Tuesday, 7 November 2017

The Walking Dead ‘The Damned’ Review



Originally published on Set The Tape

The second episode of The Walking Dead season eight continues with the theme of ‘all out war’ as it presents a number of stories of the people of Alexandria, Hilltop, and the Kingdom assaulting Saviour camps and outposts.

Following the singular assault that was the main focus of the premier episode, ‘The Damned’ splits our characters off into four groups, widening the war against the Saviours and using the confusion at the Sanctuary to their advantage.

Compared to previous seasons, where each of these four stories would be spread out over four separate episodes, here they’re all told at the same time, giving the story a sense of pace that The Walking Dead has severely lacked in the past. Whilst this is a good thing, there are a number of plot points that feel underdeveloped as a result of this mashing of stories.

The action is spread across four groups: Tara (Alanna Masterson), Jesus (Tom Payne), and Morgan (Lennie James) attacking the satellite facility Rick and his group assaulted way back in season six; Carol (Melissa McBride), Ezekiel (Khary Payton), and other members of The Kingdom track down a wounded Saviour; Aaron (Ross Marquand) and Eric (Jordan Woods-Robinson) pin down a group of Saviours; and Rick (Andrew Lincoln) and Daryl (Norman Reedus) try to track down some high calibre guns.

The Carol and Ezekiel story is easily the weakest in the episode, with the group essentially just following a trail through the woods for several minutes before finally finding the man they were looking for. Even after all that build up, however, we fail to get a satisfying resolution as the tiger comes out of nowhere to kill the man before our characters even get close to him. Whilst the surprise tiger pounce in the season seven finale was a moment that stands out, repeating it again just two episodes later is rather weak.

The group led by Aaron and Eric had something of a strange mission, simply keeping a group of Saviours pinned down in their compound. Whilst part way through the assault we discover that this is in part to allow those Saviours that they’ve shot time to turn into walkers and attack their former friends, it’s a plan that only feels half good because it’s never really explained.

Are they keeping the Saviours busy or do they actually want to take the compound? Are there only the Saviours outside the front to worry about or are there more inside? Is there a back way out of the compound, and if so are our group doing anything about it?

Because there are so many questions about this particular plot point left hanging there’s no real sense of what our heroes are trying to achieve, and it’s hard to tell towards the end if they start losing because more Saviours have arrived to help, or if they enemy has just fought back hard enough.

Sadly, one thing that they do decide to do with this story is shoot Eric in the stomach. Whilst his fate is yet to be determined it’s very hard to see him being able to survive a wound like that in this kind of scenario. Whilst I’m not particularly attached to Eric in any major way and he’s had very little screen time, is this going to be another example of the show killing off an LGBT+ character for no real reason, like Denise (Merritt Wever) in season six?

Thankfully, we do get some better character moments in the assault (re-assault?) on the satellite facility as we see a darker side of Tara. It’s nice to be able to see some moral clashing, even during what is supposed to be a war for survival, as she and Jesus argue about what’s the right thing to do, whether they should take prisoners or simply kill people outright.

With Morgan having given up his pacifist ways, perhaps Jesus is stepping up to take over a similar role, to be that voice that tries to keep the group from straying too far down a dark path. Even after almost being killed by a Saviour pretending to surrender Jesus refuses to shift from his position, going on to stop the group from killing over a dozen others. How this will continue to play out over the rest of the season is anyone’s guess, though this is surely not the end of this moral debate.

Sadly, these sections are let down by Morgan, who appears to have become something of a parody. After telling a couple of guys that he can risk his life because he ‘doesn’t die’, he indeed survives being shot point blank; a moment that kills the other two. Perhaps because sudden and unexpected death seems to be a thing of the past for main characters on this show, or maybe because Morgan just blatantly said he wouldn’t be killed, but I wasn’t worried in the slightest when he was shot. I knew the show wouldn’t let him be dead, and as such any tension or drama was missing from this event.

