Sunday, 23 April 2023

The Tyrant Skies: A Marvel Untold Novel by David Annandale - Book Review

 


'The infamous Doctor Doom must face his deadliest enemy, the evil Red Skull, to save his people and himself in this thrilling Marvel: Untold novel.

'Victor Von Doom has many enemies, but he has a special loathing for the Red Skull. When the Red Skull creates a flying haven for the billionaire elite who share his deplorable values, Doom prepares himself for the worst. When Latveria is beset by a rash of terrorist attacks, his suspicions are confirmed: the Red Skull is coming for Doom’s homeland. Now he must infiltrate the shielded microstate drifting in the skies above Latveria to save his people from annihilation. But finding a way on board the floating city is just the first in a series of trials that will test Doctor Doom to the limits of his beliefs, his strength and his powers.'

The final part of the fantastic Doctor Doom trilogy from Aconyte Books and David Annandale is finally here, and after battling the forces of hell in The Harrowing of Doom, and battling vampire-like monsters in Reign of the Devourer, Doctor Doom is facing his most evil and disgusting enemy yet, Nazis.

The Tyrant Skies follows on some time from the events of the previous book, and Latveria has begun to return somewhat to normal following the events of the last book. Not a huge amount of time has passed, as we open with the heroes of Latveria receiving a parade in their honour, celebrating the actions that saved the country. Doctor Orloff, who went through a huge number of changes in the last book, in particular is held up as an example of what it means to be a citizen of Latveria, willing to step up and fight, and to follow Doom without question.

During all of this, Doom's attention is turned to the new island nation of Wolkenland, who are petitioning the United Nations for membership. A new nation built for the rich and powerful, and promised as a place where the wealthy elite can hide away from the rest of the world, it already seems somewhat dubious; but Doom suspects it harbours something even worse. When the UN grants it membership, a membership that Latveria voted against the island vanishes.

Deep within Wolkenland it's leader, the evil Red Skull, uses the power harnessed from the Cosmic Cube to make his island nation into a fortress. A flying fortress that hovers now over Latveria. And this begins a war with the fate of both nations hanging in the balance as the Red Skull begins launching terrorist attacks upon Latveria, before initiating all out war. As Doom flies up to Wolkenland to deal with the threat, his people are left to fight the invaders on their soil below. But when Doom is captured by the Skull things begin to look dire for Latveria.

One of the things that I've loved about this series since the first book, and that David Annandale does so well, is that it makes Doctor Doom into a character that you want to root for. He's a villain. He's a character that has done some truly awful things over the years, and is considered one of the worst villains in the Marvel universe. There are some villains that you can walk back a bit, some characters who can have their villainy not only justified, but also acceptable (Magneto was right!); but can Doom really be one of them? Not really, no. But in these books he' definitely the hero.

Part of this is down to the fact that the people of Latveria that we're shown seem to approve of Doom. He took power through force, and is a dictator, but the lives of the citizens of Latveria seem to be massively better than under their last brutal leader. It's not always palatable to think of, but there are people thriving in Doom's Latveria who would have probably have just been killed under the previous regime. Making one of the main characters, and one of Doom's top people that he seems to have respect for be a queer trans woman was a huge part of showing that he might be a villain, but he's not a monster. It also helps that he does fight monsters in these books.

The first book has Doom tackling the forces of Hell, the second has monsters that would kill or convert everyone in their path. This book needs a villain that's on that level, a group that is as disgusting as that, that you don't feel bad seeing die at all. Nazis more than fill that role. Any decent person will agree that Nazis are scum, that they're a stain on human history, and anyone who identifies as a Nazi today is worthy of scorn and contempt. The Nazis in this book revel in hurting people, they enslave, they kill, they torture. They're led by the Red Skull, an actual World War Two Nazi. There's no moral grey here. They're scum. As such, when Doom and his people start killing them you actually feel fine about it.

Annandale puts a human face on the villains for this entry in the trilogy, but it's one that's barely a human face. We see the horrors that they perform, with the rich and powerful of Wolkenland coming to watch slaves being worked to death whilst they sip champagne. We see the fear that the Skull and his people bring with them as Orloff realises that as a queer trans woman she will absolutely be put to death if the Skull wins. These might be people Doom is fighting, but they're the worst of humanity. And him standing against that makes him a heroic figure.

It's tough reading these books in some ways, because you shouldn't like Doom. You shouldn't be seeing a decent side to a villain that has invaded other countries, that has experimented on aliens, that has killed thousands, and has literally sent a child to hell before. He's not a good person, but he might be the person that Latveria needs the most. I imagine that there are a lot of writers who would make him either too heroic, or too villainous, but Annandale leaves him in this middle ground where you can put him in either category, and yet both feel wrong. It's a complexity that you don't often get with villains, and one that can be a lot of fun when you do.

The Tyrant Skies marks the end of this trio of books, and some of the best comic book prose novels around. I hope that we can get more from Annandale with this character in the future, though I'd also love to see what he could do with other characters in Marvel. Give him a Magneto book that allows him to go this dark and this morally ambiguous and it could be the best one yet.




