Book & film reviews, and more from Amy Walker, a trans, disabled writer and reviewer from the UK.
Thursday, 26 October 2017
Legends of Tomorrow – Who’s Who in Season 3?
It’s a hell of a week for the Arrowverse! First Supergirl returns, then The Flash, followed by Arrow, and now arguably for its third season, the most complicated of all the tie-in shows, Legends of Tomorrow.
Balancing superheroics with blockbuster action (for television, anyway) and more than a liberal splashing of time travel, it’s one of the shows where a primer is pretty handy, so here’s a reminder of who’s who on Legends of Tomorrow…
Sara Lance/White Canary (Caity Lotz)
Sara Lance is the daughter of Quentin Lance, younger sister of Laurel Lance (Black Canary), and former lover of Oliver Queen (the Green Arrow). After appearing to die on the island of Lian Yu, Sara was taken in by the League of Assassins and trained to become a killer.
After her death and revival she felt lost and unsure of what her role in the world should be. Joining Rip Hunter and the Legends on their quest through time, she went on to prove that she was a strong and competent leader, becoming the captain of the Waverider and head of the team.
Ray Palmer/The Atom (Brandon Routh)
The former CEO of Palmer Tech, Ray is a genius engineer and inventor, managing to create the Atom Suit, a set of high tech armour that is capable of flight, energy blasts, and size alteration; enabling him to shrink or grow to whatever size he wants.
Ever positive and eager to do the right thing, Ray is often the first member of the Legends to put himself forward to protect the innocent and out himself in harm’s way to restore history.
Mick Rory/Heatwave (Dominic Purcell)
A pyromaniac and former criminal, Mick became part of the Legends team when Rip Hunter recruited his partner Leonard Snart (Captain Cold). When Mick and Snart fell out over their role on the team, Snart having come to want to be a hero and Mick still wishing to remain a criminal, Snart marooned him in a distant time period.
After being captured by the Time Masters and brainwashed into becoming the temporal bounty hunter Chronos, Mick fought free of his programming and rejoined the team. Following the death of Snart, Mick came to genuinely care about his teammates and their mission, honouring his friends desire to do the right thing.
Though he is often moody and quick to violence, Mick has proved that he has become a true hero, even fighting alongside such heroes as Supergirl and The Flash to save Earth from an alien invasion.
Martin Stein/Firestorm (Victor Garber)
A physicist who created the F.I.R.E.S.T.O.R.M. matrix, Martin was hit with the energy released by the particle accelerator explosion in Central City and became one half of the nuclear fueled hero Firestorm. When his original Firestorm partner Ronnie Raymond died saving the world, Stein would go on to merge with Jefferson ‘Jax’ Jackson.
Originally forcing Jax onto the Waverider in order to travel through time, Martin and Jax have gone on to become as close as family, enjoying their time together as a superhero. During their adventures through time Stein has interacted with his younger self on more than one occasion, resulting in him having a daughter, Lilly, that didn’t exist before he became a Legend.
Jefferson ‘Jax’ Jackson/Firestorm (Franz Drameh)
Following the death of Ronnie Raymond, Jax was approached by The Flash to merge with Professor Stein to become half of the superhero Firestorm. After joining with Stein in order to save his life he became a reluctant hero, even going on to being tricked onto the Waverider by Stein, who wanted to travel through time.
During his time on the ship Jax discovered his love of being a hero, as well as becoming the ship’s mechanic. Learning much about himself during his exploits through time, Jax and Stein have become as close as family, and has come to care for the rest of the team very deeply.
Nate Heywood/Steel (Nick Zemo)
A historian specialising in deductive historical reconstruction, Nate came to the rescue of the Legends when they were lost throughout the timestream. After saving the Legends, Nate joined the team to help them track down their latest foe.
The grandson of Henry Haywood, Citizen Steel of the Justice Society of America, Nate wanted desperately to become a hero, but was unable to due to his hemphillia putting his life at risk. After being exposed to a serum that unlocked his meta-gene, however, Nate gained the ability to turn into living metal and took on the identity of Steel.
Whilst on board the Waverider, Nate eventually entered into a relationship with Amaya Jiwe, Vixen.
Amaya Jiwe/Vixen (Maisie Richardson-Sellers)
A former member of the Justice Society of America, and grandmother to the modern day Vixen, Amaya joined the Legends on their mission following the death of Hourman, the leader of the Justice Society. Utilising a mystical necklace that grants her the abilities of any animal, Vixen proved to be an invaluable member of the group.