The one surprise that that the episode did manage to deliver well was the reappearance of Morales (Juan Gabriel Pareja), who we haven’t seen since way back in season one. One of the original members of Rick’s group in Atlanta, he reappears moments after Rick discovers that he just murdered a man protecting his baby to hold our leader at gunpoint. This is a character whose fate fans of the series have been asking for years, so his sudden reappearance as a saviour is genuinely a surprise, one that will leave viewers guessing as to what happens next for a week as the episode ends with him telling Rick that he has called for reinforcements, telling Rick to surrender.

‘The Damned’ manages to miss a lot of the sour notes that made the first episode of the season suffer by putting aside time shifts and narrative complications to simply focus on events. Unfortunately, some ill thought through and poorly developed storylines means that despite being a stronger episode than the season premiere, there were still a number of issues that kept it from being truly great.


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Monday, 6 November 2017

Assassin's Creed Origins - The Assassins of Assassin’s Creed



Originally published on Set The Tape

With the advent of Assassin’s Creed: Origins this weekend, we have an all-new, potentially legendary assassin in Bayek, an ancient Egyptian warrior who embarks on a quest for vengeance following the murder of his son.

Each of the assassin protagonists across Ubisoft’s series, which celebrates ten years this year, have been varied, interesting and different. As Origins takes us to the untold beginnings of the historic war between the Assassins and the Templars, we explore all of the main assassins across the series…


Desmond Miles (1987 – 2012)

Raised member of the Assassin Order, constantly living in hiding from the Templars, Desmond left the Assassins at the age of 16. Desmond was later captured by the Templars when he was in his mid twenties and taken to Abstergo Industries, where he was placed inside the Animus, a device that would allow him to relive the genetic memories of his ancestors.

Eventually freed by the Assassins, Desmond and his allies tracked down an ancient artifact, the Apple of Eden, of immense power from the First Civilisation, a group of humans that came from before our history, and used it to prevent the destruction of Earth by a deadly solar storm. Desmond sacrificed his life to use this device and save all of humanity.


Altair Ibn-La’Ahad (1165 – 1257)

A member of the Levantine Brotherhood of Assassins, Altair was the youngest Assassin to obtain the rank of Master. After failing to obtain the Apple of Eden from the Templars, resulting in an attack on the Assassin headquarters, Altair was tasked with killing the Templar leaders.

During this mission Altair learnt that the Assassins leader, Al Mualim, had betrayed the order, and had to kill his former teacher. Now the leader of the Assassin Order, and with the Apple of Eden in his possession, Altair rebuilt the Order, setting in place teachings that would last for centuries.


Ezio Auditore da Firenze (1459 – 1524)

A member of the Florentine nobility during the Renaissance, Ezio’s father was a member of the Assassin Order until he and Ezio’s brothers were killed by the Borgia’s, who were members of the Templar Order.

Fleeing Florence, Ezio managed to find the lost teachings of Altair, reunite fractured Assassins factions, and bring the Borgia reign to an end. He managed to prevent the Templar Order from capturing the Apple of Eden, liberating much of Italy from their rule.

Later in life, Ezio would travel to the home of Altair to discover the history of the Assassin Order, passing on his findings to the many Assassins Factions he founded. Ezio eventually died of a heart attack in Florence aged 65.


Ratonhnhake:ton/Connor (1756 – Unknown)

Connor was a Master Assassin of the Colonial Brotherhood during the events of the Revolutionary War. Born of the Templar Haytham Kenway and the Kanien’keha:ka woman Kaniehti:io, Connor’s tribe was destroyed protecting a First Civilisation temple; setting Connor on a quest for vengeance.

Discovering that the Templars had all but destroyed the Colonial Assassins, Connor tracked down one of the few survivors, Achilles Davenport, and convinced him to train him to become an assassin.

Connor sided with the Patriot movement and worked with George Washington to combat the Templars, becoming an important figure within the Revolutionary War. Connor would eventually become disillusioned with Washington and disappeared after destroying an Apple of Eden.


