Adler: Volume One by Lavie Tidhar - Book Review

 

Originally published on Set The Tape

'It's the League of Extraordinary Gentlewomen, as Irene Adler teams up with a host of famous female faces from science, history and literature to defeat the greatest criminal mastermind of all time!

'At the start of the 20th Century, Jane Eyre returns home to Britain after serving as a nurse during the Boer War. Grieving the loss of her sweetheart and left traumatized by the fighting, she finds her world upended when she is introduced to Irene Adler - and is propelled into a world of intrigue, espionage and murder! The duo is soon racing to stop the radioactive secrets of Marie Curie, intended for good, being turned into weapons of mass destruction!'

Adler is billed as ‘the League of Extraordinary Gentlewomen’, seeing the Sherlock Holmes character Irene Adler teaming up with other characters from Victorian literature, such as Jane Eyre, and Miss Havisham, as well as some historical figures, to stop an Amazon queen who’s planning to turn Marie Curie’s research into a weapon of mass destruction.

As soon as I heard this description I was very excited for this book. Not only do I have a soft spot for literature of this period, but I absolutely adore Sherlock Holmes fiction, so seeing Irene Adler leading a team of strong female characters seemed to be written for me. Unfortunately, the book seemed to be unable to live up to any of this promise, and was hampered by some very off-putting issues.

First of all, Irene herself is, I think, completely wrong here in every way. The Irene that was present in the original story (and it was only the one she was in) was a capable woman, one who not only outsmarted Holmes, but altered his views on women and taught him to not underestimate them. Over the decades since her appearance her use in various pastiches or re-imaginings has cast her as Sherlock’s greatest love (there was no love story between them), an adventurer to rival Holmes, and even a Kung Fu dominatrix. The Irene presented here is just Sherlock Holmes.

The first time we meet Irene is when she’s introduced to Jane Eyre, our other lead protagonist. Jane has just returned from the Boer War where she served as a nurse, and is looking for lodgings. Through a mutual acquaintance, Miss Havisham, she’s introduced to Irene. Irene immediately deduces that Jane was a medic in the war, is overly rude to her, and then the two of them move into a flat together where Irene mulls away her time practising her music, wearing a dressing gown, and getting into mystery adventures. It’s a complete copy of the Holmes and Watson dynamic, which if not bad enough in itself, is made even worse by the acknowledgement that Holmes and Watson exist in the world too. It feels like a lazy attempt to show how she’s like Sherlock by just making her exactly the same, which doesn’t actually give her any character of her own and leads to her feeling like a bad rip-off.

This was only in the first issue, and I was hoping that it would get better from there, but it didn’t. The main antagonist for the book is Queen Ayesha, a woman whose kingdom in South America was destroyed by the British Empire, so she’s come to London to exact her revenge. Whilst this is fine motivation, her character, much like Irene’s, has a lot wrong with it. First up is the way she’s dressed. The book dresses Ayesha, and all her warriors, in next to nothing. Their clothing seems to be nipple covers and loin cloths, with the occasional cape thrown in. Their designs, much like Irene and her allies, seem designed purely to titillate and arouse, drawn for a male gaze where seeing a woman’s breasts almost falling out is paramount above practicality or comfort.

Unfortunately, the issues with the Amazons don’t end there. Despite coming from South America, every single one of them is the palest white, with bright blonde hair. Any design that feels like it could be true to people from that region of the world seems to have been thrown out in favour of what can only be described as Norwegian super-models playing dress-up. I can’t think of a single reason why these aren’t women of colour, why they don’t represent the peoples of South America. It’s incredibly jarring, and kind of insulting.

Despite copying the origins of Sherlock Holmes, dressing its female characters like dominatrixes, and having some serious issue with race and colourism, the book tries to tell a compelling story, and is interesting in parts; but these moments are few and far between. Instead, readers have to contend with action scenes that feel ridiculously over-the-top or incredibly dull, and not even the inclusion of some of the most notable characters in literature can help them.

I don’t know how the book failed as much as it did, how it took such a good idea and did it so wrong, but I would like to hazard a theory. The book is about female characters, it’s about women doing amazing things and being just as competent as men; yet it appears that not a single person on the creative team is a woman. From the writer, to the artist, and even the letterer, they’re all men. I’m not saying that men can’t write good women, but why was this project not given to a female writer, someone who could point out the cliched dialogue and the sexist designs? I’m not saying it would have solved all the issues with the book, but I can’t help but think it would have at least stopped it being painful to read.

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Shadecraft #1 - Comic Review

 

Shadecraft is a new series by Image Comics, written by Joe Henderson and drawn by Lee Garbett, the creative team behind the Eisner-nominated Skyward.

The book centres on Zadie Lu, a high-school student who seems to be dealing with a lot of issues. At the start of the book Zadie makes allusions to things having 'gotten back to normal' when her friend, Josh, is walking her home one night. Zadie insists he doesn't have to, as she's not scared of the dark, but he tells her he has an ulterior motive for doing so.