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Saturday, 22 April 2023

Batman/Superman: World's Finest #14 - Comic Review

 


Bruce Wayne has been accused of the murder of billionaire industrialist Simon Stagg, and now Metamopho is on the warpath to find out why. Can Superman and his new partner, Robin, get to the bottom of things in time?

The last issue of Batman/Superman: World's Finest ended on something of a surprise note, with Bruce on the front page of the Daily Planet, handcuffed and under arrest for the murder of a rival businessman. Thankfully, being incredibly rich and having the best lawyers that money can buy, Bruce is out on bail, and is able to return to the Batcave to try and figure out who's behind the crime. Unfortunately, he's also under heavy scrutiny and can't just vanish to go be Batman, so the actual legwork for the case is having to fall to Clark and Dick. I really enjoy Dick Grayson in this book, he's full of fun energy, and he works really well with Clark; so getting to see the two of them having some time together to work a case without Batman lurking around.

From here we follow Dick and Clark as they travel across the globe, looking for Rex Mason, Metamorpho. I love the image of Dick sitting on Clark's back as he flies, checking his tech for into and riding Clark like he's a form of transport. There are very few was for non-flying heroes to be flown around that doesn't feel odd, but this is just a funny image. It's also one that would probably feel a little disrespectful if it were anyone else, but because of the relationship these two have it just works.

The two of them eventually catch up with Metamorpho in Vensuela, where he's mashing up the robots of a local criminal in his search for answers. There's a great moment in this scene where a town gets set on fire during the fight and civilians are in danger. Metamorpho jumps into action, and keeps transforming into different things. The scene is accompanied by a commentary by Robin, who's explaining to the reader just what Rex is doing. It's really cool to see some of the versatility of the character, and the narration helps to make it clear what he's doing, and how his powers allows him to do it..

Whilst all of this is happening, Bruce recieves a cal from Oliver Queen, who's looking to work with Bruce on develoment of new AI tech. Ollie previously passed on this, and his sudden change of heart seems to surprise Bruce. Especially as he described some of Bruce's tech as fascistic; classic Ollie. This gets Bruce to look into other billionaire tech company leaders, and he begins to suspect that some people have been replaced. Clark uses his X-ray vision whilst at Stagg's funeral, and confirms that the man everyone saw die was in fact a sophisticated robot. After some investigation the heroes figure out that Professor Ivo is involved, and that he's likely forcing Will Magnus to help him.

Batman and Metamorpho head to Magnus' lab, where they find the Metal Men melted down into vats, somehow partially alive still, calling for help. Meanwhile Superman and Robin go looking for Ivo, and find a lab filled with half constructed robots, including an unfinished replacement for Bruce Wayne. The machines activate and begin to attack Robin, and Superman is unable to help him, as he comes under attack from a robot whose powers have been inspired by Metamopho, the Ultra-Morpho, who is able to turn its body into any element, including Kryptonite.

The final moments of this issue are fantastic stuff. You've got the horror of the Metal Men being melted down, their faces still visible in their vats, crying out for help, whilst Robin and Superman enter a room of robots in various stages of completion that look like a bunch of Terminators. And of course, Dan Mora has given us another fantastic new design in the form of the Ultre-Morpho. I've been a big fan of Mora's work ever since I saw him working on Mighty Morphin Power Rangers, and have loved seeing him work on DC's roster of characters; but there's something about the Ultra-Morpho that feels very tokusatsu inspired, and reminds me of that previous work. I love it.

Mora's art is incredible throughout, and the way he draws the shifting and altering nature of Metamopho's body is some of the best depictions of the character I've seen. Half of the panels he's in there's some part of him that's in motion, that's changing into something else, and it keeps the character feeling alive and interesting. The scene where he's saving the town by shifting into different things also looks fantastic. 

The next issue looks set to be pretty big, and it seems like the team are going to have their hands full dealing with this new enemy. But, if they can fix the Metal Men in time they'll at least have some extra allies. Plus, it'll be cool to see the Metal Men in action in this series. 




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Friday, 21 April 2023

Wonder Woman #798 - Comic Review

 


Lazarus Planet: Revenge of the Gods is drawing closer to its conclusion, and the latest issue of Wonder Woman sees Diana and her allies clash with the forces of Olympus for the first time as the war kicks up a notch. 

A lot of this issue deals with the fight between Diana and Hera, so there isn't a huge amount to talk about. There's some stuff before the combat kicks off where the assembled heroes have to decide if they want Ares on their side, but they're so out gunned that they kind of have to take him on. There's a fantastic image of them all standing together, ready to face the forces of Olympus that's a really cool moment that I think will be one of the more memorable moments from the event; but this issue also has a couple of other moments like that too a it manages to pack a lot in.

Diana fights Hera one on one in order to settle things, hoping that she can spare her friends from having to get involved. The fight goes back and forth a couple of times, but it soon becomes clear that Diana just doesn't have the strength to stand up to the Queen of the Gods. Diana lays bloodied and broken, looking like this might be it for the brave Amazon; until Mary comes to her aid. Giving over her powers, she gives them to Diana, transforming her into a Shazam powered Amazon.

