Thursday, 7 April 2016

The Walking Dead 'Last Day on Earth' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


'Last Day on Earth' is the culmination of the second half of the season that's been building to the introduction of one of the most hotly anticipated comic book characters, Negan.  The readers of the book know Negan is bad news before he was even mentioned on screen, and thanks to the escalation we've had week after week and the war that's been going on between the residents of Alexandria and the Saviours even those unfamiliar with the source material knew that something bad was coming.  Unfortunately we were all right, but in more than one way.

Over the course of the episode we see Rick and a number of his people racing to get Maggie to Hilltop and their doctor, but coming face to face with Saviour's on every route to the settlement.  The Saviours don't attack our group, but force them to take the route they want them to take.

Much like the second half of the season these developments are tense, taking it's time in prolonging the agony of watching Rick and the group struggle to try and save someone that they care about.  We know that things are going to end badly, and as the episode progresses you can see that the characters are slowly coming to the same realisation.

Trying to sneak through the woods carrying Maggie on a litter the group runs straight into a gang of Saviours, and when I say gang there must have been close to fifty of them there.  With nowhere left to run and no possible way of fighting their way out of the situation they're taken prisoner, and joined with the others who were captured in last week's episode.

Rick, Carl, Daryl, Michonne, Abraham, Rosita, Eugene, Maggie, Glenn, Aaron and Sasha are all assembled on their knees in front of their campervan, from which Negan emerges.

Now, the reveal of Negan and the speech he gives are amazing.  Jeffrey Dean Morgan oozes menace and charm in equal measures that not many actors would be able to achieve.  This isn't like the Governor who acts nice but has a evil agenda, this man is open and honest about being bad.  He tells the group that he wants half of everything Alexandria has, and he tells them he's going to murder one of them as punishment for everything they've done.


Negan is so enthralling in this scene that it's impossible not to enjoy watching what he does, not from the point of view of liking his actions but just being captivated by his presence and the effect he has.  Every single one of our heroes is shit scared in this scene, even Abraham who's trying to act stoic will be afraid.  To see our heroes reduced to terror makes it one of the most tense scenes in the shows history.

The tension is ramped even higher as Negan begins to play 'eeny, meeny, miny, moe' with the group to decide which of them he's going to kill.  Somehow this is even more sadistic than simply choosing one of them, even if he chose one at random it would be over quick, but the perverse pleasure taken at stretching things out and tormenting each and every one of them twists the nerves.

Unfortunately the scene does not end well, for one of the cast or the audience.  Taking a POV shot Negan chooses his victim and begins to smash their skull to pieces with Lucille, his barbed wire bat.  The episode ends as the victim dies and the screen goes black.

As to be expected this decision to not show the person being killed has angered a lot of Walking Dead fans, as we now have to wait months to find out exactly which member of the cast has been killed off.  A number of people online have been trying to make educated guesses as to who might have died, but other than a line of dialogue from Negan that tells us Rick and Carl were not the ones chosen it could still be anyone else.   

The show runners have said that the next season will open with the same scene, that we will see who dies in all their bloody glory, but I can't help but feel that this stylistic choice is a misstep.  After building up all this tension over the last half season (and the last 15 minutes of the finale) to have audiences waiting months to see who died destroys all of that tension.  The impact of seeing that death will be so diminished that people will have a completely different view of it when they eventually find out.  It won't be 'Oh no [insert name] is dead!' it'll be 'Okay, so it was [insert name]'.

That's not to even bring up those fans who feel that this is one cliffhanger wait too far and are saying they'll be quitting the show.  After the whole Glenn rolling under the dumpster thing and the wait to see if he was alive I can't really blame them for being pissed, I am a little if I'm being honest.


'Last Day on Earth' also continued the Morgan/Carol story left over from last week's episode, with Morgan continuing the search for the runaway member of the group.  

Morgan finds Carol, but she's reluctant to return to Alexandria, insisting that it's better for her and everyone else that she leaves.  When the last remaining Saviour from the ambush in the last episode finds Carol he attacks her and shoots her in the arm and leg, torturing her.  Morgan breaks his rule about letting people live and kills the Saviour to save Carol before the two of them are found by men in body armour.

