Book & film reviews, and more from Amy Walker, a trans, disabled writer and reviewer from the UK.
Thursday, 27 August 2020
Hunter’s Moon – Film Review
Wednesday, 26 August 2020
Crazy Samurai Musashi – Fantasia International Film Festival
Originally published on Set The Tape
Playing on demand at Fantasia International Film Festival, Crazy Samurai Musashi might be one of the most ambitious films I’ve ever seen. It’s not a major blockbuster by any means, it’s not going to wow with visual effects, or amaze with its writing, but it might be one of the best fight scenes in movie history.
There’s not much of a story for this film; it starts with members of the Yoshioka clan preparing to repel a master swordsman, Musashi (Tak Sakaguchi), who is coming to wipe them out. In order to prepare for his arrival, they’ve gathered a small army of warriors. Despite this, Musashi has managed to sneak through their forces and eliminate his target; however, to get away, he has to fight past this army. This begins a single take fight that lasts more than 70 minutes, in which the lone swordsman has to fight more than 400 people. Like I said, ambitious.
The fight is pretty amazing, and is incredibly gruelling to watch as it’s clear Sakaguchi is absolutely knackered by the end. There are quieter moments throughout this scene where he stops to grab a drink and rest for a moment, and you can see him panting for breath, and sweat dripping off him as he’s genuinely worn out from fighting for so long.
Whilst it’s impressive from a technical point of view, there are some moments where the action drags. When Musashi is surrounded by a dozen or more fighters and is fending off their attacks for several minutes before dispatching them it can get a bit repetitive. The film tries to combat this by shifting the setting, moving the action through an abandoned town, or by occasionally throwing in some characters for him to go up against, usually with a stand out weapon, or a brief bit of dialogue to go along with the fight. These moments prove to be the saving grace of the sequence, and stop it becoming boring.
After this giant single take there is a jump in the story, and we get to see the character a number of years later, in a more traditional fight, complete with edits and cuts. After seeing the previous fight this feels so much more dynamic, and has a speed and energy the other scene was lacking. If the rest of the film had been like this, the overall effect would have been a lot more entertaining
I honestly don’t know how I feel about this movie. Yes, it’s incredibly impressive, and probably shows a more realistic approach to a sword fight than any other film has done. However, this doesn’t necessarily make it completely entertaining, and does make an argument that editing is needed to make action sequences better.
For action fans, and anyone who likes Samurai movies, this is definitely worth a watch, and will be unlike any other film you’re likely to see.
Crazy Samurai Musashi is playing on demand at Fantasia International Film Festival, which runs 20th August – 2nd September 2020.
Tuesday, 25 August 2020
Project Power – Film Review
Originally published on Set The Tape
Project Power is set in an specified near future New Orleans, where a new drug, Power, has been unleashed onto the streets. This new drug promises to unlock a person’s hidden superhuman abilities, but only in five minute bursts. This could be anything from the ability to blend into your surroundings like a chameleon, to become bulletproof, or even manipulate your temperature to such extremes to produce fire or ice.
Power is making policing the streets of the city more and more difficult, and has even resulted in entire police precincts being wiped out by super-powered criminals. One of the cops who’s trying to fight back against this new menace is Frank Shaver (Joseph Gordon-Levitt), who’s buying Power from teenage dealer Robin (Dominique Fishback), an aspiring rapper who’s having to sell it in order to raise the money for her mother’s surgeries.
In the midst of this chaos comes a new player, a mysterious figure known as The Major (Jamie Foxx), who is killing his way to the centre of this drug network in order to put a stop to this deadly new product, and rescue his missing daughter. When his path crosses with Shaver’s and Robin’s, the three of them come together to put an end to Power.
Project Power is being marketed as a superhero movie, and it’s obvious why, as the very inclusion of people who can burst into flame or punch through steel doors means this isn’t exactly a film that’s grounded in reality; however, it fits much more neatly into a police action movie style instead. You could replace the drug giving people powers with a fairly standard drug, and the story would still be very much the same. That being said, the film did at times remind me of some comics like District X, a superhero comic focusing on powered police, and the Power drug is similar to the Mutant Growth Hormone pills in Marvel Comics.
Project Power manages to weave together the fantastical and the mundane in really good ways though, and this feels like a story that could be at home both in the real world and something like the Marvel Cinematic Universe. This is probably down to the fact that the characters and their stories come first, with all of the leads having very clear motivations that the audience can understand and relate to.
Robin is probably the best of the characters on offer here. She’s a young woman trapped in a system designed to grind her down. She’s trying to do whatever she can to help her mother to survive, but thanks to the horrific US healthcare system, systemic racism, and wealth inequality, the only way open to her is to sell drugs on the street. The film seems to make a point to show that she’s a sympathetic character, a person who we could all end up being in bad circumstances outside of our control. Sadly, the film fails to make anything of a point on this by not only having the people behind the drug being a big shady organisation only out for money, but by having a cop as one of the heroes.
