Monday, 4 April 2016

Supernatural 'Red Meat' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


At 11 seasons in it's hard to expect every episode of Supernatural to be great.  The show had some poor episodes when it was at it's high point, so it's not really much of a surprise to find episodes today that just don't really work.  Despite some great acting from Jensen Ackles 'Red Meat' is an episode that just doesn't really work.

When a werewolf hunt goes wrong and Sam is shot in the stomach Dean has to try and carry same through the woods to safety whilst escorting the two campers that were being held hostage by the werewolves.  

The group manage to make their way through the woods to an abandoned cabin, where Corbin suggests leaving Sam behind so that they can make better time getting away from the remaining werewolves pursuing them.  Dean immediately shoots down this idea (as we all know he would) and leaves the cabin to make a litter that they can use to carry Sam.

This is where the episode has a good idea though and goes quite dark, Corbin decides that the only way Dean will leave Sam behind is if Sam is dead, so he proceeds to suffocate and kill Sam.  Yes, Corbin has been bitten by one of the werewolves by this point, but he has not turned yet.  This isn't monster violence, it's a desperate human willing to kill another man in order to live.  Even for Supernatural this is fairly dark territory.


Believing Sam to be dead Dean leads the others to safety.  When they come across a local police officer Dean is prevented from going back for his brother.

Waking up at the local hospital Dean concocts a plan to overdose on medication in order to die so that he can talk to Billie the Reaper and get her to bring Sam back to life.  Overdosing on drugs Dean comes face to face with Billie and attempts to trade his life in place of Sam's.  Unfortunately for him Billie tells him that Sam isn't dead, but she is willing to reap Dean.

It's at this point that what was a mildly entertaining episode feels so much duller than it should have.  Yet again we're watching one of the brothers lose the other (or at least thinking they have) and making stupid decisions in order to get them back.

This is a plot point that the series has visited time and time again over it's eleven year run, and whilst this episode has something of a fake out in the sense that Sam isn't dead, it still very much feels like a rehash of past events.  When you add in the fact that there is little to no mention of Amara or Castiel and that nothing gets added to the overall season story this episode could easily fit in anywhere in the shows run.

Overall there are some good things in the episode, Corbin 'killing' Sam is a great scene that does something the show has never done before, but after that it just falls back into a story we've already seen more than once.  Hopefully this is just a bump in the road and the show will start telling more interesting stories.


Amy.
xx

Sunday, 3 April 2016

New Miss Transgender UK Crowned


A new Miss Transgender UK 2015 has been crowned at a ceremony that was held in Cardiff last Friday, following the original winner being stripped of her title by the event organiser.

Daisy Bell, 41, was the first runner up in the competition that was held in September last year.  The original winner, Jai Dara Latto was stripped of her title when the event organiser saw footage of her from the BBC3 Miss Transgender UK documentary that showed Jai going to the gym in boxer shorts and a t-shirt.

The organiser of the event, Rachel Bailey, claimed that the footage showed that Jai was not transgender, but branded her as a drag queen.  She complained that because Jai was wearing boxer shorts she was not female 'full time' and that she wasn't 'trans enough'.

Daisy, the new winner, was informed about the decision to crown her as the winner whilst she was out of the country on holiday.

'I am very excited and pleased to be the new winner of Miss Transgender UK.'  She said.  'I was on holiday in Tenerife when I got the message to say I would be recrowned.

'Since I was a child I've known I wanted to be a full woman.

'The support from my family was important, especially from my mum who was very supportive.'

Rachel Bailey released a statement to say that Jai had been informed about her disqualification, but she has as of yet not commented on controversial nature of the disqualification.


Amy.
xx

Lilly Wachowski Speaks At GLAAD Awards


Filmmaker Lilly Wachowski made her first public appearance at the GLAAD Media Awards last night, where she accepted the award for best drama series for her Netflix show 'Sense8'.

Taking to the stage, Lilly spoke about her own coming out and the role the GLAAD has in the wider LGBT+ community.  She thanked the 'fabulous people at GLAAD' for their help, 'as well as the extremely sensitive and courteous people at the Daily Mail.  Thanks guys,' she added with sarcasm that drew laughter from the crowd.

Lilly came out as transgender last month in a public statement published through Chicago's Windy City Times following threats from a journalist from the British publication The Daily Mail who was going to publicly out her if she did not share her story with them.

On stage she said, 'My sister likes to joke, you can't write this shit.  Where do we find the courage to break free of the boxes of our lives, to transcend and overcome tragedy?  The monsters within and the violence we do to ourselves when we are too afraid to be who we really are.

'And while the ideas of identity and transformation are components of our work, the bedrock that all ideas rest upon is love.  Love is a crucial thing for transgender people, it's a tether.'