This is where things get a bit confusing for me if I'm being honest. The image of Diana with Shazam powers is pretty cool, but the other characters talk about it like it's never been seen before. Just a few months ago Black Adam gave everyone, including Diana, Shazam powers at the end of Dark Crisis on Infinite Earths so it kind of has been seen before. They also say that she's now become a god, but I thought that she'd already been made a god by Hera in the first issue of the event. Perhaps I've missed something, and that wasn't real, or she had her godhood taken back, but even so, why does the Shazam powers make her a god? Are Mary and Billy gods whenever they transform, or is this just a Diana thing, and if it is just a Diana thing, why? Either way, Diana is now powered up, has the Shazam abilities alongside her own powers, and is refreshed and healed enough to go into battle with Hera once again. 

That's where the main story ends, but the back-up feature gives us a little extra to the point where it's just the next part of the tale. After gaining her new powers Hera runs away from Diana in order to regroup with her forces and plan her next move. This gives the heroes a chance to have a bit of a breather, and for Diana to talk to Mary. Not only does she thank her for giving over he powers, but she tells her that when she did she got to see some of Mary's past, and how she's had a rough life. She tells Mary that coming through that like she did, and being such a kind, caring, heroic woman makes her a marvel.

She also gives Mary a gift from her Amazon sisters who Mary helped out in previous issues, equipping her with some tools that will give her flight, speed, and enhanced strength, so that she can stay in the fight. It's here, fighting alongside Diana, that Mary decides to give up the name Champion of Shazam, giving it over to Billy, instead declaring herself to be Mary Marvel. So, this is one of those moments I was talking about earlier that I think is going to stand out in this story. I still think of Shazam as Captain Marvel, I think it was a better name for him, and hate that the alternative name was just his magic word. I'd be more than happy to see the return of the Marvel family. So, Mary choosing to go by Mary Marvel, and picking that name because of how Diana described her as a person, is absolutely awesome to me. Mary went through a whole mini-series proving to herself and the audience that she's worthy to be the champion, to wield the powers, and now it feels like she's also forging a new path under a name unique to her.

This issue does a lot to move the story forward, and I honestly don't know how people who'd be reading the main event but not Wonder Woman would keep up with things, because this is some game changing stuff here. It feels like we're ready for the final push now, and that the next issue will absolutely put this war to bed. 




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Thursday, 20 April 2023

Nightwing #103 - Comic Review

 


The Titans are going to hell! With the plan hatched last issue that the best way to get Olivia out of the contract with Neron is to do a hell heist Nighting, Raven, Beastboy, and Cyborg head to the underworld whilst Donna Troy, Starfire, Batgirl, and Bitewing take Olivia to Themyscira for some training.

The adventure in Hell is quite enjoyable to read, it features a surprise appearance from Blaze, who gets into it with Neron, but most of the fun comes from watching the guys try to find Olivia's contract in Neron's palace. There are some decent jokes mixed into things, such as Cyborg being horrified by the amount of icons on the computer desktop, the pop-ups, and phishing scams that keep bombarding him. I love that Cyborgs hell would be outdated software, bad PC management, and viruses that he just couldn't avoid. This part of hell wasn't designed for him, but it does feel like somewhere where he could get sent to drive him a little mad.

Whilst in Hell we also discover that Olivia's mother is Jezebel Jet, a character who Nightwing has some familiarity with thanks to her dating Bruce at one point. I like the small nods back to Morrison's Batman run, and the events of Batman R.I.P. that Nightwing drops here. The characters also acknowledging that Bruce definitely has a type, and that type is seriously unhealthy, is very much appreciated as someone who has to read about his terrible relationship attempts.

Whilst all of this is happening, the women take Olivia to Themyscira, and start teaching the super powered girl how to take care of herself. I love that this isn't just a 'kids need protecting, take them somewhere safe' story, but that they're helping the girl to learn that she can also take care of herself and doesn't have to bee the damsel in distress. I also really like the fact that Babs and Kory get along, and appreciate each others strengths. Too many shippers who pair them up with Nightwing seem to want the two women to hate each other because of Dick, but it makes a lot more sense that they'd get along. They don't have to be best friends, but they'd certainly be adults about things. 

Unfortunately, Nero sends more folks who owe him favours to try and get Olivia, and the Grinning Man, Doctor Polaris, and Gorilla Grodd attack the island. Much like with the last issue, the Grinning Man uses his abilities to get close to Olivia, appearing as Wonder Woman this time, and manages to land a hit on the kid, kicking her off the page. Between that and him just throwing her through the air last issue it's becoming something of a running gag of him just knocking this indestructible child around. 

Towards the end of the issue, when the rest of the team head off to help with the fight, Dick gets confronted by Neron as he figures out a loophole in the contract. Only one of Olivia's parents signed. So Dick has Bludhaven council make him her foster parent, and he refuses permission. Knowing that he's about to lose the contract, Nero tries another gambit, of making a deal with Nightwing. And so the issue ends with Nightwing becoming Superwing, in a fancy new suit. Will he be tempted by super powers and agree to send a child to hell? Yeah, that's absolutely not going to happen, so there's no tension in this ending; but the new design is pretty fancy looking at least.

