Saturday, 23 July 2022

The Flash #783 - Comic Review

 

Originally published on Patreon


Okay, after the disappointment of Dark Crisis: Young Justice #1, this is how you do a decent tie-in comic.

Following he deaths of the Justice League, the rest of the heroes are trying their best to keep things together, and even find answers as to what might have happened to their friends. The Flash Family in particular have set themselves a very specific mission, find Barry Allen and bring him home.

If you've been reading the stuff leading up to Dark Crisis you'll know that Barry is being held inside some kind of strange pocket dimension where he's living out his dream life (which I'm 99.9% certain is what's happened to the members of the League who 'died'), and as such, a speedster might be able to break their way through and get him back.

With the help of Mister Terrific, the speedsters have managed to find a handful of signals that match Barry's cosmic signature. However, some of them might be other versions of Barry, and as such they're going to have to check them all out and hope that they find their Barry. Terrific has made some special wrist devices that will allow him to bring them back through the speed force when they've found Barry.

Unfortunately, before the team can set out on their mission Jai and Irey grab one of the devices and speed through the portal, desperate to prove that they're capable of being heroes. Jay Garrick goes after them, leaving Wally, Wallace, Max Mercury, and Jessie Quick to split the other two signals between them.

The twins, and Jay, find themselves in a version of Gotham with big billboards with the Allen name on it, and some strange Batman/Flash type figure lurking in the shadows. Max and Jessie land in what appears to be Mad Max, with a bearded Barry Allen driving a muscle-car at the head of a wild convoy. And the two Wallys end up in what very much appears to be the same dream world that our Barry is stuck in.

I really enjoyed this tie-in. Whilst it was informed by Dark Crisis, with the entire drive and focus of this story coming out of it, it still told a story that fit in The Flash book. We get to see more of the inner workings of the Flash Family, particularly the young twins. The stuff that happened here felt perfectly in character for this book, and could easily have happened without the Dark Crisis connection; and that's one of the best kinds of tie-ins for me.

The artwork on the issue, provided by Amancay Nahuelpan, looks great, and I really enjoyed how the different worlds that the characters found themselves in felt different from each other in their style. The most obvious one is the dream world that the Wally's go to, as it looks and feels like a classic silver age comic, but even the Mad Max world and the alternate Gotham feel different enough from the rest of the issue to be clearly another world.

I've been enjoying The Flash series for a while now, and love getting to spend time with Wally West (he's the Flash I knew growing up), and getting to have more of him and his family is always a lot of fun.  The new worlds we get introduced to have a lot of promise, and I can't wait to see what trouble the twins are going to get into, and just who's lurking in the shadows behind them.

Next issue looks set to be a lot of fun.


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Negalyod: The God Network by Vincent Perriot – Book Review

 

Originally published on Set The Tape


'Negalyod follows dinosaur shepherd, Jarri, as he joins a rebel group intent on destroying the totalitarian government that controls his dystopian world. Perfect for fans of Jurassic World!

'Dinotopia meets Mad Max in this extraordinary saga of futuristic human survival on a scorched Earth- Jeff Spry, SciFi Wire In a post-apocalyptic far future/alternate world, dinosaurs roam the desolate land, while the last denizens of humanity survive together in technological cities run by a military regime. Jarri, a loner who shepherds a group of dinosaurs, travels to the city when his herd is murdered. There he becomes involved with a rebel group who defy the totalitarian society, and uncovers a conspiracy that reveals the true nature of the world they live in. What he finds will change his life forever... Written and illustrated in lavish detail by ground-breaking author Vincent Perriot, this stunning graphic novel will make you think twice about reality.'

Negalyod: The God Network is the latest science fiction graphic novel offering from Titan Comics that transports readers to a strange world where science and technology have run amok, but where dinosaurs roam the vast desert lands where small pockets of humanity are doing their best to survive outside of giant cities in the sky.

Negalyod: The God Network follows Jarri, a dinosaur shepherd who has made a small life for himself tending a herd of triceratops’ with his faithful companion, Stygo, a Pachycephalosaurus. The two of them travel the vast, barren desert with their herd, taking them from one safe location to another. However, when a weather truck, a huge tanker like vehicle that produces lightning and storms, driven by cybernetic prisoners, passes by his herd it kills every single one of his triceratops.

Enraged by the senseless slaughter of his dinosaurs, Jarri travels to one of the nearest settlements, hoping that he can find out who is responsible for the weather truck killing indiscriminately, and stop them. Upon arriving in the settlement, a vast slum-like city high above the plains, he learns that things are more complex than he first believed. Despite living above the deserts most of the people there are barely surviving, eking out a living as little more than slaves to those who live even higher up than them. Jarri soon finds himself meeting with the charismatic leader of a local resistance group, and decides that he could be his best way of getting higher up in the city to get his revenge. This sets Jarri on a path that will cause him to become an important ally to the resistance, and part of a mission that could change the world.

Negalyod: The God Network is a strange book. There’s a quote on the back cover comparing it to Mad Max, and that’s an apt description for a few reasons. The first and most obvious one is that it’s being set in a future time where the Earth has gone to hell and people are struggling to survive in harsh desert environments. But the less obvious comparison is that, like Mad Max, this story drops you into that setting with no real explanations. We don’t know why the world has ended up like this. We don’t know how humanity changed and evolved to this point. We don’t know why there are dinosaurs everywhere or why Jarri can speak to them. It’s just stuff that’s part of the story and we’re left to deal with it.