The journey Carol is going on has shifted course this week slightly as she's gone from cold blooded killer, to not wanting to kill, to now being okay with being killed.  The scene where the Saviour is going to kill her and she's kind of okay with it felt a little strange, but then if Carol is really feeling that conflicted and hurt by everything she's been through perhaps she has reached the point where she doesn't want to fight for her own life anymore.

The fact that Morgan kills the Saviour to protect Carol is a massive moment, as it not only has Morgan breaking the philosophy he's been speaking all season, but proves Carols point that people have to do terrible things to protect people that they care about.  Whether Morgan will continue to preach peace and letting people live going forward or if his outlook will change is anyone's guess, but perhaps Carol now has someone who understands her own problem much more and will help her work through everything she's going through now.

The two men who find them certainly look like season seven will be introducing The Kingdom, their armour is pretty much straight out of the comic book, and if so then I'm certainly looking forward to it, and hoping that they won't be cutting out a certain striped character from the story.

'Last Day on Earth' is a good episode, with some amazing scenes, but I feel that the final moments and the decision to not show who dies is a major mark against it.  If we'd have seen the killing then this would have gone on to be remembered as one of the most tense and best episodes of the show, instead it's going to be the one that has annoyed fans the most.  Roll on season seven and some answers to the question every Walking Dead fan is asking.


Amy.
xx

Legends of Tomorrow 'Left Behind' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


Following on from the cliffhanger ending of the previous episode 'Left Behind' sees the Waverider coming under attack from Chronos, who manages to take control of the ship and leaves Kendra, Ray and Sarah trapped in 1958 as they watch the ship disappear into the time stream.

Trapped in the past the three of them try to find a way to send a message to the Waverider whilst waiting for the rest of the team to return.  Fed up of waiting and believing the team abandoned them Sarah leaves Ray and Kendra, who over the next two years form a solid relationship and life in 1960.

This development, that the people left behind would spend years in the past is kind of a good one, as it's given the romance story between Ray and Kendra, which up to now has felt very forced, room to grow and feel natural.  Now, instead of having two people at the start of a relationship we have two of our heroes who have a long history together, even if we didn't actually see it on screen.

Meanwhile on the Waverider, Chronos is able to overcome the team and takes Captain Cold back to his own ship, leaving the rest of the team.  This allows Rip and the two halves of Firestorm to head back to 1960 and pick up Ray and Kendra.

Whilst Kendra is eagre to return to their old life and the mission to take down Vandal Savage Ray is reluctant to leave the life the two of them have built together.  Initially this took me by surprise, as I expected Ray to be the one to want to get back to the future and technology, whilst Kendra has memories of living in the past and should in theory feel more at home there.

To switch things around not only subverts this expectation, but goes on to put some drama into their new relationship and to give Ray some interesting character development.  Hopefully this storyline will last more than just one episode and Ray will continue to struggle to get back into his old life, but with the short number of episodes this season it probably won't.


The team try to find Sarah and come to the troubling realisation that she's returned home, not to Star City (or Starling City in this time period) but the League of Assassins.  The team try to sneak into Nanda Parbat to bring Sarah back, but find that Sarah doesn't want to leave and helps the League take the team prisoner.

Meanwhile on Chronos' ship Snart wakes to find himself shackled to the wall.  When he challenges Chronos the bounty hunter removes his helmet to reveal Mick Rory, a.k.a. Heatwave.  Yep, Snart's best friend who he was supposed to have 'killed' is the same time travelling bounty hunter that's been chasing the team since episode one.

It's a development that some saw coming and one that makes a lot of sense.  Finally we know why Chronos was only sparingly used up until now, the show runners were waiting for Mick to go completely crazy before using Chronos to his full extent.  Not only does this mean we get the long waited for screen time with the character, but suddenly he's important and a character that really matters rather than just another villain.