Queue some teen misunderstanding drama and Zadie assumes Josh is hitting on her and kisses him; which to be fair seemed reasonable the way he was talking. But no, he in fact wanted to walk her home to pick up his Switch. Alas, Zadie feels that she has made a fool of herself and this just adds to the pressure she's under. 

Over the course of the comic things just seem to get worse for poor Zadie. After a weird incident where a shadow seems to come to life and attack her she becomes the focus of mock and ridicule. And all this is on top of her brother being in a coma for the last year. Overall, things aren't the best for Zadie.

After an argument with her mother Zadie runs out of the house one night and flees into the forest. However, she soon comes under attack from this strange shadow entity once again. But this time someone comes to her aid, another shadow being that Zadie at first thinks is her own shadow come to life. Zadie's wrong though, it's not her shadow, it's her brother Ricky who's somehow in a shadow form. 

As far as first issues go it certainly manages to pack a lot into it. It's able to establish a handful of central characters that seem like they're going to be important parts of the story, as well as giving enough insight into Zadie's life to make her a compelling and engaging protagonist. The book also manages to pace out the mystery of the weird shadows well, and although we don't get any kind of answers at to what's going on in this issue it manages to tease out tiny hints at a great pace.

One of the things that really stood out about the book, however, was the gorgeous artwork by Lee Garbett. There's an Afterword at the back of the issue where writer Joe Henderson talks about the amount of time it took to produce the book, and how part of that was because of the effort Lee put into it; especially in regards to creating the shadow entities. And this is something that really shows in the book. The panels with the shadow creatures are some of the most interesting, as they look so different to everything else. They feel alive, like if this was film they'd be in constant motion. Garbett really manages to make darkness look like a living, moving thing in completely static images, and that's something that you don't often see.

There's a lot to enjoy in Shadecraft issue one, and it seems like there's a lot of mystery and strangeness to be explored as the series continues. I'm definitely interested in seeing where this leads.

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Hardears by Matthew Clarke - Book Review

'Hardears is an Afro-Caribbean fantasy-adventure graphic novel by Matthew Clarke and Nigel Lynch. The story takes place in an alternative world on Jouvert Island; a magical analogue of the island of Barbados and begins when a super-storm of unprecedented strength obliterates the island, leaving it totally defenceless.

'As the island reels from the devastation, Mr. Harding, the head of the Merchant Guild, charges in and promises to rebuild the economy of the island by creating jobs in his giant corporation. However, it’s soon discovered that Harding is a parasite and is capturing people from the island and using their life essence or vibes to feed his factories.

'Bolo, a local hero, saves his love Zahrah from Hardin and cronies but the lovers are then framed as rebels against the state. The state has been compromised by the factories and the workers who know the truth about Harding must go into hiding. If Bolo, Zahrah, and their allies don’t take down Harding and the corrupt government, all will be lost. Together, they must find the strength of their island and ancestors to fight the evil forces that have taken over their homeland.'

Hardears is a new graphic novel from Megascope Comics that breaks away from expected comic norms and instead brings readers a world created around the myths and legends of Carribean folktales to create a new fantasy world unlike anything you'll have seen before.

Set on the Jouvert Islands, the story follows several characters, including Bolo, a local hero who has the power to increase his size and strength, something that has made him a champion farmer who can easily outpace any new farming machine. When a mega storm hits the island Bolo springs into action, saving the young woman he has a crush on, Zaharah.

With the island devastated by the storms a local businessman, Mr Harding, steps in to assist the population rebuild, and thanks to his amazing machines the destruction is quickly repaired. However, it appears that there is more to Mr Harding than first appears, and he soon starts taking over the island, forcing the population into working in his giant factories, and putting down any rebellion with swift force. When they discover that Mr Harding is draining the essence from people to stay young and strong Bolo and Zaharah flee. Together with some new allies they begin the hard process of building a resistance that can stand against the dangerous Mr Harding.

The story of Hardears felt a little overwhelming at first, due in some part to the fact that the first few dozens of pages of the book were given over to a small guide about the world, where places and people were laid out to readers, and long paragraphs given over to the various supernatural and fantastical entities and phenomena we'd be encountering. It felt like learning  a lot before even getting the chance to begin; and even then when it came to the book some of these things didn't really come up much. I occasionally wondered why I'd had to read a long description of a certain creature if it was only appearing in a couple of panels.

Despite this, the story is pretty simple, it's about people fighting for their freedom and their lives, which is a story that everyone can understand and get behind. It meant that the heroes felt larger than life, people fighting to save everyone and everything they've ever know; whilst the bad guys just want to consume and destroy, leaving nothing in their wake. It's big and grand, and that definitely works in the books favour.

There is a large section in the middle of the book that shifts focus away from Bolo and the events happening on the island, instead following the crew of a ship that gets lost and has to fight their way through a four way pirate war to be able to get back home to Jouvert Islamd. This section is okay, but its the one that interested me the least, and at times felt like it was padding the book a bit. These characters arrive towards the conclusion of the book, and prove to be a decisive factor in the finale, but they could have still served the same purpose without us having to see what they were doing whilst everything else was going on.