Because of this, there are times where the book feels like it’s being deliberately vague, to the point where even after reading through some parts of it twice I found myself having to try and fill in some of the blanks with small context clues and my own suppositions. This isn’t necessarily a bad way to tell a story, it does leave the author free to concentrate on the tale they want to tell, rather than having to spend time explaining the world that they’ve created, and it means that each individual reader can come away with their own, personal interpretation for the story. However, there are times where I was left wondering why things had happened a certain way, why characters made the choices they did, and even what the ending meant.

There’s a vagueness to the story here that feels part deliberate decision to leave things open to interpretation, and part laziness. That might sound overly critical, but when a story reaches a conclusion and you’re left asking what actually happened it feels very frustrating. I don’t know what the end of this story is trying to say. All I know is that the book ends with a world different to how the story started, but not why or how.

Just as the story is very vague and lacks any real depth, so do the characters. Jarri is our lead, and the only character I get a feeling that I know. His motivation is understandable, he goes in wanting revenge, and over the course of the book we do learn a little more about his history and why he’s such a driven person. But there are still times where I look at the character and don’t feel like I know much about them. And the secondary characters are even worse for this. Many of them react in the moment whenever something happens, but the way they react and their motivations seem to change from scene to scene. Someone can be very confrontational in one scene, but super friendly in the next. A character can be closed off and guarded one moment, but be an open source of information on the next page. The characters seem to be here to serve a story purpose and to move things forward, and have no real sense of consistency because those needs are constantly shifting.

The artwork for the book is provided by the writer, Vincent Perriot, with colours by Florence Breton. The art feels very simple at times, with very little detail being given over to the characters; however, the backgrounds and environments are filled with detail and small bits and pieces. Whilst you will find yourself skimming over the people, catching a glance at their faces and moving on, you can spend a good while sitting and looking through some of the bigger scenes, taking in everything happening behind the main focus. The colours for the book are pretty muted, with the desert environments coloured in oranges and tan colours, whilst the technology and cities are in cold blues and greys, giving the different locations their own feel and flavour that’s instantly able to be recognised.

Negalyod: The God Network is a book that I think may divide readers. Some will like the open, less clear style of storytelling and will enjoy being able to fill in those blanks, whilst others will find some frustrations with that. The book does have a look and style that sets it apart from other graphic novels on offer, but it’s one where I can’t predict how it’s going to be received by readers.


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Friday, 22 July 2022

Dark Crisis: Young Justice #1 - Comic Review

 

Originally published on Patreon


I've been really enjoying the Dark Crisis stuff so far, even the build up with Infinite Frontier and Justice League Incarnate has been enjoyable, as well as setting up a lot of the stuff that's happening now. However, Dark Crisis: Young Justice #1 is the first part of this new event that I really didn't like too much.

The issue starts off well, taking us back to the memorial service for the fallen Justice League. Rather than listening to the speech given by Nightwing this time, we stay in the crowd of assembled mourners, watching events through the eyes of Cassie Sandsmark, Wonder Girl. Cassie watches the event, paying particular attention to her old Young Justice teammates Conner Kent, Tim Drake, and Bart Allen. She thinks about the last times there were big crisis events, and how she and her friends seem to be the ones that end up getting hit hard by them.

This is an interesting point of view, and one that's not completely wrong. The teen heroes don't come out of these things well, so it' natural for her to look on this with a slightly different perspective. She's waiting for something bad to happen to her and her friends. And then it does.

Cassie and the others are in the middle of a conversation when Conner, Tim, and Bart all just seem to vanish all at once. Cassie is naturally panicked by this, but none of the rest of the hero community seem to really be that bothered;  even when it ends up being days later and there's still no sign of them. Cassie is the only one that cares. And this is one of my biggest problems with this story so far.

Yes, I know that the other heroes are stretched thin with the League dead and the villains stepping things up, but no one cares that three other heroes vanished without a trace. I could maybe forgive it if they were lesser known heroes, or if they didn't have important connections. But are you really telling me that after Bruce dies Dick wouldn't care that Tim has vanished? That the Flash family wouldn't be concerned that they may have lost another member? That Jonathan is that focused on building his new Justice League that he doesn't care about Conner? I just don't buy it.

Maybe there will be some kind of explanation for this later on, that perhaps there's something making it so that people just don't care, something that' effecting their minds in some way. But if not, this feels really shitty of all the other heroes.

Whilst Cassie is searching for her friends the three of them wake up in what appears to be the past as the 90's comic events are in full swing. They're called together on Young Justice business and find themselves fighting Well Endowed, a big breasted cat girl villain. Yeah, this is pretty bad. I don't know why this villain was chosen, I don't really remember them being a thing, so if this is a call-back maybe it's one that should have stayed forgotten.

And that's about all there is to this first issue so far. With every other part of this event being really good this feels like such a let down. I like these characters, I was looking forward to this story, but it's starting to feel like not just a misstep, but a huge mistake. Hopefully the second part will redeem this.