Edward Kenway (1693 – 1735)

The grandfather of Ratonhnhake:ton, Edward Kenway was a privateer-turned-pirate and member of the West Indies and British Brotherhoods of Assassins.

After Edward was shipwrecked on an island with a wounded member of the Assassin Order, the young pirate accidentally found himself drawn into the war between the rival factions. Discovering that the Templars were after a First Civilisation site that would grant them great power, Edward fully joined the Assassin Order.

Edward was eventually killed by the Templar Grand Master for his research on the First Civilisation.


Shay Cormac (1731 – Unknown)

A former member of the Assassin’s Order, Shay would go on to join the Templars to hunt down his former comrades.

After finding and activating a First Civilisation facility on the order of the Colonial Assassins, he inadvertently caused a massive earthquake, killing hundreds. Turning his back on the Assassin Order, Shay vowed to stop them from activating a First Civilisation site even if he had to kill them all to do so.


Arno Dorian (1768 – Unknown)

Arno was a member of the Parisian Brotherhood during the French Revolution, his father was killed by the rogue Assassin, Shay Cormac.

During his missions across France, Arno learnt that Napoleon Bonaparte was planning to use a First Civilisation artifact to take control of the country. Managing to stop Napoleon’s plans, Arno was able to recover the artifact, an Apple of Eden, and sends the artifact to Egypt.


Jacob & Evie Frye (1847 – Unknown)

Raised by Assassins since birth, twins Jacob and Evie travelled to London in order to take back the city from the Templars. Jacob and Evie led the Rooks, a criminal syndicate, against the Templar factions across London.

Together, the two Assassins were able to wrestle the control of the capital back to the Assassin’s Order, obtained the First Civilisation artifact ‘the Shroud of Eden’, and assassinated the Templar Grand Master Crawford Starrick.


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Sunday, 5 November 2017

Twitter Censors LGBT+ Content As Adult Content



The social media outlet Twitter has this weekend updated their policies to try to exclude 'adult content' from the site, and in doing so have blocked content from the LGBT+ community, including search results for the term bisexual, bisexuality, gay, and transsexual.

Twitter issued a blog post on 3 November confirming these changes.

'Online behaviour continues to evolve and change, and at Twitter, we have to ensure that those changes are reflected in our rules in ways that's easy to adhere to and understand. Today, we're publishing a new version of the Twitter Rules to clarify our policies and how we enforce them. While the fundamentals of our policies and our approach have not changed, this updated version presents our rules with more details and examples.'

Twitter included a small list of updated areas, including abusive behaviour, self-harm, spam, and adult content.

Whilst these changes aim to crack down on online abuse, members of the LGBT+ community have already found that numerous pieces of content have been removed, including images with the hashtag bisexual, and videos with the hashtag gay.

Where there can at times be adult content with many of these hashtags, the majority of posts using them do not contain offensive materials, and as such, Twitter is being called out for LGBT+ erasure, and Bi erasure in particular.


Whilst there are no image, video, or news results for #Bisexual, #Bisexuality, and #Transsexual, only some aspects of other LGBT+ hashtags have been blocked, such as images for #Gay.

Despite these changes in rules to try to remove 'adult content', Twitter if still filled with pornographic images and videos, with the only content that appears to be blocked so far being unrelated to the areas in which Twitter has said that it wants to police.

Many bisexual users on Twitter have expressed their concerns over this development. With bisexuality having a history of being overlooked in the past the removal of bisexual content is very concerning, as is the possible conflation of bisexuality being linked to promiscuity and increased sexual activity.

Twitter has yet to reverse these changes, or comment on the removal of LGBT+ content.


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Friday, 3 November 2017

Star Wars Rebels 'Heroes of Mandalore Part 1’ Review



Originally published on Set The Tape

Star Wars Rebels is ending. Season Four marks the final season of what has been one of the best Star Wars stories, and it means that we’re going to be seeing a lot of the four seasons long stories coming to an end, beginning in the very first episode, ‘Heroes of Mandalore’.

