'Mocha Memoirs Press is proud to present Slay: Stories of the Vampire Noire - a revolutionary anthology celebrating vampires of the African Diaspora. Slay is a groundbreaking, unique collection and will be a must-have for vampire lovers all over the world. Slay aims to be the first anthology of its kind. Few creatures in contemporary horror are as compelling as the vampire, who manages to captivate us in a simultaneous state of fear and desire.
'Drawing from a variety of cultural and mythological backgrounds, Slay dares to imagine a world of horror and wonder where Black protagonists take center stage - as vampires, as hunters, as heroes. From immortal African deities to resistance fighters; matriarchal vampire broods to monster hunting fathers; coming of age stories to end of life stories, Slay is a groundbreaking Afrocentric vampire anthology celebrating the rich cultural heritage of the African Diaspora.'
Slay: Stories of Vampire Noire presents readers with a collection of vampire stories that often get overlooked, stories that are important, diverse, and engaging; stories from Black voices.
One of the things that is made immediately clear with this anthology, from the very blurb on the back using the phrase Diaspora, is that even though the stories in this collection are united by their blackness, that there is a huge difference in how that plays out in these stories, and what it means to be Black for different people. Diaspora refers to the forced dispersal of a people from their homeland, in this case it would be of peoples from Africa during the Transatlantic Slave Trade that took place over hundreds of years.
This seems to play out in the division of the stories within the book, with three main sections that inform and influence the stories within, those set in the United States and Britain, those set in Africa, and those that look to the future. These sections take some very different experiences of being Black, and the hopes for Black communities in the future, and uses them to inform the work within.
The very first story in this collection, 'Desiccant' by Craig Laurance Gidney, lets readers know right away that this book isn't going to have stories that you'd be instantly familiar with if you don't read diverse fiction, and that not every vampire in these stories will be the kind you recognise. The story follows Tituba, a young Black trans woman, who's been forced to move into the run down and forgotten Bellona Heights Apertments after being thrown out of her last place thanks to the transphobic views of her sister's boyfrind.
Tituba is having to scrape by in a building where it's reinforced how little society thinks of her, a trans woman of colour. She receives scorn and muttered insults from the others who live in the building, and no one seems to take her seriously when she notices that she and other residents are getting sick. The cause of this sickness seems to be a strange rust-coloured powder that she finds coating many of the surfaces in the building, a powder that seems to sometimes move on its own, and comes out at night. Through her investigation she comes to believe that this dust is somehow draining the residents, leaving them sick and dying. Despite having figured out the cause of this sickness the story leaves Tituba facing this danger alone, knowing that no one will be coming to help her, because of who she is, and how little the world cares about Black bodies.
'The Retiree' by Steven Van Patten jumped out at me because it felt a lot like this was the kind of story that could both be the end of a longer series, and the start of something more to come. It follows Gideon Hastings as he is being taken to stay in a retirement home by his daughter Mona. Over the course of the story Gideon comes across as a grumpy, displeased man, one who isn't happy with where life has led him, or the choices his daughter has made. However, over the course of the story we learn that there is something more to Gideon than meets the eye.
It transpires that Gideon is an old demon hunter, one who has killed a lot of vampires and monsters over his younger years. However, he knows that one day the forces of darkness will be coming for him to enact revenge. Having made his home on consecrated ground he's been safe most of his life, but now that he's in a retirement home he's open to attack from these evil beings. Gideon's story here feels a lot like the final chapters of a series of monster hunting stories, one where readers finally get to find out what fate awaits a man who's never lost a battle against the forces of evil, but can't fight forever. It also feels a lot like this could be a great jumping on point to a series, a pilot episode for a show where a young Black woman discovers her father was a demon hunter and decides to take on his mantle and continue the fight following his passing. Either way, it's definitely a story where I found myself wanting to read more about Gideon and his family, and wanting to see more of the world that Steven Van Patten managed to craft in these few pages.
This kind of feeling was also present in 'Beautiful Monsters' by Valjeanne Jeffers, who's story felt like a small part of a much broader tapestry; and one that was instantly grabbing. In this story we follow Sanyu, a vampire living in the wild west style town of Passion, where monsters rule the streets. Passion is run by the Adze, a type of vampire from Ewe folklore, who oppress the other supernatural beings who live there.
Sanyu is a member of the underground resistance, who are fighting against the Adze to gain better rights and free the other oppressed supernatural beings from their evil grip. The story follows her over the course of a night where her mission goes wrong, and she's forced into open conflict with these deadly creatures. As with the previous story I talked about, this one feels like it's taking a small step into a much bigger world, one that brings together a number of different folklore's and myths in new and interesting ways.
'His Destroyer' by Samantha Bryant is one of my favourite stories in the entire collection, despite being one of the shortest included. The story follows Dienihatiri, a woman who has been beaten to death following the birth of her daughter, for having displeased her husband by giving him another daughter instead of a son. The story opens with her suddenly regaining consciousness wrapped in a burial cloth, left for dead. Crawling from her grave, she finds the streets of her home city deserted, but it is in this city, on the bank of the Nile, that she discovers a bright pillar of light in the darkness, a pillar of light that calls her it's destroyer.
Walking through the sleeping city she thinks of how Pharoah has been given chances to do the right thing, been given warnings from a higher power, but chose to ignore them. It's then that she realises that she's the punishment that has been sent upon him. Walking through the city she is driven away from the homes with blood above their doors, made to feel sick. But those that don't, she is drawn to, to the sleeping first born sons within, whose blood could help sate her desperate hunger.
The idea of throwing a vampire into the myth of Moses and Ramses II, to have a vampire created by the powers of heaven stalking through the streets, killing the first born sons of Egypt, is a bold move. I would have never have thought to combine these two ideas, but it really, really works. The idea of blood being what drives her away from certain homes, yet her desire for the blood of others that drives her to her targets is brilliant, and makes it so that I'll never look at this story the same way again.
Steve Van Samson's story 'No God But Hunger' that's included in this collection actually fits into his Predator World series, and features his character Mirhèla Nanji as she travels across the African Savannah tracking down a leopard. She and her companion are hunting the big cat down for food, trying desperately to survive in a world more than two decades into a vampire plague that has all but eradicated the human race. However, when the hunt goes wrong, Mirhèla finds herself fighting off a swarm of deadly vampiric children.
Slay: Stories of Vampire Noire brings together a lot more stories than this, and I could have talkes about how good they all are all day; but I had to draw a line somewhere. The stories in this book feature new tales that stand on their own, as well as stories that tie into bigger series and other novels. The stories subvert traditional themes and tropes, they draw upon African culture and heritage, and focus on a group of people that often don't get given the chance to star in this genre. We have Black vampires, Black vampire hunters, and everyday people drawn into nightmare scenarios, who get to take the spotlight in a series of stories that will have you adding a load of new authors to your list of people whose work you need to check out. A brilliant, and much needed collection.
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