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Batman Returns – Throwback 30

 

Originally published on Set The Tape


The fact that Batman Returns, a film set at Christmas, filled with snow, giant Christmas trees, and an emphasis on the cold winter months, came out in June is still something that I find incredibly odd thirty years later (we even looked at whether this is indeed a Christmas movie). Having grown up watching this film repeatedly as a child, it never really entered my mind that I could have come out at any other time other than around Christmas. But, as this is in fact a summer release, I guess we get to look back at this Batman movie a few months earlier than expected.

After the smash hit success of the 1989 Tim Burton helmed Batman, Warner Bros wanted a sequel. This was the time before superhero movies were big business, long before a mutli-platform shared universe like the MCU could even be considered possible; as such, even a sequel to a film that took the world by storm was considered a gamble. This is part of the reason why it took three years for the next film to hit cinemas, as not only did Warner Bros have to convince Tim Burton to return to the project, but the film went through several different versions and revisions, seeing many iconic Batman characters come and go before the final story was settled on.

Batman Returns follows on some years after the event of the first movie, with Batman (Michael Keaton) continuing on as the guardian protector of Gotham City. When a gang of strange circus performers attack the city in the build up to Christmas, billionaire philanthropist Max Shreck (Christoper Walken) is kidnapped and brought before the gang’s leader, the Penguin (Danny DeVito). Shreck makes a deal with the Penguin to help him come to the surface, find his long lost family, and find a place for himself in return for his life.



Shreck and the Penguin stage a kidnapping of the mayor’s baby, where the Penguin then saves it. Seen as a hero by the people of the city, they look beyond his physical deformities, and see a decent man. When the Penguin discovers that he came from one of the elite families of Gotham, but was abandoned because of his birth defects, he agrees to help Shreck with his corrupt plans to take over the city, running for mayor as his gang terrorises Gotham. When Shreck’s secretary, Selina Kyle (Michelle Pfieffer) learns of Shreck’s corruption she’s thrown out of a window. Luckily for her, she survives, and swears vengeance against Shreck, taking on the costumed persona of Catwoman to do so. With multiple villains terrorising Gotham, it’s down to Batman to save the city, and Christmas.

Batman Returns was a film with a lot riding on it. Batmania swept the world with the release of the first film, making it one of the most successful films of all time when it was released. Warner Bros wanted more of that action, and were trying their best to replicate that formula. And for the most part, they managed that. The film recaptured a lot of what made that first film a success, but thanks to additional creative control from Tim Burton, it felt different enough in a few ways that it still had an identity that felt its own.

Tim Burton has a very distinct style, and whether you like that style or not, we can all agree that he is fairly consistent in the type of films he makes. Looking at his work, Batman is something of an anomaly in his catalogue. It’s dark and Gothic, yes, but a lot of that flair, that spooky and fairy-tale-like visual quality that you expect from him isn’t there. It’s a much more grounded world. In comparison, Batman Returns is very much a Tim Burton movie, from the opening sequence of the baby basket passing beneath gnarled and twisted trees, to the creepy clowns that make up Penguin’s gang, to the shift from pop songs to a more orchestral theme. Batman Returns is very similar to the first film at first glance, but upon closer inspection it’s actually quite different.



And I think that those differences helped the film in a lot of ways. It feels less oppressive, and has a weirdly jovial quality to it that made it more open to children. Instead of gangsters, you had a spooky circus troop. Instead of poison gas that had people laugh themselves to death there was an army of penguins with rockets on their backs. Burton was much better able to marry together the dark elements of Batman with the childish elements of comics with this film, and it makes it the more enjoyable of the two.

Some of the casting does wonders for making this a more enjoyable film too, with both Christopher Walken and Danny DeVito being absolute delights to watch. They’re both clearly having a good time in their villain roles, and some of the best moments in the movie come from these two. DeVito in particular seems to spend so much time chewing the scenery that its a wonder there weren’t holes in half the sets. Whilst Jack Nicholson received acclaim for his portrayal of the Joker, the villains in Batman Returns are much more enjoyable to watch.

Whether you keep Batman Returns for Christmas time, or watch it all year round, it’s a film that fans of the character have a lot of time for. One of the best entries in the original Warner Bros series, and one of the better Batman films in general, it’s a film that’s going to be beloved for many more decades to come.


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Thursday, 21 July 2022

The Prey: Legend of Karnoctus – Film Review

 

Originally published on Set The Tape


With so many filmmakers having grown up watching 80’s B-movies it shouldn’t come as a surprise that they’re getting something of a resurgence. We’ve all seen the big franchises get remade, rebooted, or receive sequels, but there are also a lot of films that stand on their own but wear their influences on their sleeve, and The Prey: Legend of Karnoctus falls into this camp. A slightly silly, almost always over-the-top love letter to the 80’s monster action movies like Predator, this film might not be one of the best releases this year, but it’s certainly a fun one.

Filmed over the course of almost a decade, the film tells the story of a cave system in Afghanistan, and the creature that makes it its home. The film begins with two men entering the caves to clear up a small drug making facility; however, something stalks the two of them from the shadows, eventually picking them both off. This is our first taste of the titular monster, and lets us know what to expect. After this we get some opening credits that help to set-up the film, complete with comic-style animations where one of our main groups of characters plan to steal a shipment of gold from Afghani forces.