After helping to track down Hourman’s killer and saving the timeline, Amaya chose to stay on with the Legends, despite learning that she would eventually have to return to her own time to die protecting her village.
Rip Hunter (Arthur Darvill)
A former member of the Time Masters, Rip brought the Legends together to help stop the immortal tyrant Vandal Savage, the man responsible for the death of Rip’s family. After defeating Savage, Rip was lost in the timestream before being brainwashed into joining the Legion of Doom.
Eventually saved by his former team, Rip helped to stop the Legion of Doom before handing the leadership of the team, and the Waverider, over to Sara Lance.
Gideon (Amy Pemberton)
The artificial consciousness that controls the Waverider, Gideon was Rips only companion until the Legends came aboard.
Gideon has proven time and again that she is more human than would first be thought, and is an invaluable member of the team, caring for each of the Legends.
Leonard Snart/Captain Cold (Wentworth Miller)
Originally a criminal, Snart joined the Legends when he was recruited by Rip for his abilities as a thief. Eventually coming to care for the team, and wanting to be a true hero, Snart sacrificed his life to stop the Time Masters and save his friends.
When a version of Snart from before he joined the Legends was recruited into the Legion of Doom by the Reverse Flash, Snart fought against his future teammates. Once the Legends stopped the Legion’s plans they were able to erase Snart’s memories of the events and return him to his proper place in time, allowing him to fulfill his destiny to become a hero.
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Arrow ‘Fallout’ Review
Originally published on Set The Tape
The season six premiere of Arrow is possibly the most disappointing of all of the CW DC Universe shows for failing to live up to the previous season’s finale. With the whole of Team Arrow on Lian Yu as it exploded it put the characters in very real jeopardy. Who would be returning for the new season?
It’s very quickly revealed that the answer is… everyone. Whilst I do like all of the new members of the team and am glad that they’re still around, I can’t help but feel it’s a bit of a shame that the show didn’t have the nerve to actually kill off any of it’s characters. Yes, Samantha died, but she was a character that we didn’t really know or care about.
Whilst the characters did survive the explosion, some of them came out of the events of the season finale very different. Diggle (David Ramsey) has been injured and possibly has some kind of mental scarring that has affected his aim to the point where he can’t even shoot someone four feet in front of him. For a character that has been defined as the gunman for five years it’s going to be interesting to see how the show explores this storyline over the coming weeks. Hopefully it’s not just going to be the events of Lian Yu that have led to this post traumatic stress for Diggle, but will be a culmination of his experiences as a soldier and vigilante that have finally caught up with him.
We also learn over the course of the episode that Thea (Willa Holland) is now in a coma following the explosion on the island. For the last season or more it feels like the show doesn’t really know what to do with Thea since she hung up her costume, having removed her from the show for half a season last year. Putting her in a coma feels like a cheap way of keeping her out of the picture and not having to figure out storylines for her without having to kill her off. Whilst the show has a poor reputation for putting female characters through horrible things for the sake of Oliver’s story, it does feel like they took an easy way out of just killing her off. Hopefully the writers will figure out a way to make the character interesting by the time she eventually wakes up.
The most interesting developments from the end of last season is the relationship between Quentin (Paul Blackhorne) and Dinah (Juliana Harkavy). Having been together to fight the villainous Earth-2 version of Laurel (Katie Cassidy) following the explosion they’ve formed something of a strong relationship. We learn that this is because Quentin shot Laurel in order to save Dinah, something he believed killed her, and it really cements the two of them as being something of surrogate father and daughter.
This is possibly one of the best developments that has come out of the last season, and with Laurel back in town it means that the two of them will undoubtedly have many more scenes together; the two of them having the strongest connection to this other worlds Laurel. Bringing Laurel back as the first villain of the new season, and one that looks like they’re going to be sticking around for a long while, is a good choice. It connects to past events and draws upon the history of not just the show but the characters too; something that definitely benefits a show in its sixth season. It remains to be seen who the mysterious figure rescuing her from Lian Yu is, though it’s sure to be a mystery that will play a part in the larger season long narrative.
The scenes with Oliver (Stephen Amell) and his son William (Jack Moore) are easily some of the weakest moments of the episode, possibly due to some less than stellar child acting. With William having nightmares most nights and unable to see his father as anything other than ‘the bad man’, it does raise the question of whether or not he’s had any therapy following the season finale. Bearing in mind that he was kidnapped by a crazed assassin, saw a man shoot himself in the head three feet from him, learned who his father is, and lost his mother all on the same day – this kid needs some professional help.