'When faced with the rather simple proposition of whether you're unlovable, our imagination falters.  Too many of us end up on the wrong side of the existential question of love or oblivion.  And so we ring that bell.  Not just for everyone else's sake but our own.'

Lilly thanked her sister Lana, her parents who were in attendance at the awards, as well as Netflix and the cast and crew of the show.  She ended her speech with the simple message, 'Now get out there and go love with all your fucking might'.

Sense8 has already been renewed for a second series and is currently in production.


Amy.
xx

Saturday, 2 April 2016

Author Ian McEwan Criticised Over Transphobic Comments



Ian McEwan, the award winning author, was speaking at the Royal Institution when he made the comment that he believes people with penises can only be men.

'The self, like a consumer desirable, may be plucked from the shelves of a personal identity supermarket, a ready to wear little black number,' McEwan said during his speech.  'For example, some men in full possession of a penis are now identifying as women and demanding entry to women-only colleges, and the right to change in women's dressing rooms.'

During a follow up Q&A session one member of the audience asked him to clarify what she referred to as offensive remarks.

'Call me old fashioned, but I tend to think of people with penises as men,' he replied.  'But I know that they enter a difficult world when they become transsexuals and they tell us they are women, they become women, but it's interesting when you hear the conflict between feminists now and people in this group.

'It's quite a bitter conflict.  Spaces are put aside, women are wanting to put spaced aside like colleges or changing rooms, and find from another side a radical discussion coming their way saying men who want to feel like it can come in too.  I think it's really difficult.  And I think there is sweeping through America campuses a strange kind of victimhood and a sense of purposeful identities that we can't actually all of us agree with.  Of course sex and race are different, but they also have a biological basis.  It makes a difference whether you have an X or Y chromosome.'

Stonewall have been quick to condemn the statement, describing McEwans views as being 'uneducated' and 'extremely sad'.  They released the following statement;

'It' extremely sad to hear such uninformed views from such a respected author.  When people express views that are hurtful or dangerous, they should expect to be challenged and we're pleased someone called him out.  What's confusing is that he admitted in his response that we are complex beings - yes we are.  The complexity of gender identity extends beyond genitalia.

'Trans people need and deserve acceptance and equality.  This sort of commentary doesn't just denigrate the trans experience, it denies it's very existence, and that's especially hurtful for a group of people who have spent their lives fighting to be heard and understood.  It's a bitter irony that he made these comments on the Trans Day of Visibility.  It shows just how much work we have to do before everyone is accepted and without exception.'

Amy.
xx

The Flash 'Flash Back' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


The Flash has had some little extra gems in its storytelling arsenal that other comic book shows don't, time travel and parallel dimensions.  Both of these adds a whole slew of possibilities for both story telling and character development, and whilst most of season two has thus far been focused on parallel worlds 'Flash Back' uses time travel to great effect in one of the more interesting episodes this year.

With Barry finding himself unable to reach greater speeds in his training to take down Zoom Caitlin points out that Zoom and the Reverse Flash both have an advantage over Barry, their feet are on the ground a lot less than his,  Realising that both villains have somehow managed to unlock the secrets to moving at greater speeds Barry hatches a daring plan, travel back in time to the previous year and get Eobard Thawne (posing as Harrison Wells) to help him.

Despite having travelled in time more than once already this is one of the first times that Barry has done so willingly and with purpose.  That made this time travel story feel stand out and different enough not to get lost in the other time travel stories, that and the introduction of the Time Wraiths to the mythology.

The Time Wraiths are new, not just to the CW universe but to the overall mythology it shares with the comics.  They've never been in the books, so the introduction here was a complete surprise to me.  The episode describes them as living within the Speed Force, and that they will stop speedsters who try and travel back in time.


Okay, so that explains why they haven't appeared in Legends of Tomorrow, they only affect speedsters, but why haven't we seen them before?  Well, it could be because this is the first time that Barry has travelled back in time without it being an accident.  Also, all of the other times he's done so it's only been by a few hours/days, this is travelling back almost a year.  Perhaps the further back you travel and doing it on purpose brings about the Time Wraiths.  

Whatever the reason we'll probably learn more about them in the future as Thawne appeared to have past knowledge of the creatures and we haven't seen the last of him in the show.  Maybe the younger Thawne will encounter Time Wraiths when he travels back to fight Barry in events we've not seen yet.  I know, time travel makes my brain hurt sometimes too.

When Barry arrives back in the events of season one he immediately gets into a fight with his younger self that, apart from some dodgy moments of CGI, is an entertaining moment as we watch the Flash fight himself.

The rest of the episode focuses on Barry trying to interact with previous events without altering them too greatly, something that he comes close to failing to do more than once, yet somehow works out well for everyone in the end.  So far the only change we've seen Barry's trip cause is that Pied Piper is now a good guy instead of a villain.  Being a fan of the comics this chance in Piper was fun to see as there is a run in the comics where he reforms and becomes an ally of the Flash.


