Tuesday, 1 March 2016

The Retro Box


Starting this month I will be producing content with The Retro Box, a part of Black Hole Media.  The Retro Box is a podcast and blog about television shows from the past.  Nothing that appeared later than 2006 will be featured on The Retro Box, so expect some classic television, shows you loved, shows you can barely remember watching and some you may have even actively tried to forget.

As part of working with The Retro Box I will be posting retro television, film and video game reviews here at Trans-Scribe.  Just click on our new Retro Reviews tag to see them all.

Please feel free to head over to Black Hole Media now to check out not only The Retro Box, but other fantastic productions such as Black Hole Cinema, Pick-A-Flick and Dead Meat to name but a few!



Amy.
xx

Supernatural 'Beyond The Mat' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


Before this episode aired I saw the promo and my heart sank a little.  I don't like wrestling and have never really found it my kind of entertainment, and was a little worried that the episode would have a heavy focus on wrestling to the point where I would find it off putting.  Luckily, the episode was less about wrestling, but about exploring a part of Sam and Dean's childhood we haven't seen much of in he past, their positive and happy memories.

Every now and then the show offers us a glimpse into the childhood of our heroes, and it's usually an unpleasant one, with their unhappy upbringing and John's absence as the the thing that brings the brothers close.  'Beyond The Mat' gives us a different type of back story as it shows us that John used to take his sons to travelling wrestling shows, and was even a fan himself.  

It helps to humanise John more, which is something the show has sometimes had trouble doing in the past due to his extreme views and desire to hunt no matter the cost to his son's upbringings.  It also gave us a pair of Winchesters who were happy, and actually having the time of their lives watching their childhood heroes and crushes again, recapturing those happy times.


The main story of the episode, of mysterious murders following the travelling wrestling show and their possible supernatural connection is fairly standard, and fairly dull.  Thankfully the episode is so well acted and has so many great little moments in it to keep it feeling fresh and entertaining.  

Dean is at his comedic best in this episode as he's reduced to almost childlike hero worship of the wrestlers he used to watch with his father, and watching him trying to live out his fantasy of being a wrestler in the ring is awesome, with his not so graceful fall out of the ring being a genuine laugh out loud moment.

Elsewhere the episode is packed with great guest actors, who really sell themselves as performers entering the final years of their careers doing the only thing they know how to do.  In a lot of ways, despite being one of the villains of the piece, Gunner Lawless is one of the most sympathetic and relatable characters in the episode, and his final scene is a bittersweet one.

The episode also featured the guest appearance on The Miz (who I understand is an actual famous wrestler), and if I wasn't looking into the episode after I would not have known he wasn't an actor.  The whole cliche of being a wrestler means that you can't act certainly wasn't present during his performance as he played his part just as well as any other actor on the screen.


Whilst the main story didn't add much to the season arc we also got a chance to catch up with Lucifer and Crowley, which did move things forward a little.  

Lucifer seems to finally be doing something as the king of Hell now, using his hordes of minions to search the globe for more Hand of God artifacts to use against Amara.  It's during all of this that Crowley is approached by Simmons, and is told that there are still demons who support Crowley and want him back on the throne.

Simmons and Crowley engineer an escape and head off to one of Crowley's secret storehouses.  It's full of useful artifacts and weapons (along with copies of the Supernatural books), including another Hand of God artifact, the Rod of Aaron.


In a shock turn of events (or rather something completely expected) Crowley is betrayed by Simmons as it turns out the whole thing was a plot by Lucifer to find out what Crowley would do.  In a scene dripping with sexual innuendos and phallic jokes ('I don't think you can handle my rod') Crowley uses the power of the weapon to try and kill Lucifer, unfortunately Simmons gets in the way and the one-shot weapon gets wasted.

It's not much, but these scenes not only get Crowley away from Lucifer and free (hopefully to go and team up with the Winchesters) but also confirms that there are definitely more Hand of God artifacts that can be (hopefully) used against Amara in future episodes.