I can't say too much about the art for the book, as sadly the preview version was released in black and white rather than full colour, something that the final book will be in. I think having the book in colour would definitely have changed the enjoyment of the book for me, as there were quite a few times that the book felt dull and oppressive, where the limited colour pallet definitely changed how I processed certain parts of the book.

Overall I enjoyed Hardears, despite not loving everything  about it. It offered me a fantasy story that felt so different from anything I'd read before, and it definitely feels unique to itself. I'm looking forward to reading it again when its released in full colour, to see if perhaps that allows me to enjoy the book full.

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Save It For Later: Promises, Parenthood, and the Urgency of Protest by Nate Powell - Book Review

'In this anthology of seven comics essays, author and graphic novelist Nate Powell addresses living in an era of what he calls “necessary protest.” Save It for Later: Promises, Protest, and the Urgency of Protest is Powell’s reflection on witnessing the collapse of discourse in real time while drawing the award-winning trilogy March, written by Congressman John Lewis and Andrew Aydin, this generation’s preeminent historical account of nonviolent revolution in the civil rights movement. Powell highlights both the danger of normalised paramilitary presence symbols in consumer pop culture, and the roles we play individually as we interact with our communities, families, and society at large.

'Each essay tracks Powell’s journey from the night of the election—promising his four-year-old daughter that Trump will never win, to the reality of the Republican presidency, protesting the administration’s policies, and navigating the complications of teaching his children how to raise their own voices in a world that is becoming increasingly dangerous and more and more polarised. While six of the seven essays are new, unpublished work, Powell has also included “About Face,” a comics essay first published by Popula Online that swiftly went viral and inspired him to expand his work on Save It for Later. The seventh and final essay will contextualise the myriad events of 2020 with the previous four years—from the COVID-19 pandemic to global protests in the wake of George Floyd’s murder to the 2020 presidential election itself—highlighting both the consistencies and inversions of widely shared experiences and observations amidst a massive social upheaval.

'As Powell moves between subjective and objective experiences raising his children—depicted in their childhood innocence as imaginary anthropomorphic animals—he reveals the electrifying sense of trust and connection with neighbours and strangers in protest. He also explores how to equip young people with tools to best make their own noise as they grow up and help shape the direction and future of this country.'

This book was my first experience reading something that Nate Powell had worked on, and I'm sorry to say I'd never heard of March, so I wasn't quite sure what to expect from this read. I'd never read a graphic novel that was trying to present essay work before, and didn't know how such a thing would work, especially given the nature of the content that Powell was going to be tackling.

Save It For Later has several sections, each of which tackles a different subject, yet they all manage to feel connected, like they're tackling smaller parts of the bigger whole, because they're all talking in some way about the changing nature of the world; especially the United States over the last several years.

It may seem an extreme thing to say to some, and I could get a bit of backlash for saying this, but as someone who is outside the US watching what's been happening in the country over the last few years, it's a country that has become more and more right wing. The US is a place that I sadly now associate with hatred and violence, a place where the loud and the angry feel free reign to do and say whatever they like, where minorities are a constant target. This book focuses on a lot of these ideas, on the rise of open displays of fascist iconography, on the militarisation of the police and those who want to imitate the military to feel big, on the injustices taking place.

The book doesn't just talk about these things in an abstract, however, but many of these points are painted through the experiences of Powell himself, how it touched and affected him. He talks about reassuring his young daughter that 'the bad man' would never win, that she would wake up the next morning to the first female president, then having to break the news to her that a bully was in the White House. He tells readers how he taught her about racial inequality as a child, even though it was something that she would never have to face, and how important it is to try and do the right thing, to stand up for those who needed help. 

These personal stories help to ground conversations that could otherwise feel too big and too nebulous, it helps readers to see how these wider issues intersect with their lives, especially if they're, like Powell, not the obvious targets of hate and oppression. The book acknowledges that as a straight white man he will never truly know how it feels to be targeted for your race, religion, or sexuality to name just a few, yet how it still changes the world he lives in. Powell shows readers that inaction doesn't help, it doesn't do anything to change things, and that even if you don;t feel that you're the target of right wing hate it will still make your world a worse place, so you have to do something about it.

There's a message in this book, about how doing something, anything, to help and try and make a change is a good thing. Whether it's raising awareness, volunteering, or marching in protest, it's everyone's duty to try and do something so that we can have a fair and just world; one that people won't be ashamed to leave to their children.

I was expecting the book to leave me feeling depressed, to talk about these awful issues and reinforce how hopeless things seem. Instead, it left me feeling a spark of hope, hope that even if things seem bad, not everyone is okay with that. Things already seem like they're getting better, but then I'm writing this review a few weeks after the 2020 election, so I honestly don't know if hope is still winning, or if Trump has instigated a full violent civil war to keep the presidency. I hope that that's not what's happened in the months since, and I hope that this is the beginning of decent change to make the world a better place.