The backup feature continues the story of Nightwing training Jon Kent how to be a detective, and we find out who cut the rope that led to the circus accident. The sudden revelation that the last panel from the issue before was a red-herring makes the actual perpetrator kind of obvious, but the story doesn't rely on the who to get you invested here, but the why. Yes, it's an absolutely ridiculous plan that could have gotten people killed, but that's the kind of thing a kid would do without thinking things through. So I kind of believe that that would happen. I also really like how Dick can see that kids point of view, even though his experience with the circus was completely different.

This story has done a good job at connecting to Dicks past in a thematic way, rather than having it happen at his circus, or involve people he knows. It relates to him, but doesn't tie to him, and that's one of the best approaches for this. And I enjoy the way that Jon is learning from him, and how it's making him feel like he can be a different kind of Superman than his father. Though, there's still the question of who planted the bomb; which we might find out next time. 

The new Nightwing era continues to be an enjoyable one, one that features the Titans in heavy roles, yet still manages to keep a lot of the focus on Dick and the characters from his book. He's still leading things, he's driving the story, and Olivia is connected to one of his villains. It's managing to walk a fine line between being a Nightwing story with a large extended cast, and being a Nightwing focused Titans story.




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Wednesday, 19 April 2023

The Flash #797 - Comic Review

 


For those who loved 'One Minute War' and were eager to see what comes next, you're going to have to wait another issue I'm afraid, as this time we get treated to a story set during the events of The Flash annual, that focus on Ace looking after Irey, Jai, and Maxine; and the adventure that they get dragged into.

Picking the kids up after school after agreeing to watch them for Wally, Ace watches on helplessly as the three of them are pulled out of reality. The kids are dragged to another time and place, where a group of villains from their futures have gathered together to eliminate them thanks to the power of a magical stone that makes peoples wishes into reality. There's an odd mix of villains here, some that we'll probably never actually see in regular continuity, which is a shame as I'd absolutely love to see more of Reverse Grodd.

The three of them have some help, however, as an alternate universe version of Jon Kent and Damian Wayne, the Super Sons, arrive to bail them out. The five kids are able to get away from the villains, and come up with a plan to try and take them down and return home. Meanwhile, Wallace goes to Mr Terrific for some help in tracking the missing children down and bringing them back.

This is a bit of an odd issue in the sense that it's a lot of fun, but there isn't much here in regards for stakes. This is set during the events of another story, we know what comes after it, so we know that there's not going to be anything earth shattering or status quo changing; however, it is a lot of fun so you do have a good time with it. The inclusion of the Super Sons makes this very enjoyable too. 

The Super Sons are a popular duo, and the choice to age Jon up has upset a lot of fans over the years as people feel like the dynamic has been changed a lot. Even Damian has grown up a lot since those days and matured. But here we get to turn back the clock a bit and enjoy the two of them being fun kids again. And whilst these two might not be our version of Damian and Jon, it does showcase their relationship and friendship in a wonderful way. Damian is being a bit of a dick, as he does, and Irey doesn't like him. But, she gets a bit of a talking to from Jon, who explains the life Damian has had, growing up trained to kill, choosing to turn his back on that and to be a hero instead, and describes Damian as 'the strongest person I know'. The strongest he knows. His dad is Superman! Stuff like this is why I adore Jon and Damian.

The book also looks fantastic thanks to art from Serg Acuña and Tom Derenick. The two styles don't really mesh, and are quite different from each other; but they're both enjoyable and bring something different to the table. Out of the two I prefer the art from Acuña, and love the sharp lines and flair that he brings to the characters, and it's lovely to see characters like Damian and Jon drawn in that style.

Overall, this felt like a bit of a throwaway adventure, and in most series an issue that didn't really do much or have much impact on the world would feel like an issue wasted; but this is Jeremy Adams' run on The Flash, where every issue, even those that feel like one-off's are an absolute joy to read.




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Tuesday, 18 April 2023

DCeased: War of the Undead Gods #8 - Comic Review

 


And thus, the DCeased universe comes to an end. At least for now. The journey to this point has been long, beloved characters have been lost along the way, new heroes have been born, legacies continues, and enemies become allies as the fight for life itself has torn the galaxy to pieces.

At the end of the last issue a cure for the anti-life infection was administered to the attacking forces, led by the twisted New Gods. Along with this, our heroes had gained some powerful new allies in the form of a thousand newly freed Kryptonians, and a new host for the Spectre. Even Darkseid, the man who caused all of this, ends up coming over to the side of the angels (for now at least) in order to get revenge on the thing that made him a puppet; Erebos.

With only a single issue left to wrap everything up I was hoping that this might be an indication that the series was going to continue, that we'd get another mini-series that would deal with taking the fight to Erebos and putting an end to things once and for all. But, it seems like a single issue is all that was needed to do this. And surprisingly, it didn't feel rushed at all. The pacing was decent, with enough time to give us some smaller character moments, time to outline the plan in a clear way, to go up against Erebos, and to say goodbye to one last hero.

