Wednesday, 18 June 2025

Yan: Vol 1 by Cheng Sheng - Blog Tour

 


'Winner of the Golden Comics Awards and a standout of Taiwan’s rising comics scene, Yan Vol. 1 is a haunting, genre-bending journey from master storyteller Chang Sheng—creator of Oldman and The Hidden Level. In this stunning first volume, the echoes of Peking Opera performances 30 years past linger in the shadows of a story that begins in tradition and spirals toward a dark, speculative future. The tale unfolds across eras—starting with a tragedy in the richly detailed world of late 20th-century Taiwan, stepping into the present day, and glimmering with the foreboding rise of a dystopian tomorrow. 

'Declared dead in prison records, Yan Tieh-Hua mysteriously returns to Taipei, reigniting the investigation into a decades-old massacre—her own family’s. As she carves a bloody path toward vengeance, Detective Lei is drawn into a chilling spiral of cold cases, supernatural events, and impossible truths. Alongside Yan is Higa Mirai, a young Go prodigy with the uncanny gift of precognition, adding eerie weight to every move made. With sharp moral tension, brutal action, and a uniquely Taiwanese swagger, Yan is more than a mere quest for revenge—it’s a vision of justice that questions what lies beneath our choices, and what might come after humanity loses control.'

The very first thing that anyone is going to notice about Yan is that it's not your average manga book. I was surprised when I was sent my copy that the package it arrived in was so big, until I opened it and saw why. Yan is twice the size of a regular manga release, with physical dimensions more in line with western graphic novels. Picking up a manga that was this size felt almost jarring, it made the book feel like it was something a little bit special; which along with the brightly coloured yet elegantly presented cover, made the book feel different before I'd even opened it. Upon opening it, however, I became even more impressed, as the size of the book makes the artwork inside Yan hit different. This is not a small story, it has huge scope and big ideas, and the presentation makes the artwork inside feel bigger than life, and almost cinematic.

Yan opens with a bold introduction, one that's so surreal and disorienting that it can't help but to draw you in. A woman wearing Peking Opera clothing and make-up is performing a live stream in a run down building, acting out a scene from a play. However, it soon becomes apparent that there's more to this than some simple viral internet stunt, as we see that she has a man tied to a chair. When the scene is over, the woman pulls out a gun, and executes the man live on the internet. She then identifies herself as Yan Tieh-Hua, before the scene cuts to a close. The opening is so strange, and so shocking that you have to know more, that you need to know who this woman is any why she just murdered a man. Unfortunately, these answers are far from simple.



From here the book jumps backwards in time 30 years, where we see a teenage Yan Tieh-Hua performing the same scene in her family's opera company, acting alongside her mother this time. Unfortunately, the play goes a little off the rails, Yan and her mother fight (physically), and the entire set falls down. It's a disaster, and it results in Yan being grounded and unable to spend time with her friends outside of school. On her way home one day soon after, Yan gets a strange feeling that something isn't right, and races home to find her entire family has been brutally murdered. Stranger still, we then see through news reports, that Yan admitted to the killings, and is sent to a secure facility; one that in the present is a pile of rubble.

The facility, and everyone inside, were destroyed, yet Yan Tieh-Hua is walking the streets, alive and well, and younger than she should be. Thus begins a mystery that will see a retired cop coming back onto the force to try and find answers, a mysterious girl who can see into the future, an ancestral spirit who can possess origami, a secret military conspiracy, time travel, and Yan on a super powered mission for revenge. Yan is a book that's many things at the same time, it's a science fiction story, a mystery, an action revenge narrative, and a story about trauma all rolled into one. And Cheng Sheng manages to make it all work brilliantly.

One of the books main strengths is that Sheng draws you into the expansive narrative very slowly, giving you the extra pieces of the puzzle at an almost leisurely pace. At first it feels like a standard revenge story, where we're following Yan as she tries to find out who killed her family. Then we see that she's talking to a possessed piece of folded paper. It's a little surprising, but you just go with it. Then she's jumping from building to building and fighting soldiers like she's in The Matrix and you just accept it because it's cool. But then you realise that now there's someone who can see the future, there are giant mecha robots, and some mysterious person/robot who seems to be travelling through time. By the time you realise just how fantastical the book has gotten you're already committed to the story and those who have come to the series expecting a realistic revenge story will be on board for all of the wonderful madness Sheng has given us.