Following the return of Sabine Wren (Tiya Sircar) at the end of season three to help rescue Phoenix Squadron and the crew of the Ghost from the forces of the Empire, it was only fair that the Rebellion return the favour and help Sabine and her allies fight back against the oppression of Mandalore. With Sabine’s father in Imperial custody, Sabine mounts a daring rescue mission, accompanied by Ezra (Taylor Gray), Kanan (Freddie Prinze Jr.), Chopper, and Fenn Rau (Kevin McKidd).

Attacking an Imperial facility in the wastes of Mandalore they are joined by some surprising new allies, led by Bo-Katan (Katee Sackhoff), who fans will remember as the sister to the late Duchess Satine of Mandalore in Star Wars: The Clone Wars. It’s great to see Bo-Katan return, not only because her story was left incomplete with the unplanned cancellation of The Clone Wars, but because it adds to the sense of a wider Star Wars universe. Whilst the episode has a great deal of comedy and adventure, with Ezra and Chopper being responsible for a lot of the light hearted elements of the episode, the final moments take such a shocking and dark turn that it’ll surprise many viewers.

We know from past conversations that Sabine worked for the Empire designing weapons, but when one of these weapons is used upon her own family, apparently killing her mother and brother, it’s a shocking moment that I genuinely didn’t see coming. Star Wars has never been afraid to go to some very dark places, but seeing Sabine kneeling in the remains of fellow Mandalorians killed with a device of her own making is genuinely dark, and the scene is crafted in such a way that you can feel the pain pouring out of the character.

With this being the final season, and the only two characters confirmed to survive the events of season four being Hera (Vanessa Marshall) and Chopper, could this be the start of a very dark road for our young Mandalorian hero? With half of this particular story yet to be told we’ll have to wait to see just how thing will play out, and where Sabine ends up at the end of this two-part opener.


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Legends of Tomorrow ‘Freakshow’ Review



Originally published on Set The Tape

Legends of Tomorrow continues to embrace the absurd and play itself out as a comedy series as much as an action show as it pits the heroes of the Waverider against the attractions of of P.T. Barnum’s (Billy Zane) circus in 1870.

With the Legends feeling the pressure to try and get things right following the Time Bureau’s assessment of them doing more harm than good, the team finds a nice and easy level 1 anachronism to try and fix, just to prove that they’re capable. Unfortunately, the Legends soon end up elevating the anachronism to a level 8, showing that even though they can save the day, they’ll do it in spectacularly bad fashion.

Discovering that the legendary showman P.T. Barnum has a sabretooth tiger in his possession the team decide to try out Ray’s (Brandon Routh) new shrinking ray in order to turn the animal into a more manageable size. When it does the exact opposite and the team have a giant sabretooth tiger on their hands Sara (Caity Lotz) travels to 1948 to get Amaya (Maisie Richardson-Sellers) to help them.

With the rush of the previous episode, and the need to reintroduce many characters, choosing to wait until the second week to bring Amaya back was a wise choice, and from a narrative position it makes sense that the team would need her help with a giant sabretooth tiger. Thankfully, the episode also goes a long way to explain why Amaya chose to return to her own time, after seeing a news report of her granddaughter, the modern day Vixen, and realising that she would need to go home in order for her to exist.

Unfortunately, the fact that Amaya didn’t explain any of this to Nate (Nick Zano), and disappeared on his birthday without any warning, kind of makes her seem like a bit of a jerk. I can understand that she had the realisation that she needed to go back in time to ensure that her family would exist, but try not to be such a bitch about it.

Thankfully, Nate’s such a nice guy that by the end of the episode much of this has been put to bed. Nate gets why she did it, even if he doesn’t like it, and he respects that.