With the episode ending on a surprise reveal of Oliver’s identity as the Green Arrow being made public (I honestly didn’t see that coming) it sets up for some potentially exciting developments for upcoming episodes. However, with the characters having found a way out of similar spots in the past, hopefully this will be a big development and won’t be quickly swept under the rug.
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Deviations: Beta Review
Originally published on Set The Tape
As with the previous volume of Deviations, this latest release from IDW takes a look at some key moments from a number of their comic universes and reimagines them. What happens to some of your best loved franchises when things take a very different path?
Deviations: Judge Dredd
In the original story ‘Cry of the Werewolf’ a flesheating werewolf made it’s way out of the Under-City and into the streets of Mega-City One. Attacking citizens and turning them into werewolves, Judge Dredd made it his mission to stop the monsters.
After being bitten by one of the werewolves and became one of the monsters. Judge Prager, a Judge on the long walk, managed to capture Dredd, who was returned to normal thanks to a cure developed by Judge Cassidy.
In Deviations: Judge Dredd, however, we find ourselves in a world where Judge Cassidy was killed before he was able to perfect his cure, leaving Dredd Stuck in his new, monstrous form. When the crazed composer Karl Heinz-Pilchards-In-Tomato-Sauce Clayderman causes destruction that puts citizens of Mega-City One in jeopardy, and accidentally frees Wolf Dredd from his confinement, the other Judges discover that Dredd has managed to regain control of his mind.
With Dredd now in control of his new form he stops Clayderman and saves dozens of citizens, leading to him becoming beloved by the city. Unable to allow Dredd to remain in the city he is allowed to take the long walk into the wilderness, where he can continue on as a Judge.
The artwork and story in Deviations: Judge Dredd captures the look and feel of a classic Judge Dredd story, and manages to be a worthy follow-up story to the original. Less intense than a lot of Judge Dredd stories, it does manage to incorporate a strong level of humour and charm to proceedings.
Whether a fan of Judge Dredd, or completely new to the franchise, ‘Howl of the Wolf’ is certain to entertain readers.
Deviations: My Little Pony
The My Little Pony segment of Deviations tells a very different story to the one that fans will know, retelling the very first episode of the series, but with a different hero in place of Twilight Sparkle.
In this new world, Princess Celestia did not choose Twilight Sparkle to be her student, instead choosing Prince Blueblood due to him needing more help with his studies. With Prince Blueblood proving to be self-centred, Celestia sends him to Ponyville in order to make friends in the lead up to the Summer Sun Celebration.
When he arrives in Ponyville he finds that Nightmare Moon has already escaped from the moon, and is terrorising the town. Encountering the ponies that would go on to be Twilight Sparkle’s friends, Prince Blueblood manages to alienate all of them with his selfish and self-centred ways.
Deviations: My Little Pony tells a fun and interesting reimagining of the first My Little Pony episodes, subverting expectations. Instead of having Prince Blueblood replace Twilight Sparkle and replicate her journey, things play out completely differently, with it eventually being Princess Luna who goes on to make friends with the characters of Ponyville.
The book manages to capture the look and feel of the show, keeping the charm that makes the show such a success. A very lighthearted adventure, Deviations: My Little Pony will definitely interest pony fans.
Deviations: Star Trek
Deviations: Star Trek tells a much darker story than most Star Trek fans will be used to, set in a world where the Romulan Empire has captured Earth and enslaved humanity, forcing them into penal colonies.
Over the course of the story we learn that at some point following the first contact with the Vulcans, and the formation of the Federation, the Romulans took over, and that they have since repressed all knowledge of this history from the people of Earth, having them believe that the Romulans found them as a young, savage race.
In this dark and brutal world we discover William Riker and his group of freedom fighters trying to break into a Romulan prison in order to rescue a man who can lead them to a secret federation base. He’s accompanied by Worf, the former prison security officer turned pacific; Geordi La Forge, who can see by having wired himself into the head of the android Data; and Deanna Troi, who was forced to use her empathic power to torture people in the camps. Together the group manage to rescue Jean-Luc Picard, who can help them with their fight for freedom.
Whilst Deviations: Star Trek is a one-shot comic, it feels very much like the beginning issue of it’s own series, more so than any other story in this collection. It ends having completed its story, but ready to take events further, ready to set our heroes off on their own brand new adventure.