The art also helps with this. I mentioned before how the book feels almost cinematic, and there are multiple pages without dialogue, where we get given huge half page panels showing the city at night, or of soldiers charging out of a troop transport, or even at times artwork that stretches across both pages. You can't help but stop reading and just stare at these pages, almost in awe that Sheng is presenting such a detailed, gorgeous story that feels like it needs the larger page size to really show off just how good it is. I don't think every manga would benefit from being this size, but Yan definitely does. It makes it feel grand in a way that suits the story that's being told. 

By the time I reached the end of the first volume I literally swore out loud because it was ending. Not only does the book end in such a place that it makes you really want to keep reading, but I was sad that the experience itself was over. I wanted to keep looking at Sheng's artwork, I wanted to gaze at each page and lose myself in it. 

I've gone through Yan multiple times, most of them not even engaging with the story, but just staring at the art and soaking up the vibes that Sheng was creating. I think that Yan is going to be one of those series that as soon as I see the next volume is out I'm going to be grabbing it without even needing to consider it. Yan is a unique, beautiful, and awe inspiring book that more people need to discover.


Yan: Vol 1 is on sale now from Titan Comics.




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Wednesday, 11 June 2025

The Nice Guys - 4K UHD and Blu-ray Review

 


It's been almost a decade since The Nice Guys first hit screens, teaming up the unlikely duo of Russell Crowe and Ryan Gosling as mismatched private investigators on a deadly case in 1970's LA. I'm not sure why, but the release of this new 4K UHD release was the first time that I'd heard of the film, it having managed to slip under my radar since it's release. Despite this, the trailer looked great, it had people OI enjoy watching in the lead roles, and it was from a director whose work I've liked, so I decided to give it a chance; and boy was I glad I did. And if you're like me, and have never seen The Nice Guys this release gives you the perfect excuse to do so.

The Nice Guys follows shady private investigator Holland March (Ryan Gosling), a recently widowed single father who takes crappy cases from retired clients that doesn't require much effort on his part. When he's hired by a woman who claims to have seen her dead niece, the porn actress Misty Mountains (Murielle Telio) alive days after her death it puts in on the trail of a young woman named Amelia (Margaret Qualley). At the same time, thug for hire Jackson Healy (Russell Crowe), gets hired by Amelia to get 'some creep' off her tail; a job that leads to Healy beating up March. 

Thinking that the job's done, Healy is surprised when armed criminals come after him wanting to know where Amelia is. Realising that there's more going on than there first appears, and knowing he doesn't have the skills to track Amelia down on his own, Healy hires March to help him get to the bottom of things. Now the two mismatched investigators are plunged into a world of pornography, corruption, and murder as they try to find Amelia before she becomes the latest victim in a mounting conspiracy.

The Nice Guys sets out its tone pretty early on, with an opening scene that draws you in but leaves you feeling baffled as a kid steals his fathers porno mag to ogle at photos of Misty Mountains, moments before her car ploughs through their house and she's left dying on the ground, naked, and posed the exact way she was in the magazine with cryptic dying words of 'how do you like my car, big boy?'. The film instantly mixes together bizarre comedy and dark mystery; something the film will manage to balance throughout its runtime as you find yourself trying to figure out answers one moment, and laughing out loud the next.



The casting of the lead actors goes a long way to making this tone work well. Crowe is the straight man of the two, with a role that's much more serious than Gosling; though that doesn't mean Crowe doesn't get to crack out some of the best comedy of the film. He brings a grittiness to the film that stems from his world weary air and sense of a man ground down to almost nothing. Gosling's March is similar in a lot of regards, he's a man recently widowed, trying to figure out a way to balance the need to raise his daughter with his desire to drown his sorrows. However, compared to Healy he comes across a lighter, more playful, largely thanks to his daughter Holly (Angourie Rice) and the dysfunctional by delightful relationship they have.

Angourie Rice is perhaps the most surprising member of the main cast, and in one of the best decisions of the filmmakers, the most competent detective of the three of them. Barely in her teens, March tries desperately to keep Holly away from the world in which he works, but thanks to her refusal to be shut out, she becomes embroiled in the case. Which is kind of a good thing as she manages to find leads, make connections, and even saves the day more than once. The injection of the kid sidekick into the buddy cop formula could have been a disastrous decision, but luckily Shane Black is a deft hand at it (he did give us Riggs and Murtaugh after all), that it instead becomes the missing piece to the dynamic that makes The Nice Guys a stand out of the genre.

The film's supporting cast all do a wonderful job at keeping the film feeling fresh an interesting, whether it's the terrifying villain John Boy (Matt Bomer), Amelia, her mother, the criminal after them (one of which is played by the always perfect Keith David), or the kid on his bike that's one of the best random sources of information I think I've seen in a film with a brilliantly delivered performance that makes his minute of screentime one I'll remember for years. 