The rest of the episode is filled with wonderfully ridiculous moments as Ray, Nate, and Jax (Franz Drameh) manage to turn a quiet night out drinking into a full blown disaster when a drunken Nate reveals his powers to P.T. Barnum and gets the three of them captured to take part in the freakshow. With Ray and Jax unable to actually use their powers without their suit and Stein (Victor Garber) Barnum makes the most of the situation and decides to stick the two of them in a harness and present them as conjoined twins.

Things don’t get any less ridiculous when Stein and Mick (Dominic Purcell) have to rescue them, as Stein imitates one of the clowns, complete with magic tricks, and Mick appears to have a fear of said clowns. The moment when Mick dives at a clown screaming ‘Die clown!’ was a particular highlight of the episode.

With so much already going on in the episode it was impressive that the show was also able to make time to set up more hints about the season’s big bad, Mollus, with more vague hints from the time Bureau, and a small scene at the end of the episode with a mysterious hooded figure calling forth a water elemental that turns out to be Kuasa (Tracy Ifeachor).

For those not in the know, Kuasa is the sister of the modern day Vixen who was killed whilst in possession of a mystical Water Totem, which gave her magical water abilities. It’s nice to see the CW acknowledging the events of their animated DC series on CW Seed, and bringing them into the main live action series’.

The episode was also able to slip in another comic character, having P.T. Barnum’s henchman clearly be B’wana Beast, though never acknowledged by name. The cheeky mention of ‘man of steel’ also brought a smile to my face. With both Victor Garber and Billy Zane in the same episode, it was a little disappointing that the two didn’t get much time together in the same scene, especially after Garbers ridiculous Titanic joke at the start of the episode.

With some fun action sequences, ridiculous comedy, and more set up for the season’s big bad ‘Freakshow’ managed to prove entertaining throughout.


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Ghostbusters: Answer The Call #1 - Comic Review



Originally published on Set The Tape

Kelly Thompson (Writer) – Corin Howell (Artist) – Valentina Pinto (Colourist) – Neil Uyetake (Letterer) – Tom Waltz (Editor) – Ted Adams (Publisher)

Following the events of Ghostbusters 101, the team from the 2016 Ghostbusters Reboot are back in their own universe and are hunting down ghosts in a haunted New York brownstone in the first part of a five issue story.

On a routine house call to dispose of a simple Class 3 spook, Abby, Patty, Erin, and Holtzmann encounter a truly terrifying Class 7 that appears to be feeding on fear. Able to create illusions that prey on their greatest fears, and with designs on turning the world into its own nightmare dimension, our ladies may have finally met their match!

Ghostbusters: Answer The Call manages to capture a lot of the fun and humour of the film, recreating the characters and tone of the latest film in such a way that it felt like a very natural continuation of the film universe, rather than a simple cash-in book.

The comic has Holtzmann as the hyperactive mad scientist, Patty as the straight talking no nonsense member of the team, and Kevin as the adorable idiot. Whilst Erin and Abby don’t get as much of a chance to shine in the first issue as the other characters, having Abby be possessed again, and having the characters make a point of it being her again does add a huge amount of charm to events that don’t feature the character a great deal.

This sense of humour is used throughout the book, such as when Patty points out to a calm Erin that she should be afraid of the little kid ghost because little kid ghosts are always used in horror films, before listing films, as the moment where Holtzmann responds to the ghost being called Doctor Kruger as ‘too on the nose’ and ‘very tacky’.

These kind of moments mean that not only does the book get to poke some fun at horror conventions, but also gets to use them itself without it feeling like a cop-out. Kelly Thompson manages to balance the humour and character development well in this first issue, and is hopefully a sign that this quality will continue for the rest of the series.

Corin Howell’s artwork is gorgeous throughout, and the ghosts look absolutely great, with the choice of colours making them stand out on the page. It’s also easy to tell who each character is straight away as the book manages to capture their looks well, something that’s important for any team book, but especially one based upon real actors likenesses.

Having established a strong foundation for the rest of the series, introducing an interesting antagonist for the team, Ghostbusters: Answer The Call is sure to be an interesting and fun book.