A fun episode that takes the time to build on Sam and Deans childhoods, giving us something new and interesting about the two of them eleven years into the shows life.  

Amy.
xx

Arrow 'Code of Silence' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


It's been a few weeks since Ollie and Team Arrow have had to deal with Damian Darhk, and whilst there's not a direct confrontation this week things have started moving towards a rather dramatic confrontation.

It appears that having lost the League of Assassins Malcolm Merlyn has managed to work his way into the upper ranks of HIVE, in another grab for power and a shot of revenge at Oliver, by giving Darhk information on Oliver's son, William.  

This week HIVE and Darhk move their plans to take over the city forward by trying to bring down Oliver's mayoral campaign, quite literally.  Darhk has hired the Demolition Team to destroy the building that will be holding the latest debate in order to kill Oliver and leave his wife, Ruve, unopposed in her bid to take over Star City.


Whilst it's a fairly by the numbers type of episode (the bad guys perform a number of crimes around the city before building up to their big plan in such a way that it leaves a trail for the heroes to follow) some good directing by former stunt coordinator James 'Bam Bam' Bamford gives the fight scenes a little extra flair that can sometimes be lacking in other episodes of the series.

Despite dealing with Darhk and HIVE a lot more the episode also managed to build up the story of Oliver running for Mayor and the rivalry between him and Ruve.  It was a shame that some air time wasn't given over to actually see Oliver in debate, winning over the public and actually being a competent candidate.  The show tells us that he's good, the news reports and villains talk about how he's winning over the most public approval, but we never get to actually see him doing it.  It feels like a little bit of a missed opportunity to see him in this role and doing something a little different for once.

Elsewhere in the episode it was really enjoyable to see more screen time given over to Quentin Lance and his relationship with Donna.  For something that took me as a surprise when it first happened I've actually found myself really enjoying the notion that he and Donna could be a couple, and have become more invested in their relationship than I have Oliver's and Felicity's.

Despite some rocky moments this week kind of cemented their relationship and made it more than just a fling, which is great, but it also makes me a little worried that it will be one of them who ends up in the grave towards the end of the season as part of HIVE's revenge against Lance betraying them.  Considering how upset Felicity is in the flash forwards and the fact that Barry wanted to be at the funeral makes me think that it may be Donna destined to die.


Quentin and Donna were definitely the highlight of the episode for me, and it was really cool to see Quentin hanging out in the Arrow Bunker so casually after years of hating the Green Arrow and Oliver.  It feels like the show is finally moving forward from what was becoming a tired character trait and actually making more of Lance then just 'disapproving, angry police man' trope.

Despite enjoying the Quentin Lance stiff the most, the scene with Curtis giving Felicity her engagement gift at their party.  He's gone and created a microchip that could enable her to walk again (further pushing Felicity to have more in common with Barbara Gordon).  Despite not being the biggest fan of the Oliver/Felicity relationship there was something about this scene that was just so sweet and genuine that it actually moved me a little.  It also delivered the line that made me smile a lot, 'Curtis, you're terrific'.

The final scene of the episode managed to close with a shock as we discover that Damian Darhk has already used the information given to him by Malcolm Merlyn to kidnap William, setting the stage for what is sure to be an intense and emotionally fuelled episode next week.

Amy.
xx

Friday, 26 February 2016

Star Wars Rebels 'The Honorable Ones' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


The first thing that I noticed about this episode, and something that got me very excited when it happened, was the fact that the episode opens with the crew of the Ghost travelling to Geonosis to investigate the Empire building a huge mystery project.  Yep, the episode dipped into Death Stat territory!

Unluckily, or possibly luckily, whatever the Empire was working on has since left Geonosis.  Disney have said that Rebels will be tying into the new films, but most people assumed that they meant the new trilogy only.  Is this episode laying some extra ground work for the upcoming Rogue One film, which is all about stealing the Death Star pans?  It could be, after all, once the crew of the Ghost file their report on the mission the Rebels are still going to be looking for whatever the Empire built.