The universe that it has created is an interesting one, one in which we don’t know what happened (or when) to change events, but offers a number of hints at some disaster befalling a young Federation. The tone of this universe very much feels like the mirror universe that was visited in Deep Space Nine, and takes a lot of inspiration from this, even down to the look of Deanna Troi being very similar to the mirror universe Kira.
Deviations: Star Trek works well as its own single issue story, but could also act as a great starting point to a new ongoing series. Hopefully this will be a world that IDW will be interested in exploring in the future.
Deviations: X-Files
Deviations: X-Files is a brave comic. With dozens of monster of the week stories that could have been altered, a parts of the overall mythology that could have been explored in a what if style, there were so many options this book could have taken. Instead, it throws the entire X-Files universe that we know on it’s head by simply saying, ‘what if Mulder got abducted instead of Samantha?’
Set in a world where Samantha Mulder went on to be the conspiracy theory believing, alien hunting FBI agent, this story sees her and her partner, Dana Scully, investigate a case of murders where all of the victims are identical looking Park Rangers. When a shapeshifting adversary kills another Park Ranger, and steals all evidence of the case, Sam and Scully must team up with the Lone Gunmen to delve deeper into the mysterious Syndicate and their far reaching conspiracy.
Taking characters and stories from the series and flipping things on their head works incredibly well for this story. We know everything that’s happening, we’ve seen it all before on the show, but the subtle differences make it all new and exciting. The moment when Sam tells Scully of the identical men I knew what story the book was telling. I knew we’d get the alien bounty hunter, and a clone of Mulder, but this pre-existing knowledge of what story beats would be explored didn’t ruin anything; instead it just made me more excited to see what was coming next.
Fans of The X-Files will get a lot of joy out of Deviations: X-Files, in getting to see the X-Files universe shifted so dramatically, yet following a similar path. A brilliant use of the Deviations premise.
Deviations: Beta collects together four amazing stories that explore their respective franchises in new and exciting ways, and would all make great limited or ongoing series in their own right. IDW have managed to deliver amazing content, and I can’t wait to see what ideas they can explore with future Deviations books.
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Wednesday, 25 October 2017
B&B Review
Originally published on Set The Tape
STARRING: Paul McGann, Sean Teale, Tom Bateman, Callum Woodhouse, James Tratas
WRITTEN & DIRECTED BY: Joe Ahearne
‘Marc and Fred went to war when they were refused a double bed at a remote Christian Guest house. They won in court and now they’re back to claim their conjugal rights. Triumph turns to terror when another guest arrives, who they think may have something sinister in mind. Their weekend of fun turns into a bloody battle for survival in this smart, brutally funny and dark thriller.’
B&B was not the film that I was expecting. I’d read they films description, watched the trailer, but when it actually came to watching the film it completely subverted my expectations as to what was going to happen.
I believed that the film would be a simple and straightforward thriller, in which Marc (Tom Bateman) and Fred (Sean Teale) would have to fight against the Russian gay basher Alexie (James Tratas) in some desperate struggle for survival. Instead, what B&B delivers is a much more layered and nuanced film that puts human relationships first, and focuses on how far people are willing to go for those that they love.
I don’t want to talk too much about the story, I think it’s much better to see it unfold as you’re watching it, so that none of the twists and turns in the narrative are spoilt. What I can talk about, however, are the phenomenal performances from the films cast.
Tom Bateman and Sean Teale are very believable as they gay husbands Marc and Fred. Having previously taken the B&B to court for not allowing them to have a double bed they’ve come back a year later to stay there again. Throughout the course of the film we learn that this decision was Marc’s, and comes from him being ‘a sore winner’.
A lot of films would go out of their way to paint Marc and Fred as the poor downtrodden victims in such a scenario, and would have them return to the B&B in some kind of act of catharsis, or some way of putting their past trauma to bed. Here, however, it’s because Marc is a bit of a dick and just wants to piss off the owner, Josh (Paul McGann).
It’s a nice change to see a character that could very easily be played simply as a victim as a real person, and even pushing it into unpleasant at times. It plays wonderfully well against McGann’s Josh, who should be the villain of the film, a man who goes out of his way to discriminate against people because of his religious views, but instead he actually comes across as very likeable at times.
This may have been a bigger shock for me than the subversion of expectations for the plot, the fact that I didn’t just hate Josh. As a member of the LGBT+ community, and someone who has faced discrimination on more than one occasion, I was prepared to hate McGann’s character. When I ended up caring for him, even sympathising in some scenes I was honestly shocked with myself.
