Saturday, 16 January 2021

Marvel Action: Avengers #12 – Comic Review

 


Originally published on Set The Tape


The final issue of the current story arc of Marvel Action: Avengers comes to an end, and it feels like the end of the entire run in a conclusion that tries to tie everything together. Readers return to the nightmare world where Captain America has been trapped fighting the forces of A.I.M. and the corrupted versions of his Avengers compatriots, whilst his real friends are struggling to find a way to wake him in the real world. Having assembled the last few un-corrupted heroes, Cap leads them on a mission against A.I.M., one that he hopes will also lead him to a way escape from this awful world.

I won’t talk too much about the conclusion of this issue, but it brings in ideas and plot points from all the issues of the series so far, trying to make it all feel like one connected story, and this works for the most part, but it still doesn’t feel like one huge, cohesive whole.

This might be because we finally get our answers to what’s happening, and a conclusion to the problems, all in pretty quick succession, and don’t really have any time to sit with these revelations before they’re put to bed. I can’t help but feel that if some of these answers were given in the previous issue, and Cap and the audience were given time to dwell on these revelations before heading to the final confrontation it would have had more weight to it.

As it is, the story feels like it ends pretty quickly and unexpectedly, with a conclusion that I think only just works. The logic behind it makes sense, but it doesn’t completely satisfy, and there was no sign beforehand that Cap even had a plan that fit these specific circumstances. Okay, perhaps he had to make up the plan on the spot, and it was his quick thinking that saved the day, but that just makes the bad guy seem even worse, as Cap was able to ruin his plot within a few seconds of hearing it.

I’ve enjoyed a lot of this series so far, but found this conclusion to be one of the weaker issues of the series, and as such it kind of left a bit of a bum note for the whole thing to end on. Instead of remembering the good parts of the series I suspect I’ll be remembering the less than perfect end, and if there are no more issues to come after this that feeling will be even worse. 

I hope that the series does similar to Marvel Action Spider-Man, and will continue on, even if that’s with a new issue one, so that we can get some more stories in this universe, and can hopefully move past this final issue.

Marvel Action: Avengers #12 is out now from IDW Publishing.


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Friday, 15 January 2021

Mighty Morphin #3 - Comic Review

 


So, these Chaos Putties are pretty nasty huh? Picking up where the last issue of Mighty Morphin left off we rejoin the Rangers as they're surrounded by Lord Zedd's powerful new Putties, one of which seemed to give the Rangers a run for their money. Ryan Parrott has always done really good things with the Rangers, and has expanded the mythology in some great ways, but I'd never have predicted that he'd be able to make the Putties not just scary, but a challenge for the Rangers.

This is the kind of thing that I love about the Power Rangers comics, the fact that new life is being breathed into a series that even if you love it you kind of have to admit it isn't perfect. The costumes can be silly, the effects bad, and the writing awful at times, but there's still a lot to love in the franchise, and Parrott is really showing what the series could have been back then if it was treated more seriously, and if given a huge budget.

The Chaos Putties could never have been made on screen the way they are here, and the designs really use the comics ability to do anything it wants well. They're bog, have multiple arms, are covered in glowing parts, and you really do believe that the Rangers are having a hard time taking them on. When you throw in the added wrinkle of the new Green Ranger being suseptable to the Chaos Eergy, and Adam's head being messed with the team never really stood a chance here. It's nice to see our heroes actually having to retreat for once too, as they've had some pretty big victories recently, and seeing the bad guys get a win, even if only temporary, reminds us that Zedd isn't a bad guy to be taken lightly.



The best parts of the issue, however, don't concern the action, but the character moments we get. We learn more about Zordon in the very first scene of the book than I think we do over the course of his entire time on the shows, and this new flashback shows us a young Zordon who's unsure of himself, nervous, and wanting something else with his life. The revelation that he sees his time in the military as something to be done for a short time to repay his world, and that he actually really wants to just settle down as a farmer and raise a family shows us a side of the character we've not experienced before. It would be so easy to write him as a man who always had a strong sense of justice, who always wanted to protect people and fight the forces of evil, but that wouldn't have been half as interesting as this. These flashbacks to Eltar might only be brief, but they'r revealing a lot about Zordon and his history, and it makes them incredibly enjoyable.