Some of the best scenes in the episode have to be Flash coming face to face with Thawne/Wells again.  This is different from the version of the Reverse Flash we saw earlier in the season, that man hadn't gone up against Barry before, this version, however, is the one that killed his mother and manipulated Barry's life.  

Barry tries to act like his younger self, but even in the scenes when Wells doesn't know who Barry is you can see the looks of disdain and hate on Barry's face when the two of them are together.  Once again Grant Gustin does an excellent job at portraying the complex emotions at work in this episode, of a man who wants nothing more than to hurt the monster in front of him but knows he has to hold himself back and pretend to like the man.

Despite Thawne figuring out that Barry is from the future Barry somehow manages to convince Thawne that his plans to return home to his own time succeed and he lets the future Barry live.  Why Thawne lets Barry live or simply doesn't use the older, faster Barry to help him time travel there and then isn't exactly clear, other than the fact that doing so would pretty much break the show.

'Flash Back' manages to give us a time travel story that works brilliantly well within its own universe, even when things go wrong our hero manages to nudge events back on course in a way that keeps the time line from completely falling apart, and even gives our heroes a new ally.

As a final quick side note, some people have pointed out how the Time Wraith's face looks like it's wearing a similar mask to Flash and the Reverse Flash.  Yes, it does look very similar, and this thing does live inside the Speed Force, so yes I agree with what people are saying, this thing is probably connected in some way to the Black Flash.


Amy.
xx

Agents of S.H.I.E.L.D. 'Watchdogs' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


With the loss of both Bobbi and Hunter last week the focus of the latest episode of S.H.I.E.L.D. shifts over to Mack, the member of the team most personally affected by their departure, and someone who has often been the moral centre of the team.  Despite telling a personal story the episode manages to introduce a new element to the Marvel Cinematic universe and lay the foundation for more conflict to come.

After a brief name drop in a previous episode about an online group stirring up anti-Inhuman sentiment that group finally acted on their hate, forming the militant group 'The Watchdogs' and attacking an ATCU facility.

All this happens whilst Mack is having the weekend off, spending time with his brother Ruben, who doesn't know Mack is a member of S.H.I.E.L.D. but thinks he works in insurance.  The whole secret spy life storyline hasn't really been explored in great deal in the show yet, and whilst by the end of the episode Ruben knows that Mack is a spy it's still nice to see how he's trying to balance spending time with his brother and working the Watchdog case.

The interactions between Mack and Ruben are enjoyable enough, but because we've never met Ruben before this episode much of the conflict that arises between the two of them feels very rushed.  We've had nothing to establish Rubens character, so when he goes from Macks kind younger brother to supporting the Watchdogs and hating Inhumans it feels a little out of nowhere.  I understand that it's one of the problems with introducing a new character and wanting to give them development straight away, but it does feel a little forced here.


The episode doesn't just put Mack at odds with his brother though, but Daisy too, as she wants to use her powers to threaten and coerce information out of a Watchdog supporter.  Having been the moral centre of the group so many times in the past it stand to character that Mack would take issue to snatching a civilian and scaring information out of them just because they've shown support for the Watchdogs online.

It might be a little surprising to some that someone who is essentially working with a secret government agency would have an issue with such behaviours, but Mack is the kind of person who feels strongly about personal freedoms and rights.  Daisy wanting to detain and question someone with little to no grounds is uncomfortable for him, her wanting to use her powers to get answers is something he's dead against.

Is this conflict and the introduction of a potential Inhuman vaccine going to rear its head again around the same time as Civil War to give the S.H.I.E.L.D. team their own split?  Maybe, it wouldn't be the first time that the series has tied in with the movies, but if it does I hope the conflict isn't forced simply to cash in on Civil War, but plays out true to the characters and the stories being told.

Elsewhere in the episode Coulson and Lincoln team up together to track down the leader of the Watchdogs, former S.H.I.E.L.D. agent Felix Blake, who we last saw almost dying at the hands of Deathlok in season one.  Whilst the reintroduction of Blake gave a nice connective thread to the Watchdogs and grounded them a little in the shows history the actual team up between Coulson and Lincoln was fairly dull and didn't interest me greatly.

Lincoln has a great powerset and could be a really cool character, but it kind of feels like the writers don't really know what to do with him.  He's trying to join S.H.I.E.L.D. but doesn't really fit in with them, he's dating Daisy but their relationship has no spark or passion to it.  His character feels forced into the series and wasted to me, and this episode doesn't improve him enough to make me interested in any way.