Whilst the episode begins with this little dip into the larger lore of the Star Wars universe the main bulk of the episode is much smaller and personal, as after infiltrating an Imperial station Zeb and Agent Kallus end up in an escape pod that crashes into Geonosis' frozen moon.


Kallus is injured and the two enemies are forced to work together for survival as they wait to see whose allies will arrive first.  Initially I was surprised to find that the episode would focus on Zeb just a few weeks after he got the spotlight in 'Legend of the Lasat', but it wasn't so much about Zeb as it was Kallus.  

After so long of Kallus being an adversary it was a pleasant surprise to see the show spend the time to explore a little of the background of one of their main antagonists, and to show that he isn't the two-dimensional villain that we were led to believe.  

Despite previously bragging that he was responsible for the destruction of Lasan we find out that Kallus' role was not as grand as he wanted the Rebels to believe, and that he was just another soldier following orders as the people above him executed the destruction of a world.  We also find out that Kallus didn't take his bo-rifle as a trophy of war, but it was gifted to him by a defeated Lasat as part of their warrior traditions.  Kallus is also given a little humanity as he tells Zeb a story of how his entire squad were wiped out and killed by a single Lasat mercenary and how he was almost killed in the process.  

It's nice of the show to give us this back story for one of the villains, and make them into a character you can kind of understand and feel sorry for.  He's not just an enemy combatant, he's seen the horrors of war and is as much a victim of the Empire as anyone else.  Which is a point that's driven home when Kallus finally makes it back to the Empire, and despite being around his people, finds himself alone.  He sees admiral Constantine, but isn't even given a second glance despite being injured.  


Kallus and Zeb both find their expectations of their enemies subverted in this episode, and Kallus has some of his core beliefs shaken by what he goes through with Zeb.  I hope that this plays out into the future, that it has lasting effects.  I'd really like to see Kallus begin to question his allegiance more and possibly become an informant for the Rebellion, or even turn on the Empire fully.

'The Honorable Ones' uses the sci-fi trope of being stranded with an enemy, but does it with great effect.  There is a reason it's such a heavily used storyline in television, because it's a great one to explore characters and their motivations.  

Whether or not he events of this episode change Kallus in any lasting way it was definitely enjoyable to be able to see him as more than just a villain for once.

Amy.
xx

The Flash 'King Shark' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


Earlier this season we were teased with a brief appearance of King Shark, one of the show's most visually stunning villains, but the moment was gone quickly and overshadowed with the surprise return of Harrison Wells.  An entire episode being given over the the hulking villain was both a surprise and visual treat.

With King Shark in the custody or A.R.G.U.S., now headed up by Arrow's Lyla Diggle after the death of Amanda Waller, the Earth-2 villain manages to escape from the facility he's being held in (with gruesome results) and heads to Central City to finish his mission of killing the Flash.  John and Lyla travel to Central City to warn Barry and the gang of King Sharks return and stick around with A.R.G.U.S. to help capture him.  

We only get a handful of scenes with King Shark, coming to only a few minutes of screen time, but the episode uses him brilliantly, building tension as our heroes hunt him down and giving us lots of destruction as he tears apart people and buildings like they were nothing.


Other than Gorilla Grodd no other villain has been used to show just how amazing the shows visual effects team are, and when viewed in high definition this episode definitely deserves a round of applause.  Every time King Shark is on screen you can see the texture of his skin, you see his veins and muscles move under his skin and they even manage to show different expressions in a face that's much harder to do that with than a gorilla's. 

King Shark is without a doubt one of the most impressive moments of the entire Flash/Arrow universe and I'm sure will get the show more nominations for it's visual effects work.  From the brief looks we get at Doomsday from the Batman V Superman trailer King Shark actually looks better than the big threat from a multi-million dollar blockbuster.  King Shark is definitely going to be remembered as one of the standout's for season 2.