We then meet our second group of protagonists, a team of American soldiers. We meet the soldiers during their down-time, and immediately start to like them as they sit around talking about things from their childhoods, such as favourite video games, Street Fighter and Legend of Zelda, and their favourite toys, dropping names like GI Joe, Thundercats, and Star Wars. These soldiers felt instantly familiar to me, because I’ve had similar conversations with people; I grew up with those things, and it means that viewers in my age range are able to connect with them a lot quicker. It’s a cheap ploy, but it did make me like them, so it works.



When our other group of soldiers, who might be CIA funded special ops, or maybe mercenaries (the film never clears this up), performs their theft of the gold, it gets the attention of Afghani reinforcements, and the US soldiers. When the soldiers go in to investigate they come under fire and head to a nearby cave for cover, but are sealed in when the entrance is blown up. Inside the cave they find Tagger (Nicj Chinlund) and Reid (Kevin Grevioux), who were stashing the gold whilst the rest of their team went to get the escape chopper. Stuck together, the two groups agree to try and find a way out of the caves; but little do they know, something is watching them from the darkness, and has begun to hunt them.

The trailer for The Prey: Legend of Karnoctus puts a lot of emphasis on the group of mercenaries, led by Nick Chinlund, and puts Danny Trejo’s character in the spotlight for most of it; probably using his cult status to grab attention. However, Trejo is in very little of the film, and feels more like a cameo than an actual role. Looking into this, it seems like Trejo was included in re-shoots for additional scenes years after the rest of the film was made, and as such doesn’t interact with the majority of the cast. So, if you’ve come to this hoping to see Trejo fight a big cave monster, you’re going to be a bit disappointed. However, the rest of the cast are entertaining enough that you soon forget his absence.



The group of young soldiers who get sealed into the caves with the grumpy older veterans are a fun bunch, and some of the better moments of the movie are those where we just spend time with them, getting to know them better. They have some decent dialogue, and soon come to feel like pretty fleshed out characters without much real attention being given to them. The inclusion of the drug lab, and the chemical leak they experience there that causes them some hallucinations, is a big part of this. We’re able to get to know them a bit better through the things that they see in their drug fuelled state. One of the soldiers sees his missing friend, and we realise that he’s the kind of person to never leave a man behind. Another hallucinates members of his family, and you understand that he’s just trying to get out alive so that he can go home and see his kid again. It helps to humanise them more than you’d think.

The creature itself, Karnoctus, is definitely in the B-movie category, and won’t really be entering the hall of fame with movie monsters like the Predator or the Xenomorph. Karnoctus is big and furry, and clearly a guy in a suit. It has a big, blue skinned face, four glowing red eyes, and a mouth filled with giant fangs. It’s very silly, and a bit over-the-top, but it kind of works. These kinds of films are at their best when they embrace the silliness, and the monster design certainly does that. The monster vision we get, this strange night vision mixed with x-rays, are interesting, and definitely seems to be a callback to Predator (especially as it has glowing blood too).

The Prey: Legend of Karnoctus is a pretty ridiculous film, it has some cheesey dialogue, a dodgy monster suit, and some bad CGI effects thrown in; but it’s not really that bad. It’s clearly been made by folks who love the ‘bad’ movies of the 80s, and you can see that writers/directors Cire and Matthew Hensman had a lot of fun making this movie. It might not win any awards, but it’s a pretty fun way to spend 90 minutes.


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Wednesday, 20 July 2022

Hawkeye Episodes 3 - 6 Review

 

Originally published on Patreon


So, I've finally finished watching Hawkeye. I was meaning to do two more write-ups for the show, bunching the episodes together in blocks of two, but things went a little squiffy with that, so I'm just going to talk a bit about the final four episodes of the season and my thoughts on on.

Overall, I really enjoyed the story the show told. I liked how it centred on Kate as much as it did Clint, and gave them both room to shine. It felt like a good send-off to Clint if this is the last time we see him, as well as a perfect set-up for Kate to become the new Hawkeye. It also managed to carry on elements from the Black Widow movie, and set-up Echo without it feeling too forced or crowded too.

Kate - I absolutely loved Kate. I've never really read anything with her, so this was my first real experience with her. I love how she's not got a dark past, or anything like that, but simply just wants to be a super hero because she thinks it'd be fun, and that it's the right thing to do. She's so full of energy and warmth in the scenes she's in, is an absolute delight to watch, and really sells that action. I really liked her more emotional scenes too, and found that her relationship with her mother was a really compelling part of the series; especially in that final episode. I also really hope that we get to see more of her and Yelena in the future because their chemistry is just perfect.

Clint - I've always liked Hawkeye in the films, I thought that he was a good human presence on a team with people with personalities and issues that made them feel more than human. He helped ground things a lot of the time. So getting to see more of him, for him to get the focus here, was great. His disability being a part of the story was good, and I'm glad that it wasn't ignored. There have been people who've taken issue with Clint in his Ronin persona, specifically because he was shown killing a lot of Asian people in Endgame. Unfortunately, the only real focus on Ronin in this series does show him killing Echo's father, so it continues on the image of him taking out his pain and anger on people of colour; which is a very unfortunate thing. 