This week also saw some development for Simmons and May, with Simmons wanting to learn how to defend herself better in the field and not rely on others to save her, and the two of them then working together to try and find Andrew.


The change in Simmons is a good one, and shows some long overdue changes in her attitude.  Despite being a scientist and spending much of her time at the S.H.I.E.L.D. base Simmons has been in so many situations over the last three seasons where she's had to be saved by the rest of the team that this kind of drive in her feels natural, especially after what happened to her on the alien world at the start of this season.

I'm not expecting her to end up being as capable as May or Bobbi, or even Mack, but it would be nice to see her becoming capable of taking care of herself in a physical way, rather than just using her intelligence to get out of situations.

The reminder that Andrew/Lash is still around will hopefully mean a return of the character at some point this season.  For someone who was built up to be a major threat at the start of the season we've actually seen very, very little of Lash, especially over the last half a dozen episodes.  Personally I'm hoping for a Lash vs Hive mega Inhuman fight in the last episode of the season.

After the loss of two of the shows best characters 'Watchdogs' goes a long way to showing the audience that the show is still capable of delivering great story and character moments, along with setting up new challenges and threats for the team to face in the future.  Oh, and shotgun axe.  Mack finally made his shotgun axe.


Amy.
xx

Thursday, 31 March 2016

Star Wars Rebels 'Twilight of The Apprentice' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


'Twilight of The Apprentice' is the season finale of season two of Star Wars Rebels and there is only one word that can adequately describe it, epic.  A double length episode that focused purely on the Jedi/Sith conflict, featured three inquisitors, the crippling of Kanan, Ezra beginning to turn to the dark side, the return of Darth Maul and Ahsoka fighting Darth Vader.  There is not a minute of this episode that isn't amazing television.  It was emotional, it was intense and there were so, soooo many lightsabre fights.

When Kanan, Ezra and Ahsoka travel to the planet Malachor to find a way to defeat the inquisitors they discover an underground battlefield full of Jedi and Sith bodies, as well as a massive Sith temple.  The three of them discover an inquisitor, one we've not encountered before, and Ezra is separated from the group.

Ezra stumbles across an old man who claims to be an enemy of the inquisitors and the reason one is on Malachor.  The old man is in fact Darth Maul, who appears to have discarded his Sith teachings and simply calls himself Maul.  Despite being a former Sith Ezra begins to trust Maul as the two of them travel deeper into the temple.

Together Maul and Ezra retrieve a Sith holocron, before rejoining Kanan and Ahsoka who are busy battling the inquisitor, who has now been joined by the Fifth Brother and Seventh Sister.  Ahsoka immediately recognises Maul and she and Kanan are initially wary of him.  Maul manages to convince them that they are fighting a common enemy and even joins the Jedi in the fight against the inquisitors, fighting alongside Kanan and Ahsoka.


Agreeing to team up with Maul to reach the top of the temple to find the knowledge they seek the four of them make their way to their destination.  Along the way they are forced to split up, with Maul going along with Ezra.  The two of them are attacked by the Seventh Sister and Maul manages to overpower her, giving Ezra the opportunity to kill her.  Ezra refuses to do so, instead leaving it to Maul to end her life.  

Once they reach the top of the temple they see that Ahsoka and Kanan have been ambushed by the Fifth Brother and the Eighth Brother.  Maul tells Ezra to go on without him to activate the temple whilst he goes to help Kanan and Ahsoka.  Maul manages to kill the Fifth Brother, with the Eighth Brother falling off the temple to his death.

Maul then reveals to Kanan and Ahsoka that their is no secret knowledge at the top of the temple, but Ezra is instead activating a device that will turn the whole temple into a battle station that he intends to use against his enemies.  Maul tells Kanan that he intends to take Ezra as his apprentice and attacks, injuring Kanan and blinding him.

Before Maul can deliver a killing blow Ahsoka stops him and the two of them battle.  Despite being more than a match for Mauls skills Ahsoka backs down to let the injured Kanan finish the fight, who despite having lost his eyesight, uses the force to beat Maul, throwing him off the temple.



At the top of the temple Ezra activated the device with the Sith holocron before realising it's a trap and attempts to deactivate it.  He is unable to do so, witnessing instead the arrival of Darth Vader.  Ezra attempts fight Vader but is quickly overpowered, his lightsaber destroyed in the process.  

Ahsoka arrives and fights with Vader, giving Kanan and Ezra the chance to remove the holocron and stop the temple from powering up.  The temple begins to fall apart, forcing Kanan and Ezra to flee to the Phantom.  Still fighting with Vader, Ahsoka damages his mask, revealing part of the face of Anakin Skywalker.  Ahsoka tells Anakin 'I won't leave you, not this time' and the two of them are inside the temple as it explodes.