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The Flash #768 - Comic Review

 

Wally West was my Flash growing up. Barry had long given up his life to save all of creation and Wally had stepped in to fill his boots. After decades in the role, across hundreds of comics, games, and animated shows, Wally was The Flash to most people; but then Barry came back and honestly, it seemed like DC didn't know what to do with Wally anymore. He's been removed from existence, rebooted, and made into a killer. To say that Wally has been crapped on over the last few years has been an understatement.

With that in mind I was a little nervous about going into The Flash #768, I was worried about what Jeremy Adams might have planned for the character. Luckily, it seems like things might be turning around for the character.

The issue sees Wally coming to the League to tell them that he feels he's been through too much, and done enough bad, that he can't be a hero anymore; and wants to have his connection to the Speed Force cut off. Despite being reluctant to do this Barry sees that this is what Wally needs to begin healing, so the two of them set off to run into the Speed Force and cut off Wally's connection. However, things don't exactly go as planned.

Not only does Wally vanish into the Speed Force, but Barry seems to have lost his speed; as has the other members of the Flash Family. With the help of Mister Terrific, Barry thinks that the Speed Force might be in trouble, and has taken Wally to help fix things. Meanwhile, Wally wakes up in the body of a prehistoric cave man, somehow jumping into his body like Quantum Leap. Now Wally has to try and figure out what's happened and find a way home, all whilst dodging dinosaurs with super speed.

One of the things that I really enjoyed about this book was that Wally was actually allowed to have some fun. After so much awfulness that he'd been through over recent years it was so good to see him actually finding some fun, even in such an extreme circumstance. I mean, who doesn't love Wally doing a 'yabba-dabba-doo' down a Diplodocus in super-speed?

The issue manages to set up a lot of mystery too. Why is Wally jumping through time into other speedsters' bodies, and what is wrong with the Speed Force? It's a story that has a lot of potential to go to some interesting places, and times. The end of this particular issue promises some interesting stuff as Wally finds himself in the body of Bart Allen in the future, and we get the return of Gold Beetle.

Despite all the fun and wonder that come with this story there's also a lot heart to it too, as those left behind in modern day have to face up to the fact that they've let Wally down in their past actions, and that it's down to them to make sure he gets home safely now. It seems like Jeremy Adams wants to make this a story about healing, about Wally finding some joy in his life, and those around him coming to terms with how they've let their friends down and doing better now.

Hopefully things will continue on this path going forward, and that this ends up being the start of a brighter future for Wally West.

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Power Rangers Unlimited: Heir To Darkness #1 - Comic Review

 

Astronema, the main villain for Power Rangers in Space is easily one of the most popular villains/heroes in the entire Power Rangers franchise. First introduced as the heir to the big bad, Dark Spectre, viewers learnt that she was actually the long lost sister of Red Ranger Andros, saw her try to go good, watched as she was reprogrammed into a villain, and even saw her to go on to become a Ranger in Power Rangers Lost Galaxy. Her journey was one of the more complex and varied the franchise has ever done. Yet despite that, there's still a lot about her that we don't know.

This is something that Power Rangers Unlimited: Heir To Darkness aims to put right by delving into the character's past, and showing a little of what happened to her after she was kidnapped as a child, but before she becomes the 'Princess of Evil'.

One of the biggest revelations in the book is that Karone wasn't the only child kidnapped by Dark Spectre's forces, and that there appears to have been others who went through the same experience. We see three other children like this in this book, children who were also taught that their families were killed by the Power Rangers, who were moulded into weapons by the forces of evil. These children seem to be the apprentices of each of Dark Spectre's generals, and we learn that Karone was raised by Ecliptor, something that was mentioned in the show but we never got the details of.

In this comic we get to see some of the relationship between these two, and what makes them so special. Despite being a fierce warrior, a girl with strength and abilities that would put most to shame, Karone struggles to go that extra mile and be the best that she can. After learning that this is because she doesn't feel a connection to the family that she lost, the one the villains are trying to exploit to turn her into a weapon, Ecliptor actually shows her some kindness. This does a lot for the relationship we see in the show, one that was already clearly a father/daughter dynamic.

I think that this relationship is something a lot of fans will be coming to this book hoping to see more of, and writer L.L. McKinney certainly delivers on this. We get to see the care that Ecliptor has for Karone, and how he values her as a person rather than just a potential weapon; something that Darkonda clearly doesn't feel towards his own apprentice.

Despite this relationship with Ecliptor, Karone is manipulated towards the side of the villains, and the book is as much about her earning her title of Astronema and becoming Dark Spetre's heir as anything else; and as such she has to do some pretty nasty things over the course of the book; including killing a team of Power Rangers. The fact that Hasbro keep including older Sentai teams as other teams of Rangers that are out in the universe is really cool, and something that I hope they continue to do in the future.

The art, provided by Simone Ragazzoni, looks spectacular throughout, and gives the book a look and feel that's unique to itself, yet definitely feels like its part of the ever expanding Power Rangers comics universe. The redesigns for the characters are great, and it was fun seeing what Karone and Ecliptor looked like in years past.