We also get to see more of the drama between Bulk, Skull, and Candice as the three of them run from the Chaos Putties, and Skull bravely tries to protect the woman he loves from these monsters. I got a sense that Candice manages to win some respect from Bulk in this scene, and I think it also showed that even if she's not who she really appears, she does seem to care for the two of them. I'm interested to see where her story is leading, but am worried that whatever happens is going to be a heartbreaking moment for both Bulk and Skull. People with only a vague familiarity with the franchise might find that a strange worry to have, but the two characters were proven to be incredibly kind and caring people over their years on screen, and became a real heart of the franchise, and I just really don't want to see either of them getting hurt.

One of the best parts, however, is the beginning of the unravelling of Green Ranger mystery. Not only does Aisha discover that Billy is behind the Green Ranger, and knows who's in the suit, but Zordon has also learned that Grace is involved. Ryan has done an amazing job of showing how close Billy and Zordon are over the last few issues, and that the two of them have a relationship that Zordon doesn't have with any of the others; so I just know that when everything comes out into the open it's going to make for a dramatic, and painful moment. There's a real sense that this is something that's going to hurt the team, that's going to damage trust between these characters, and will led to some rocky moments to come.


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The Humiliations of Welton Blake by Alex Wheatle - Book Review

 


'Welton Blake has done it! He's asked out Carmella McKenzie - the best-looking girl in school - and she's only gone and said yes! But just as he thinks his luck is starting to change, Welton's phone breaks, kick-starting a series of unfortunate and humiliating events. With bullies to avoid, girls ready to knock him out and all the drama with his mum and dad, life for Welton is about to go very, very wrong ... Hilarity follows disaster in this sharp-witted tale of the trials of teen life from award-winning author Alex Wheatle.'

If there's one thing this book has helped me to realise is that you couldn't pay me to live through high school again. The amount of drama, heartache, and feelings of your world coming to an end that the lead character feels in this book really made me remember just how heightened and crazy life as a teen is, and I'm so glad that part of my life is behind me.

Sadly, it's not for Welton Blake, who starts the book by doing something really big and scary, asking out the girl he fancies. Thankfully, this goes well for Welton, and Carmella McKenzie, the best looking girl in school, agrees to go out to the movies with him. Unfortunately, this is the only real time where things are going right for him for most of this book.

The next day he waked up to his phone having broke, and he can't message Carmella about their date. Worrying that things might have already been messed up it gets even worse for him as he throws up over a girl in class, gets beaten up by a bully, lands himself in detention, and that's just the first day. From here on out it's bad thing after bad thing for Welton, and it quickly feels like things are falling apart for the young teen. Like I said, it's 'end-of-the-world' stuff. 

Over the course of the book readers get to see Welton trying to do everything he can to set things back on course for himself, but thanks to those pesky teen fears he doesn't do the simple of thing of just talking to the people he needs to, which just allows his own imagination to conjure up worst case scenarios for him, driving him mad.

Whilst as an adult I was able to look at a lot of what Welton was doing and found myself thinking if he just calmed down a bit and thought things through rationally he'd be okay, this is of course not what teens do, and I quickly found myself remembering equally as embarrassing and awful things from my own past. This is one of the best things about the book, the fact that it's so relatable. Even for someone like myself who's well out of the target age range of the book. Even though times have changed a lot since I was in school that sense of everything being so important, and every bad thing feeling like it was going to wreck your whole world is a fairly universal feeling, and is still one that teens today will know well.

Welton and his story will connect with a lot of readers. Even if you've never been in the exact same situations as Welton, you'll have experienced similar, and will be able to see some of yourself in this book.

This is the first Alex Wheatkle book that I've read, but I can see why he's such a beloved children's author, the book is incredibly relatable, and it's something that teens can latch onto. They can see themselves in these characters and situations, they can share in the embarrassment and shame, and see that despite this things work out well for Welton, and can see that if they just keep going and striving forward things will work out for them too.