The Nice Guys is both a wonderful deconstruction of the detective buddy cop story and a love letter to it. The choice to set the film in the 1970's, a decision that came after a number of attempts to make the story work in the modern day, feels like the perfect choice, making the movie into a timeless piece of throwback fiction that can send up the era it's set in in such a way that the movie feels like it'll never become dated. 



Shane Black has had a lot of hits in his career, but I've also found some of his newer work to have been a little disappointing. Having not enjoyed Iron Man 3 as much as most people did, and having loathed The Predator (the film had nightmare studio interference to be fair), I had begun to think that perhaps Black had lost his touch a little. However, The Nice Guys, which came out between the other two, reminds me why I love some of his other work, and why if given the right material certain directors can deliver magic.

The Second Sight release comes packed with extras that makes this edition stand out. Alongside brand new artwork the limited edition comes with some other extra physical pieces, including some gorgeous character art cards, and a book filled with essays on the film. On the disc there's the expected audio commentary, with Shane Black and co-writer Anthony Bagarozzi. Unlike most commentary tracks, however, this one includes moderator and The Nice Guys fan Priscilla Page. This is the first time that I'd heard a commentary structured this way, and it was a great choice. You get the usual effect of the crew reminiscing about the film and enjoying watching it again, but there's also someone there with a lot of knowledge and researched points to keep things flowing and to keep the conversation fresh. I honestly hope to see more like this in the future.

Alongside this, there's also new interviews with Shane Black, Producer Ethan Erwin, and Director of Photography Philippe Rousselot. There are also archival interviews with cast and crew, a new video essay on the film and Shane Black by Leigh Singer, a making of feature, and trailers. As susual, Second Sight seem to have gone out of their way to include as many older pieces as possible, but have also tried to give long time fans some new extra features to make this release worth taking a look at.

Having missed The Nice Guys when it was first released I am so glad that I was able to discover it now; though I am annoyed that I missed out on having this film in my life for a long time already. Perhaps it's been too long for a sequel to this, but if the film continues to find new fans and its audience grows maybe we'll get lucky enough that this can be the start of something that will be as fondly remembered as other iconic buddy cop movies. Even if that doesn't happen, The Nice Guys, remains a brilliant piece of movie history.


The Nice Guys 4K UHD Limited Edition and Blu-ray Standard Edition is released on 16th June 2025 courtesy of Second Sight 



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Tuesday, 10 June 2025

Missing Trans Woman Jax Gratton Found Dead

 


34-year-old transgender woman Jax Gratton, who has been missing for the last two months, was found dead in Denver, Colorado on 6th June.

Jax, who was a hairdresser was last seen alive leaving her apartment on the night of the 15th April, according to a social media post from her mother, Cherilynne Gratton-Camis. Despite a search for her, and urges from the public for help, Jax wasn't found until last Friday. Lakewood police announced that a body was discovered in an alley in the 9600 block of West Colfax Avenue around 5pm. They officially confirmed that it was Jax the following day, after an investigation by the coroner. Jax's cause of death has yet to be announced, though it was revealed that she was in 'advance stages of decomposition'.

Jax's mother, Cherilynne, posted on Saturday that Jax had been found, and had died. 'With a broken heart, I share the news that our beloved Jax Gratton has been found — and she is no longer with us. There are no words strong enough for the grief we are feeling. The light she carried, the love she gave so freely, and the joy she brought into our lives have been taken from this world far too soon,” she wrote above a picture of a mural of Jax.

'I want to thank everyone — near and far — who has shown up for us. Everyone who shared her story. Everyone who shared her face. Everyone who sent out a prayer, a hope, a kind thought. Everyone who hit the ground running and hasn’t stopped. This has opened my eyes in ways I can’t ignore. It’s not just about Jax — it’s about all of you in the LGBTQIA+ community who face the world every day with courage, just wanting to live, love, and exist safely and equally. That should never be a fight. And yet it is.

'Jax Gratton was a light — I know that. She lit up so many lives just by being herself. Unapologetically. Fiercely. Fully. I see her in every act of love and strength you’ve shown, and I wish peace, love, and protection for all of you.'



On Monday afternoon a gathering of friends, family, and the LGBTQIA+ community gathered outside the City and County of Denver Building to remember Jax and celebrate her life. Having been an active member in the local community, many friends and colleagues of Jax were in attendance, including community group leaders and fellow hairdressers from her workplace. 