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Thursday, 2 November 2017

Back To The Future #24 - Comic Review



Originally published on Set The Tape

Back To The Future issue 24 carries on where the last issue left off, with Marty McFly and Professor Marcus Irving having just witnessed the arrest of Marty’s uncle Joey in 1972. Having taken part in the burglary of Doc Brown’s mother’s home, Marty blames himself for the arrest of Joey as he and Professor Irving escape in the back of a hippies van.

This blame forms the main thrust for a lot of this issue, with Marty holding himself responsible for his uncle being arrested; which he knows will ultimately lead to his uncle ending up in prison. What’s interesting about this, is the idea that as events unfold for Marty and Professor Irving in the past, we see that they are directly shaping events in their present. Joey only gets caught because he took the fall for Marty, the stolen painting is missing a piece because Professor Irving tore it.

Whilst in the previous comics, and films, whenever a character went back in time they’d invariably alter the timeline by their presence and then have to try and put things back to normal as best they can, here it appears that they were always meant to be part of events. This is a completely different type of time travel scenario, one that Back To The Future hasn’t explored before.

Would Joey have been arrested if Marty wasn’t there with him? Maybe. Would the painting have been ripped if Professor Irving hadn’t done it? Probably not. Yet, somehow, the characters find themselves unable to entertain the idea that maybe they were supposed to interact with these past events.

When Doc Brown from the present arrives in the DeLorean to take his friends back home these questions fall to the backburner as Marty and Irving discover part of a map on the back of their torn section of painting, a map that will lead to the money that Joey and Biff were after. Returning to the future with this missing piece of the painting Marty and Professor Irving are confronted by Biff and Joey.

There are a lot of moments in the Back To The Future films where characters inability to realise that people they know look exactly like people they met in their past is overlooked for the sake of storytelling, but surely Biff and Joey have to pick up on something strange going on when two people who look like guys from their past turn up with a missing item that was last seen in the possession of these other people. Plus, Joey went to jail for Marty, I’m guessing that’s the kind of memory that sticks out pretty strongly.

How these events will play out in the coming issues is anyone’s guess, and whether or not Marty is able to somehow go back again and stop his uncle from going to prison, this is sure to be a memorable conclusion to the story arc.


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Arrow ‘Tribute’ Review



Originally published on Set The Tape

The second episode of this season of Arrow focuses on the most important plot thread left hanging in the final moments of the premier, though one that we’ve all seen the show do before; Oliver (Stephen Amell) facing accusations being the Green Arrow.

This is a story that the show has done before, and done better. There’s very little worry at this point that Oliver will be permanently outed as Star City’s vigilante hero. Having managed to get around this issue in the past, it rather becomes a question of how he’ll get out of it. Whilst I expected that he would get another member of Team Arrow to dress up as Green Arrow whilst he’s making a public appearance, the choice he makes at the end of the episode was genuinely surprising.

Thanks to having William (Jack Moore) in his life, and not wanting his son to end up an orphan, Oliver makes the game changing choice to give up being the Green Arrow, passing the mantle on to Diggle (David Ramsey). This was not something that I saw coming. However, if there is a time for Oliver to give up being the Green Arrow, and passing that title on to another, it feels right that it is now.

Oliver has grown a lot since the beginning of the series, and with a large team around him, his job as the mayor, and a son needing him to come home safe it doesn’t feel massively out of character that he would give up his hero role. Though I doubt this will last forever (I see Oliver taking up the mantle again before the season is done) it will at least lead to some interesting developments for the series.


The choice of Diggle to take over the role of Green Arrow makes a certain amount of sense, he’s Oliver’s oldest friend and ally since his return to Star City five years ago, however, as we learn this episode Diggle was quite seriously injured during the events of the last season finale. With degenerative nerve damage it’s likely that Diggle won’t be able to be the Green Arrow for very long, unless he receives some kind of medical intervention.