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Thursday, 14 January 2021

Future State: Robin Eternal #1 - Comic Review

 


I've always had a soft spot for Tim Drake. He's the Robin that I was used to reading when I got into comics, and I think he's a very likeable character. Even when they changed him to Red Robin following Damian Wayne taking on the mantle of Robin I thought he had a great book, and looked forward to reading about him each month. When the New 52 hit I ended up taking a step back from DC for a while because, frankly, I didn't like most of the comics anymore; and one character that I felt got one of the worse deals from the revamp was Tim. However, I'm really happy to see that Meghan Fitzman has served the character well in his Future State book.

The issue opens with Tim alone in Gotham, his friends and allies gone, leaving him alone to fight against the forces of the Magistrate. We get a nice little explanation at the start as to what's happened to a few of the other members of the Bat-family, with Dick locked up in Arkham, and Jason working for the Magistrate. No info on Damian at this point though, so perhaps Tim not revealing that is going to lead to a little revelation in the next few issues, which might not be too far fetched considering what the bad guys are using to enhance their soldiers.

But I'm getting a little ahead there, we find out that Tim is still leading the fight against the bad guys, and is trying to stop the Magistrate from enhancing their mechanical soldiers with a new mystery substance. Along his investigation he gets joined by Stephanie Brown, Spoiler, who's picked up her costume to rejoin the fight. I love the way Steph looks in this issue, and she's got the hardened future resistance fighter vibe down well. I've always loved Stephanie, and her relationship with Tim is always fun to watch, so it feels really appropriate that she's back for this story.



She's not the only returning character though, as Tim is also joined by Darcy for We Are Robin, giving readers three characters that have a relation to the name Robin all in one book. Possibly four if Damian turns up? It really began to feel that whilst this is definitely Tim leading things this book was also taking the time to acknowledge the fact that there have been a number of Robins over the years, and is trying to include multiple characters connected to the hero in some way.

The book moved with a really good pace, and despite a good section of it being given over to world building and character development as Tim and Darcy had a conversation with each other on a rooftop there was enough action and high stakes drama that meant the book never felt slow or dull. It had punch, and a sense of time running out as the three heroes tried to stop things in Gotham from getting worse.

I've found the Future State books set in Gotham to be a very mixed bag so far, but this is one that was enjoyable throughout, managing to sell this darker future whilst not making it too grim or dull, and also showcasing a trio of characters who are a lot of fun. After seeing this I really hope that post Future State we end up seeing more of Tim Drake doing what he does best, with Stephanie along for the ride too.


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A Twist of Karma by Wendy Wanner - Blog Tour

 


'When a grieving mother turns to an ancient Buddhist ritual for solace and mistakenly awakens a vengeful spirit, dark karma threatens to destroy everything she holds dear….

'Struggling with depression after the death of her young daughter, Jennifer flees to a healing center in the Sri Lankan jungle. Encouraged to visit the local temple, she finds unexpected meaning in the beliefs of Buddhism. But it’s not long before she becomes entangled in the mystic—and dangerous—world of village folklore, and the slippery, transferable energy of karma.

'Still, the jungle works its magic, and Jennifer begins to recover. Returning to Santa Monica, she rebuilds her life through painting, even opening her heart to a new love. But when her deceased daughter appears begging for help, and mounting bodies baffle the police, she battles to repair the shift in karma and free her daughter’s soul.'

A Twist of Karma is one of those rare books that I really enjoy, where it makes you think that it's going to be one thing, but keeps changing gear and twisting genre until you're not sure what to expect anymore, yet don't care because you're just really enjoying the journey and don't want it to end.

The plot follows Jennifer, a single woman who recently lost her eight year old daughter to a tragic accident where she drowned in their back yard pool. As you can expect, Jennifer is something of a wreck when the book starts. She blames herself for what happened, and is deep into depression. She's sees the loss of her daughter as her whole world falling apart, and you can't really blame her for that. However, when the book starts she's set out to try and do something about this, having travelled to a healing and meditative retreat in Sri Lanka for a few months.