People who knew Jax personally spoke about her life and the impact that she had upon theirs, as well as making calls to take further action against the rising transphobic sentiment and to fight for the transgender community. Z. Williams, who knew Jax through their activism, said 'That's the power of a personality like that, bringing people in to finding their voice.'

Jax's father, Mike Mastro, was in attendance and spoke to the gathered friends and supporters through a proxy speaker. He shared memories and stories of his daughter, including the time he got her to admit that she skipped out on school to go to Six Flags amusement park. 'I couldn’t even be mad at her for it. That’s who Jax was. She would rather tell the truth and get in trouble than to lie about it. A parent should never have to lose a child.'

Paul Salas, a friend of Jax's, said 'She was so many things to so many of us — a daughter, sister, friend, stylist, teacher, activist, beloved community member and so much more. To say that she will be missed doesn’t even touch the surface of the feeling of loss we are all having.'

Jax's mother has said 'My fear is that somebody killer her', when talking to People and the family has set up a GoFundMe to try to raise funds to commission an autopsy report to find further answers as to why Jax has died, and if possible find anyone who may be responsible. 



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Nick Frost Tries to Justify Working with JK Rowling Despite her Anti-Trans Views

 


Actor Nick Frost, who first rose to fame whilst working alongside his long time friends and collaborators Simon Pegg and Edgar Wright on the cult comedy series Spaced, has recently received criticism from members of the LGBTQIA+ community and its allies after it was announced that he would be playing the role of Rubeus Hagrid in the new HBO adaptation of the children's book series Harry Potter.

The source of this criticism came from the fact that the books author, JK Rowling, who sometimes works under the name Robert Galbraith (seemingly named after Robert Galbraith Hearth, a man who pioneered the torture practice of conversion therapy on queer people), seems to have dedicated herself to combating the rights and freedoms of the transgender community. 

Rowling's history of anti-trans views is a long one, mainly beginning with her 'accidentally' liking a transphobic tweet by a notable 'gender critical', and has culminated in her creating a fund to pay for court cases against trans people and their rights, her entire social media presence being dedicated towards attacking members of the trans community, and her celebrating the loss of trans rights on her super yacht like a terrible Bond villain. 

JK Rowling has become so notable as the 'face of transphobia' that anti-trans campaigners have waved banners with her name on it, worn masks of her face, and quoted her words when attacking the trans community. This has resulted in vocal opposition to her, with many former fans refusing to have anything to do with the Harry Potter fandom. As such, many people found Frost's willingness to work on this new project to be a misguided move at best, and an outright slap in the face of the queer community at worse.

Speaking to The Observer, Frost has tried to defend his decision to work on the show. Speaking about Rowling and her views on trans people he said 'She’s allowed her opinion and I’m allowed mine, they just don’t align in any way, shape or form'. Frost says this like Rowling's views happen in a vacuum, and that they can easily not align with his own with no real affect, reducing her disdain for trans people to being akin to disagreeing on a sports team or favourite film. 


JK Rowling celebrating the UK Supreme Court ruling on her super yacht


In reality, Rowling's huge wealth and fanbase has given her opinions huge weight, to the point where she has been quoted in anti-trans actions across the world. He also seems to be ignoring the fact that by working on this series, a series that will directly give money to Rowling thanks to her involvement, he is helping to fund her actions. Rowling's newly created 'Women's Fund' pledges to give money to court action against trans individuals, and broader trans rights; something she has already done when she donated £70,000 to the For Women Scotland case that resulted in a rollback in trans rights across the UK.

Frost seems to know that Rowling is something of a contentious subject though, as when he announced his role as Hagrid on his Instagram account he turned comments off, seemingly aware that his choice to be involved with Rowling would be divisive at best, if not outright damaging to his image. Speaking further on the matter he said 'But maybe it shouldn’t blow over? We shouldn’t just hope it will go away, because it makes it easier. Maybe we should educate ourselves'.

Perhaps I could suggest then, Nick, that you educate yourself on the mountain of things that Rowling has said against the transgender community. The times that she has shared lies and disinformation of trans rights, healthcare, and actions. The times she has misgendered or deadnamed individual trans people. The times she engaged in Holocaust denialism to try and score a point against the trans community. The times that she has celebrated the indignities, reduction in rights, and attacks on the trans community. Perhaps you could actually learn a little something about the woman you're agreeing to work with, the person who will profit off your work, and whose profit will go towards further attacks against a minority community. Perhaps don't be a coward, engage with people whose lives are being made worse by Rowling, and made a moral stance on the matter.