In order to beat Erebos, Damian consults with the Black Racer and Cyborg, and comes up with a plan to use a Life Equation to fight the Anti-Life Equation. It's a bit complex, and the story does kind of gloss over some of the details; but all that we need to know is that Damian is smart enough to figure stuff out, and is able to put the key to beating Erebos inside himself. As the rest of the allied warriors, including Ares and Darkseid, take on Erebos in his realm of death, Damian takes Warworld inside the massive monster and allows the power inside him to detonate.

And this is where the main gut punch of the book comes in. Damian has to sacrifice himself to do this. It becomes clear that this is his plan earlier on in the book, when he and Cassie have a goodbye, and when in a moment when Jon tells him 'We're going to win tomorrow, and we're coming back' Damian simply agrees 'Yeah. We're going to win tomorrow.' Before is even happens I knew it was coming, but it doesn't stop it from hitting hard. Especially as it calls back to those very first few issues of DCeased

As the heroes try to talk Damian down from his sacrifice play over the radio Damian reminds Ollie what he said to Bruce the day he died, 'Batman isn't going to be taken out by a virus. You're not going to get sick and fade away. You're going to sacrifice yourself for the galaxy outwitting an evil as old as the stars or something.' Is this a happy coincidence, or did Tom Taylor know all the way back then what the final ending was going to be? Either way, this moment shows just how much this version of Damian has grown into the mantle, and how whilst he's his own version of Batman, he is very much still Batman. But, this isn't the only heartbreaking nod to the beginning. Jon comes to be with Damian in his last moments, able to survive and escape what's about to happen. He doesn't try to stop his friend though, he just sits beside him and tells him 'I thought I'd just sit here. So you're not alone.' the same thing that he did for Damian when Bruce died. 

It's these character moments that make this ending work. Would I have liked longer with this story? Yes, absolutely, but if this stuff is what we get instead it's a decent trade. We also get Alfred visiting the universe that Damian's sacrifice makes, watching out over a galaxy shaped like a bat. And there's possibly my favourite Guy Gardner moment in years when he mocks Darkseid, gets knocked down by Omega beams as a punishment and responds with 'Poking fun at Darkseid was a level of stupid that even I'm self-aware enough to realise.' 

This was a fitting end to this series, a series that's about death and destruction on a galactic scale, where beloved heroes have died, where you've been made to fall in love with villains only to lose them too, where humanity has come to the brink of destruction again and again; and in this issue it's an act of sscrifice, one death given willingly, that brings peace and life to the universe. That's better than any huge super hero battle could have given us.




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Star Wars: The Bad Batch (Season Two) – TV Review

 


Originally published at Set The Tape


The first season of Star Wars: The Bad Batch was something of a bitter-sweet thing. For many fans of Star Wars: The Clone Wars it felt like both a continuation of the series we loved, and the sign that it had come to an end.

Yes, we’d seen the final moments of the war play out in the series’ seventh season, but the opening episode of The Bad Batch beginning with the series’ logo burning its way through The Clone Wars logo made it clear that despite featuring some characters from the previous show, and being done in the same art style, this was not really a continuation, because there was no more Clone Wars. Instead of following galaxy-wide war, this new series shifted focus to a small group of clones gone rogue, the titular Bad Batch (all voiced by Dee Bradley Baker). Across the first season we watched as the team became a family, adopted a girl to protect, lost a brother, and fought for a place to exist within a galaxy that didn’t want them.

The second season of The Bad Batch begins much the same way, with the team simply trying to get by the best they can. Some time has passed between seasons, with the Batch having customised their armour a bit more to further step away from the Empire, and Omega (Michelle Ang) having gown her hair out a little and progressed in her training. The team seems to have fallen into a more relaxed way of working with each other, and it really does start to feel like they’re less of a squad, and more of a family.



Over the first several episodes we spend some time focusing on each member of the group, and the series almost seems to be teasing ways in which the team could be finding their own interests, and places where they could one day settle down, whether that’s Tech finding out he makes a pretty good racing pilot, or Wrecker making friends with the Wookiees. We even spend some time away from the team to check in with their wayward brother, Crosshair, as he undertakes missions for the Empire. For the early parts of the season it’s this look at Crosshair that’s the most impressive, both visually and from a storytelling point of view. We begin to see the real divide forming inside the Empire between the old army and the new. Stormtroopers are replacing the clones, and the clones are being used as expendable assets to be thrown into danger instead of as living beings.

Whilst the early episodes that focused on the main team fell into what could be described as an ‘adventure of the week’ pattern, we get interrupted from our adventures at the halfway point in the season with a two-part story that further explores the lives of the clones in a wider way. We get to see how the Empire as a whole is changing, moving further away from the Republic, how it’s affecting every clone, and what the wider galaxy thinks about it. With the first of these two episodes not even featuring any of our series stars, it becomes the first hint that the series is not operating in a vacuum, that despite wanting to find a quiet life for themselves the Batch will never be able to escape the ever encroaching nature of the Empire.



The final six episodes of the season mark one of the best runs in Star Wars animation as the show brings back The Clone Wars threads that have been left hanging for 13 years (I screamed at my TV at this), pushed members of the team like never before in emotionally impactful stories, and gave us what is best described as their Empire Strikes Back moment of despair and an ending that leaves you feeling shaken. If the show doesn’t come back for a third season after this I will not be forgiving Star Wars.