Considering the film does so good by Robin it’s shocking that Gordon-Levitt’s Shaver is so one dimensional. He’s a cop who want to do good and protect the people of New Orleans, but is prepared to use any means to do so. Considering the mass levels of police corruption in the US, and the systemic racism in those organisations I’m a little shocked that the filmmakers chose to make his character in this fashion, especially with the civil unrest against police officers still happening (yes, there are still protests happening right now, even if the press won’t cover it). In this climate a hero white cop coming in to help save the two Black leads just doesn’t feel too good anymore.
Jamie Foxx’s character isn’t given a huge amount of development, but his motivation and mission is made pretty clear to the audience, and you quickly get on board with him, and he plays the role with so much charm that you quickly forget this man is willing to kill the bad guys and genuinely begin to like him. The relationship between him and Robin that develops is a particular highlight.
The film manages to pack in a good number of action sequences, and some great super power effects across the run time, and never feels dull because of this, moving with a good pace and keeping your attention throughout. Project Power takes what is becoming a fairly standard genre of superhero films and gives it something fresh and new; yes, it’s still a fairly standard cop action movie, but by marrying the two together it’s an enjoyable and entertaining movie all on its own.
Monday, 24 August 2020
Awakened by James S. Murray and Darren Wearmouth - Book Review
'After years of waiting, New York's newest subway line is finally ready -- an express train that connects the city with the burgeoning communities across the Hudson River. The shining jewel of this state-of-the-art line is a breathtaking visitors’ pavilion beneath the river. Major dignitaries, including New York City’s Mayor and the President of the United States, are in attendance for the inaugural run, as the first train slowly pulls in.
'Under the station’s bright ceiling lights, the shiny silver cars gleam. But as the train comes closer into view, a far different scene becomes visible. All the train’s cars are empty. All the cars’ interiors are drenched in blood. As chaos descends, all those in the pavilion scramble to get out. But the horror is only beginning. High levels of deadly methane fill the tunnels. The structure begins to flood. For those who don’t drown, choke, or spark an explosion, another terrifying danger awaits — the thing that killed all those people on the train. There's something living beneath New York City, and it's not happy we've woken it up.'
Awakened tells the story of a new train-line in New York, one that will connect the city with the communities beyond the boundary of the Hudson River. One of the most ambitious projects in decades, it's taken years of building, and boasts new trains, and a brilliant central pavilion beneath the Hudson itself, full of shops and entertainment. The opening is an event that is set to be a shining moment in Mayor Cafferty's career, but when the first rain rolls into the pavilion ripped open and covered in blood something awful begins. Trapped beneath the Hudson, with deadly gas seeping in and the river threatening to flood them, the survivors discover that they've become prey for vicious creatures living beneath the surface of the planet, creatures that the new project has awakened.
James S. Murray is a name that might be familiar to some from his work on the hit US comedy series Impractical Jokers. Thanks to this, I kind of expected him to create something comedic with his first book, so was quite surprised to find that Awakened is, in fact, a horror.
Awakened reminded me a lot of the older, slightly pulpy horror books of the 80's. There's something about it the simplicty of monsters coming up from beneath the earth to kill people that I just really loved. Perhaps it's because it doesn't try to do anything too strange. It doesn't have you questioning what's happening, it doesn't try to tease out events, or make you wonder if what you're seeing is real. There's something really great about an obvious threat without a bigger mystery that you don't always get in books.
Most horror novels like to build up tension, to have a mystery, and spread events out over a long period, but here the action hits early on and doesn't let up until the very end. The tension keeps ramping up and up like some awful kind of roller coaster that won't give you a break, and events unfold at breakneck speed. So much is packed into the pages here that's it shocking when you realise that everything that happens all takes place within a few hours. Because of how quickly events unfold, and the fast pace of the events it really feels like you're reading a film, and it's easy to see how the story could be translated to cinema without losing too much.
The only downside with the fast pace of the book, however, is that you sometimes don't feel like you get enough time with some of the characters. There are some great characters here, but I didn't spend enough time with them to really fall in love with any of them, and would have happily have read a longer version of the book that took some time to get into the character's heads and gave more of an insight into them.
The lead, Mayor Cafferty, has some great moments where he steps up to put his life on the line to protect the people around him, but it's not always clear what his motivations are. Is he doing this because he feels responsible for them as the Mayor, does he feel guilty for what's happening because this new train-line was his project, or is there something inside him that has a hero complex?
There are a handful of other characters that manage to shine too, and get some of the focus, and whilst not all of them make it out of the book alive, those that do seem poised to return in the second book alongside Cafferty. As such, I' hoping that Murray and Wearmouth will give readers a chance to get to know them a bit better going forward.
Ultimately, Awakened is an entertaining book that has a lot of fun leaning into both horror and adventure genres, but kind of feels like set up for what's to come next. It feels like an opening chapter to a much bigger story, and I'm excited to see what the authors do next, as this is an interesting world that could open up into some amazing new areas. Reading Awakened is like being on a high octane ride, only to realise that there's a whole theme park behind it waiting for you to explore. It's a taster, one that get's you pumped for more, and I'm definitely excited for more.