Over the first big chunk of the book we watch Jennifer as she tries to come to terms with her loss, and how finding the Buddhist faith comes to help her with this. We see her becoming more physically healthy, and more importantly, we see how the tenets of Buddhism help her emotionally. Her journey is so engaging that you begin to forget what the blurb of the book said, about the ghost of her daughter and police investigations, and just settle into this more personal and down to earth journey.

If this was all the book was going to be about it would have still been a great read, as there were parts of this section that really drew me in and made me invested in Jennifer and some of the other characters, to the point where I came really close to tears at one point. I didn't even realise how much the book was effecting me until it hit me hard with something upsetting.

However, the book is about so much more than this, so the last two thirds of the book changes things up as Jennifer returns to her home in Los Angeles, and we get to see her settling back into her old life, and bringing the teachings from Sri Lanka with her. Much like the first part of the book we spend a lot of time just seeing Jennifer interacting with the world around her, reconnecting with friends and family, going on dates, and returning to her art career. It's not until the first body turns up that things begin to take a twist.

When the murder plot came into the book I'd almost completely forgot to expect it, and it''s something that pretty drastically alters the course of both the book and Jennifer's life; yet it never breaks the narrative flow or feels out of place. This is also the same time that things start to begin getting very creepy, as Jennifer starts to have visions of her lost daughter, as well as a shadow figure.

Whilst the book never goes into full supernatural horror, something that I admit I was really hoping when I first read the description, it still manages to be quite chilling in places. I was hoping the book would lean into the horror more, but what we get instead is actually a lot better, it's a personal story that feels really grounded despite featuring spirits and murder because of it focusing so much on a very real, personal story about Jennifer and her loss.

I'm not going to talk too much about the latter parts of the book, because I don't want to spoil too much of the mystery or what happens, but the book did kind of go the direction I was expecting towards the end, yet still managed to throw a couple of curve balls in that took me by surprise and meant that I could never feel at ease with the narrative. There are so many twists and turns, and unexpected moments that I never got complacent, and was always excited to find out what was going to happen next.

A Twist of Karma managed to keep me entertained throughout, and I ended up reading it in big, long bursts because I wanted to know what happened next, and didn't want to put it down. I loved getting to know Jennifer and watching her journey. I look forward very much to seeing what Wendy Wanner does next.


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Wednesday, 13 January 2021

Future State: Harley Quinn #1 - Comic Review

 


Future State: Harley Quinn might be one of the prettiest books out this week from DC, with some absolutely gorgeous artwork from artist Simone DiMeo and colourist Tamara Bonvillain, but it's also the most engaging book that centres on Gotham City.

The story sees readers in a Gotham where masks have been outlawed, and the forces of the Magistrate are making it their mission to arrest or kill anyone in a costume, hero or villain. It's here that we see Harley Quinn get captured by the Magistrate's forces, and brought in to be questioned by Doctor Jonathan Crane, the former villain Scarecrow.

Having apparently been cured of the psychological trauma that made him act out as Scarecrow, Crane is now working for the Magistrates, using his background as a psychologist to hunt down the other costumed heroes from Batman's rogues gallery. However, rather than simply locking Quinn away he offers her the chance to do the same, to use her past as a psychologist to help him bring these criminals to justice, in exchange for a more comfy incarceration.

On some level the book feels a little like Suicide Squad, chiefly due to the fact that Quinn is being given a chance to make things better for herself by doing some good in the world. However, instead of this meaning that she will be going out into the field on missions, she's using her mind to come up with plan and tactics to capture other criminals. It's a neat twist on the formula, and one that shows that Harley is more than a costumed clown with a baseball bat, but an incredibly intelligent woman.

Over the course of the issue we get to see Harley help with the capture of both Professor Pyg and Firefly, and we learn a lot about those characters along the way. Harley goes into the minds of these criminals, explains what motivates them, what drives them to do what they do, and shows how you can use these insights to bring them out into the open so that they can be neutralised. We also learn that Crane's biggest goal is to bring down Black Mask, who's so far managed to avoid capture.