The first season of The Bad Batch was a really entertaining show, but that almost felt like all it was, just entertaining. I had no major criticisms of it, but it never felt like essential Star Wars viewing for me. And at first the second season felt similar. It was telling good stories, but nothing that wowed me.



But it feels like the show-makers knew that, that they wanted viewers to think that season two would give them much more of the same as the first before it pulled the rug out from under them. This season tells the best stories this group of characters have ever been used in, and much like Star Wars: The Clone Wars and Star Wars Rebels, the show seems to have taken a while to find its feet and figure out what kind of show it’s going to be. If The Bad Batch carries on being what it is in the final stretch of this season for upcoming ones then it’s going to be one of the best Star Wars projects for TV.

This series not only marked an improvement in writing, but in animation too. There are a number of episodes where the show looks absolutely gorgeous, and this style of Star Wars has never looked better than it does here. There are several episodes that seem to not only have improved upon the style of animation, but pushed it in new ways. Atmosphere physics and tiny details that make the worlds we visit feel real and alive turn interesting moments into ones that make you stop and say wow. Comparing the very first times we saw this style of Star Wars animation to now, it’ incredible how far it has come, and how gorgeous The Bad Batch gets to look.

If you’re a fan of this group of characters there’s a lot to enjoy with this new season. Things have never been more exciting for the Batch, and the costs of their adventures have never been higher. This season will make you gasp out loud at some of the twists and turns it makes, you’ll laugh along with our heroes as they get to have fun and let their hair down, and you’ll cry too. This season does not play around. It has big plans that are tying into some major things happening in Star Wars right now, and it feels like this is only just the beginning of where this story is going to go.




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Saturday, 15 April 2023

Lazarus Planet: Revenge of the Gods #3 - Comic Review

 


Diana has been tricked and betrayed by the gods, and Billy Batson has had his powers corrupted by the cruel Wizard Shazam. All hope seems lost as the gods wreak vengance and fury across an Earth that has forgotten them. But it's when things look their darkest that hope returns, as the fight against the Gods gains some allies in Lazarus Planet: Revenge of the Gods issue three.

This issue begins with Diana returning to Earth after escaping the gods, only to arrive in a Washington DC that's in flames thanks to the mythological creatures that have been tearing through the city. Reduced to tears at what has happened, and blaming herself to the destruction, she's met by Cheetah, who's the person to pick her back up and comfort her, spurring her on to get back into the fight. I have to be honest, I absolutely love seeing Cheetah not only as Diana's ally, but as a friend. The two of them work really, really well together, and the image of goddess Diana on her knees in the ruins of the city, barely stopping herself from crying, whilst Barbara wraps her arms around her and tries to make her feel better is fantastic, and I absolutely love it. I really, really hope that Cheetah gets to continue being an ally to Wonder Woman going forward, and that this is a relationship that continues to grow and evolve; rather than having her revert to being a villain again.

Back on Olympus, Billy is locked in a cell, and every time he calls upon the power of Shazam his transformed body becomes a withered, weak man. Hecete arrives to help him, however, and along with the help of Yara Flor, they're able to get Billy out of his cell. Using magic to disguise him as a priestess, they're able to meet up with Hippolyta, who grants Billy her power. This part of the book is interesting as it gives Billy the chance to see a bit more of what the Gods are like. His powers have come from the Gods, but he doesn't interact with them as much as a character like Wonder Woman, and doesn't really see them as the dicks that they are. This is an experience that gives him that perspective, that shows him that they're as petty, power hungry, and vindictive as humans. It's also fun to see Billy pretend to be a woman, and getting a bit weirded out by it (here's hoping it cracks an egg and we get a trans Shazam).

Back on Earth, an army of gods and monsters come after Diana, but she gets joined by her allies, Sigfried, Steve, and Etta, and Yara and a newly powered up Billy come along to help hold back Olympus' forces. As the battle rages, the mysterious hooded figure that's been skirting events the last few issues arrives on the scene, and reveals himself to be Ares, the god of war. And he seems ready to fight with the heroes against the other other gods. Ares has a pretty cool design here, and I'm sure that he's helping out for his own nefarious purposes, but it's cool to see him being an ally to Diana for this story, rather than an antagonist once again. It would have been an easy choice to put his with the other gods, but having him side with Diana is much more interesting.

The back-up feature takes us back to Theymscira, where we check in with Queen Nubia and her forces, fighting the armies of the underworld. Some of the key players, such as Nubia and Faruka have grabbed some magical artefacts to help hold back the undead, but things aren't going well for the Amazons, and they're losing troops. Whilst the fight is going on Phillipus has ran off to Hippolyta's statue, and is begging the Amazon Goddess for aid. Ready to take her life in order to pay the gods for help, she's stopped by her lover arriving from Olympus. Hippolyta isn't alone though, as she's been building a resistance amongst the gods, and is joined by Artemis, Hestia, Aphrodite, Demeter, and Athena. Now having six gods on their side, the Amazons mount a counter attack against Hades and his army.