Echo - I loved Echo. The fact that Alaqua Cox had never acted before this is astonishing. She's perfect for the part. her acting is great, she manages to make you feel the anger and pain that she's going through just with her body language, and despite never speaking a word in the movie she has some of the most compelling and emotional moments. I love that she's going to be getting her own show, as not only is her character really interesting, but getting a deaf, amputee lead character in a super hero action show is going to be huge.

Yelena - Yelena was my favourite part of the Black Widow film, and Florence Pugh is still absolutely delightful here. She steals every scene she's in, seems to be having an absolute blast playing the character, and has wonderful chemistry with Hailee. But, she also gave one of her best performances for Marvel so far when she confronted Clint in the final episode. To see her go from the confident, fun-loving fighter into someone so in pain, dealing with her grief, was a shocking turn, and she played it amazingly. I can't wait to see more from her, and hopefully with Kate too.

I also liked how the almost too obvious set-up of Jack as the villain was a subversion, and I actually came to really like him come the end of the season and was even enjoying watching him fighting bag-guys with a sword in the final episode. (I really hope he does end up going LARPing). Eleanor was the much better choice for the villain, and I thought it was great for Kate to have to confront her come the end, and to make that choice of being a hero by taking her down. Her mother asks her if arresting her own mother on Christmas is really what heroes do, and of course Kate does, because her mother is a killer, and Kate is a good person.

The surprise return of Kingpin was also an amazing inclusion. Vincent D'onofrio is one of the best villains in the MCU, and getting him back was great. I don't believe for a second he actually died in the final episode, because he's just too good an actor to get rid of. I also can't believe that I didn't pick up on his blink-and-you-miss-it inclusion in episode three; because his chuckle is so unmistakably him. It's a great piece of foreshadowing that I'm sure smarter people caught.

Overall, I had a lot of fun with Hawkeye, and I think it's one of my favourite of the MCU shows so far. I guess next up in my quest to get up-to-date is Eternals.


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Star Wars: Shadow of the Sith by Adam Christopher - Book Review

 


'The Empire is dead. Nearly two decades on from the Battle of Endor, the tattered remnants of Palpatine’s forces have fled to the farthest reaches of the galaxy. But for the heroes of the New Republic, danger and loss are ever-present companions, even in this newly forged era of peace.

'Jedi Master Luke Skywalker is haunted by visions of the dark side, foretelling an ominous secret growing somewhere in the depths of space, on a dead world called Exegol. The disturbance in the Force is undeniable…and Luke’s worst fears are confirmed when his old friend, Lando Calrissian, comes to him with reports of a new Sith menace. After his daughter was stolen from his arms, Lando searched the stars for any trace of his lost child. But every new rumour only led to dead ends and fading hopes–until he crossed paths with Ochi of Bestoon, a Sith assassin tasked with kidnapping a young girl.

'Ochi’s true motives remain shrouded to Luke and Lando. For on a junkyard moon, a mysterious envoy of the Sith Eternal has bequeathed a sacred blade to the assassin, promising that it will give him answers to the questions that have haunted him since the Empire fell. In exchange, he must complete a final mission: return to Exegol with the key to the Sith’s glorious rebirth—the granddaughter of Darth Sidious himself, Rey. As Ochi hunts Rey and her parents to the edge of the galaxy, Luke and Lando race into the mystery of the Sith’s lingering shadow and aid a young family running for their lives.'

The first time I watched Star Wars: The Rise of Skywalker I had some complex thoughts. I came out of the cinema with a lot of the movie going around my head, trying to figure out whether I liked it or not. I ended up landing on hating it. My second watch through, many months later once I'd had a chance to think on it more I ended up disliking it. And when I watched it a few months ago, having read more of the comics and books that built the lore and story I ended up kind of enjoying it. There were still things I had issue with, but I'd stopped hating it at least. 

When it was announced that there was going to be a novel coming out that would expand upon it further, that would feature Rey, her parents, Ochi of Bestoon, and Luke and Lando's briefly mentioned quest, I was actually really excited to get to read it; especially as I was hoping that it would further enhance my The Rise of Skywalker experiences.

The plot of Shadow of the Sith follows several figures as events across the galaxy start to bring them together. The main focus, and the character we spend the most time with, is Lando. If you're a fan of Star Wars you know who Lando is, and he'll need little introduction. And you'll be pleased to see that the charming, smooth talking scoundrel is represented well in this book. The first time we meet him he's in a card game in a dangerous bar, trying to charm his way out of a dangerous situation. He's the Lando we all love. However, there's more to this Lando than any other time we've seen him.

Six years before the events of this book Lando's daughter, Kadara, was kidnapped. Lando has spent the years since searching the galaxy for any sign of her. This has changed Lando. Whilst he might still be the Lando you expect on the surface, underneath it he's a man with emotional scars, with a grief that no one should ever have to carry. As such, when he hears a group of unsavoury folks discussing kidnapping a child, and they mention the Sith, it's something he has to do something about, a family he has to help; because he can't bear for another family to go through the pain he has.