At the League of Assassins the team challenges their imminent execution with trial by combat, in which Sarah and Kendra are forced to fight to the death.  The fight gets interrupted by Chronos/Mick, giving the cast the opportunity to work together to fight their enemy in another excellent showcase of the team's powers and combat abilities.  The fight may be short, but it's choreographed in such a way that it gives each member of the team a chance to shine as well as showing off the excellent visual effects and combat the series has to offer.


On Chronos' ship Snart manages to get hold of his freeze gun and uses it to break free of his shackles, by freezing his hand solid and smashing it to pieces.  It's an impressive scene, though I have to question why he'd choose to destroy his hand rather than freezing the shackles or the pipe that he's attached to, but then it wouldn't have been as dramatic so I guess it's a stylistic trade off.

Together the team manages to overpower Chronos and takes him prisoner.  Thankfully fighting alongside the rest of the team has helped snapped Sarah out of her time confusion and she rejoins the team with Ra's al Ghul's blessing (something that feels very unlike his Arrow counterpart, but hey this is 50 years before that so a guy can change, I guess).  The episode ends with Mick as a prisoner aboard the Waverider and the team heading off to the future to take on Savage.

The episode is definitely a lot more entertaining than I first thought it would focusing on three of our heroes trapped in the past.  Perhaps this is one of the advantages of a short season, the fact that this story had to wrapped up fairly quick rather than Sarah, Ray and Kendra in the past being a whole episode or more.

The return of Mick is a great twist that adds a lot more depth and character development to a character that has had relatively little to none since their introduction in The Flash, and perhaps helping to redeem Mick will be a part of Snarts journey to becoming a hero.  This episode was also noteworthy for introducing Talia al Ghul to the Arrowverse, with her being a child in the episode.  It's interesting that in this universe she's the elder daughter rather than the traditional Nyssa, but her inclusion does give a fun nod to comic book fans.

'Left Behind' could have easily been a rather dull episode but manages to tell a number of engaging and interesting stories as well as giving us some great action sequences.


Amy.
xx

Tuesday, 5 April 2016

Arrow 'Beacon of Hope' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


The latest episode of Arrow tries to take a leaf (and a villain) out of Flash's book and creates an incredibly disjointed and odd episode.

'Beacon of Hope' sees the return of the Bree Larvin (The Walking Dead's Emily Kinney), the Bug Eyed Bandit.  Larvin brings her flying mechanical bees with her to Star City and presents Team Arrow with a new type of villain that they rarely go up against.  It's hard to not feel that Barry would have been able to handle Larvin a lot easier than Ollie, who's more used to ninjas and street thugs than such large scale threats.

Larvin, who was caught with the help of Felicity and put in prison during season one of The Flash, breaks out and heads to Star City in order to steal the microchip that Felicity has in her spine.  Larvin is even more irritating in this episode then she was in Flash, with over the top acting and really, really stupid bee puns that make her irritating whenever she's on the screen.  For anyone who complained about Emily Kinney's character on The Walking Dead, watch this and tell me Beth isn't a million times better than Larvin.

It isn't until late into the episode that we find out that Larvin is after the chip because she has a tumour on her spine and will lose the ability to walk.  Whilst this could have been something that added a lot of depth to the character her acting is so cheesey and the revelation so late in the game I just didn't care about it at all.

As well as having a giant swarm of robotic bees at her command Larvin can make the bees combine together to make a humanoid robot.  Whilst this development actually gave Ollie and the gang something that they could physically fight it feels completely wrong for this show.  Maybe it could have worked on Flash, that has a lighter tone and a focus on sci-fi, but Arrow has always tried to be the more realistic show in the CW DC universe, and this really feels out of place here.

The episode also brings Curtis Holt into Team Arrow as he manages to track down the Arrow Bunker and joins up with the team to work their tech in the absence of Felicity.  Whilst bringing Curtis onto the team is a good thing (I'm hoping he goes full on Mr Terrific someday) his overexcitement and childishness was extremely grating and didn't really mesh with the events going on.