It’s a testament to how well the script is written, and how good an actor McGann is, but by the end of the film I couldn’t even decide how I thought about Josh. I disliked him, and even wanted to hate him, but I also cared about him, and in some ways respected him. I felt conflicted and disturbed by the developments his character took, and in the way the film ended, that I wasn’t prepared for.
In a world where the LGBT+ community faces discrimination, where gay men are regularly attacked in Russia by characters such as Alexie, and where they’re even put to death in some countries, stories that show the very real fears and dangers that the community faces, even in as tolerant a country as England, is important.
Whilst the fear of being attacked by a gay basher leads to a much more complex and disturbing set of events in this film, and hopefully something that people will never have to experience, that fear of abuse, the fear of an attack, is a very real reality for a lot of people; and this film captures that well in the early parts of the story.
A subject that a lot of people wouldn’t think about, believing that the advancements of LGBT+ rights will have eliminated much of it, focusing on these issues is important in film; not just because it lends itself well to telling a good thriller story, but because film can often find ways to have its audience think about subjects it wouldn’t normally.
B&B is a very well crafted film, well written, and with a level of acting that elevates the story and characters. It addresses difficult to talk about subjects, and manages to create three-dimensional characters rather than stock caricatures. Whether a member of the LGBT+ community or not, this film will be sure to entertain, thrill, and terrify throughout.
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Looking back at… In The Loop
Originally published on Set The Tape
In The Loop is the big screen version of Armando Iannucci’s popular television series The Thick of It, and sees the return of Peter Capaldi’s Malcolm Tucker, the spin doctor from hell, as he tries to steer a bumbling minister away from disaster during the buildup to war.
The story follows Minister for International Development, Simon Foster (played by Tom Hollander) after he makes a comment during a radio interview that he felt the looming war in the Middle-East was “unforeseeable”. As this goes against the government’s official neutral line he tries to correct his mistake by then stating that Britain may have to “climb the mountain of conflict”.
“You sound like a Nazi Julie Andrews!” Tucker screams at him as demands start to come in from America for Foster to take part in their war planning committee, with both those for and against the war trying to claim him as their own. What follows is a series of events where the British ministers are dragged into a round of talks in Washington and New York, whilst Foster tries to keep his career in one piece and Malcolm attempts to turn events to the government’s favour.
Whilst many television series struggle to make the leap to the big screen, In The Loop really stands out as a great example of a show managing to do it well. Part of this success may be down to the fact that the film doesn’t tie itself down to everything established in The Thick of It. Several cast members return for the film, though Tucker, his psychotic enforcer Jamie Macdonald, and Malcolm’s PA Sam, are the only characters to appear in both, with the other returning actors cast in new roles.
This may initially seem jarring for some, but it means that the film is able to tell its own story, in a way built for the big screen, without having to explain away certain characters, events, or connections to the series, making it much more accessible for new audiences. Whilst this does separate the film from its parent show, it does feel like it fits naturally enough into the world that they’d already established.
The move to the big screen also opens up the story to include bigger cast and locations than the series was able to do so, with a large portion of the story taking place in America. The American cast work seamlessly with their British counterparts, and add a sense of conflict that was missing from the parent series, with great performances from David Rasche (who would go on to appear in Veep, the American version of The Thick of It), and the late, great James Gandolfini.
In The Loop is funny, and at times ridiculous, look into the world of politics, one that’s full of spin, half-truths and outright lies as politicians and civil servants spend more time trying to keep their jobs than doing the right thing. There are no real heroes or villains in the film, only people with different agendas. Malcolm Tucker isn’t a nice person, but he’s not a monster, and there are moments where you feel genuinely sorry for the man. Simon Foster is someone in over his head having said the wrong thing, but wanting to do the right thing.
This may not be a film for everyone, it looks at people in government and paints them as idiots and fools; it makes the argument that you can’t trust information as it will be based on an agenda, spun and doctored to fit a specific narrative or viewpoint; and there’s a lot of swearing (the film uses the word fuck 135 times, with 86 of them being just Peter Capaldi!). However, if you find politics interesting, if you like ridiculous satire, or you just like seeing angry people screaming lines of obscenities at people this film will definitely appeal.