The book seems to be setting the stage for things to come, for future conflict between the forces of the Magistrate and Black Mask and his gang, yet manages to tell a pretty self contained and satisfying story as we watch Harley help to bring two of the city's criminals to justice. 

Stephanie Phillips really seems to know how to write Harley as more than an over the top, 'crazy' character, and walks that fine line where we can see the weirdness that inhabits Harley along side her educated intelligent side. It makes her feel like a more well rounded character, and someone who might be more of a challenge when she takes a step back and actually allows herself time to thin things through.

The book also looks gorgeous throughout, and there were times where panels felt more like they were frames lifted from an incredibly well polished and sleek animated movie rather than a comic, and the colour pallet and inclusion of things like lens flare here and there really add to that feel.

Out of all of the books from Future State set in Gotham City this is the most fun, and most engaging, one that actually did something interesting with its main character that didn't feel like a huge departure from their nature. I'm definitely interesting in seeing what else Harley will be doing in future issues, as well as seeing what happens next with Black Mask.


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Plainer Jane #1 – Comic Review

 


Originally published on Set The Tape


Starting a new comic can be a difficult and daunting prospect for a writer, especially for a book that isn’t part of a larger universe and can’t rely on excitement for existing characters to draw in new readers.

As such, authors of independent comics have to make sure that they deliver a stunning first issue in order to attract readers to stick with their books, and finding a great concept is a key part of that. This is something that writer David Wilburn seems to know is important, and has tried to deliver a comic that not only presents interesting and engaging characters, but a scenario that really grabs the reader’s attention.

Plainer Jane follows Jane, a school girl who’s drifting through her final years at school, unsure what she wants to do with her life. Presented with a number of options at career day, nothing really jumps out at her, so instead she turns to the thing that she would love to do – kill for money. Yes, Jane decides to become a killer for hire, even whilst still being a senior school student. Now that’s a plot outline that definitely grabs me. Wilburn presents it well too, having the book move around a lot using flashbacks in order to quickly draw the reader in with Jane on a job, before taking the reader back to explore her character further.

Whilst seeing Jane going around killing people, something she seems incredibly good at, it’s the exploration of the character and her decisions to become a killer that are the most interesting, and they take up most of the page count of the book. It would have been really easy for Wilburn to have simply focused on the action and gore, forgoing actually developing the character in favour of spectacle, but he made the bold decision to not make this first issue all flash, but gave it some real substance too, something that makes me a lot more interested in reading more of the book.

Whilst the cover of the issue is presented in full colour, and looks great, readers should be aware that the interior art is black and white, with the only colour used in the book being the red of blood, something that really makes the gory, violent moments stand out on the page. Whilst the artwork, provided by Wayne Lowden, is really nice, there were a few moments where I felt the lack of colour let the book down a little, particularly when Jane’s changing out disguises and wigs but doesn’t look too different, as I felt colour would have really helped this scene.

There’s also a moment where a character has her hair coloured black on one page, but seems to then have no shading on the next. This led to a little confusion if this was supposed to be the same character or not. Other than those couple of moments the book looks really good, and the darker, grittier black and white aesthetic adds to its down to earth feel.

If you’re looking for a new comic experience that’s different to the regular superhero fare, something that feels new in itself, and feels really British too, Plainer Jane is definitely worth checking out, and might just become one of your most anticipated books of 2021.

Plainer Jane #1 is out now from Broken Face Comics.


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Tuesday, 12 January 2021

Future State: Swamp Thing #1 - Comic Review

 


Some of the comics in the Future State series have been really dark in tone (and in the way they look too), and for me at least, the event has felt somewhat depressing. That being said, Future State: Swamp Thing is probably one of the most dark and depressing books yet, but is also one of my favourite.

This first issue transports readers to a future that's more distant than any of the other Future State titles, one where humanity seems to have died out and now plants have been left to rule the Earth in the ruins of our civilisation. Ruling over this group of humanoid plants as something of an ancient father/god figure is Swamp Thing, who is trying to find any signs of survivors of the human race.