The episode ends with an injured Kanan and Ezra returning to Chopper base, where they are greeted by the rest of the crew, and Captain Rex learns of the loss of Ahsoka.  Maul pilots one of the inquisitors tie fighters away from Malachor.  On the planets surface a badly injured Vader limps his way out of the ruined temple, whilst beneath the surface Ahsoka retreats into one of the underground chambers.  Back aboard the Ghost Ezra is meditating with the Sith holocron, his eyes briefly turn red and the holocron opens.


'Twilight of The Apprentice' is without a doubt the best episode of Star Wars Rebels ever produced, it's easily on par with the best episodes of The Clone Wars.  

Malachor is an amazing setting for the finale, with the planet beneath a planet that houses thousands of dead Jedi and Sith along with the gigantic temple, light only through cracks in the upper surface that create a star field with shafts of light streaming down in places.  There's very little information given across in the episode about Malachor in the episode, or what happened to the force user who were fighting there, and that's fine.  It adds a sense of mystery and foreboding to the alien landscape.  Malachor is unlike any other place we've been to in the television shows or films, it feel big and epic and scary and dangerous and it's a perfect place to have so much happen in this episode.

The reintroduction of Maul into the series is a genius idea.  Not only is it bringing back an all time fan favourite, but it's adding a new element to the mix that was missing before.  In the Clone Wars there were multiple factions beyond the Jedi and the Sith/Separatists, you had the Mandalorians, the bounty hunters, Maul and Savage, it felt like a bigger universe with layers.  

So far Rebels has pretty much focused on the empire and the rebellion.  Pirates will occasionally turn up from time to time, but are never a serious threat, just a minor obstacle.  Maul gives the writers of Rebels the chance to bring in a third party that can actually go on to make a lasting impact.  He's only been in the one episode so far and he's already made a huge impact with blinding Kanan alone.  


Without a doubt Maul will be returning for the third season, whether as an enemy or in some cases an uneasy ally again will remain to be seen, but one thing is certain, his effect on Ezra is not over.  With Ezra having dark side leanings since season one it would seem like Maul really helped to open the door to that part of Ezra's abilities, and whether in person or through the Force I'm sure that Maul will be trying to continue to reach out to him and bring him further into the dark side.

One of the most important parts of the episode has to be the confrontation between Ahsoka and Vader, something we all knew was coming when Ahsoka first appeared in the series.  Master and apprentice met once again, with devastating results.  

The moment when Ahsoka breaks open Vader's mask and seems Anakin beneath was chilling, and watching Ahsoka accept the truth that she has been trying to fight against most of the season is heartbreaking.  The fact that we also hear Anakin's real voice, once again provided by Matt Lanter from the Clone Wars, mixed in with his Darth Vader one adds to this.  She doesn't have the anger or sadness she showed during the events of 'Shroud of Darkness', instead it's almost like a calm settles over her as she accepts her fate.

I think Ahsoka knew that she couldn't beat Vader in a fight, but she chooses to stay with him instead of running with Kanan and Ezra through a sense of guilt for not being with him during the events of Revenge of the Sith.  She's shown in the past that she feels that she should have been with her friend when the Jedi fell, and her promise not to leave him is her trying to deal with this guilt.


Despite what some people are saying on the internet Ahsoka appears to have survived the fight with Vader, as we briefly see her entering one of the chambers beneath Malachor.  I do not think that her walking away from the screen into darkness is a metaphor for her being dead, I do not believe that it was her force ghost.  Ahsoka is one of the most beloved and important characters in the expanded Star Wars universe, and her death would not be left ambiguous or half seen, the creators would want to give her a fitting end.  Whilst her encounter with Vader here would have been one, the fact that we do not see her die leads me to believe that she must still be alive, and that we will see her again in season three.

The epic scope of the episode's visual scale and amazing fights were matched with it's music, with series composer Kevin Kiner producing some of the best work on the series to date.  He gives Malachor a creepy and haunted feel, but manages to ramp up the score for the lightsaber duels, even giving us pieces of 'Duel of the Fates' when Kanan and Ahsoka fight Maul.  It's the last scene of the episode where the music really stands out though, as we're given a montage of shots without a single line of dialogue.  Kiner's music works so well with these evocative images to create a sense of awe at what you've just seen, sadness at the 'loss' of Ahsoka, and anticipation for the next season.

'Twilight of The Apprentice' is the best episode of Star Wars television.  It's also a great showcase for how to produce an amazing season finale story, one that takes what the season was building up and turns things up to eleven.  It gives more than I was expecting it to and set the bar for a lot of other shows this year.

Season two may have ended, but Rebels is far from finished as it sets the stage for some amazing storylines to come in the future.