It's a shame that this was just a single issue story, and not a mini-series or its own graphic novel, but that being said, the issue ends with Astronema and Ecliptor heading off for the planet Onyx, the same place the Omega Rangers are heading in their next issue. I'm sure this means we're going to get these two groups meeting up and interacting, and after reading this issue I'm even more excited for that than I already was.

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Tragedy at Sea: The Sinking of the Titanic by David Long - Book Review

 

'On 10 April 1912, RMS Titanic set sail from Southampton on her Maiden voyage to New York. This 'ship of dreams' was the largest and most luxurious ocean liner in the world. It was claimed she was unsinkable. But four days later, when the ship struck an iceberg, the loss of the Titanic and 1,500 passengers would become one of the most infamous maritime disasters in history.

'In this fact-filled retelling of its construction and doomed maiden voyage, David Long brings Titanic's tragic past to life.'

The award winning children's non-fiction author David Long turns his sights onto the most famous (perhaps infamous) ship in history, the Titanic. The odds are even if you don't know a great deal about the ship or what happened to it you'll recognise the name Titanic. It's a story that it seems will never be forgotten, one of the worst disasters at sea, and a true tale about man's hubris and the power of nature.

David Long aims to make the subject accessible for younger readers with this book, which is no easy feat. There have been hundreds of books written on the subject, and just as many documentaries filmed. It's an area that's been poured over so many times it can be hard to know where to start looking into it, what's the best source of information. Long does an incredibly good job at taking all of this information and condensing it down into a quick eighty page read.

Whilst the book is designed for younger readers, and makes things nice and simple to get to grips with, it doesn't dumb things down in any ways. It doesn't seem to feel the need to oversimplify things to the point of being patronising, and just presents the basic information in its simplest terms; which makes it accessible to people of all ages, not just children.

The book goes over the general history of trans-Atlantic travel at the time, explaining how various companies would try to compete with each other for prizes for the fastest crossings, and how the creators of the Titanic chose to go for size and luxury over speed in order to buck this trend. Long outlines how the ship was designed, and the amazing amount of work that went into its creation. With so many stories I'd previously seen around the topic being focused on the actual voyage of the Titanic it was really good to learn about it's construction, and the book included information that I'd never encountered before.

Once the book has gone over the construction of the ship it moves onto the voyage itself, outing the near miss the ship had at the very start of its journey, the stops it made along the way, and the things on board that passengers were able to spend their time doing. Eventually, however, it comes to the point where it has to talk about the terrible event itself. Long does this in a way that doesn't shy away from how awful things were, yet doesn't linger on the horrible details. It makes a point of telling it's young audience that people died, even children, and that this was all avoidable, yet makes sure that we know some good things came from it; hopefully ending the book on a tone that's kind of bittersweet, one that will hopefully not leave younger readers feeling too distressed.

Despite being designed for younger children, as a first port of call for information about the Titanic, the book was really informative for me too, and I found it to have a lot of information that I never learnt when I was being taught this as a kid. This means that whilst it's designed for the younger reader I think it's going to be something that people of every age will enjoy, and will act as a good starting point for those who want to learn more about the Titanic, or just want a brief overview of the event. With so many books available on the topic already this is one that is the perfect starting place to discover more about this tragedy, and is an ideal starter for any child.

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Radiant Black #2 - Comic Review

 

Second issues can be tricky things. First issues have a lot of work to do, of course, but once the world and the characters have been established the second issue has to carry on the hype of the first book, build on the introduction, and keep people engaged. This seems to be something that comes pretty easy to Radiant Black.

The first issue introduced us to our lead characters, Nathan Burnett, a man in his early thirties, struggling to make it as a writer, who's working a side gig as a driver to try and stay afloat, yet has to move back in with his parents because his debts get too much for him. It's a character that I think a lot more comic readers will be able to identify with over Pulitzer winning journalists or billionaire playboys. Despite these issues, Nathan has been trying to put his life back together, and after going out for some drinks with his friend Marshall he discovers some strange, miniature black hole; which when it goes into him transforms him into a super powered person.

Now it's the next day and Nathan is trying to figure out what to do, both with his new powers and with his personal life. Over the course of the book we get to see Nathan have some conversations with his family, where they help him plan how to get back on his feet; as well as him being approached by the two police officers he had a run in with the night before. Having seen his amazing new powers the two cops encourage him to use his abilities to help people, especially as a similarly powered being, albeit red and black instead of white and black, has been robbing banks.

This spurs Nathan into action to try and do something about this other powered person, even if it's only approaching them to find out answers about his own new abilities. But how does the average person track down a costumed villain? Well, Nathan has a pretty good way of doing it actually. Picking up fares around town and asking them about what they've heard about the situation not only nets him a probably location, but also earns him some good money at the same time.Who said being a superhero doesn't pay?