The book follows Sampy and his children as they journey through the wreckage of New York, and then travel further north into the snowy wilderness, trying to see if there's any human life left on the planet. This is something that drives Swamp Thing, but seems to cause some divisions amongst this children, particularly the outspoken Indigo. 

These children make for a fascinating group, not only for their complex relationships with each other and Swamp Thing, but because of the small cutaways that take place throughout the narrative where we get these really cool anatomical illustrations of humanoid plants and Swamp Thing telling the reader the journey he went on to create these sentient plant people. 



These sections shed some light onto the complex journey that Swamp Thing has been through, and how difficult it has been for him to create these beings that inhabit the pages here here. It might be me projecting a little here, but these sections make me feel a little uneasy as they remind me a lot of Michael Fassbender's character of David in Alien: Covenant, and the strange experiments he was undertaking. 

This sense of unease and horror were there for me throughout the book, and as usual, Swamp Thing proves to be one of the best DC characters to tell a horror tale with. Where other Future State books felt weaker because of their darker tone this book felt all the stronger for it, and the incredibly distant future setting really helped with this. 

The book ends on a really strong note too, as Swampy discovers an actual surviving human, and learns about some really horrific stuff going on in what could be the last human colony. How this is all going to play out is yet to be revealed, but it makes for an exciting cliffhanger, and it turns Future State: Swamp Thing into the book I'm most excited to see an issue two of.


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Vic Lee's Corona Diary 2020 by Vic Lee - Book Review

 


'An extraordinary memento of a life-changing moment in history, artist Vic Lee’s visually stunning, graphic novel–style personal diary chronicles his experience of the corona-virus pandemic as it unfolded.

'With beautiful hand-drawn illustrations and typography, Vic Lee’s Corona Diary vividly captures what it was like to live through this unprecedented period. Listening to daily news stories, experiencing different ways of living and working as well as adapting to new and necessary social controls, renowned London artist, illustrator and storyteller Vic Lee documents the first six months of the pandemic in real time. An epilogue spread touches on the events of July, August and September.

'Reflect on and process the unforgettable events of the pandemic through an intimate account in images and lettering of the initial news from a place called Wuhan, Italy’s first cases then state of emergency, its spread across the world and the WHO’s declaration of a global pandemic, the lock-down and toilet paper shortages, the economic fallout, the unfathomable numbers of people dead, the immense gratitude to those on the front-line of the health services, the reactions and decisions made by leaders that would affect us all, the anxiety and isolation – all the twists and turns.

'While this work of art is a snapshot of one person’s experience, it conveys events experienced and emotions felt by billions around the world – a permanent record of a time we will never forget.'

Award winning artist Vic Lee brings readers a short graphic novel of his experiences during the year of 2020, a year where life changed in multiple ways as the deadly Corona Virus swept across the world.

Those expecting a traditional comic might be in for a bit of a shock by this book, because it's really quite different to many that I've read, where instead of the pages being separated out into panels that tell a story, it's more like the pages are murals, with some themes and ideas spreading over two page spreads.

Whilst this makes for a very different read, it also makes things a bit more difficult when reading it in a digital form, like I did. For single pages it's fine, but when the artwork is spread across two pages, and the messages it contains flows around the pages it can make it hard to follow when you're having to skip between two pages of art, scrolling back and forth. I'm not marking this against the book in this review at all, but I'm going to point this out to people so that you're aware of it before you go and grab a copy, and I'd advise you to try and get hold of a physical book in order to avoid some of the pitfalls that I went through.


Despite those small issues, the book itself is a very pretty thing, and the artwork is so different from what you find in a regular graphic novel. I can't really think of any other books that quite looked like this, and the stark black and white pallet really added to this. If felt less like a mass produced piece, and more like flicking through Vic's book, seeing the drawings he'd made with pen and ink. The style felt messy and flowing at times, yet always had a neatness and care to quality that it never looked like he'd lost control or just drawn thing because they could; everything on the page had purpose.

Vic is able to cover many of the major events of the last year, both here in the UK and around the world. He's able to capture the likenesses of world leaders and members of the British government so well that despite looking like slightly exaggerated caricatures you always knew who they were meant to be, and never felt unsure just what was supposed to be going on.