The back-up is one of those stories that I wish had it's own book. The story we're getting here is so cool, and it has some fantastic character moments like Faruka slicing through the undead, or Nubia threatening to kill a god. I want more of stuff like this, and whilst what we get here is great, it's a shame it has so move at such a fast pace in order to fit into the back of the book.

Lazarus Planet: Revenge of the Gods is proving to be a really fun, interesting little event. It's taking Wonder Woman and the characters from her books to some interesting places, and seems to be willing to change the status quo. Billy is getting a new experience with the gods, and I can't help but wonder if this is going to be a big part of his set-up for his new series, and a possible new outlook for him. Fans of Wonder Woman are really missing out if they're not picking this series up.




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Friday, 14 April 2023

Predator #2 - Comic Review

 


The new series of Predator has taken a different, yet familiar turn to the last series (also named Predator) by dumping us on an alien planet filled with soldiers and fighters for a trio of Yautja to stalk and hunt in order to hone their skills. Whilst the book is taking heavy inspiration from the Predators movie, it has added a neat little twist into the tale with this story, the humans dumped onto this remote hunting ground are from different times. It appears that the Yautja are keeping people in stasis, and letting them out to hunt. There's a mix of people here from the 1980's through to the 2050's. It does feel like an interesting new dimension to the scenario, though it would have been fun to have seen it pushed further; throw in a World War Two solider, or a samurai to mix things up a bit.

With the group of disparate fighters gathered together under the leadership of Theta, an experienced Yautja killer, it finally feels like the group might have a chance of survival. The humans begin a long trek through the alien jungle, following their new leader as she promises to lead them to safety. Unfortunately, Theta did kill one of the hunters, and now the other two have the groups scent, and an incentive to come after them even harder.

A good portion of the issue is given over to following the group as they follow Theta, giving the characters a chance to finally catch their breath and try to make sense of everything that's happened to them. Some of the characters start to form some early bonds, and a pair of soldiers from the 2020's seem desperately hoping that the Yautja have access to time travel so that they can get home, rather than it being stasis. The desperation that the two of them, a married couple, show makes me think that we're going to learn that they had family waiting for them back in 2020, probably a child.

When the group finally arrives at Theta and Paolo's ship, the Sandpiper, they come under attack from the alien hunters. One of the group rushes inside, and uses some tech they've got with them to take over the ship and fly it away, leaving everyone else stranded. Theta rushes into battle with one of the creatures to buy the others some time to escape, and loses an arm in the process. We last see Theta on her knees in front of the monster, it's weapon raised ready for a killing blow. Meanwhile, the other humans are suddenly swarmed by a bunch of the River Ghost aliens.

Things seem kind of hopeless for the humans right now, and the next issue could see a lot of casualties. However, I do think that it might be a bit of a misdirect, and I think that the River Ghosts are going to be a big part of that. I don't think that we're going to see them swarm and attack the humans, but go after the Yautja instead. They're prey too, and a group of them attacking one of the hunters together might give them the edge they need to take one down. I think that we might see them inadvertently come to the aid of Theta, giving her the time she needs to live. I don't think that she's going to be dying so quickly, not with her seeming to be the main focus of the Marvel Predator books. She may have lost an arm, but I think we're going to be seeing her getting another machine limb like her leg.

After a very hectic feeling first issue it's nice that this one has slowed down a little and given readers a chance to catch their breath. The character moments we get are decent enough, and a few strong personalities are starting to come through from some members of the group. There's the mystery of why a barman was taken along with a bunch of soldiers too, and I'm just hoping it's not the same kind of bad twist as the Topher Grace character in the movie. 

The art on the book, by Netho Diaz, Belardino Brabo, Roberto Poggi, and Erick Arciniega, looks good, and I prefer it to the previous Predator title. The environments look good, the rain effect that's throughout most of the issue adds atmosphere and gloom to an already gloomy situation. The characters are all distinct from each other and have a decent level of detail. But it's the aliens that really stand out here, with both the Yautja and River Ghosts looking superb. The final image of the book of the River Ghosts bursting out of the jungle and flying towards the humans is gorgeous and nightmarish at the same time.

I wasn't sure about this particular story with the first issue, as it felt like a lot of retread, and whilst I'm still not totally blown away by this arc, the second issue has definitely improved my opinions of it, and has gotten me interested in seeing what happens.




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Thursday, 13 April 2023

Superboy: The Man of Tomorrow #1 - Comic Review

 


We're in a good time for fans of the Superman family. There's Action Comics big showcase of all of the characters, a new creative team on Superman, Jon has his own series, and Steelworks is coming soon. And now we also have Conner leading his own story in Superboy: The Man of Tomorrow.

Our story begins with Conner trying to help out the folks of Metropolis by stopping Doctor Polaris from causing chaos. But, When the two Supermen and Supergirl show up to handle things it doesn't really leave much for Conner to do, and he begins to feel a bit like he's not needed. Heading back to the Kent farm, he chats with Ma and Pa about trying to find his place in a world that was recreated without him (Crisis shenanigans never make it easy for our heroes), and Pa tells him that he just needs to find a place that needs him, to expand his horizons.

