the fabric of the film itself. It blends well with the general tone of people being forced to live on the fringes of the rest of humanity, people who have been haunted by their abilities, people who are lonely and hurt, people who are angry at the world around them. Whilst the setting of the early 80's feels very much of it's time the themes of the film still feel very relevant, especially in a time where we as a society still have marginalised groups who are targeted simply for being 'different' from the majority. I think that Scanners as a film, and the Scanners of the film, will be something that people from marginalised groups will connect with even now; even if that was not an original intent of Cronenberg.
Whilst much of the films content was something of a surprise for me, being a much slower and more introspective kind of story than I was expecting, when the time comes for things to get gory it very much feels like a Cronenberg film. There are some moments in the story when the Scanners use their powers to harm and kill others, and it would have been easy to make these moments feel subtle, such as having someone collapse with some blood running from their nose and saying that a Scanner gave them an aneurism or something like that. However, Cronenberg makes the Scanners feel incredibly visceral and destructive when using their powers, and rather than being able to surgically strike on their opponents they act more like a sledgehammer.
The film's conclusion illustrates this perfectly, and the extra features on the disc go into this in greater detail, revealing both how the gory effects were created, but also that much of what is seen in these final moments were additional shots and reshoots as the first ending was considered a little too tame. The effects used in this scene are shocking, due in part to the film having gone so long without something so brutal, and both Scanners who are locked in psychic battle have bursting veins, spouting blood, exploding eyes, and sudden combustion to contend with. It's this final, brutal moment that reminds the viewer that this is a Cronenberg film, and will leave you feeling both shocked and uncomfortable.
The new release features a 4K restoration of the movie, and it's looks fantastic. Having seen clips of the head explosion over the years I was used to seeing Scanners as grainy, almost grimy in its visual presentation, but Second Sight have outdone themselves in how good the film looks. Everything is crisp and sharp, the colours are bold, and effects work is even more impressive now that it can be seen in even greater detail. I love seeing these older films, which have mostly been shown in lower quality over the decades, given new life on Blu-ray where it feels like seeing it as it was truly intended to be seen, and those familiar with the movie will surely love being able to pour over every tiny detail like never before.
The new release comes with a pair of audio commentaries, one of which is brand new to this edition. The newest of these features Caelum Vatnsdal, author of They Came From Within: A history of Canadian Cinema, and is able to use his expertise to talk about the production of the movie and the impact that it would go on to have. The second commentary has film studies professor William Beard, who does a similar job to Vatnsdal, offering stories and information about the film. Whilst some people prefer to have no commentary if the people who worked on the movies aren't available to take part Second Sight seem to go out of their way to find well informed people who can at least offer decent insight into the films they're talking about, and the commentaries on offer here are educational, and for folks who know little about Scanners but want to learn more they offer a decent way of doing so.
Alongside the commentaries there are also a number of interviews with cast and crew, including Stephen Lack, Michael Ironside, Lawrence Dane, Mark Irwin, and Howard Shore. The interviews vary in length and quality depending on what it is you're hoping to get out of them. Lack, for example, comes across as very different to Ironside, despite them being the two leads in the film. Ironside goes into detail on what it was like to film, telling some amusing stories and coming across as incredibly charming, whilst Lack, who is more an artist than an actor, feels a little removed from Scanners, and comes across as less happy about his involvement in the film. There's about two and a half hours of interviews in total, spread across several cast and crew, so even if one isn't to your liking there will be some that entertain.
The new release was a great introduction to Scanners for me, and for fans of the film it certainly seems to be a great new release. The picture and sound quality are great, and make the film feel fresh and new. The extra features aren't incredibly varied, but it seems like Second Sight went out of their way to include what they could, and it means there's plenty to watch even after the film is done. Whether you're a long time fan of the film, or a newcomer like myself who's been hooked ever since seeing that head pop, this makes for a great watch.