There are a few times in the book that things are written from a more personal point of view, and we get to see how Vic saw the pandemic, how he experienced lock down, or the times he saw people in the street not caring about safety or taking care. These were the better parts of the book, and the ones that held the most interest for me. The majority of the book, however, felt more like Vic simply just relaying a basic overview of what was happening in the world at the time. He talked about what major development happened on a certain date, or how the news unfolded, but didn't relate these parts to his own experience.

These segments often left me feeling a bit flat. Despite being presented in this intricate and interesting art form these were still all things that I knew. I knew when the lock down came into effect. I knew how the pandemic began. I knew how the government cocked it up. I knew all of this, this wasn't new information to me, and as such it didn't grab me. If I'd have been seeing how Vic processed this, how he felt when these events happened I'm sure the book would have grabbed me more, but it just felt like a list of dates and facts at the time. This approach might be fine for events that happened a long time ago, but when it's the same year I'm in now, and events I lived through, it felt like the least engaging way to convey this to me.

There's a lot of information in this book, presented in interesting ways. Some of it comes from a personal place, but sometimes it feels more detached and clinical. Because of that, I never ended up loving the book as much as I think I could have; but I do see how this book can go on to be received. This strikes me as a book that is interesting now, but will become even more so as time moves forward. I think that this is the kind of book that will be a useful way to get across some of the events of 2020 to people in the future, to people who are still to young now to fully understand just what's going on, or the global implications of these events. I think this is a book that will go on to become a valuable teaching resource in years to come, and is definitely one to keep an eye on.


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Monday, 11 January 2021

Future State: Wonder Woman #1 - Comic Review

 


Future State is an interesting new part of the DC Universe, giving readers a glimpse into the future of the comics, to what could be following the events of Death Metal and new versions of characters we all know and love, as well as some new heroes. One of these new heroes that immediately jumped out at me was Yara Flor, the new Wonder Woman.

Future State: Wonder Woman focuses on this new character, and frankly, out of all of the Future State books out this week is easily my favourite. Having the new Wonder Woman be Brazillian is one of those things that when you first hear it grabs your attention, why not have a new Amazon warrior come from the actual Amazon right? It gives an exciting new spin on the mythology, and this is  book really leans into.

The story follows Yara as she battles a Hydra deep in the forests of the Amazon, killing the beast so that she can use its horn to travel to the underworld so that she can free one of her Amazonian sisters from Hades. Aided by her Pegasus, Jerry, and a forest guardian spirit called Caipora, she travels into the underworld, but finds more trials awaiting her.

This issue sees a really cool blend of the Greek mythology we've come to expect from Wonder Woman books, whilst also doing new and exciting things by bringing some South America mythology into it too, chiefly in the form of Caipora, a childlike entity that we get to spend lot of time with in this issue. This mixing of mythologies and beliefs is done in a subtle way, and the book still feels like a classic Wonder Woman story, thanks to the inclusion of the Greek mythology too. This was a smart choice, as it means it hopefully won't discourage fans who really like the classic feel of Wonder Woman, yet gives people something that makes this feel like a fresh new book, and sets Yara apart from Diana.



I really enjoyed the books depiction of the underworld too, and the strange little creatures that work their actually made me chuckle out loud. Something about their weird little dudes made me think of Stitch from Lilo and Stitch, and their incomprehensible gibberish speech bubbles just sounded like his weird noises in my head. Joelle Jones has managed to craft something truly fin and interesting here, and it was these small funny moments that really won me over and made me invested in the book.

With so many of the books in Future State dwelling on the darker aspects of the DC Universe, and feeling really depressing because of this, it was really nice to have a book in the line that actually has a sense of fun and wonder to it, one that isn't always dark and dour, but is something that you'd actually want to read month to month as an ongoing.

Out of all of Future State released so far this is the best one, not just because of the interesting new characters, and the lighthearted nature of the book, but because it's the only one where I read it and thought 'yes, I want this to be a big part of the regular DC Universe'.


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