He might have been excited to be discovering the real identities of Star City's heroes and working with them, but surely he should know not to be shouting and trying to high five people when Felicity and everyone else in Palmer Tech was still in danger.

It's already been announced that Curtis is going to be a series regular and a part of Team Arrow in season five, and hopefully he will not be as annoying or grating when season five rolls around.

Speaking of the inclusion of Curtis on the team as a replacement for Felicity, it's brought up a novel idea about who might be in the grave in the flash forwards.  Maybe it's Felicity.  Now, I know that after the funeral that Ollie gets into a car and Felicity is sitting there and tells him he has to kill someone, but maybe that's not really Felicity, but just in Ollie's head.

Think about it, Barry is at the funeral, and whilst he does know the whole team he's got the biggest connection with Felicity, and he looked genuinely upset.  The loss of the love of Ollie's life would definitely encourage him to kill someone.  Why add another techie to the team is Felicity is still around?  I think that Felicity could very well be a real possibility for the person in the grave.

'Beacon of Hope' is an episode I can't help but feel would have worked a lot better on The Flash rather than here, as the mixing of tone really didn't work very well, and led to an episode that felt very disjointed and broken.  Hopefully the show will pick up in quality fairly quickly as this was an extremely disappointing episode.


Amy.
xx

Baldur's Gate Expansion Receives Negative Reviews For Trans Character


The popular PC game Baldur's Gate has received a slew of negative reviews for it's new expansion 'Siege of Dragonspear', with gamers giving the expansion the lowest possible reviews they can, with the inclusion of a transgender character their main protest.

A cleric in the game, Mizhena, reveals through one of the possible dialogue trees that she is transgender.  The option opens up when you ask her about her name, at which she says 'I created the name myself several years ago.  My birth name proved unsuitable'  When asking her what was wrong with her old name she goes on to add, 'When I was born, my parents thought me a boy and raised me as such.  In time, we all came to understand I was truly a woman.  I created my new name from syllables of different languages.  All have special meaning to me, it is the truest reflection of who I am.'

The interaction lasts only thirty seconds and does not expand from there to talk about transgender issues in any way, but fans of the game are criticising the inclusion of a transgender character as somehow sullying the reputation of the game and causing irreparable damage to both the series and the game studio itself.

One gamer uploaded a video to Youtube that shows them killing Mizhena after she reveals that she is transgender entitled 'Tranny Abuse'.  The uploader wrote 'It's refreshing to see that nearly everyone, even a lot of neutral folks, consider this a bastardisation of a classic game world.  Beamdog dug themselves a hole that their company will never recover from now.  Any potential Baldur's Gate 3 they develop now will fail due to people knowing how little they care for the license.'

Despite a number of negative reviews siting game bugs and unsatisfactory additions as being issues, the majority of negative reviews seem to revolve around the issue of Mizhena being trans, the game's writing and pushing a 'social justice agenda' on the players.


The game's writer, Amber Scott, responded to the criticisms saying 'As I've said before,and won't say much more on this subject other than to get my perspective out there: I'm the writer and creator.  I get to make decisions about who I write about and why.  I don't like writing about straight/white/cis people all the time.  It's not reflective of the real world, it sets us s/w/c/ as the 'normal' baseline from which 'other' characters must be added, and it's boring'.

'I consciously add as much diversity as I can to my writing and I don't care if people think that's 'forced' or fake.  I find choosing to write from a straight default just as artificial.  I'm happy to be a SWJ and I hope to write many Social Justice Games in the future that reach as many different types of people as possible.  Everyone should get a chance to see themselves reflected in pop culture.'

The negative reviews have resulted in the founder of Beamdog, Trent Oster, to take to social media to try and encourage the fans of the series to leave positive reviews in response to the overwhelming hate, even going so far as to point out that the negative reviews are stemming from the inclusion of a trans character.