Could this be the reason why Oliver will have to become the Green Arrow again before the season is out? Maybe, though it could also be an opportunity for the series to introduce another hero in the role. Personally, with the return of Deathstroke to the series as a friend and ally of Oliver’s I’d quite like to see him in the role. It would certainly lead to some drama.

Elsewhere in the episode we’re treated to the return of Anatoly (David Nykl), who has returned to Star City as an antagonist for Team Arrow following the events of the previous season.

Anatoly makes a great villain for Oliver, thanks in large part for their past relationship. He respects Oliver, and ‘has honour’, meaning that he won’t go to some of the extremes that other villains have; such as targeting Oliver’s family. In return, Oliver is less inclined to simply shoot Anatoly like other villains. This gives the show an interesting new hero/villain dynamic.

Whether or not Anatoly is being honest when he says he didn’t play a part in leaking Oliver’s identity as the Green Arrow, or if he has a connection to Black Siren (Katie Cassidy) remains to be seen; however, as someone that was on Lian Yu in the past, it would not be beyond the realms of possibility that he was the mysterious figure that rescued Black Siren from the islands ruins.


This week also set Felicity (Emily Bett Rickards) and Curtis (Echo Kellum) up as a new tech business duo, something that works really well for the characters. With it appearing that much of Oliver’s time this season being taken up by his new role as a father, giving Felicity something other than her relationship with Oliver to concentrate on is a good thing. With the two characters working so well together in the past, I’m looking forward to seeing more of the two of them.

‘Tribute’ also name drops Bruce Wayne, which is something that should be fun, but feels slightly odd at this point. With Green Arrow having been around for years, and now dozens of other heroes such as the Flash, Vibe, Steel, and Firestorm to name just a few, it seems like it’s too late to introduce Bruce Wayne into this world. If Batman is something that the CW wants to do, hopefully they’ll choose to go with Batman of Earth-38 (the Supergirl universe), as then they can have an older, more experienced Batman.

With some surprise moments and some genuine charm, Arrow was able to retread old ground but remain entertaining. Thanks to a surprise decision from Oliver, we have the promise of new and interesting stories to come.


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Teenage Mutant Ninja Turtles #75 - Comic Review



Originally published on Set The Tape

‘Trial of Krang’ Part Three – The oversized conclusion to the Turtles’ greatest extra-dimensional story arc is here! Both the prosecution and the defense have tricks up their sleeves as testimony gets emotional. Meanwhile, a war rages outside the courtroom as the Malignoid swarm engulfs Planet Neutrino!

The bumper sized 75th issue of Teenage Mutant Ninja Turtles celebrates this important milestone with a story steeped in TMNT lore and history, and sets up two exciting new stories to come.

With the evil Krang on trial for this war crimes across two universes, the Turtles have to help protect the planet Neutrion from invading alien forces. This means that we get to see the Turtles, minus Donatello, fighting with glowing energy versions of their weapons and flying around on jetpacks.

The shift from street-level New York (and below street-level on occasion) to an alien planet complete with robots and spaceships creates a very different tone, which helps to have this particular story stand out from a lot of other Teenage Mutant Ninja Turtles books. Whilst the alien invasion of Neutrino takes up a large portion of the book, it doesn’t overstay it’s welcome, and the back half of the issue shifts back to the courtroom drama of Krang’s trial, featuring some familiar faces from previous TMNT stories.

We all know Krang is a villain, that he’s motivated by evil and has done some unforgivable things in the past, but the book manages to make a very real and reasoned argument for the heroes of the book to have to find him not guilty of war crimes. It points out that often those on a winning side of a war perform some very questionable actions, and that they justify these actions by making their foes into monsters.

Yes, Krang is actually a monster, but this argument does appear to sway King Zenter, making him question some of his own actions, which leads to one of the set-up’s for an upcoming story in which the Triceratons invade Earth. This is a surprise development in a story that I thought would have been fairly simple, one in which Krang would be found guilty for obvious reasons; instead, the story manages to surprise and subvert expectations in great ways.