Amy.
xx

Retro Review: The Last Train



Plot Summary:  A group of strangers are travelling on a train from London to Sheffield with only one of them, a scientist called Harriet Ambrose, aware that a meteorite is on a collision course with Earth.  On her way to Sheffield to reach the safety of a government bunker before the impact Harriet is shocked to discover that the calculations were incorrect and the meteor hits early.  As the meteor hits the train is passing through a tunnel where it is thrown off the tracks and the passengers injured.  Harriet takes a canister from inside her bag and releases a cryogenic gas that 'freezes' the occupants of the train carriage.

Upon waking the passengers are unaware that they were frozen, believing instead that they were just unconscious for a short amount of time.  They manage to climb their way out of the tunnel and find the world completely changed, with subtropical vegetation growing amongst the ruins of Sheffield.

Several members of the group split off and search through the city.  Smooth talking criminal, Mick Sizer, finds the skeletal remains of his friend and girlfriend in his old hideout.  He collects tools and supplies and repairs his van, providing the group with transport.  Elsewhere, another group are attacked by a group of wild dogs, with several of them being killed.

The remaining survivors gather together and search through the city for the bunker that Harriet was heading to.  They manage to find the bunker, but instead of providing them with shelter the facility is deserted and stripped of valuable supplies.

Harriet discovers what she believes to be the remains of her boyfriend, one of the head scientists at the facility, and a cryptic message left by him encouraging her to travel to a shelter in Scotland called 'Arc'.  Harriet manages to convince the rest of the group that they were frozen for a lot longer than they first thought, and that their best hope for survival is to travel north to Arc.

At the same time that Harriet is convincing the rest of the group that they need to take the perilous journey across the country, Anita, the youngest member of the group, discovers a wild looking young woman called Hild, who brings a new set of problems for the survivors as she's being hunted by another group who want her unborn baby.

The survivors begin their journey towards Arc, struggling to stay ahead of the vicious group following them whilst trying to find enough food and water to survive in the apocalypse ravaged wilderness.


Analysis:  'The Last Train' was a six part post-apocalypse television drama produced by ITV and aired over five weeks between April and May 1999.  The series was written by Matthew Graham, who at the time was best known for brief stints working on 'Eastenders' and 'This Life', but would later go on to work on 'Doctor Who', as well as create both 'Life on Mars' and it's spin-off series 'Ashes to Ashes'.

'The Last Train' is a perfect example of television trying to capture some of the science centric fears that captured the public imagination at the time, specifically the idea of an object impacting with earth and wiping out civilisation.  With both 'Armageddon' and 'Deep Impact' released the year before 'The Last Train' proved to be a much smaller budget version of those stories, but one with a huge difference, civilisation doesn't survive.

Perhaps it's something inherently British, but it seems that where American media depicts people coming together and winning out over the outside threat, whether it be an asteroid, alien invaders or a deadly virus, Britain tends to create stories that show the aftermath of these kind of events, such as 'Survivors' in the 1970's, which 'The Last Train' takes quite a few ques from.

Another feature of British television present in the series is the relatively short, with only six episodes to tell its story.  The first two episodes very much feel like one, both of them being set in and around Sheffield and basically establishing the characters and their upcoming journey.  After that each episode deals with separate parts of the journey, episode three has the group trying to find supplies and running afoul of a big cat (no, really, they get hunted by panther), episode four gives us the first real confrontation with Hild's group and the loss of one of the survivors, episode five focuses on a walled community they find that seems too good to be true, and episode six finishes the story as the survivors reach Arc.

I can't help but feel that if this were an American show that the series would be closer to twenty episodes, filled with flashbacks to before the apocalypse to help build characters pasts.  Instead we only get brief introductions to the characters, with much of their back story being told in brief snatches of dialogue between characters over the course of the series.  Instead of being shown more than we'd want to know about these people we get to know them over the course of their journey in the same way that the other characters do.


Despite not using flashbacks and a short episode run most of the characters get given the room to grow and develop, forming new relationships and evolving to survive in the new environment.  For me, the standout character of the show is the criminal Mick Sizer, who begins very much out for himself and even wants to abandon the group in the very first episode.  By the end of the series he's become one of the groups leaders and is even willing to sacrifice himself for the safety of the group, even allowing himself to be crucified by the 'others' instead of helping them get into Arc.

My biggest criticism of the show is the final ten minutes.  The story reaches a conclusion and ends at a point where it feels somewhat unfinished.  The survivors have reached Arc, discovered that the inhabitants woke up 40 years before, and that their descendants are the people hunting them.  The two groups come together and join as one inside Arc as Hild gives birth to her baby.

That's all well and good, the show got the survivors to Arc, which is the end of the story, but we're left not knowing if the two groups are going to become one group.  We don't know if Mick and Austin have survived their crucifixion.  We don't know what's going to happen next.

