Book and comic reviews, and more from Amy Walker, a trans, disabled writer and reviewer from the UK.
Wednesday, 11 July 2018
Go Go Power Rangers Volume 3 Details Released
The details for the third collected volume of Boom! Studios 'Go Go Power Rangers' has been released. The book collects together issues 9-12 of 'Go Go Power Rangers', written by Ryan Parrott.
'Dealing with the fallout of Rita Repulsa’s abduction of Matthew, the Power Rangers are confronted with a dark specter from the future with a shocking connection to Lord Drakkon–ties into Shattered Grid!
CAN THE POWER PROTECT THEM?
The Power Rangers have just exhaled a sigh of relief after their friend Matthew narrowly escaped Rita’s clutches on the moon, but a new enemy has already emerged, one that will have the Rangers question every decision they’ve made so far. Tying into the critically acclaimed, bestselling Shattered Grid event, the Mighty Morphin Power Rangers must confront the future to save the past as they face off against the mysterious Ranger Slayer.'
'Go Go Power Rangers' volume three is set for release 30th April 2019.
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Dark Souls: Age of Fire #2 – Comic Review
Originally published on Set The Tape
Previous entries into the Dark Souls comics have been good, but rarely have direct connections to the video games that they’re based upon, content with telling their own stories within the universe. As such, they’re good but sometimes lack a little something that makes them special. Dark Souls: Age of Fire bucks that trend by not only having connections to the games, but telling an origin story for several of the characters that appear and exploring some of the lore in greater detail than we’ve had before.
Whilst the first issue began the important process of setting up characters such as Knight Artorias the Abyss Walker, and Ornstein the Lion Knight way before the events of the first game, the second issue is where the story really starts to move forward, and these characters are put on the path that will lead them to their eventual fates.
One of the enemies that players are sure to remember from the first game are the black knights, once proud warriors cursed and burned to ash who now wander the world as disembodied spirits. Here we see the beginning of this transformation, as Arkon, a silver knight, actually fall victim to this curse. It’s a dramatic moment, and one that fans of the game have been hoping to see for a long while.
Even knowing it’s coming, the moment still manages to surprise in it’s execution, and you can’t help but feel awful for Arkon and his men because you know their eventual fate.
This issue also gives us a look at Artorias, another character that players will remember fighting in the games. Whilst we got a deeper look into Arkon, Artorias is still something of a mystery here, though his appearance is pretty damn cool. Appearing in the middle of a battle against the undead, coming to the aid of Gravis and Wurdow by decapitating several skeletal warriors.
There’s not a great deal of story within this issue, with most of the page count being handed over to fighting and action sequences, but the small moments of story that you do get go a long way into exploring some of the beloved lore of the Dark Souls universe, and as such is sure to satisfy many fans.
Anton Kokarev provides the art for the book, and there’s not a great deal that can be said about it other than it’s absolutely phenomenal. It’s hard to tell how he produces his art, whether it’s 100% hand painted, or if there are computer generated images involved as well, but however it works, it works wonderfully. It gives the story a richness and sense of grandeur that may have been missing if this was more traditional comic art. The painted style definitely fits with the idea that this is an ancient history being told to the readers.
The artwork also looks amazing during the action sequences, with the blood and fire effects standing out as particularly good, jumping out of their panels. Any panel could be taken from this book and made into a poster, a piece of art that could hang on your wall. All comics are pieces of art, but here it feels like a work of art, images that even people who turn their noses up at traditional comics would look at and take a moment to appreciate.
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Tuesday, 10 July 2018
Mighty Morphin Power Rangers Volume 6 Details Revealed
The details for the sixth collected volume of Boom! Studios 'Mighty Morphin Power Rangers' has been released. The book collects together issues 21-24 of 'Might Morphin Power Rangers', written by Kyle Higgins.
'The Mighty Morphin Power Rangers face their greatest challenge yet as their deadliest foes return.
Danger surrounds the Mighty Morphin Power Rangers on all side as Finster’s monsters erupt around the globe. Even with Zordon’s return, it will take more than the Rangers themselves to face down these terrible leviathans. Meanwhile, the return of the Rangers’ deadliest foes reveal hidden secrets from Promethea that will change everything…'
'Mighty Morphin Power Rangers' Volume 6 is set for release 18th October 2018.
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Monday, 9 July 2018
Go Go Power Rangers Volume Two Details Released
The details for the second collected volume of Boom! Studios 'Go Go Power Rangers' has been released. The book collects together issues 5-8 of 'Go Go Power Rangers', written by Ryan Parrott.
'No one said being a Power Ranger would be easy, but the Mighty Morphin Power Rangers didn’t expect Rita Repulsa to kidnap one of their own before the Homecoming Dance!