In The Loop is not only a great jump to film for a brilliant television series, it’s a great film in its own regards. The story is engaging and amusing, the characters feel very real, and the humour can go from incredibly subtle to ridiculous in the same scene. With Peter Capaldi stepping down from his role in Doctor Who and real world politics being in the state they are at the moment, I can only hope that we get to see more Malcolm Tucker in the future.
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Teenage Mutant Ninja Turtles Universe #15 - Comic Review
Originally published on Set The Tape
The fourth and final issue of the Karai’s Path story sees the ninja Karai returning to Tokyo, after finding a mystical ancient sword and new ally Yokai, in order to take over the criminal underworld.
Most of the focus of the issue follows Karai and her mutant allies attacking the Tokyo headquarters of the Yakuza crime lord Hayashi Toru, leaving only death and carnage in their wake.
The assault on the Yakuza building is an entertaining cross of traditional crime story, mythical ninja story elements, and huge mutant creatures tearing people apart. The scenes where we see Koya and Bludgeon working alongside their new ally Yokai to kill Hayashi Toru’s guards are brutal, and go a long way to showing the sheer ferocity that Karai’s mutant allies possess.
Korai herself has started to lose herself to the cursed sword that she worked so hard to acquire, with Hayashi Toru telling her that it will eventually consume her soul. Though only touched on slightly in this issue this is a very interesting story point that is being laid for future exploration, and is sure to be something that will appear to haunt the Turtles at a later date.
The scenes where Korai kills Hayashi Toru, and then goes on to take over the rest of the underworld when meeting with the heads of the other Yakuza families are straight out of Japanese crime dramas. They’re scenes that we’ve all seen before, but they work really well, and have the added impact of a humanoid hammerhead shark being around for proceedings.
The book manages to bring the Korai story to a satisfying conclusion, one that sets her up to return to New York as a force to be reckonned with at a later time, and also leaves enough plot threads open that there is a lot that can be explored at a later date; such as the effects that her new sword will have on her.
The artwork and colours are also stunning, with rough linework helping to sell the grittiness of certain scenes, helping to ground what we’re seeing in a more real world. It also makes some very good stylistic choices, such as draining all colour from the panel where the three mutants tear apart Yakuza henchmen apart from red, which not only makes the panel pop, but emphasised the brutality of what we’re seeing.
The removal of any background elements in the panels where Korai faces off against Hayashi Toru is also a great decision as it focuses attention solely on the two characters, heightening the drama of the moment. With Korai’s Path finally at it’s conclusion the final chapter brings the story to a stunning and strong finish.
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Uncle Scrooge #31 - Comic Review
Originally published on Set The Tape
As with previous issues, Uncle Scrooge #31 collects together several short stories previously published in other comics around the world, bringing them to a US audience. This issue contains four such adventures.
Story One – Sins of the Sorcery Summit
The first story of the issue, originally published in issue #44 of the Dutch Donald Duck comic, sees the evil witch Magica De Spell calling together a number of other witches to help her to steal Scrooge McDucks number one dime.
This first story manages to weave two very separate stories together into one cohesive tale in surprising ways, with the A and B plots feeling very separate until the final moments. The adventure itself is very simple, yet manages to pack in a lot of mystery and twists that mean you’ll not see the end comic.
Story Two – Halloween Shivers
Originally published in Topolino #2183 in Italy, Halloween Shivers is a single page strip that sees Donald Duck at the movies with Daisy Duck, the two of them watching a horror movie. When Donald annoys her by narrating along with the movie, Daisy dumps her ice cream on top of him.
There’s little to talk about in regards to this part of the book, it only being a one page strip, however, it’s sure to entertain completionists who want to experience everything Ducktales has to offer.
Story Three – Belle, Book and Bungle
The third story, published in the Danish Anders and & Co. #9, sees the witch Magica Da Spell recruit Belle Duck to be her assistant.
After turning herself into a dragon in an attempt to seal Scrooge’s number one dime, Magica Da Spell receives an injury to her back, making her unable to perform any schemes. When Belle Duck is given a single penny from Scrooge to help towards repairing her boat Magica realises that she can use Belle to help get the dime.
Possibly the most enjoyable story in the issue, it’s nice to see a non-main character get given the spotlight for once, and given the chance to play opposite Magica. Belle turns out be something of a surprise hero, one who in the end is able to show her ingenuity in beating the villain. A simple but effective story.
Story Four – Celebrity Crushed
In the issue’s final story, originally published in Topolino #3045, Dickie Duck gets called to help April, May, and June, who find themselves heartbroken over their crushes, the boy band The Quacker Boyz announce their engagement to Duckstiny’s Child on Facebeak (yes, all these puns are in the book).