'I usually spend most of my time lurking here, but I'd like to ask a favour.  It appears that having a transgendered cleric and a joke line by Minsc has greatly offended the sensibilities of some people.'  He wrote on the Baldur's Gate forum.  'This has spurred these people into action, causing them to decide that this is the worst game of all time and give it zero reviews on Steam, GoG and Metacritic.  Now, I'd like to ask for that favour.  If you are playing the game and having a good time, please consider posting a positive review to balance out the loud minority which is currently painting a dark picture for new players.'

The joke line he referred to is a small dig one of the characters makes at the expense of GamerGate.  A character called Minsc makes the comment about 'ethics in heroic adventuring', mocking the GamerGate criticisms about ethics in journalism.

The amount of negative reviews and the kind of content is shocking, but not surprising as this is not the first time that the gaming community has been negative towards representation and equality.  


Amy.
xx

Monday, 4 April 2016

Supernatural 'Red Meat' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


At 11 seasons in it's hard to expect every episode of Supernatural to be great.  The show had some poor episodes when it was at it's high point, so it's not really much of a surprise to find episodes today that just don't really work.  Despite some great acting from Jensen Ackles 'Red Meat' is an episode that just doesn't really work.

When a werewolf hunt goes wrong and Sam is shot in the stomach Dean has to try and carry same through the woods to safety whilst escorting the two campers that were being held hostage by the werewolves.  

The group manage to make their way through the woods to an abandoned cabin, where Corbin suggests leaving Sam behind so that they can make better time getting away from the remaining werewolves pursuing them.  Dean immediately shoots down this idea (as we all know he would) and leaves the cabin to make a litter that they can use to carry Sam.

This is where the episode has a good idea though and goes quite dark, Corbin decides that the only way Dean will leave Sam behind is if Sam is dead, so he proceeds to suffocate and kill Sam.  Yes, Corbin has been bitten by one of the werewolves by this point, but he has not turned yet.  This isn't monster violence, it's a desperate human willing to kill another man in order to live.  Even for Supernatural this is fairly dark territory.


Believing Sam to be dead Dean leads the others to safety.  When they come across a local police officer Dean is prevented from going back for his brother.

Waking up at the local hospital Dean concocts a plan to overdose on medication in order to die so that he can talk to Billie the Reaper and get her to bring Sam back to life.  Overdosing on drugs Dean comes face to face with Billie and attempts to trade his life in place of Sam's.  Unfortunately for him Billie tells him that Sam isn't dead, but she is willing to reap Dean.

It's at this point that what was a mildly entertaining episode feels so much duller than it should have.  Yet again we're watching one of the brothers lose the other (or at least thinking they have) and making stupid decisions in order to get them back.

This is a plot point that the series has visited time and time again over it's eleven year run, and whilst this episode has something of a fake out in the sense that Sam isn't dead, it still very much feels like a rehash of past events.  When you add in the fact that there is little to no mention of Amara or Castiel and that nothing gets added to the overall season story this episode could easily fit in anywhere in the shows run.

Overall there are some good things in the episode, Corbin 'killing' Sam is a great scene that does something the show has never done before, but after that it just falls back into a story we've already seen more than once.  Hopefully this is just a bump in the road and the show will start telling more interesting stories.


Amy.
xx

Sunday, 3 April 2016

New Miss Transgender UK Crowned


A new Miss Transgender UK 2015 has been crowned at a ceremony that was held in Cardiff last Friday, following the original winner being stripped of her title by the event organiser.

Daisy Bell, 41, was the first runner up in the competition that was held in September last year.  The original winner, Jai Dara Latto was stripped of her title when the event organiser saw footage of her from the BBC3 Miss Transgender UK documentary that showed Jai going to the gym in boxer shorts and a t-shirt.

The organiser of the event, Rachel Bailey, claimed that the footage showed that Jai was not transgender, but branded her as a drag queen.  She complained that because Jai was wearing boxer shorts she was not female 'full time' and that she wasn't 'trans enough'.

Daisy, the new winner, was informed about the decision to crown her as the winner whilst she was out of the country on holiday.

'I am very excited and pleased to be the new winner of Miss Transgender UK.'  She said.  'I was on holiday in Tenerife when I got the message to say I would be recrowned.