Those unsavoury sort are a mixture of criminals, scum, and evil droids, all led by Ochi of Bestoon. Ochi made a brief appearance in The Rise of Skywalker, looking particularly horrific in live action, and has become a recurring character in the current Darth Vader comics. As someone who's seen more of Ochi it's interesting to see him here, long after the fall of the Empire, when he's become something of a washed-out drunk. He's still incredibly dangerous, and some of the scenes with him in it are incredibly tense and scary, but he's also kind of broken now too; and it's an interesting situation to see him in.

Another main character is, of course, Luke Skywalker. This is a Luke probably at the height of his glory. He's a Jedi Master, the galaxy knows who he is, he has his school of Ossum, he's training his nephew to be a Jedi. This is Luke before he makes his mistake and loses everything. I think this is the Luke that a lot of people will want to see, especially if they were unhappy with never seeing this version of him on the big screen. This is a Luke who's very confident, who never seems to be worried or afraid, who has faith in the Force and believes that things happening around him are doing so for a good reason, and that he will get through it okay.

There's also a small family that we follow, a group around who all this focuses. Dathan, Miramir, and Rey. This book gives us the biggest insight into Rey's past that we've ever had, and provides some important information on Exegol, the Sith Eternal, and Rey's heritage. One of the things that I didn't like when first watching The Rise of Skywalker was the idea that Palpatine had had a child. The idea that he'd have had sex just felt kind of weird and wrong to me. Since then, and with this book, we've had it confirmed that Dathan is a clone of the Emperor, though one altered slightly. This plays a part in Palpatine's experiments to live on after death, and feels much more like the Emperor. Through the flashbacks in this book we get to see some of Dathan growing up on the Sith planet, as well as his escape. Some of these flashbacks also seem to coincide with events from the Darth Vader comic, and adds some extra details there that's cool for fans.

In the sequel trilogy Rey's parents are an idea. They're something that she's searching for, a belonging that she desperately needs. Even when we get told who they were, we spend barely more than seconds with them, seeing their eventual fate at the hands of Ochi of Bestoon. This book actually allows us to get to know them a little, so see them as people; and it's really nice. We don't really get any down time with them, they're constantly on the run, fighting to stay ahead of their hunters, but even in these moments they take the time to care for Rey, to make sure she's happy and has fun. They're good parents, and the scene where they hide Rey on Jakuu and say goodbye to her is a hard read because we've come to really care for the family at that point. Their eventual death also becomes an awful moment, and as soon as I knew it was coming my heart broke. There was no way that they were making it out of this story alive, we'd already been told that, but I wanted that to change, for something to alter it at the last minute because I'd come to care for them.

And their death, as awful as it is, is not the worst thing about this book. It's the fact that our heroes fail. Again, something we know before even picking up this book. We know from the events of the films that Luke and Lando can't save this family, that they don't find Rey and keep her safe. But even knowing this doesn't prepare you for how the book handles it, and the scene where Lando realises he's failed this family was so awful to read. I cried for him, I cried for this usually happy, charming, and carefree man because the weight of the galaxy came crashing down on him, the pain of losing his daughter came back, and he felt responsible for what happened to this family. Shadow of the Sith might be the best Lando story I've experienced, because it did something I never expected, it made me cry for Lando. 

The book deals with more than just Rey's family, however, and also features a powerful Sith spirit hunting for Luke and the artefacts in his possession; the masked figure on the cover of the book. For those that have read the Aftermath trilogy, this person will be familiar, and it's great to see her story continue on here. It gives Luke a powerful enemy to face, and a confrontation with the Sith that doesn't need the involvement of the hidden cult on Exogol, or the clone Emperor. It allows those plot threads to stay hidden away; though Luke does learn of the planet's existence. The confrontations between Luke and this figure are great, and the final fight between them happens on one of the more unique locations I've seen in Star Wars, and does some shocking, unexpected things.

There are also a lot of nods and winks to other parts of the universe that I absolutely adored here, but as there are some spoilers skip to the next paragraph if you don't want to see them. Lando gets to fly around in the Lady Luck, his ship that made its first canon appearance in Last Shot, but was a part of the old Legends canon. Shriv from Battlefront II makes an appearance, which was great as I'd recently re-played through the story. Enric Pryde from The Rise of Skywalker appears, wearing a particularly horrific coat. Lor San Tekka helps Luke out. Lina Graf from the Wild Space books and Star Wars Adventures gets name dropped, and Luke gets to borrow her ship. There are some Lasat knocking around. Ben Solo pops in for a bit. We get to see Unkar Plutt. Luke visits Tython and uses the same seeing stone Grogu used in The Mandalorian. There's a reference to purifying kyber crystals to make them white like in the Ahsoka novel. And most shocking and surprising for all, Luke gets to talk to Anakins Force ghost. There are so many connections to the bigger universe, so many off hand mentions, small inclusions, and tiny background details that Shadow of the Sith ends up feeling like it's this key piece connecting so many strands together.

I had heard from those who'd read the book already that Shadow of the Sith was a good book, that it was one of, if not the best new canon novel. I went in with high expectations for the book. And not only did it meet each and every one, it more often than not exceeded them. I came away with a bigger understanding of certain character and events, I ended up caring for people that meant little to me before it, and I had so many moments where I was smiling at the tiny details, where my mouth was hanging open from the surprises, or where I was openly crying. This is absolutely one of the best Star Wars books I've ever read, and it should be on every fans 'to read' list.


