'Cordelia knows her mother is unusual. Their house doesn’t have any doors between rooms, and her mother doesn't allow Cordelia to have a single friend—unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.
'After a suspicious death in their small town, Cordelia’s mother insists they leave in the middle of the night, riding away on Falada’s sturdy back, leaving behind all Cordelia has ever known. They arrive at the remote country manor of a wealthy older man, the Squire, and his unwed sister, Hester. Cordelia’s mother intends to lure the Squire into marriage, and Cordelia knows this can only be bad news for the bumbling gentleman and his kind, intelligent sister.
'Hester sees the way Cordelia shrinks away from her mother, how the young girl sits eerily still at dinner every night. Hester knows that to save her brother from bewitchment and to rescue the terrified Cordelia, she will have to face down a wicked witch of the worst kind.'
Fairy tale retellings are a popular genre. People know the original story pretty well, even if it's not something they've read for decades, thanks to it being a part of their childhood. As such, there will be times when you just want to return to a story that feels familiar, yet still does it's own thing and contains a number of surprises for you. T. Kingfisher has a brilliant grasp at this, and this isn't their first time using stories that you'll know to create her own work. Even her original tales have little nods, even if just tonally, to other writers and stories. Because of this, the normal trepidation I sometimes feel going into a retelling wasn't a factor here, as I knew Kingfisher would steer us right.
A Sorceress Comes to Call introduces readers to Cordelia, a young 14-year-old who lives alone with her mother, Evangeline. Evangeline isn't your average single mother, however, and the book doesn't hide the fact that she's our villain. We learn that Cordelia is as much a prisoner in her home as anything else, and Evangeline abuses the poor girl at an almost constant rate. Added onto this is the fact that Evangeline has magical abilities and uses these to torture the girl. Despite the terrible conditions, Cordelia manages to find some solace in Falada, her mothers horse familiar, who provides the girl with the only companionship and freedom that she knows.
When Evangeline makes the two of them leave their home in the middle of the night, and sets her sights on a wealthy squire, Lord Evermore, it sets into motion a series of terrible events. Fortunately, Hester, Evermore's companion, knows just what Evangeline is, and sets out to stop her from achieving her wicked aims, hoping to rescue Cordelia from her abuse at the same time.
One of the things that I absolutely adored about A Sorceress Comes to Call is the fact that Kingfisher gives readers an older, slightly worn down, female lead, rather than putting all hope of good triumphing over evil onto the pack of some young woman. Hester is pretty no-nonsense, having this air of having been everywhere and seen everything. She gets stuff done and commands respect, and her struggling with her bad knee is the kind of tiny touch that just makes me fall in love with a character. I'll admit, I'm getting on in years, I'm not going to be the young heroine of any kind of story, especially with all of my disabilities, so having an older woman with some bad joints having to step up and be the hero was a wonderfully refreshing and unique feeling spin on the genre.
This is the kind of thing that I really love about Kingfisher's work, those moments of the unexpected, where you think the story is going to go a certain way but then things take a sudden shift. She's also great at melding different genre's together, and despite being a dark fair tale A Sorceress Comes to Call also manages to incorporate a lot of humour into the mix, with some genuinely funny moments that help to break up the tension and the sense of creeping horror. This balances well with so truly dark and twisted moments to create a story with plenty of chills and thrills, along with carefully constructed moments of peace throughout. Like I said, Kingfisher is so good at this kind of thing.
T. Kingfisher is a writer who I love to read, and I'll pick up her books without even reading the back because I trust her to deliver a fantastic, engaging read that leaves me wishing for more. And A Sorceress Comes to Call is no exception to this. Despite the book being a decent length at 400 pages it flew by, and by the time I got the to end I wished that there was more. Yes, the story was wrapped up and things were done so there wasn't really anything else for the book to do, but I'd happily just hang out in that world following some random side character just to get more of Kingfisher's prose.
Whether you're familiar with the original fairy tale or not, A Sorceress Comes to Call will keep you not only entertained throughout, but will dig its claws in and refuse to let go. T. Kingfisher is one of the best writers out there, and you'd be an absolute fool to miss out on yet another fantastic addition to her catalogue.
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