'Since I was a child I've known I wanted to be a full woman.

'The support from my family was important, especially from my mum who was very supportive.'

Rachel Bailey released a statement to say that Jai had been informed about her disqualification, but she has as of yet not commented on controversial nature of the disqualification.


Amy.
xx

Lilly Wachowski Speaks At GLAAD Awards


Filmmaker Lilly Wachowski made her first public appearance at the GLAAD Media Awards last night, where she accepted the award for best drama series for her Netflix show 'Sense8'.

Taking to the stage, Lilly spoke about her own coming out and the role the GLAAD has in the wider LGBT+ community.  She thanked the 'fabulous people at GLAAD' for their help, 'as well as the extremely sensitive and courteous people at the Daily Mail.  Thanks guys,' she added with sarcasm that drew laughter from the crowd.

Lilly came out as transgender last month in a public statement published through Chicago's Windy City Times following threats from a journalist from the British publication The Daily Mail who was going to publicly out her if she did not share her story with them.

On stage she said, 'My sister likes to joke, you can't write this shit.  Where do we find the courage to break free of the boxes of our lives, to transcend and overcome tragedy?  The monsters within and the violence we do to ourselves when we are too afraid to be who we really are.

'And while the ideas of identity and transformation are components of our work, the bedrock that all ideas rest upon is love.  Love is a crucial thing for transgender people, it's a tether.'

'When faced with the rather simple proposition of whether you're unlovable, our imagination falters.  Too many of us end up on the wrong side of the existential question of love or oblivion.  And so we ring that bell.  Not just for everyone else's sake but our own.'

Lilly thanked her sister Lana, her parents who were in attendance at the awards, as well as Netflix and the cast and crew of the show.  She ended her speech with the simple message, 'Now get out there and go love with all your fucking might'.

Sense8 has already been renewed for a second series and is currently in production.


Amy.
xx

Saturday, 2 April 2016

Author Ian McEwan Criticised Over Transphobic Comments



Ian McEwan, the award winning author, was speaking at the Royal Institution when he made the comment that he believes people with penises can only be men.

'The self, like a consumer desirable, may be plucked from the shelves of a personal identity supermarket, a ready to wear little black number,' McEwan said during his speech.  'For example, some men in full possession of a penis are now identifying as women and demanding entry to women-only colleges, and the right to change in women's dressing rooms.'

During a follow up Q&A session one member of the audience asked him to clarify what she referred to as offensive remarks.

'Call me old fashioned, but I tend to think of people with penises as men,' he replied.  'But I know that they enter a difficult world when they become transsexuals and they tell us they are women, they become women, but it's interesting when you hear the conflict between feminists now and people in this group.

'It's quite a bitter conflict.  Spaces are put aside, women are wanting to put spaced aside like colleges or changing rooms, and find from another side a radical discussion coming their way saying men who want to feel like it can come in too.  I think it's really difficult.  And I think there is sweeping through America campuses a strange kind of victimhood and a sense of purposeful identities that we can't actually all of us agree with.  Of course sex and race are different, but they also have a biological basis.  It makes a difference whether you have an X or Y chromosome.'

Stonewall have been quick to condemn the statement, describing McEwans views as being 'uneducated' and 'extremely sad'.  They released the following statement;

'It' extremely sad to hear such uninformed views from such a respected author.  When people express views that are hurtful or dangerous, they should expect to be challenged and we're pleased someone called him out.  What's confusing is that he admitted in his response that we are complex beings - yes we are.  The complexity of gender identity extends beyond genitalia.

'Trans people need and deserve acceptance and equality.  This sort of commentary doesn't just denigrate the trans experience, it denies it's very existence, and that's especially hurtful for a group of people who have spent their lives fighting to be heard and understood.  It's a bitter irony that he made these comments on the Trans Day of Visibility.  It shows just how much work we have to do before everyone is accepted and without exception.'