Any adult choosing to work on the new Harry Potter series has no excuse for doing to. It's not hard to learn about Rowling and her actions, to see the demonstrable damage she's causing to a minority group. Call these people out, try to educate them, try to convince them to think better of their decision; but leave the child cast alone. These children should be left in peace, but folks like Nick Frost, Katherine Parkinson, Bertie Carvel, John Lithgow, Paul Whitehouse, Paapa Essiedu, and Janet McTeer absolutely need to be called out.



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Tuesday, 3 June 2025

Actor Jonathan Joss Murdered in Homophobic Attack

 


Jonathan Joss, an actor best known for his roles in Parks and Rec, and as the voice of John Redcorn in King of the Hill, was murdered in a homophobic hate crime outside his destroyed home in San Antonio, Texas, yesterday.

Tristan Kern de Gonzales, Joss's husband, has released a statement saying that the attack which resulted in Joss being shot and killed by a neighbour, was part of a long running series of incidents spurred on by homophobia, and that Joss was targeted because he was gay.

'My husband Jonathan Joss and I were involved in a shooting while checking the mail at the site of our former home. That home was burned down after two years of threats from people in the area who repeatedly told us they would set it on fire. We reported these threats to law enforcement multiple times and nothing was done.' The statement read.

'Throughout that time we were harassed regularly by individuals who made it clear they did not accept our relationship. Much of the harassment was openly homophobic.

'When we returned to the sire to check our mail we discovered the skull of one of our dogs and its harness placed in clear view. This caused both of us severe emotional distress. We began yelling and crying in response to the pain of what we saw.

'While we were doing this a man approached us. He started yelling violent homophobic slurs at us. he then raised a gun from his lap and fired.

'Jonathan and I had no weapons. We were not threatening anyone. We were grieving. We were standing side by side. When the man fired Jonathan pushed me out of the way. He saved my life.

'Jonathan is my husband. He gave me more love in our time together than most people ever get. We were newlyweds. We picked Valentines Day. We were in the process of looking for a trailer and planning our future. 

'He was murdered by someone who could not stand the sight of two men loving each other.

'I was with him when he passed. I told him how much he was loved.'



Police reported that Joss was found by the side of the road outside his former residence with multiple gunshot wounds. Paramedics attempted to save his life, but he was pronounced dead at the scene.

A neighbour of his, Sigfredo Alvarez Ceja, fled the scene in a vehicle, but was apprehended by police soon after. He has been booked for murder, and police say the investigation is ongoing. Despite the statement made by Tristan Kern de Gonzales, the San Antonio police department are claiming that the incident was not a hate crime and that there is 'no evidence to indicate that the Mr. Joss's murder was related to his sexual orientation'.

This was not the first time that Joss and his husband had spoken about the homophobic abuse they had received from their neighbours, and the fire that destroyed their home, whilst not proven to be arson, was possibly a part of this string of vandalism and abuse. The fire at their home, which was built by Joss' father and was his home his entire life, was destroyed a few months prior, and a GoFundMe was set up to help with relocation costs. Joss also lost three of his dogs in the fire. 

It is clear from the long running reports from Joss and his husband that they were targets of abuse, vandalism, and harassment due to them being gay. There were multiple reports online from the two of them about the abuse they had suffered for months leading to this event. The police refuse to take this into account, to take the context of the shooting and the fact that the man who murdered Joss was yelling homophobic abuse, into account. They are refusing to class this clear incident of homophobia as a hate crime. So if a long running series of incidents, culminating in someone being murdered whilst their killer yells homophobic abuse at them doesn't count as a hate crime what does? The San Antonio police department are making it clear in their reaction to this incident that nothing will, and that they don't care about the LGBTQIA+ community in their area.

Multiple news and media outlets are also failing to label the incident as a hate crime, or as an act of homophobia, simply labelling it as a 'dispute' with a neighbour. Headlines are saying that he was shot, or that he was killed, but it's clear to anyone looking at this that he was murdered, and that the man who murdered him wanted him dead. 

The LGBTQIA+ community are under constant attack, our rights and protections are being eroded, we're being demonised and villainised, our safety is being discounted. Now is not the time to shy away from the correct language. Painting this incident, and others like it, as a simple disagreement gone bad strips it of important context, and takes away blame. It takes the blame away from everyone who has been building this atmosphere of intolerance and hate. Every public figure who has failed to support the queer community, ever lawmaker who has taken away rights, every media outlet who has allowed homophobic and transphobic voices to air their views, they've all helped to make this vicious murder possible, and now they want to ignore why it happened to avoid that blame.

Jonathan Joss was murdered by a man who hated him for being gay, who killed him because he was gay. This was homophobia. This was a hate crime. Saying otherwise is further violence. 



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