The book also sends the Turtles off on another exciting adventure when they step through an interdimensional portal, an adventure that will play out in the upcoming TMNT/Ghostbusters 2. Where a lot of extra-sized issues tend to add padding or feel overly long, the combination of action and courtroom drama mean that the issue feels well paced and doesn’t overstay it’s welcome.


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Wednesday, 1 November 2017

Gay Drama In Cinema: Key Films To Seek Out



Originally published on Set The Tape

The LGBT+ community has been one that has often been underrepresented in cinema, and a great deal of the depictions that are available are often offensive, insensitive, and inaccurate. Here’s a list of films about the LGBT+ community that are worth taking the time to watch….


Boy Meets Girl (2014)

Boy Meets Girl follows Ricky, a young transgender woman living in a small American town who wants to become a fashion designer. The film follows Ricky as she develops a relationship with another woman called Francesca, exploring how she’s treated by others and her experiences in love.

Boy Meets Girl not only takes the time to look at love, relationships, and how they develop and change, but how transgender women are treated in the world. The film shines a light on some of the harsh reality of transphobia and hate that face trans people. One of the highlights of the film, however, is the casting of real life trans woman Michelle Hendley in the role of Ricky, a role which would have historically been played by a cis actor.


Philadelphia (1993)

Ron Nyswaner’s 1993 drama Philadelphia sees Tom Hanks play the role of Andrew Beckett, a member of a law firm who is fired for being a gay man with AIDS. The film follows Beckett as he takes his former employers to court for wrongful dismissal.

Philadelphia was released when the fear of AIDS was hugely prevalent, a time when people would refuse to even be near a gay person for fear of the disease. The film was written for a mainstream audience, and managed to challenge many views on the subject. An inspiring but heartbreaking story, Hanks was well deserving of his Oscar for his performance.


Boys Don’t Cry (1999)

Boys Don’t Cry tells the tragic true story of Brandon Teena, a trans man who was brutally murdered. The film follows Brandon and his relationship with his girlfriend before his murder.

Despite casting a cisgender actress in the lead role, Boys Don’t Cry tells an important story, one that doesn’t hide away from the terrible events that happened to Brandon. With transgender rights very much in the public eye at the moment, and the murder of trans people on the rise Boys Don’t Cry can still act as a stark eye opening experience.


Bound (1996)

Bound follows Violet and her girlfriend Corky as they attempt to steal $2 million from Violet’s mafioso ex-boyfriend. Bound was praised for its humour and its depiction of a lesbian relationship when the film was first released, though some members of the LGBT+ community did complain that a film about female lovers was directed by two men.

The Wachowski’s (the film’s directors) have since both come out as trans women and the film has again found itself at the centre of discussions about sexuality and gender politics as initial opinions have been reassessed.


Tangerine (2015)

Tangerine follows transgender sex worker Sin-Dee and her friend Alexandra tearing through L.A. on Christmas Eve as she searches for her boyfriend/pimp, who has been cheating on her with another woman.

Tangerine tells a story of friendship between two trans women, actually played by two trans women, in a story that is at times laugh out loud funny, and at others tender and heartfelt. Shot entirely on iPhone 5S, the film has a look and a feel that makes it stand out from others.


Pride (2014)

Pride tells the true life story of the struggle of the miners during 1984’s miners strike, and a group that raised money in their support, the Lesbians and Gays Support the Miners.

Pride follows the group as they travel to a small Welsh mining town, the only one that would accept their donation, as they deliver the money. What follows is a funny and heartwarming story of the two groups coming together to support each other in a time when both were hated.


Moonlight (2016)

Moonlight, based upon the autobiographical play ‘In Moonlight Black Boys Look Blue’ by Barry Jenkins, follows Chiron during three stages of his life, exploring his sexuality and identity as he grows up in difficult circumstances.

Taking the time to explore the lives of young gay black people, Moonlight received massive praise for its sensitivity and storytelling, going on to win Best Oscar that year. Beautifully shot and well written, Moonlight explores an important story.


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