The action in the episode is sparing, but well thought through, with the final ocean based battle not only looking great, but showing just how adaptable Barry's powers have become and how adept he is at using them.  King Shark chases him across the sea as Barry runs on water, creates a whirlpool to capture the monster, then throws lightning at him repeatedly until he falls unconscious.  


To break up the shark hunt the episode also takes the time to deal with the fallout of the teams visit to Earth-2 and focuses on the effect that those events have had on the team.  The two most damaged by the events of last weeks episode are Barry and Caitlin, both of whom suffered loss due to Zoom.
Caitlin spends much of the episode dealing with watching Jay killed in front of her by Zoom (maybe, 
I still think the man in the iron mask is the real Jay Garrick) and having lost another person she loved. 

It's not an easy subject to handle, as during the course of the last two seasons Caitlin has possibly suffered the most emotionally.  Yes, Barry went back in time last season and saw his mother killed again, but this was something Barry knew would happen and has lived with for 20+ years, in the space of a year Caitlin lost her husband, and then when she finally started having feelings for someone else saw him die too.  

Having witnessed a dark version of Caitlin on Earth-2 Cisco becomes worried that the loss of Jay might be forcing their Caitlin down a path that will lead to her becoming more like Killer Frost.  The episode even teases us with this notion with an angrier and more abrupt Caitlin, but Caitlin herself points out how crazy the notion is when she finally forces the information out of Cisco.  She's grieving, and part of that is her shutting off her emotions so that she can process everything, it doesn't mean that she's going evil.

The fact that Cisco could think that shows that despite being a genius he's a little stupid sometimes, but it does help to show the bond that he and Caitlin have and how much the two of them really do care for each other.  I'm sure this isn't the last we'll see of the pain Caitlin is going through, but her journey in this episode does feel real and satisfying to watch.


Barry goes through most of the episode carrying the weight of what happened to him on Earth-2 as well, and we start to see the effect that this entire season has had on him.  He blames himself for opening the breaches between the two worlds, he blames himself for the death of Joe on Earth-2 and he blames himself for what happened to Jay.  He's struggling to see that not being able to save someone isn't the same as being responsible for their death.

It isn't until he's finally confronted by Joe and Iris to talk about what's going on that he's lifted of this burden.  He tells them everything that happened on Earth-2 and gives us one of this best emotional performances this season (other than the heartbreaking conversation with this mother on Earth-2).  Gustin steps up in this scene and gives us a Barry one we haven't seen in a long while, a man haunted by everything that he's been through and finally thinks he's had enough.

Luckily his family are there to pick him up and help him move on, and by the end of the episode he's done feeling sorry for himself.  He assembles the team and tells them that he's had enough with dealing with Zoom and the pain he's been putting them all through.  He's resolved to taking the fight to Zoom and ending things once and for all, and it looks like everyone else is ready to do the same too.

The episode also starts to build on the Barry Wally relationship, something that hasn't really happened yet.  The television version of Wally is very different to either version of his comic counterpart (pre and post New-52), so building a similar relationship between the two on screen was going to be a very different prospect.  Wally doesn't like Barry much, he doesn't like that he's such a big part of the family he's trying to be a part of and because of the things Barry is working through this episode their relationship still looks a little frosty, but they've definitely started to find some common ground to build a relationship on.  The scene with Joe and Wally in the coffee shop is an important one too, as it helps Wally to understand Barry a little more and maybe not view him as the rival he thought he was.


The episode ends with a scene that fans have been waiting months for, the reveal of the identity of Zoom.  After so long building the character up and masses of speculation from viewers it was a big moment.  Zoom returns to his lair with the body of Jay Garrick in his arms.  The man in the iron mask sees this and reacts badly (it's hard to know exactly what he's feeling with only his eyes visible) and then Zoom removes his mask to reveal....Hunter Zolomon.  

The show's producers have already spoken to confirm that Zoom is Zolomon, not Jay Garrick, but it's still a surprise moment, and one that doesn't actually go to explaining anything.  We don't know if this is the Zolomon we saw on Earth-1 or another version of him, we still don't know if that was really Jay Garrick who died and we still don't know who's inside the iron mask.  It's definitely a fun way to leave the show as it goes on a break for the next month.