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Tuesday, 19 July 2022

Goosebumps: Welcome To Dead House by R.L. Stine – Throwback 30

 

Originally published on Set The Tape


For many, Goosebumps is a name that they’ll know well. Depending on your age it will be books that you saw around in your childhood, but were perhaps a bit too old for, or they’ll have been books that you’ll have memories of reading; possibly even being the thing that helped you to discover horror at a young age. Either way, Goosebumps is a book series that is still near unmatched for its popularity, its cultural reach, and for making its author one of the highest selling horror writers of all time.

A middle-grade horror anthology series, Goosebumps would feature a brand new story, with new protagonists, in each volume released. Series author R.L. Stine, who is allegedly one of the few children’s series authors from the 90s not to use ghost writers, has said that he drew inspiration for his series from having grown up reading Tales From The Crypt comics as a kid, and wanting to produce scary stories to inspire future generations of horror fans.

The first book in his series is Goosebumps: Welcome To Dead House, and focuses on two young teens, Amanda and Josh, as their family moves to an old house in the small town of Dark Falls after their father inherits the home from a long-lost uncle. Whilst Josh is dead-set against moving to the new home, Amanda is at least trying to make a go of it, but when she begins to see strange, ghostly children around the house she begins to think that there might be something wrong with their home. She hears whispering coming from her closet at night, and her curtains billow and move despite there being no draught. That, coupled with the strange nightmares about her family being dead, leads to Amanda feeling pretty on edge.

There are also very few people in town, with the two kids walking through Dark Falls and not seeing a single adult out and about, no cars on the road, and most of the houses curtained up and closed. However, they do meet a group of kids who they start to play with. But something doesn’t feel right to Amanda about her new friends. They seem strangely intense at times, look really pale, stay out of the sun, and their dog seems to hate them. And why do they all say they used to live in her house, when it’s impossible for them to have all lived there?  With Amanda being the only one who seems to suspect that there’s something strange going on in Dark Falls, will she be able to convince her parents before the strange happenings turn deadly?

Goosebumps: Welcome To Dead House is definitely one of the more stand-out entries in the series, and not just because it’s the first book. This is probably one of the more intense, and frightening of the kids series due to the fact that much of Stine’s trademark silliness and comedy that makes up a good part of the series just isn’t present here. Many of the Goosebumps books have scary moments, but they tend to come coupled with some lighthearted scenes so that it ends up not being too frightening. Goosebumps: Welcome To Dead House doesn’t have these lighter moments, and so feels a lot more oppressive and scary. Reading this book again, I was surprised at just how different the tone felt from the others.

Despite this, Goosebumps: Welcome To Dead House became a smash hit, selling a huge number of copies for Scholastic. Even though Stine had other books already lined up, ready to release just a few weeks later, this first entry helped to cement Goosebumps as a brand to keep an eye on. The book was popular enough to receive multiple printings, being the most re-released book in the series, and was even part of the Classic Goosebumps line in 2008, where it received a new cover, and several small text updates. It also had two different audio book releases, one read by Stine himself, which was adapted into two-part story in the second season of the Goosebumps television series. The story was even considered for adaptation to film in the 90s, with classic zombie movie director George A. Romero having written a draft of the script.

Goosebumps is the second biggest selling children’s book series of all time behind Harry Potter, and R.L. Stine has sold an estimated 400 million books, 50 million more than Stephen King; making him the highest selling horror writers alive today. Horror is a genre that sells, and sells well. It’s easy to bring people together with scary stories, and being scared is something of a rush a lot of the time. Introducing kids to horror at a young age can be really good for them, and Goosebumps is a perfect vehicle with which to do that. So, if you grew up reading and enjoying the series, why not try passing it on to your own kids; especially now that the series has turned thirty years old.


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Monday, 18 July 2022

Future State: Gotham #14 - Comic Review

 

Originally published on Patreon


The Future State event was where I got back into reading more of the DC Universe, thanks to it being something of a jumping in point after what I felt was a pretty awful period of The New 52 on to Infinite Frontier. And whilst I did enjoy Future State for what it was, there was a lot of it that just didn't work for me. The Batman side of Future State was pretty good, and so making an ongoing series based upon this alternate future sounded like it could be fun; and whilst the series hasn't been perfect, there is definitely a lot to enjoy about Future State: Gotham.

With the new Joker having been defeated, and relative peace across Gotham, the masked heroes can concentrate on Magistrate once again. However, it looks like others have different plans, as violence erupts across the city as multiple Batmen begin to appear, taking on the authorities in their own ways. So, how many Batmen is too many Batmen? I hope your answer isn't five, because we've got five of them now.

So, we have Jace, who's been Batman since the series started, and is currently working with Red Hood to take down the Magistrate. Bruce Wayne has now been rescued by Talia al Ghul, and is back in Gotham. Dick Grayson has used the Brain drug to gain precognative abilities, and has taken on the role of Batman in order to get the perfect future outcome. Hush has grabbed a classic Batman suit out of storage and is pretending to be the original Batman to further his plans. And Damian Wayne, who has spent decades in literal Hell searching for his father has returned to Gotham as Batman 666, determined to destroy all those in his way.