Sadly, the man in red doesn't seem open to talking with Nathan, and after a brief scuffle, manages to get away. Despite this, Nathan is able to retrieve the stolen money, learns some more about his new powers, and finally feels like he's getting his life together. It feels like the perfect follow-up to the first issue, where he had no idea how to get his life back on track, but has now found something he believes in, and something that will get him back on his feet.

These personal issues are one of the things that I really love about Radiant Black. It's not a series that just focuses on the super heroics, that relies on spectacle to keep the readers interested. It's a bout a regular person, someone going through recognisable struggles and doing their best. This part of the story doesn't just make a good grounding point to the weirdness and the action, but is entertaining and well written enough that it could carry the book itself.

But that's not all that Radiant Black is about, and we get a lot of hints at the scale of things to come. We've got another person with powers like Nathan, but could there be more? We also get hints at a strange language, which could imply a possible alien origin for the powers; and we get the tiniest hint at something that was revealed on one of the variant covers (giant Mecha!). There's a lot of mystery in this book, a lot of things that we don't know yet, and I'm glad that the answers are coming slowly over time.

Kyle Higgins has shown before that he's a writer who can balance the regular everyday life with people having to be heroes, but I think this issue might be one of the best examples of it yet. You really do get the feel that Nathan is a regular person, the kind of guy you might go grab a beer with. Artist Marcelo Costa also does a phenomenal job, and every part of this book looks beautiful. Whether it's the two powered people battling each other whilst covered in glowy powers, or Nathan sitting down to eat breakfast with his dad, every single panel of this book looks amazing. There's a level of attention and care given to this book that can sometimes feel like it's missing from even some of the biggest titles. 

If Radiant Black continues to produce this level of writing and art it's very quickly going to become one of my favourite comics of all time; and it's one that you should definitely be getting in on early before it becomes the next big thing.

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Featherlight by Peter Bunzl - Book Review

 

'Deryn’s father is the lighthouse keeper on Featherstone Island, keeping the lantern lit to protect passing boats from the treacherous rocky coastline. But when an emergency arises and her parents have to travel to the mainland for help, Deryn is left alone to keep watch over the lighthouse, and she finds herself in a terrible situation when the lamp runs out of oil during a wild storm. With a fishing boa t in peril on the sea, and time running out to rescue those on board, Deryn seeks help from an unusual source.'

Featherlight is the latest children's book from publisher Barrington Stoke, and combines an interesting historical setting with a story from magical myth to create an enjoyable standalone adventure.

The book follows Deryn, a young girl living on the remote Featherstone Island, a small, rocky piece of land near the coast. Her father is the lighthouse keeper for the island, and Deryn spends her days helping her mother around their cottage, learning to keep the lighthouse from her father, and exploring the confines of the island and watching the animals that live there.

Deryn's routine is completely turned upside-down when her mother goes into labour, and her father has to take her to the mainland to give birth. This leaves Deryn alone on the island to tend to the lighthouse. Knowing that lives might depend on her, Deryn settles into a new routine of keeping the lighthouse light at night, and making sure that everything stays safe.

When Deryn encounters a strange bird, however, things begin to take an odd turn, and she soon discovers that their might be more to this bird than she first suspected. And when a fishing boat gets in trouble off the coast of Featherstone one stormy night Deryn is forced into action.

The story of Featherlight was inspired by the real lives of both Grace Darling and Ida Lewis, two female lighthouse keepers from history, and the book not only shows young readers what life was like on such places day to day, with things such as the daily maintenance of the equipment, but also what could happen if things went wrong at sea. Yet it also throws in some elements from myths and legends to create something that feels both true to life, yet kind of magical too.

We spend most of the time with Deryn, and with her being the only person on the island for good portions of the book we really get a chance to get into her head and get to know her. Whilst this was a lot of fun it also left me feeling a little disappointed that we only got 100 pages with her, as she was such an interesting and engaging protagonist that I'd have been more than happy to spend even longer with her. And I think the younger readers will feel this way too, that they'll like Deryn and enjoy the time they spend with her on Featherstone.

Featherlight is an enjoyable book, one that's easy to read and manages to pack a lot into its shorter length. Whilst it is designed for younger readers I think people of any age will find something to enjoy here, as they learn about the running of old lighthouses, and get to know what life was like for the people who made protecting and saving others their lives.

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Trans Day of Visibility - A Bit of My Story.

So today is the Trans Day of Visibility. I'm already expecting some people are rolling their eyes and preparing nasty comments about how trans is evil or whatnot. I'm not really going to engage in any arguments with transphobes, I'll just block you. But I do want to share a little about my own journey, and whilst it's not going to be something that's true for every trans person it's true to me.

I never knew I was trans when I was a kid. There are some people that do, and there are some that don't figure it out until later in life. Both are valid, there's no set rules to things like that. That being said, looking back at it now I really should have know, because the signs were all there. I guess I just thought it was stuff that everyone felt or thought about.

When I was a kid I wanted to be a girl. I hated that I was a boy. I'd go to sleep at night hoping that somehow I'd magically wake up as a girl the next day, that some kind of fairy godmother would make it happen. I didn't know why I wanted this, I just knew that it would make me really happy.