Amy.
xx

Thursday, 25 February 2016

The Walking Dead 'The Next World' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


After the grim events of last week's episode The Walking Dead jumps forward in time (two weeks within the show) and takes the time to tell a lighter episode that even included a little humour after 'No Way Out's grim events.

The change in pace is a welcome one, and lets us avoid some of the banality of the post-horde events.  We know that they'd have to get rid of all the walker's bodies, but it was nice to not have to see that.  We know that they'd have to rebuild their walls, and again, it was nice not to see that.  And it was nice that they didn't inject false tension around Carl, and simply showed us that he is healing and adapting to his wound and is almost back to his old self.

It meant that the show has been able to keep its pace without having to cover these more dull moments.  We don't need to be shown them recovering immediately after the events of the last episode.  We can see them back to normal a few weeks later and believe it.  It's a pleasant turn that the writers don't feel the need to spoon feed the story as they have had a tendency to do in the past.


The episode sees Daryl and Rick going on a quick supply run, and judging from the casual manner in the way they act on the road, and the fact that Daryl begs Rick not to put his CD on before he's even done so implies that this isn't the first time the two of them have been out together since the last episode.

It feels like the past seasons, where the two of them spent a lot more time together than they have recently and they slip easily back into that comfortable relationship.  It feels very natural and relaxed as they try and enjoy this time of calm.

Whilst on the road the two of them find a truck filled to the brim with supplies that they need for the citizens of Alexandria, unfortunately things don't go according to plan when they run into another survivor on the way back home.


Readers of the comic book series will be jumping for joy as we're introduced to Jesus for the very first time, the wisecracking kung-fu prankster that looks like the son of god.  A lot of people knew that Jesus was going to be introduced this season, and were expecting him to be brought in as a way of saving Glenn during the first half of the season when we were led to believe he'd been killed.  Bringing him into the show now, after the dark and dramatic events of 'No Way Out' is a much better decision, as it allows him to bring some lightheartedness to the show without it feeling out of place.

Jesus steals the truck from Rick and Daryl and lead the two of them on an almost comical chase around the surrounding countryside, with Daryl running after him through a field as one point in a scene that has since been recut with Benny Hill music to great effect.  

All of the scenes with Jesus are great fun to watch, and despite the fact that our heroes lost a massive pile of supplies because of him you just can't quite bring yourself to hate, or even dislike the character.


As this is still The Walking Dead, there was some dark to counterbalance the fun Rick and Daryl were having, as Michonne and Spencer find a zombified Diana in the woods outside of Alexandria after Carl leads her towards them.  It's a sad moment that reminds us of some of the losses the community has been through recently, and makes the audience miss Diana again.  It also helps to resolve some of Spencer's story and will hopefully make him a better part of the community then he was in the past.

Michonne confronts Carl as to why he didn't just kill Diana himself, knowing that he's more than capable of doing it.  Despite maybe trying to make us think that being shot in the face may have resulted in Carl going a little disturbed, his reasoning was almost touching.  He felt that it should have been someone who loved Diana who killed her.  It's in this moment that Carl tells Michonne that he loves her and would do it for her if the time ever came.

Despite the weirdness of telling someone you love them enough to kill them if they become a zombie it's a very sweet moment, and one that helps to show how much of a family they have become.  This developing relationship between the Grimes' and Michonne reaches a boil this week as Rick and Michonne finally kiss on screen for the first time.  I say on screen as I have a feeling this isn't the first time these two have done so.


With all of the loss that Rick has suffered through it's a rewarding moment to see him become close to someone again, and unlike Jessie it just feels right and natural with Michonne.  The two of them work brilliantly together, and Michonne is closer to Rick, Carl and Judith than she is with any other members of the group.  They already felt like a family, I guess now they really are one.


