'Five childhood friends are forced to confront their own dark past as well as the curse placed upon them in this horror masterpiece from the bestselling author of Come with Me.
'Maybe this is a ghost story... Andrew Larimer thought he left the past behind. But when he receives a late-night phone call from an old friend, he finds he has no choice but to return home, and to confront the memories—and the horror—of a night, years ago, that changed everything. For Andrew and his friends, the past is not dead, and the curse that has befallen them now threatens to destroy all that they've become. One dark secret...'
Secrets will come out, the past will haunt you, and you can never really escape your home in the latest book from Ronald Malfi that sees a group of childhood friends reuniting and having to deal with the things they did years before; things that no one can ever know about.
Small Town Horror tells the story of Andrew Larimer, a successful lawyer in New York City. He's married, and is expecting his first child. Things are going great for him. However, when he receives a phone call from his childhood friend, Dale, telling him that his wife has gone missing and begging Andrew to come back to his hometown to help. Andrew makes some lies to his wife, and heads out to the town he never wanted to go back to, where he reunites with Dale and his other friends, Meech, Tig, and Eric. The five of them have come together to try and help find Dale's wife, and to deal with the curse hanging over them. You see, the five of them did something terrible when they were younger, something that has left a stain upon them, and it's coming back to haunt them now.
Starting Small Town Horror I was immediately struck by the similarity to Black Mouth, Malfi's previous novel, which also played upon the trope of a group of childhood friends reuniting years later to deal with a dark secret. The two of them are also strikingly similar to Stephen King's IT not just because they use this trope, but because they use the double narrative, where we see things play out across two time periods that build the story in a way that gradually unfolds the mystery. Whilst making use of this structure that was made famous with IT, this in no way feels like a copy, as Malfi manages to make it distinct in its own ways, and instead it feels more like a love letter to that kind of story, a small nod to similar horror books that have come before.
Small Town Horror is a slower read than some, and instead of putting the horror up front Malfi slowly builds the dread and tension, focusing instead on the narrative and the characters. The central group are an interesting bunch, each of them with their own distinct flavours, with their own quirks and flaws that seem to stem from the terrible event in their past. Each of them is clearly haunted in some particular way, whether it's running away from what they don't want to face up to, or losing themselves in drink and drugs, each of them feels like a study in both trauma and suppression.
Malfi also does a wonderful job with the feel of the locations. I loved the town that he built, and whilst it's not a place that I'd want to live in, it serves the story well and is filled with that creepy, small town horror that the title promises. The cover sets up the feel for the book wonderfully, and the remote lighthouse in the cold, hard environment lays the groundwork for what you'll find within the pages. The clifftop over the sea, the old houses, and the flooded basement all bring a particular feel to mind that makes a cold chill go down your back, even though the book is set during the height of summer. Malfi is able to take the ordinary, the unremarkable, and make it chilling in a way that I adore.
Whilst the book spends much of its time building, it eventually has to reach a peak, a point in which the rising tension must break, and when it does it's all the more shocking. I think that Small Town Horror has one of those endings that people are going to remember, one that's so shocking to read, so horrific that you find yourself gripping your book all the tighter whilst reading, and once you've reached the final word you realise you were holding your breath for too long. It might not sit well with everyone, and it may be a little too much for some, but it's the kind of ending that shows why Malfi is such a deft hand at horror, and why you should be keeping an eye out for his name on the shelves.
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