Dickie consoles the girls and manages to convince them that they can get over their childhood crushes, taking them out for ice cream. However, when they’re getting their ice cream Dickie finds out that her own childhood crush, the Hollywood actor John Ququak is nearby, she runs off declaring her love for him.
A quick and simple story, there’s not a great deal of depth to Celebrity Crushed, however, the ridiculous puns do manage to entertain.
Overall, Uncle Scrooge #31 delivers a mixture of stories and tones that brings together several characters and adventures from across the Ducktales universe.
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The DC TV Universe – Is It In Good Or Bad Health?
Originally published on Set The Tape
The DC Television Universe, also known as the Arrowverse, has developed from a single, grounded story about a vigilante into several shows that include superhumans, aliens, time travel, and parallel worlds. Whilst no one would have seen the creation of such a vast universe as a possibility when Arrow first began, it now feels like one complete, complementary whole.
This year sees Arrow moving into its sixth season, The Flash its fourth, plus Legends of Tomorrow and Supergirl coming back for a third season. But with so many shows making up their universe, are things becoming too bloated, or is it just a natural progression?
The introduction of The Flash was possibly the biggest hurdle that the DC Television Universe faced, making the leap from a very grounded and real world setting, to a universe that incorporated superpowers and time travel.
The first season of The Flash was possibly the most dangerous moment for the franchise. If the creators had pushed things too far it could have felt too much of a drastic change from Arrow, or it could even have made people feel like it had even gone on to spoil the parent series.
Luckily, The Flash had the right level of serious drama, humour, and some very, very clever writing to make the first season a success, fitting some universe changing concepts into their world in very natural ways. By the end of the first season The Flash felt like it belonged, and it worked brilliantly alongside Arrow.
Making their third series a combination of characters that had featured in both Arrow and The Flash was a clever choice, and helped to make Legends of Tomorrow a success. Using characters such as Firestorm, the Atom, and White Canary as an entry point to explore the history of their universe, to build upon the concept of time travel, and to introduce new characters made the series a lot easier to digest for new fans.
It was also granted huge freedom to try new things, to have superheroes in the wild west, the distant future, or even tease new developments for the futures of both The Flash and Arrow.
Including Supergirl in the DC Television Universe was a big gamble for the CW, however, as the series originally began on CBS, before being cancelled. Seeing the potential in the series, and thanks to a cheeky cross-network cross-over episode in the first season, the CW made the decision to incorporate it into their multi-verse, to have it be another parallel world within their shows.
Thanks to the second season of The Flash dedicating so much of its time to the concept of parallel worlds this felt like a natural fit, and it also meant that people who were unsure whether to jump into Supergirl going into its second season could ignore it if they wanted to, as it would remain largely separate to the rest of the universe.
Thankfully, for those fans who had been watching all four series, the CW brought them all together for ‘Invasion‘, having the characters from all of the shows teaming up together to save the world from a deadly alien invasion. Whilst the Supergirl episode was mostly a waste, with only the last 30 seconds part of the cross-over, the event was a huge success, boosting the visibility and popularity of the universe. It was so much of a success that a second, larger cross-over event will be happening this year.
Thanks to these successes the DC Television Universe will be expanding again with the introduction of Black Lightning, a series that will be focusing on a much older hero, one that has children on his own, and lives in much more complex world than Barry or Oliver. Whilst we do not yet know how this series will be received, it does look like the CW are trying something different yet again, a gamble that has been successful for them in the past.
Elsewhere in the DC Television Universe there is the small animated series Vixen, that introduced the titular character before her live action appearance. The upcoming animated series The Ray will also be set in another part of their multiverse, allowing for some vastly different stories. The appearance of John Constantine in Arrow also means that the NBC Constantine series has been retconned into the universe too.
Despite so much content being part of the universe, it doesn’t feel too big. This is probably because each series is different, not just in their characters, but their tones, their approach to storytelling, and even their medium. There’s currently no sign that the DC Television Universe is coming to an end, and if they can continue to deliver new, quality content that must surely be a good thing.
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Kid Lobotomy #1 Review
Originally published on Set The Tape
Kid Lobotomy is a new ongoing series from IDW’s new mature reader imprint, Black Crown. Written by comics veteran Peter Milligan (Shade The Changing Man, Red Lanterns, and Justice League Dark) and illustrated by Tess Fowler (Rat Queens), Kid Lobotomy is a horror series that focuses on a dysfunctional family that run a hotel filled with ghosts and other strange creatures.