Amy.
xx

Supernatural Used A Transphobic Slur, And It's Not Okay



I've been a fan of Supernatural since the show first started airing, and eleven years is a long time to be watching something.  Luckily Supernatural has been mostly entertaining and engaging throughout, despite some problems with the format.  Their inability to stop killing off side characters (especially strong female side characters) has become a frustrating joke, and Dean can come across as a womaniser at times, but these are small gripes in a largely positive show.

Last night's episode of Supernatural (Season 11 Episode 15 'Beyond The Mat') saw the shows main characters going up against a demon who is collecting souls for them self, describing the process and 'building a nest egg'.  The demon tells the lead characters that since the devil returned to hell 'it's every demon for him, her, shim self.'

The inclusion of this one tiny word ruined this entire episode for me.  Suddenly my enjoyable viewing experience felt like a punch to the chest.  

It might not seem like a lot to some people, and like whenever any other trans woman writes about the inappropriate and hurtful use of negative and transphobic language I'm sure that I'm going to have a lot of hate thrown my way, but I feel it's important to call out the use of these kinds of words whenever they happen.

For those unaware shim is a highly offencive word, often used to insult and degrade transgender and gender non-conforming people.  It is used to insult people.  It's casual inclusion in this episode as a demon's way of listing genders is ridiculous in its execution and insulting in its inclusion.  Using the word shim is no different from using the word tranny, shemale or chick-with-a-dick.  

I know some people might instantly come to the defense of the show or to John Bring and Andrew Dabb (the writers of this particular episode) and say that no offense was intended, or even use the 'I know several trans people who use this term or refer to themselves that way' argument, but you cannot and should not use either of those reasons to try and justify the use of slurs.

Whether offence was intended or not, you know certain words are going to cause offence when they are used.  If you referred to gay people as faggots you would expect that the term would offend someone.  Even if you are the most open and accepting pro-LGBT+ person around, you wouldn't expect that phrase not to offend.  If you believe in gender equality you wouldn't refer to women as bitches or sluts and not expect to cause offence.

We are all aware that certain words will offend people, however they are used.  To turn around and say that because you meant no offence none should ever be taken from anyone is a ridiculous statement reeking of privilege.  You as a cis person might be able to hear transphobic words and shake them off as nothing, but trans people can't.  We don't have that privilege like you do.

As for the 'trans people say that' argument, yes, you might know someone trans or gender non-conforming who has no problem with using or hearing those kind of words, and that's great for that person.  It doesn't mean that no one in that community will be able to listen to those words and not be offended by them though.  

It's also an especially flawed argument for why cis people should be able to use that word too.  You're not a part of that community, so even if everyone in that community is comfortable using a word that was at one time used to oppress them, it in no way gives you the right to say it.  The N word is used frequently by members of the black community, but that doesn't mean that me, as a white person, can suddenly go out and use that word whenever I like.  It doesn't matter how often you see black people use that word in person, in film or television or even in music, as a white person you would not go and say it.  So why would you feel that you can do the same as a cis person?

Another excuse that I'm expecting to hear used to justify the use of the word shim in yesterday's Supernatural is that the word is trying to be 'reclaimed', that because it's not being used in a directly derogatory way towards a non-cis person it's somehow being empowering.  

No.  I'm sorry, but again as a cis person, or cis people, you have no right to even attempt to do that.  Unless you are a member of the group that has had that word used against them as a slur it's not yours to reclaim. Only someone within that group has the right or the capacity to reclaim it.  The N word cannot be reclaimed by someone who isn't black, faggot cannot be reclaimed by straight people and tranny, shim, shemale or ladyboy (or other terms used to put trans people down) can't be reclaimed by cisgender people.

Slurs might not effect you in your day to day life, they might be things that you can just shrug off because they mean nothing to you, but to those people who live with these insults every single day they can be massively damaging.  

I've been called a faggot, a tranny, a shim, a shemale, a heshe, a thing and a freak to name just a few.  I've been stared at in the street, I've had people point at me and laugh at me when I leave my home.  I've been spat on and told to kill myself.  These words are painful to hear, even when not being used as a direct insult.