Perhaps this is part of British storytelling, where quite often these kinds of short lived stories are left intentionally vague or open ended for people t make up their own minds.  But here I think that it's an ending that leaves you feeling a little deflated.  By the close of episode six I'd become invested in these characters and their survival, and finding Arc doesn't feel like the end of their story, but the beginning of the next chapter.

If the show had returned for a second series of six episodes I'm sure that a lot of these questions about what was going to happen to them next would have been answered, we'd see how the group goes on to survive in the new world, but that really wasn't the point of the series.  It wasn't about the long term lives of these people, it was seeing several strangers, some of whom hated each other, come together as friends and a family in a journey for survival.  On that end it succeeds, it tells a good, strong story with interesting characters.


The setting works brilliantly well too, with the British countryside giving us a very different post-apocalypse landscape than ones we're used to from American television and film.  It's cold and wet, with a landscape that's unforgiving and dreary.  It's shocking how easily England can be made to look like the end of the world with very little effort made.

One of the things that struck me when watching the series again was just how similar it is in a lot of ways to 'Lost', it's got a central group who survive a crash in a large vehicle who have been thrown together by circumstances outside of their control to survive while a group of unknown, almost nomadic assailants stalk them.  A lot of the characters are similar too, with the group having a doctor, a police officer, one a criminal, a lone parent, a pregnant woman, it's easy to draw similarities with the survivors of Lost.  Add into the mix mysterious underground bunkers, wild animals in habitats not their own, help from a female member of the 'others' and children being highly valued by the other group and it starts becoming unclear which show you might be describing.

If you like shows like 'Lost' or 'The Walking Dead' then 'The Last Train' is going to appeal.  Yes, it's old, and it definitely feels like a product of the 90's, but as someone who grew up in 90's Britain it just fills me with nostalgia, from the world before the apocalypse to the occasional mention of 90's boy bands it's hard to escape that 90's feel.

'The Last Train' takes a very British approach to a genre it rarely tackles, and succeeds in making an interesting addition to post-apocalypse drama that is definitely worth the watch.


Amy.
xx

Tuesday, 29 March 2016

The Walking Dead ' East' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


Next week sees the season finale of The Walking Dead hit our screens, and as so often in the past it falls to the penultimate episode to put pieces in place for whatever is to come in the final episode.  In this case it's putting several of our main characters in the hands of the Saviours or outside the safety of the walls of Alexandria.

For Carol it feels fairly natural, she's reached a point where she's afraid of killing, afraid of the toll it will have on her so she chooses to leave the community and get away from the situations that have been forcing her to kill people.  Unfortunately her leaving Alexandria is a perfect excuse to have others chase after her, and pretty soon Rick and Morgan have set out on her trail.

In an almost perfectly timed, but completely unconnected excursion, Daryl has left Alexandria on a revenge mission to try and track down Dwight and the remaining Saviours who escaped the fight that cost Denise her life, prompting Glenn, Michonne and Rosita to chase after him.

Out of the two the Carol story is the one that makes the most sense.  She has a real personal reason for leaving Alexandria, whereas Daryl is acting without thinking.  He's blaming himself for Dwight being alive, blaming himself for the death of Denise and wants to get payback for the events of last weeks episode.

It might be understandable, but it's stupid.  Daryl knows that there are Saviours alive in the surrounding area, at least half a dozen from the attack, and must surely realise that he's no match for all of them.  At the very least his actions will get him killed, and will then leave Alexandria without his help, but he knows that the Saviours want to get into Alexandria, and he's putting himself in a position to be captured by them.

Carol is running away from the conflict, she's trying to get away from the Saviours, but Daryl is running straight towards them.  As such Daryl, and those who go out after him feel a little stupid.  Actually, with Rick and Morgan knowing that four of the main fighters are already gone yet choosing to leave too they're pretty stupid too.


Don't get me wrong, the episode is very tense, with the ever present danger of the Saviours it means that most scenes have an undercurrent of tension as you're waiting for something bad to happen.  Thanks to Denise being killed mid sentence in the middle of her big speech last week I found myself anxious when Glenn and Michonne were trying to talk Daryl into coming back with them because I was expecting an attack at any moment.

It's better than the tension of the walkers, who have been a mild nuisance for the most part, and unless there's a big crowd, prove to be very little trouble for our heroes.  The Saviours, however, add a while new element of fear and dread to the show.

The episode makes good use of this tension, from the early parts of the episode where Carol is confronted by Saviours and forced to kill  to the very last scene where Daryl takes a bullet from Dwight.  Yep, you read that right, the episode ends with Daryl being shot point blank.

From the angle of the gun and the fact that you can see his face as blood hits the screen Daryl isn't shot in the head, more likely the shoulder or upper back, and there's a line of dialogue from Dwight as the screen goes to black that says 'you'll be alright', so it's doubtful that Daryl is dead, but it's certainly raising the stakes.