Described by the series creators as ‘Kafka meets King Lear by way of Young Frankenstein’, Kid Lobotomy mixes horror, madness, and the mind.
The main character of the book, the titular Kid Lobotomy, is a failed rock star, medical school dropout, and the reluctant manager of his family hotel. The book also stars his volatile older sister, Rosebud, and his businessman father, Big Daddy. Outside of Kid Lobotomy’s family is the hotel maid Ottla, who appears to be more than she seems.
The first issue of Kid Lobotomy has a broken narrative thread, jumping backwards and forwards as it tells it’s story. In this first issue we learn a lot of Kid Lobotomy’s past, his failed rock career, his time in a psychiatric hospital, and his eventual experimental lobotomy. With all of this we begin to see some of the strange plans that his sister Rosebud is putting into play, as well as Kid’s attempts to ‘cure’ a hotel guest of his neural disorder.
Kid Lobotomy uses this broken narrative structure to help build a sense of unease and mystery. Along with the events in the story it’s hard to know exactly what is and isn’t real, if things are a part of Kid’s broken psyche, or if the supernatural and paranormal exist. Even in recent interviews Peter Milligan has said that not everything in the book can be trusted, but nor should the bizarre be ignored out of hand.
The book establishes questions, yet gives no real answers. Who is Kid and his family? Do monsters and the supernatural exist? How much is actually happening and what’s just in Kid’s head? Having read Milligan’s work in the past, these are sure to be questions that will take a lot of issues to be answered, and even then the answers will probably feel flimsy, and subject to change.
The art in the book is superb, with great character design and small touches within the panels that help to build the world around Kid and the hotel. With the way the book is structured I wouldn’t be surprised if in future issues we begin to learn more about these unusual characters and pieces in the background of panels in the first issue.
Kid Lobotomy is not just the first issue of its own series, but the first book in the Black Crown imprint, a shared universe where all of its stories not only happen in the same world, but on the same street, so it takes a lot of time to set the tone for this new comics world. An intriguing and bizarre introduction that messes with the mind and reader’s expectations. An excellent beginning to a brand new world.
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My Little Pony: Legends of Magic #7 Review
Originally published on Set The Tape
My Little Pony: Legends of Magic has been slowly revealing the secret history of Equestria, delving into the myths and legends that surround the magical kingdom. Whilst the first six issues of the title established the mystical heroes of Equestria, such as Rockhoof and Flash Magnus, issue #7 is the first part of a multi-issue story that will bring these heroes together into a team. Yep, this is the Avengers Assemble of My Little Pony.
When a young unicorn studying sea creatures heads to the beach one autumn morning he discovers three Sirens, Adagio, Sonata, and Aria; known as the Dazzlings. Adagio asks the young scholar to bring them to the townspeople so that they can perform their music for them.
When the pony tells the Dazzlings that he’s not sure the townspeople would want to listen to the Sirens they become angry, demanding that the town’s people ‘power them’. Managing to run away from the Dazzlings, the pony researches the myths surrounding them and discovers stories that suggest Sirens are very dangerous creatures.
Later that evening the Dazzlings appear in the centre of town, ensnaring the town with their music, draining the magic from them. Knowing that he cannot stop them himself the young pony flees the town to find a hero from legend to stop the Sirens. Travelling far the young pony comes to a town beneath a volcano. Falling inside a deep hole, the young pony finds himself staring up at the shadowy form of the hero Rockhoof.
Issue #7 of My Little Pony: Legends of Magic sets an interesting stage in which to draw its heroes together. The lead character, whilst unnamed, is interesting; a young pony who craves knowledge and enjoys pouring over books. It’s a similar template the to Twilight Sparkle at the start of the television series, and much like the series I’m expecting the unnamed pony to go on to become a hero in his own right. The fact that we never see the pony’s cutiemark, don’t hear his name, and he’s trying to bring together the ancient heroes of Equestria all come together to make me wonder if he may be a young Star Swirl the Bearded (pre-beard).
The Dazzling are a unique group to make the foes of the story, having appeared in small roles previously in past stories, both on screen and in comics, it’s nice to see them being given the spotlight. Whilst only the first part of the story, we’re given a solid base for more issues to come, and promise of excitement in the future. Hopefully the quality of the series will remain strong through to the conclusion of the adventure.
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