Hearing the use of the word shim on Supernatural took something that was supposed to be enjoyable and made it painful.  I was suddenly reminded of every time I've been treated like an animal, where I've been made to feel less of a human.  

I'm sure it's easy of you to turn around and say that I'm being overly sensitive, or that I'm pushing some kind of 'PC agenda' or censorship, and I'm happy that you have the ability to say that.  To be able to turn around and say things like shim, faggot or the N word can't hurt people because they're just words means that you're an incredibly lucky person, it means that you don't have to live your life being made to think that you're worth less than other people.  You aren't made to feel worthless and wretched by the use of a simple word.

I envy your ability to walk through life and have words bounce off you, because for me, and a lot of people, words have the power to completely destroy me.  Your words can break me.  Your words can kill me.  And to throw these words around without any care or understanding for the damage they cause is reckless and irresponsible.

I'm not sure how I feel about Supernatural right now, I'm not sure if I hate the show or simply pity it for stooping to that level.  What I do know is that I'm eleven years into watching it but don't know if I can bring myself to carry on.  One tiny word did that, one word broke something I loved.

Words have power, they can be amazingly good and they can be destructively bad.  Writers have an obligation to recognise this and make sure that they aren't proliferating the use of destructive and hurtful language.  I hope that Supernatural learns from this mistake, but judging from history I'm sure this won't be the last time I hear these kind of slurs on television I love.

Wednesday, 24 February 2016

Supernatural 'The Vessel' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


After a few adventure of the week episodes this week's episode of Supernatural gets back to the main story of the Winchesters trying to find a way of fighting Amara.  

When Sam finds references to items on earth touched by God, called the Hand of God, that possess massive destructive energy he and Dean believe that they may finally have found a weapon that they might be able to use against Amara, after all, if these items contain some of Gods power then surely they can hurt a being as powerful as him.

Digging into the history of the Men of Letters they discover that the group at one point possessed one of these items, when a female agent of theirs (a Woman of Letters) called Delphine stole it from the Nazi's during World War 2.  Sadly the submarine that was transporting Delphine and the Hand of God to America was attacked by a German warship and sunk with all hands lost.

With no other leads to finding other Hands of God Dean comes up with a drastic plan, to get Castiel to transport him back in time onto the sub to retrieve the weapon before it gets sunk.  Lucifer (still secretly possessing Castiel) agrees to the plan, knowing that he alone doesn't have the power to defeat Amara, and sends Dean back.


Unfortunately Delphine has warded the sub against supernatural creatures, that include angels, leaving Dean trapped alone with no way back to the present.

Dean manages to find Delphine and convince her that he's from the future and needs the hand of God to defeat Amara, getting her to agree to destroy the warding on the vessel.  Meanwhile in the present Sam finds a spell that will allow Lucifer to break through the warding, but gives up hope of it working when he realises that it will need the power of an archangel.  

Lucifer tells Sam that he will 'try' the spell, still pretending that he's Cas, but when Sam suggests that he gets extra power from touching Sam's soul Lucifer can't keep a straight face any more and reveals his true identity.  Lucifer tries to kill Sam but is stopped briefly by Castiel, who still has a small amount of control.

Back in the 40's the submarine comes under attack from the German warship, forcing the crew into desperate action.  Knowing that they are going to be destroyed they decide to at least take their enemy with them and Delphine powers up with the Hand of God moments before Lucifer jumps in and snatches Dean and the Hand of God back to present day.


Sam warns Dean as Lucifer attacks the two of them, attempting to gain possession of the Hand of God.  Unfortunately the object has been completely depowered and appears to be a one shot weapon.  Lucifer contents himself with being able to at least kill the Winchesters, but gets cast out of the bunker by a blood ward created by Sam.