Amy.
xx

The Flash 'Flash Back' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


The Flash has had some little extra gems in its storytelling arsenal that other comic book shows don't, time travel and parallel dimensions.  Both of these adds a whole slew of possibilities for both story telling and character development, and whilst most of season two has thus far been focused on parallel worlds 'Flash Back' uses time travel to great effect in one of the more interesting episodes this year.

With Barry finding himself unable to reach greater speeds in his training to take down Zoom Caitlin points out that Zoom and the Reverse Flash both have an advantage over Barry, their feet are on the ground a lot less than his,  Realising that both villains have somehow managed to unlock the secrets to moving at greater speeds Barry hatches a daring plan, travel back in time to the previous year and get Eobard Thawne (posing as Harrison Wells) to help him.

Despite having travelled in time more than once already this is one of the first times that Barry has done so willingly and with purpose.  That made this time travel story feel stand out and different enough not to get lost in the other time travel stories, that and the introduction of the Time Wraiths to the mythology.

The Time Wraiths are new, not just to the CW universe but to the overall mythology it shares with the comics.  They've never been in the books, so the introduction here was a complete surprise to me.  The episode describes them as living within the Speed Force, and that they will stop speedsters who try and travel back in time.


Okay, so that explains why they haven't appeared in Legends of Tomorrow, they only affect speedsters, but why haven't we seen them before?  Well, it could be because this is the first time that Barry has travelled back in time without it being an accident.  Also, all of the other times he's done so it's only been by a few hours/days, this is travelling back almost a year.  Perhaps the further back you travel and doing it on purpose brings about the Time Wraiths.  

Whatever the reason we'll probably learn more about them in the future as Thawne appeared to have past knowledge of the creatures and we haven't seen the last of him in the show.  Maybe the younger Thawne will encounter Time Wraiths when he travels back to fight Barry in events we've not seen yet.  I know, time travel makes my brain hurt sometimes too.

When Barry arrives back in the events of season one he immediately gets into a fight with his younger self that, apart from some dodgy moments of CGI, is an entertaining moment as we watch the Flash fight himself.

The rest of the episode focuses on Barry trying to interact with previous events without altering them too greatly, something that he comes close to failing to do more than once, yet somehow works out well for everyone in the end.  So far the only change we've seen Barry's trip cause is that Pied Piper is now a good guy instead of a villain.  Being a fan of the comics this chance in Piper was fun to see as there is a run in the comics where he reforms and becomes an ally of the Flash.


Some of the best scenes in the episode have to be Flash coming face to face with Thawne/Wells again.  This is different from the version of the Reverse Flash we saw earlier in the season, that man hadn't gone up against Barry before, this version, however, is the one that killed his mother and manipulated Barry's life.  

Barry tries to act like his younger self, but even in the scenes when Wells doesn't know who Barry is you can see the looks of disdain and hate on Barry's face when the two of them are together.  Once again Grant Gustin does an excellent job at portraying the complex emotions at work in this episode, of a man who wants nothing more than to hurt the monster in front of him but knows he has to hold himself back and pretend to like the man.

Despite Thawne figuring out that Barry is from the future Barry somehow manages to convince Thawne that his plans to return home to his own time succeed and he lets the future Barry live.  Why Thawne lets Barry live or simply doesn't use the older, faster Barry to help him time travel there and then isn't exactly clear, other than the fact that doing so would pretty much break the show.

'Flash Back' manages to give us a time travel story that works brilliantly well within its own universe, even when things go wrong our hero manages to nudge events back on course in a way that keeps the time line from completely falling apart, and even gives our heroes a new ally.

As a final quick side note, some people have pointed out how the Time Wraith's face looks like it's wearing a similar mask to Flash and the Reverse Flash.  Yes, it does look very similar, and this thing does live inside the Speed Force, so yes I agree with what people are saying, this thing is probably connected in some way to the Black Flash.


Amy.
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Agents of S.H.I.E.L.D. 'Watchdogs' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


With the loss of both Bobbi and Hunter last week the focus of the latest episode of S.H.I.E.L.D. shifts over to Mack, the member of the team most personally affected by their departure, and someone who has often been the moral centre of the team.  Despite telling a personal story the episode manages to introduce a new element to the Marvel Cinematic universe and lay the foundation for more conflict to come.