I wanted it so bad I'd do those things like wish upon a falling star, or wish upon the first start you see that night, and it would always, 100% of the time be that wish. Some nights I even cried myself to sleep wishing it.

When my teen years came part of me hated that I had to hang out with boys. Don't get me wrong, a lot of close friends have been male, and I know that there's no rules that say you have to only have certain types of friends, but this was late 90's Britain, we weren't great at breaking gender stereotypes and norms. Hell, section 28 wasn't repealed until my mid teens, and we're still dealing with the effect that's had 20 years later.

Puberty was the worst for me too. I hated the changes that were happening to me. As my body became more and more 'male' I despised it. This was when my depression really started. I used to want to die. I literally didn't care if I lived anymore. I'd not want to take care of myself. I'd hurt myself. I'd have to stop myself from stepping into traffic because I hated who I was and wanted it to end.

These feelings continued into my twenties, and it was only through medication, self harm, and repression that I was able to keep going; but even then I was absolutely miserable. This misery and these explainable feelings made some friendships hard for me, and romantic relationships were just impossible. I feel so utterly alone.

Then one day I suddenly knew what was wrong with me. It wasn't a gradual realisation, it was like a switch going off in my head. I knew what trans people were, I'd looked into it as a 'just curious to learn' thing, and never thought it was related to me.

I was doing something completely normal, packing away some laundry, when a voice in my head suddenly said 'your trans'. It stopped me in my tracks. I suddenly knew why I'd been suffering for so long. I knew why I was miserable. I knew why I wanted to die. I knew it was right.

I fell to the floor and wept, for hours. I knew what was going on, but I had no idea what that meant. I didn't know what I was supposed to do next, how knowing this helped me. I was convinced that there was going to be nothing that I could do, no way that I'd be able to actually transition. And I felt in my heart that even if I tried I'd never be seen as anything more than an ugly freak, worthy of ridicule and scorn, because that's what society had told me trans people deserved.

But, I knew I had to do something, so I started to do some research online. I found some forums hosted by trans people, where I was able to go through and read what others had gone through and learn more. I made some friends, so incredibly kind and patient women who didn't mind taking me under their wing and helping me out. But ultimately I knew that this was something that I was going to have to one day do something about, and that meant telling the people in my life.

So one day I made up my mind to tell a friend of mine. I picked him because I trusted him, because he'd trusted me with the information that be was bi, something he'd never told any of his friends before (don't worry, he's open about it now so I'm not outing anyone by saying this). We were just hanging out one night, watching Alien, when I told him. I don't know how long it went on for, how long I was fighting through the tears to get the words out, but I started telling him at the opening credits and when I was done the facehugger was on John Hurt, so it was at least an hour.

But in that hour he listened. He was patient. He showed me a kindness I never thought I'd get from saying those words. And when I was done we just carried on hanging out and restarted the movie. He was the first person in my life to make me feel normal, that this thing inside me wasn't something that was going to destroy my life.

After that I knew that I had to tell my family. I chose to tell my mother first. I'm close with her, and I thought that she would be the most understanding. She was surprised by the news, but she was supportive. She asked me to go see my doctor, to make sure that I was right, and if so, get whatever help I needed.

This started a long process of actually getting treatment, something that I thought was never going to happen. My doctor, as good as he was, wasn't really sure how to help me, but sent me to a counsellor to talk through what I was going through. I knew that you had to get evaluated by mental health professionals before you got sent to the Gender Clinic, so was prepared for something like this. Over the next year I went to meetings and spoke to a woman with no experience of trans people about what I was going through. After that year she told me that I didn't need to see her anymore. I asked her if this meant I was moving on to the Gender Clinic she had no idea what I meant. You see, she wasn't part of that process, I'd just been sent to her to talk through my feelings in hopes that they would just go away.

I went back to my doctor and asked him to please send me to the Gender Clinic, and he informed me that I would have to go for a mental health evaluation first, and that the whole thing could take a few years still. This was the point where I felt at my lowest.

I knew what I needed to do, what needed to happen to make myself better, to actually be me and be happy, and it wasn't happening. Knowing that I was trans didn't make the mystery depression go away, if anything knowing I was trans and being unable to anything about it made it worse. I went into the deepest depression I'd ever had. That's when I tried to kill myself. Twice. Thankfully, I never managed it, and somehow kept going; and a year later I finally got that appointment and eventually my referral to the Gender Clinic.

Another year later and I'd convinced the staff at the Gender Clinic I was actually trans, and got prescribed my hormones. I was on my way to actually being me. It was also in this time that I began to tell others, that other friends found out what was happening. I knew that as I was starting treatment I couldn't keep it secret forever, and that I wanted my friends to know the real me. For the most part this went well, and the people I actually lost from my life weren't real friends anyway. I even made new friends through hose that stuck around, and even though these people met me when I was presenting as male, before I'd begun my treatment, they accepted me as female. They still called me Amy.