Supernaturals time travel episodes are always enjoyable, mainly due to Dean's inability to blend into any other time period than his own, but the results of Dean in World War 2 are definitely much more sobering than him trying to be a cowboy.  For the first time in a long while (since the episode 'The End') that didn't really have a lot of laughs, instead choosing to make Dean watch the deaths of everyone around him,

The conversation he has with one of the crewmen asks Dean about the future of the war to see if his friends and family have a better chance of surviving is a small moment, but one that manages to pack in a lot of emotion.  

The reveal of Lucifer being in Castiel's body is a welcome one, as it keeps the momentum of the series going, and adds extra conflict for the Winchesters as, despite saying otherwise when trying to get Sam to agree to be his vessel) Lucifer seems to have in no way changed his ways and wants revenge on the brothers for stopping him back in season 5.


The episode also gives us a brief look at what has happened to Crowley now that the real King of Hell is back on the throne.  Crowley, surprisingly, has been kept alive, and seems to be some kind of pet for Lucifer, kept chained up in a hole in the wall in an awful shirt.  Keeping Crowley around is definitely a mistake on Lucifer's part, and I'm sure he'll manage to break free at some point and rush to aid the Winchesters in getting him out of Castiel and back inside the cage,

'The Vessel' might not be the best time travel episode the show has done, but it introduces a new element the the lore of the Supernatural universe and keeps events moving at a brisk pace with the reveal of Lucifer inside of Castiel. 

Amy.
xx

Tuesday, 23 February 2016

Academic Julia Gasper Compares LGBT Texts To Paedophillia

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Star Wars Rebels 'Homecoming' Review


This review WILL CONTAIN SPOILERS for the episode to be discussed, if you do not want certain plot points or story spoilt, please do not read further.


'Homecoming' is the episode that finally goes into the back story of the Ghost's captain, Hera, and gives us some great character moments and fun action sequences.  

With Phoenix Squadron suffering more losses Hera and Sato believe that a larger ship is needed in order to provide protection for their fighters.  Knowing that the Empire has a large carrier ship in orbit above Hera's home world of Ryloth the Ghost sets out to capture the ship, with the help of some local resistance fighters.

These fighters will all be recognisable to fans of the Clone Wars, as their leader is none other than Hera's father Cham Syndulla, accompanied by Gobi and a now grown up Numa, all of whom featured in the Clone Wars story 'Innocents of Ryloth'.  If you're unsure of who Numa is, she was the tiny Twi'lek girl that Waxer and Boil took care of through the war zone, in one of the more heartwarming stories of the series.


With most of the Ghost crew more than happy to have the assistance of a legendary freedom fighter like Cham, with Kanan practically hero worshiping him, it's a different story for Hera as we learn not all is well between father and daughter.

The two of them are at odds, Cham can only focus on Ryloth and the Twi'lek people, where Hera sees the larger fight against the Empire and how Ryloth is only a small part of that.  Through their arguments we get to see more of Hera's past than we have before, and the motivations that drive her.  We even learn that Hera found Chopper as a child during the Clone Wars and rebuilt the damaged droid herself, showing us a stronger connection between Hera and Chopper than we were aware of before.

Hera falling into her natural French-influenced Twi'lek accent when arguing with Cham (the first time we've heard her talk like this) is a great touch, and feels very realistic.  Vanessa Marshall definitely gave her best performance in the show to date.

Whilst the Rebels want to capture the Imperial ship whole Cham and his team want to destroy it as sign of defiance against the Empire in an attempt to rally support on Ryloth.  The two teams go up against each other but Hera eventually convinces her fellow Twi'leks around to her way of thinking and they manage to capture the carrier, destroying another Imperial ship in the process, which gives Cham the action against the Empire that he was wanting too.


Whilst the quick change of heart from Cham and his team felt a little easy it made for a better resolution than having them against the rebels, it gives some kind of resolution for Hera and her father, as well as leaving the door open for their return later on in the show.

As a side note, the episode also gave us some excellent Jedi action as Kanan and Ezra used the Force to throw each other down a hallway through rapidly closing doors in a tactic that's not only inspired but looks very cool on screen too.  More of these two working together like that in the future please Dave Filoni.

Amy.
xx