'Everyone in Sleepy Hollow knows about the Horseman, but no one really believes in him. Not even Ben Van Brunt's grandfather, Brom Bones, who was there when it was said the Horseman chased the upstart Crane out of town. Brom says that's just legend, the village gossips talking.
'Twenty years after those storied events, the village is a quiet place. Fourteen-year-old Ben loves to play Sleepy Hollow boys, reenacting the events Brom once lived through. But then Ben and a friend stumble across the headless body of a child in the woods near the village, and the sinister discovery makes Ben question everything the adults in Sleepy Hollow have ever said. Could the Horseman be real after all? Or does something even more sinister stalk the woods?'
I'm starting to have something of a problem with Christina Henry's books; namely that I love them so much that I end up reading them in a single sitting. This is the third time that this has happened now, where I've loved her work so much that I've kept reading long after I should have put the book down because I became so engrossed in it that I needed to see what happens next, even if it means I'm awake all night reading. Which I guess isn't too bad a problem to have with an author.
Horseman is set two decades after the original story The Legend of Sleepy Hollow, and focuses on Ben, the grandson of Brom Bones and Katrina Van Tassel. The story begins with Ben and his friend playing in the woods, but their games are interrupted when a group of men from the town pass by, heading deeper into the woods. With their curiosity piqued, the two lads follow along after the men and soon discover that one of the other boys of the town has been killed, with his head and his hands missing.
Ben is convinced that this is a sign that the headless horseman is behind the killing, and thinks that he might be able to figure out why; but things quickly become even stranger when a dark presence in the woods starts to stalk him, killing off one of the sheep from their farm, and going after other boys of the town. Now Ben thinks that their might be another creature in the woods, one that won't stop killing people. But to make matters worse, he not only has to convince his grandparents that he's right, and that something needs to be done, but he also has to convince them to let him be himself. You see, Ben was born a girl, and now that he's getting older his grandmother is trying to force him to become a decent young lady; something that Ben refuses to ever allow to happen.
Whilst I've never read the original tale I am familiar enough with the story of Sleepy Hollow that as soon as it was announced that Christina Henry was going to be writing a spooky sequel I was instantly on board. As I said earlier, I've loved her previous work, and knew that this was going to be the kind of story that worked well with her style of horror, but one of the things that I wasn't expecting was that it was going to feature a trans lead and how wonderfully Christine handled his story.
When the book begins Ben is simply Ben, a boy bordering on being a young man playing in the spooky woods around Sleepy Hollow with his best friend Sander. He loves to play Sleepy Hollow Boys, where they act out the story of the headless horseman and Ichabod Crane, he climbs trees and plays in the dirt, and is braver than his friend. It's not until Ben heads home and his grandmother scolds him for getting himself so dirty and orders him to bathe and put on a nice dress that you even realise he's more than a regular lad.
This is one of the things that I loved about the book, that for the most part there's not a huge amount of fuss made about Ben wanting to live his life as a boy, and how most of the people in his life accept that he calls himself Ben, plays with other boys, and wears trousers. A large part of this comes from how he was raised by his grandparents, following the deaths of his parents when he was still young. His grandfather, Brom, is a very macho kind of man, though one with a huge heart who's not afraid to be sensitive. He's seen how Ben wants to be, how he's always wanted to be treated and he's allowed it. This being the era it is I'm not sure you could say that he'd understand completely how Ben feels, or that he could go on to live his life presenting male, but that doesn't matter. He loves his grandson enough to support him, to let him be himself and do what he loves, and that's enough.
But, this isn't something that just takes place in the background of the book, and Ben's gender identity does come up in the story, especially after a particularly heated confrontation with hi grandmother; who's sure that one day Ben will accept that he's a girl and start acting like a woman. After telling his grandmother that he'd never get married or be a woman, that he'd cut off his hair and run away forever to live as a man she dares him to do it, and he does. He cuts off his long hair and he's ready to leave. He doesn't, however, get to leave home, but seeing that he was going to, seeing how determined he is to be himself changes something in Katrina. Instead of trying to force Ben to wear a dress and learn to be a young woman she makes him boys clothes. It's an incredibly moving moment, to see her affirming her grandson's identity and standing by him. We even get this from Brom later in the book, when he refers to Ben with male pronouns.
It would have been so easy to have this story veer into having guardians who don't understand or approve, to have them fight against Ben every step of the way; especially in a historical novel such as this where there just wouldn't have been the understanding or language to know what a trans man was. But instead of that Christina Henry does something better, she writes a story about the love and acceptance of a trans child. This might not seem that big or important, but it really is. With so much anti-trans sentiment in the world, with vocal transphobic minorities fighting loudly to remove trans rights and protections to have a positive trans narrative, where a characters transness isn't something that brings them pain or misery, but joy and acceptance is so damn important. There were times this book made me feel genuinely emotional because of how happy Ben's story made me feel.
Sadly, it's not all joy for Ben, or the reader, as there's some seriously spooky shit going on in Sleepy Hollow. Considering the title of the book, and the original story this is following on from, it's surprising that this isn't just something as simple as a story about a ghostly headless horseman charging through the woods cutting people's heads off. From the very beginning there's hints that there's something more to things than you'd expect thanks to the added fact that hands are being taken as well as heads, and it soon becomes apparent that Henry has chosen to go for something much more original and complex than the headless horseman as her antagonist.
I won't say too much about what's going on so as not to spoil the surprises, but it's a brilliantly unique idea, and one that will keep you guessing over the course of the book as Ben learns more and tries to figure out what's going on. I have to be honest, I didn't see the reveal coming, and was completely surprised by what the answers were. And even when you think you know everything and the story's done it doesn't end there are there's still a good chunk of the book left to go as Henry reveals a further mystery that will continue on into Ben's adult life.
Horseman was one of those books that I was looking forward to when it was first announced. I knew that I was going to enjoy it, but I didn't realise that I was going to love it so much. It was better than I was ever hoping it would be, and I'm honestly sad that it's over as I could have spent so much loner with these characters and this story. I got a digital copy of this to review from the publishers, and as soon as I was done with it I was ordering the beautiful hardback, signed edition with red sprayed edges as I know that this is a book that I need in my collection, one that I'm going to treasure for a long, long time, and that I'm going to read over and over again.
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