Things started to get better. The HRT saw me go through changes, and I started to feel more like who I was meant to be. I was happy. But, things still weren't perfect. I'd still get nasty comments. I'd get spat on in the street, threatened with physical violence, rape, and even death. People saw me and thought that it gave them free reign to be vile towards me.

This was the worst at my job. I'd been there for a few years, knowing that eventually I was going to socially transition and that it was going to be something I'd have to bring up eventually; but it wasn't something I was rushing to tell them. This was in part thanks to having seen the management team mercilessly mock a trans customer one day, and seeing the rampant homophobia they exhibited towards some of the staff.

One day I came into work and one of the girls there told me that one of the other managers had told her something about me, that I 'like to call myself Amy and dress as a woman at night for sexual thrills'. It turns out the guy who told her this was a friend of one of those people who walked away from me for being trans, and was busy spreading rumours around the workplace about me. This put me in a position I wasn't ready for. After a discussion with the manager, who didn't think he could actually do anything about it as my colleague was 'just gossiping', I made the choice to have to out myself to the rest of the staff. This guy was spreading rumours, and god knows who knew what, so I thought making it clear to everyone what was happening was the best thing.

I prepared a statement, but I couldn't do it. It was just too frightening. Luckily, a friend there, who knew what was going on, stepped in and read it out for me whilst I had a panic attack in the office. It would have been better if I'd done it myself, but I couldn't face that; and the management team who said they would support me had just not turned up, so I was left with little choice. Thankfully, this seemed to put things to bed for a while and stuff got better, and the majority of people were supportive, even if the manager wasn't. I was told the company were concerned with what customers would think them having a trans person in a leadership position, and how they were prepared to go against the Equality Act because they didn't agree that I should be permitted certain rights.

When the manager changed and a new one came in thing got even worse. All the staff were called in to work extra after hours one Sunday. I was away from home that weekend, visiting my new partners, so was presenting as the real me. This meant when I had to go in to work I wasn't going to be able to change first, and that most of the people there would be seeing the real me for the first time. This was fine with most of the people there, and no one made a thing of it; but the new manager was furious about it.

A week later I arrived to work and was immediately dragged into the office, where I was presented with three charges of gross misconduct and suspended. I was completely shocked, and I was afraid for my job. Without my job I wouldn't be able to keep my home. Luckily my partners had me come and stay with them, and I prepared to argue my case.

I managed to get two of the charges dropped, but the third stuck; so I lost my job. Despite it being conducted by another manager my store manager was interfering with proceedings, and told the man in charge to fire me. So I was fired. No more job.

This event broke me. I felt like I was losing everything to a manager who was being openly hateful because I was trans. But, like I said, I had some good support, and my partners took care of me. They helped me find a temporary job in another town where they lived, and I went to stay with them. This was when I began a long legal battle against my former employer. I collected information from their records that showed I was systematically abused and discriminated against, and it was only when they finally got their court summons that they finally stopped going on the attack and listened to me. The head of HR for the company (a very large company) met with me and admitted that I was discriminated again, that my life had been smashed to pieces because one man hated what I was. I could have taken things further at that point, pushed for more legal action, but I was so ill because of it I just wanted it over.

From that day things got better for me. In moving out of my old place into a new town I realised that my small hometown had some very small town minds, and that the amount of transphobia I was experiencing there wasn't right. I moved to a place that was more diverse, and the level of abuse I went through dropped.

That being said, I still receive almost constant harassment online, abuse and threats, simply for being trans. I normally block these people and try to ignore it, but it's a struggle all the time. And that's just those I can block out. You can't block out people screaming at you in the street, the constant anti-trans press coverage, or the government 'debating' your rights to exist.

In the almost a decade of being trans I've lost friends. I've received abuse. I've had nasty comments from medical professionals. I've lost jobs. I've had to fight for my rights. I've been close to ending my life because of how awful things have been. But despite all of this, I know that my journey, my experiences have been far from the worst. I've been incredibly lucky to have the amount of support and love I do from those around me.

Other people aren't as lucky. They don't have friends and family to stand by them. They don't have a secure home. They don't get to have treatment because the waiting lists are so long. 

I'm not entirely sure why I've told you all this, why my story even matters. I don't expect it to change any minds or win over any bigots. But I hope that it shows some people how difficult it is for trans people, and how every single difficulty I've been through, all the challenges and pain, comes from the fact that society has been taught to hate trans people; that our suffering is fine. Things are getting better for trans people generally, there's more understanding for us, and more people are getting support; but there's also more open hate now too.

So please, stand up for the trans people in your lives. For your friends and family. Even if you don't think you have trans people in your life the chances are good that you do know one, that someone you care about is trans, or cares for someone who is. You could have a child that turns out to be trans. I know that you don't want the people that you care about to suffer, you don't want them to experience hate, to feel that the only way to escape the constant pain is to take their own life. So please, even if you don't think you have trans people in your lives, challenge transphobia, call out hate, and push for trans equality because believe me, it will help save lives. 

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