Things don't look too much better back in Alexandria as Maggie has complications with the baby, doubling over and hitting the ground in pain.  Whilst Maggie's life, and that of her child, are in immediate danger, this complication could also be putting others in similar danger, as the only doctor around that our group knows about lives at the Hilltop community, which will surely be forcing yet more people out beyond the walls of Alexandria.

'East' is definitely a setup episode, one that is here purely to serve the season finale, but it's a tense one that builds on the events of the previous weeks episode.  Is Daryl dead, where's Carol, what's going to happen to Maggie's baby are all questions that fans will be itching to hear answered, but the most important is, with so many beloved characters in the hands of the Saviours, who's going to be becoming acquainted with Lucile?


Amy.
xx

Monday, 28 March 2016

Arrow 'Broken Hearts' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


So it looks like the photograph tweeted by the shows Executive Producer Marc Guggenheim a few weeks ago really wasn't a fake.  He tweeted a picture of Ollie and Felicity standing at the altar with the words 'Not a dream sequence.  Not a hallucination.  Not an alternate reality.  Not a flash forward to a potential future.'

Whilst what Guggenheim said was indeed true, the two of them standing at the altar was not exactly honest either though, as this weeks episode saw the two of them engaging in a fake wedding ceremony in order to draw in the rogue archer Cupid.

It would seem that despite all of her secrets and double dealings Amanda Waller was true to her word when she promised to let members of the Suicide Squad (sorry, Taskforce X as we can't say Suicide Squad on TV because of the film) and Cupid is a free woman once again.  Instead of going straight though, Cupid ha turned her bow on those in love, as she feels that love is a weakness and should be destroyed.

The Cupid story, and the way that it tied into the fallout of the break up of Oliver and Felicity might be the main story of the episode, but it's not the most interesting.  Mixed in with the relationship drama is the much more interesting story of Damian Darhk in court.

With so much of the past few seasons being focused on Laurel becoming a hero or her personal struggles with addiction it's good to see her in a court setting, getting to flex her muscles as a district attorney for once, especially as it plays such a big part in the main season story.

The inclusion of Cupid feels like both a way of injecting action into what would have otherwise been a much more character focused episode (though they could have done everything without her and used the island flashbacks to provide the action quota for the episode) and to bring the Olicity story to a boil.


With the romance between Oliver and Felicity seeming to divide many of the shows fans their break up and the drama surrounding it was sure to be a point of annoyance to some, whilst massively important to others.  Thankfully this episode manages to give over a lot of time to the story, whilst also bringing it to some form of resolution that will give those who aren't a fan of it a break.

The two of them try to work together on the Cupid case, even going so far as to perform a fake wedding to try and lure Cupid into a trap.  Despite for a moment looking like they might patch things up, ultimately Felicity decides that she can't be around Oliver anymore and takes a break from team arrow in order to get her head around things,

The impassioned vows that Oliver makes during the fake wedding ceremony, and the speech Felicity gives to Cupid all seem to be going down the route that the two of them might have finally realised that they're meant to be together and that Felicity has forgiven Oliver.  It's a television trope, the idea that the broken couple come back together after taking down the villain together, and Arrow manages to buck expectations and goes against the trope by having Olicity official break up.

I'm sure that this won't be the end of the story, we know for a fact that Felicity will be back in Oliver's life at some point close in the future for the mystery funeral, but how long the two of them will spend away from each other and whether they'll end up back together is yet to be seen.


Despite being the secondary story for the episode the scenes with Damian Darhk in court were definitely the most interesting, not least of all because of Captain Lance putting himself on the stand as a witness against Darhk, a move that was sorely needed to ensure that Darhk wouldn't escape justice, but one that could very well mean the end of Lance's career and possibly even puts his life in danger.

It's an incredibly well acted scene, with Paul Blackthorne proving once again that he's one of the most criminally underused members of the cast.  Every development he's had this season, with bringing him further into team arrow has been great and the scenes where he's with the rest of the team are fast becoming some of my favourites.  He's bringing a little something extra to the mix with him not being a costumed hero and being older than the rest of the group.  I'm starting to like him for a lot of the same reasons I like Professor Stein whenever he's with team Flash.

Despite stopping Darhk from getting out of jail the villain doesn't seem too annoyed at being locked up, and has managed to sneak a ring into prison with him.  For a villain that has so far proven to have multiple plans at work and HIVE backing him I'm sure that he has something up his sleeve to deal with this situation.

'Broken Hearts' isn't the best episode, and definitely spends too much time on the relationship drama when it should be giving more time over to the courtroom and the Damian Darhk story.  Like the Olicity relationship this episode is sure to divide fans.

Amy.
xx