So, Conner heads to the Fortress of Solitude to scan the Earth for distress signals that he might be able to help with. But it looks like other heroes have things covered pretty well. That's when he gets the idea, what if he expands his horizons even more? Scanning the galaxy, Conner sees that there are thousands of distress calls out in space, and decides that maybe he can help people beyond Earth. Grabbing a teleport bracelet from storage, he transports to a world under attack from the Dominators; but finds himself going up against cloned super beings set on destroying an innocent world.

The story for Superboy: The Man of Tomorrow is really enjoyable, and one that feels natural too. There are a lot of heroes on Earth, and a lot of members of the Superman Family (just look at how many books there are for S-shield wearing heroes right now), so it makes sense for Conner to be unsure of where he fits in or what his role in the world is. He mentions about the world having been remade without him, about having existed, then not, then coming back, and it really highlights some of the downfalls of the Crises that have happened over the years. that DC's continuity is a bit of a mess at times. I love this universe, and the characters, but sometimes trying to keep track of what happened how and when can be a nightmare; and it looks like it's that way for the people living there too.

Conner feeling conflicted about who he is has always been a small part of his character, thanks to being part Luthor, but thanks to all of the reality changes it's come to the forefront for him. Wanting to get away, to start afresh, and to be a hero out on his own feels like the right step for his story. Thankfully, the universe is a huge place, with a lot of problems that need solving. 

The action on the alien planet are the real highlight of the book, and feature the best moments. Conner arrives on the other world and is immediately mistaken for another invader, and so decides to make it clear that hes a hero, tearing through enemy ships in an instant. Unfortunately, this means that the enemy has to unleash even worse foes for him to fight, and he gets attacked by a trio of super powered aliens. I really like the designs of these three, and there's some familiar design elements to them that's fun to try and pick out. One of the aliens looks like Despero, but has cybernetic parts to him, and another looks very much like they could be from the same species as Green Lantern R'amey Holl, but has a clear skull like the Fearsome Five villain Psimon.

The aliens are experiments made by a purple Dominator who seems keen on splicing powers from other beings together (probably explaining how his troops seem to be be combos of things we've seen before), and give Conner a pretty rough time of it. There's one moment where in order to deal with the bad guys he has to unleash a huge wave of power from his tactile telekinesis; and I loved this. This is one of the powers that's unique to Conner, but tends to be the power that a lot of people forget he has. It's hardly ever used, with him just becoming another standard Kryptonian, so it's great not just to see it, but to see it absolutely wrecking shit up.

The Dominator unleashes dozens of these powered troops to deal with Conner, and it looks like he's going to be completely overwhelmed; until help arrives in the form of three heroes, the Cosmoteers. This trio, consisting of someone who seems to have powers similar to Atom Smasher, a person with a big cybernetic gun arm, and a speedster, seem to be heroes, though killing is a line they're willing to cross. It looks like the Cosmoteers might be a group that Conner will be able to work with going forward; not least because they also rock around in cool leather jackets like him. As far as first issue set-ups go, this is a fantastic issue that moves with a hell of a pace, packs a load of stuff in, and puts Conner in a position where it feels like almost anything can come next.

Whilst the story is fantastic, I have to give some time to gush over the art, by Jahnoy Lindsay. The book looks absolutely gorgeous. Opening it up and flicking through the pages will absolutely grab people, because every location and character in this issue looks fantastic. Conner looks the best he ever has wearing this version of his costume. I've never been a big fan of his bodysuit and leather jacket, but Lindsay makes that look absolutely work for me. He looks cool and dynamic, but more than that he looks incredibly expressive. Lindsay makes Conner look young here, he's got a brightness to his face, with his big blue eyes and gentle features that sells that he's a teen. He has a vulnerability to him in some scenes that doesn't come from the writing, but the way he's drawn. Lindsay sells the emotional journey that Conner is going on in this book, and you can't help but feel for the kid.

I absolutely loved all of the designs we get when we hit space too. There are elements of the alien planet that reminded me of Namek from Dragonball Z. The way the environment looks, and the designs of the buildings could easily slip into that universe. And when the bad guys arrive their jump suits have a very Freiza Force look about them; and I'm pretty sure their boots are just the Saiyan boot design. These are either intentional nods from Lindsay, or subconscious design choices, but either way, I love it. It gives the book that same feel of going off on a space adventure against dangerous foes that that particular part of the Dragonball saga had. All of the Dominator creations look fantastic too, and I'm hoping that not all of those we saw here were killed by the Cosmoteers, as there were some fantastic designs amongst them. 

Another small detail that I loved is that all of Conner's internal monologue boxes were sewn on patches. The red and yellow, with the tiny lines that show stitching match the look of Conner on the front cover, and how he's stitched his S logos onto his jackets. It's a tiny touch, but it helps the book to stand out, and for Conner to feel different from every other narrator.

Superboy: The Man of Tomorrow proves to be a hugely engaging, creative, and beautiful book. It's easy to see how it won the Round Robin competition, as everything about it feels fresh and new, and I can't wait to read the next one.




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