After a brief name drop in a previous episode about an online group stirring up anti-Inhuman sentiment that group finally acted on their hate, forming the militant group 'The Watchdogs' and attacking an ATCU facility.

All this happens whilst Mack is having the weekend off, spending time with his brother Ruben, who doesn't know Mack is a member of S.H.I.E.L.D. but thinks he works in insurance.  The whole secret spy life storyline hasn't really been explored in great deal in the show yet, and whilst by the end of the episode Ruben knows that Mack is a spy it's still nice to see how he's trying to balance spending time with his brother and working the Watchdog case.

The interactions between Mack and Ruben are enjoyable enough, but because we've never met Ruben before this episode much of the conflict that arises between the two of them feels very rushed.  We've had nothing to establish Rubens character, so when he goes from Macks kind younger brother to supporting the Watchdogs and hating Inhumans it feels a little out of nowhere.  I understand that it's one of the problems with introducing a new character and wanting to give them development straight away, but it does feel a little forced here.


The episode doesn't just put Mack at odds with his brother though, but Daisy too, as she wants to use her powers to threaten and coerce information out of a Watchdog supporter.  Having been the moral centre of the group so many times in the past it stand to character that Mack would take issue to snatching a civilian and scaring information out of them just because they've shown support for the Watchdogs online.

It might be a little surprising to some that someone who is essentially working with a secret government agency would have an issue with such behaviours, but Mack is the kind of person who feels strongly about personal freedoms and rights.  Daisy wanting to detain and question someone with little to no grounds is uncomfortable for him, her wanting to use her powers to get answers is something he's dead against.

Is this conflict and the introduction of a potential Inhuman vaccine going to rear its head again around the same time as Civil War to give the S.H.I.E.L.D. team their own split?  Maybe, it wouldn't be the first time that the series has tied in with the movies, but if it does I hope the conflict isn't forced simply to cash in on Civil War, but plays out true to the characters and the stories being told.

Elsewhere in the episode Coulson and Lincoln team up together to track down the leader of the Watchdogs, former S.H.I.E.L.D. agent Felix Blake, who we last saw almost dying at the hands of Deathlok in season one.  Whilst the reintroduction of Blake gave a nice connective thread to the Watchdogs and grounded them a little in the shows history the actual team up between Coulson and Lincoln was fairly dull and didn't interest me greatly.

Lincoln has a great powerset and could be a really cool character, but it kind of feels like the writers don't really know what to do with him.  He's trying to join S.H.I.E.L.D. but doesn't really fit in with them, he's dating Daisy but their relationship has no spark or passion to it.  His character feels forced into the series and wasted to me, and this episode doesn't improve him enough to make me interested in any way.

This week also saw some development for Simmons and May, with Simmons wanting to learn how to defend herself better in the field and not rely on others to save her, and the two of them then working together to try and find Andrew.


The change in Simmons is a good one, and shows some long overdue changes in her attitude.  Despite being a scientist and spending much of her time at the S.H.I.E.L.D. base Simmons has been in so many situations over the last three seasons where she's had to be saved by the rest of the team that this kind of drive in her feels natural, especially after what happened to her on the alien world at the start of this season.

I'm not expecting her to end up being as capable as May or Bobbi, or even Mack, but it would be nice to see her becoming capable of taking care of herself in a physical way, rather than just using her intelligence to get out of situations.

The reminder that Andrew/Lash is still around will hopefully mean a return of the character at some point this season.  For someone who was built up to be a major threat at the start of the season we've actually seen very, very little of Lash, especially over the last half a dozen episodes.  Personally I'm hoping for a Lash vs Hive mega Inhuman fight in the last episode of the season.

After the loss of two of the shows best characters 'Watchdogs' goes a long way to showing the audience that the show is still capable of delivering great story and character moments, along with setting up new challenges and threats for the team to face in the future.  Oh, and shotgun axe.  Mack finally made his shotgun axe.


Amy.
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