It's fair to say that there is a lot going on this issue, but it never really feels overly bloated; which is something of a spectacular feat really. Each of the Batmen get a scene or two where we further their stories. It also helps that each of the five have their own distinct looks to them, where each of them is instantly recognisable on the page. There's not going to be any moments here where you're unsure which characters you're following at any given time.

As someone who really enjoyed the Grant Morrison run on Batman, I really like that Batman 666 is being used here, in its own unique way. Damain thinking his father is dead and deciding to go to Hell to bring him back absolutely tracks with his character, and feels like the kind of wildly arrogant move he'd make. The fact that his time in Hell has changed him, twisting him into this even more violent man, with some mystical abilities, makes him the most interesting Batman of the bunch.

Future State: Gotham has been one of those series that I've found is getting better as it goes on, probably because it took it a little while to figure out the kind of book it wanted to be. Now that it's had some time to settle in, to establish this new version of Gotham and it's cast of characters it seems to be heading in a pretty decent direction.

The black and white art on this series has been compared to Manga art, and I'd agree that it has more in common with Manga than the usual DC stuff. But it really works with this title. Perhaps it's because the slightly sci-fi like setting and some of the new character designs seem to draw inspiration from several Manga series; but even if it's not, and that's just a coincidence, the art works perfectly for this series.

The back-up story for this issue features Batman 666, and much like the other back-up's we've had so far, doesn't really seem to be part of the Future State: Gotham timeline. Still, it's a neat little story that tells a short tale of an adult Damian in a very nightmarish place.


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Underwater - Film Review

 


I rarely get the chance to watch movies that I simply just want to watch anymore. A lot of the time I'm watching new releases for review purposes, and these tend to be new releases of older films. As such, a lot of new stuff slips by me until a few years have passed. Underwater is one of these films. I can remember the trailer for it when the film was coming out, and how I thought that it looked pretty good. But it wasn't until this weekend that I was finally able to watch it; and boy am I annoyed it took me so long.

The film, set in the near future of 2050, takes us deep beneath the ocean surface to the Kepler research and drilling station on the seafloor in the Mariana Trench, the deepest part of the Earth. When the station is hit by a huge earthquake the station is heavily damaged, and the vast majority of the 300 plus crew killed. Several survivors manage to come together, and come up with a plan to leave the quickly failing station and walk across the bottom to a smaller station.

The group don their pressure suits and begin to make their way out of the station, but discover strange squid-like creatures feasting on the remains of the crew along the way. As the station explodes above them and they're forced out onto the ocean floor, they see strange, almost humanoid creatures illuminated in the explosion. As they continue to make their way to their only means of escape back to the surface the creatures begin hunting the group, taking them out one by one. Unfortunately, these horrible entities are only the heralds of something much worse.



One of the things that I thought when I watched the first trailer for this film was 'those monsters look a bit Lovecraftian', and I can't believe how close I got with that first guess. Spoiler alert time for anyone who's not seen the film yet, the big bad at the end of the movie is freaking Cthulhu! I love the fact that this creepy, underwater horror film turned out to actually be a Cthulhu movie, and the fact that they didn't push that fact in the marketing feels wild. Perhaps the folks who'd want to watch a Cthulhu movie would see the trailer and think the same thing I did, and would go and see the movie, but I can't help but feel that the studio not making a big thing about the iconic monster being in this film might have hurt the movie in some ways; even if it did make for a great surprise whilst watching it.

This being a Lovecraft horror movie, there are some other monsters in this too, with some Deep Ones making appearances in the movie to hunt and kill our main cast. The creature design is pretty awesome, and the moment where one of them essentially swallows someone whole is gross and shocking. They're used pretty sparingly throughout the film, and as the survivors get closer to Cthulhu they make for a decent series of foes to fight their way through first.



The main cast, headed up by Kristen Stewart, are one of the best parts of the movie, and they make for a decent group of survivors. The film moves at a decently fast pace, and we don't have a huge amount of time to get to know them before they're plunged into scary situations; but the cast manage to do a decent job at getting you to like them pretty quickly. Stewart is a great lead, and this is one of the only things I've ever actually seen her in, but I thought she did a really good job at taking the lead and being our vehicle to experience the story. T.J. Miller and Jessica Henwick are to of the better members of the supporting cast, and the scenes they were in were the more enjoyable for their inclusion.

I ended up watching this film via streaming, and found myself so interested in it that I've since ordered the blu-ray because I need to listen to the commentary, and see the behind the scenes stuff. I've seen plenty of movies that I've found enjoyable, but this is one of the few where I ended up wanting to know more. I want to know how this sneaky Cthulhu movie was made, I want to see how the monsters were designed, and I want to know more of the little details that are hidden throughout (I did pick up the company name and the hidden Cthulhu drawing in one of the lockers, but I'm sure there's more). I also love that the film seems to have taken a lot of inspiration from Alien, which is another film that I love.

I don't think Underwater is a perfect movie, and I can see some places where it could have done better; but it is a movie I think has gotten under my skin a little. I wanted more of it, I want to watch it again already a day later, and I think this is going to end up being a movie where I keep coming back to it. 


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