Friday, 21 August 2020
The Ancestor by Lee Matthew Goldberg - Book Tour
Thursday, 20 August 2020
Yes, God, Yes – Film Review
Wednesday, 19 August 2020
Mara – Film Review
Tuesday, 18 August 2020
You Again by Debra Jo Immergut - Book Review
'Abigail Willard first spots her from the back of a New York cab: the spitting image of Abby herself at age twenty-two—right down to the silver platforms and raspberry coat she wore as a young artist with a taste for wildness. But the real Abby is now forty-six and married, with a corporate job and two kids. As the girl vanishes into a rainy night, Abby is left shaken. Was this merely a hallucinatory side effect of working-mom stress? A message of sorts, sent to remind her of passions and dreams tossed aside? Or something more dangerous?
'As weeks go by, Abby continues to spot her double around her old New York haunts—and soon, despite her better instincts, Abby finds herself tailing her look-alike. She is dogged by a nagging suspicion that there is a deeper mystery to figure out, one rooted far in her past. All the while, Abby’s life starts to slip from her control: her marriage hits major turbulence, her teenage son drifts into a radical movement that portends a dark coming era. When her elusive double presents her with a dangerous proposition, Abby must decide how much she values the life she’s built, and how deeply she knows herself.'
You Again is a strange kind of narrative, and often times feels more like a stream of consciousness more than a regular prose novel, and really gets into the head of the protagonist, Abigail. In her mid-forties, Abigail is a former artist and party girl who's settled down down, married and had two children, and now spends her days designing packaging and advertisements for pharmaceuticals. Her life isn't empty by any means, but she definitely seems to be stuck in a rut.
This all changed one day when Abigail sees a young woman who looks like her, exactly like her twenty years ago. Whilst at first she thinks this is either just someone who looks very similar, or perhaps some kind of strange hallucination, she keeps running into this young woman, and becomes convinced that she's somehow peeking backwards through time at a version of her that can still change her life and find another outcome.
Amidst this, her teenage son Pete is changing, becoming more and more political, hanging out with new friends that Abigail isn't sure she likes, and joining the ANTIFA movement. When Pete ends up in trouble with the police, Abigail begins to find herself attracted to the lead police officer on his case. With her son starting down a darker path, the temptation of an affair, and these strange sightings of her younger self, Abigail finds her life careening out of control.
There are a lot of interesting plot threads in You Again, and many of these stories are definitely worthy of being told, but due to the story being structured in the form of diary entries, interspersed with doctor emails and psychiatrist notes, none of the plot elements really feel like they've been given enough room to breathe and stand on its own.
For example, the main plot of Abigail seeing her younger self is deeply fascinating, and it raises so many questions about what's going on. Are these incidents simple delusions? Is this another woman who just looks like her and is living a similar life, or is this a split in time? This should be leading the narrative, driving Abigail on to find out more and to get to the bottom of this mystery, but instead this is just something that happens every now and again. This past version of Abigail only appears a handful of times across the year long narrative, and when the two of them interact the present Abigail seems to react like it's a slight bother in her otherwise normal routine. Yes, we can see that this is bothering Abigail more than she lets on thanks to the very personal nature of the narrative and the deep dive we get into her mind and emotions, but I just got frustrated with her for not making it a priority in her life.
Outside of this plot Abigail goes through a number of issues, and finds herself questioning the kind of person she has become and who she wants to be going forward. She has something of an awakening, realising that she's put her dreams and ambitions on the back burner to raise her family; and seems to be sitting on a huge talent in her artwork too.
One of the bigger things that seems to get her to reevaluate her life is her son Pete's interactions with local activist, and their anti-fascist stance. These political leanings are painted as something troubling for Abigail for most of the book, and she finds herself fighting against her urges to get involved too, to find something worth fighting for, that could make a difference. Unfortunately, the book is full of authority figures, such as teachers and police, who try to make the ANTIFA movement seem like something awful, an evil, that for much of the book it seems like Debra Jo Immergut was trying to present anti-fascism as something bad, which I did find a little troubling. But, by the end of the book it's clear that both Abigail and Debra seem to be not just okay with the ANTIFA movement, but view it positively. I think if this was a bit clearer from earlier on my enjoyment would have been increased for sure.
There's a lot in this book to like, a lot of mystery and drama, but the narrative seems to split its focus too much for any of the plots here to really shine or satisfy completely. I really wanted to like this book, and whilst I enjoyed it I left feeling a little let down. Perhaps I went in wanting more of a focus in one particular area, but there's still a lot here to like, and I'm sure that many people will absolutely adore this book.
Monday, 17 August 2020
Marvel Action: Avengers #11 – Comic Review

