Jason, Kimberly, Zack, Trini, and Billy are well on their way to finding their place as the Mighty Morphin Power Rangers. Juggling school, superhero extracurriculars, and budding romance–our favorite teen heroes have it all under control. But when one of them has the opportunity of a lifetime that might lead to leaving the team, the dastardly Rita Repulsa kidnaps a Ranger to use the deadliest weapon known to teens: high school drama.'
'Go Go Power Rangers' is set for release 10th January 2019.
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Friday, 6 July 2018
No Way Out – Blu-ray Review
Originally published on Set The Tape
Chances are, if you talk about No Way Out, people will think that you’re referring to the 1987 Kevin Costner film. It’s even the first thing to come up if you search for the title online. It’s a good film, but it is easily overshadowed by the lesser known No Way Out from 1950 that launched the career of the legendary Sidney Poitier.
Poitier plays Dr Luther Brooks, an intern that has just passed his state board exam and received his license to practise medicine. It’s his first night back at the hospital after his exam and the newly qualified doctor is assigned to the hospital’s prison ward. When brothers Johnny Biddle (Dick Paxton) and Ray Biddle (Richard Widmark) are brought in after their failed robbery attempt, Luther is put to the test as he tries to help the sickly Johnny whilst receiving racist abuse from Ray.
Despite trying his best to help Johnny, the man dies whilst receiving treatment from Luther, which leads Ray to blame the man for his brother’s death. With the hospital and Ray Biddle refusing to allow an autopsy on Johnny to prove that Luther did the right thing, tensions mount as Ray stirs up anger and racial prejudice with his gang, getting them to blame Luther and wanting revenge against any black person they can find. Unfortunately, things reach a head when a full blown race riot breaks out.
Sidney Poitier is on excellent form throughout and it’s extraordinary to consider that this was his first major role at just 22 years of age. He has a presence in all of his scenes that speaks of an actor not only comfortable in his craft, but with confidence. Even when he’s in scenes where he’s doubting if he did the right thing and is questioning himself, he comes across as an incredibly strong man; but then as a black actor in the 1950s, Poitier would have needed to be, much in the same way that his character of Luther would have been in trying to enter the medical world.
The standout performance has to be Richard Widmark, who played the racist Ray Biddle. From what I’ve learnt about him Widmark was a good friend of Poitier’s and found it incredibly difficult to say a lot of the racist lines he was given, regularly apologising to Poitier after their takes. You can’t tell this from his performance though. He makes you believe that he’s a thoroughly un-likeable and evil man.
The rest of the cast are good in their roles too, with even the smaller characters brilliantly cast. Linda Darnell is great as Edie Johnson, Johnny’s ex-wife, who is initially manipulated into Ray’s way of thinking before seeing the evils of those racist views and learning to accept that black people are regular, decent human beings. Stephen McNally also shines as Doctor Wharton, Luther’s colleague at the hospital. Despite in one scene claiming not to be pro-black, he never once treats Luther with anything less than his utmost respect, supporting him and backing his decisions, whilst also pushing for others to accept that Luther is a good doctor and decent man.
I’ve seen some claims that No Way Out is a bit heavy handed in its portrayal of racism and that it makes things very black and white (pardon the pun) in regard to right and wrong. Whilst the film might not be the most nuanced depiction of institutionalised racism in America, it’s important to remember that the film was produced in the 1950s; a time where these kinds of issues weren’t talked about, especially in mainstream film, and this is one of the few examples of progressive liberals getting their views out into the public.
The Blu-ray itself looks fantastic and the film looks great. There’s a small amount of grain in the picture, but it appears that a lot of work has been put into restoring as much of the quality as possible. I’ve got more modern films that look a whole lot worse than this does as examples of how not to do Blu-ray. The release also comes with a lot of extra content for your money, with a commentary track, and a two-part documentary about director Joseph L. Mankiewicz that totals close to two whole hours.
No Way Out is not an easy film to watch, but not because it isn’t well made or well acted, it’s hard to watch because it shines a spotlight on the racism in America in the 1950’s. This is a time when segregation still took place, where black people were refused entry to businesses or schools, where white people threw the n-word around all the time, and when black people were still brutally lynched and murdered. Whilst the film doesn’t go to the degree of showing events such as lynching, it doesn’t shy away from how insidious and pervasive racism was during the time, but what makes it so uncomfortable is how relevant it still is to modern day.
The targets may have changed to include people of other ethnicities, but there are still stories and videos uploaded to the internet every day of white people refusing service from people of colour, refusing to be treated by non-white doctors, and calling the police on black people simply going about their everyday lives.
No Way Out may be over 60 years old, but it’s still relate-able to the world we live in; and that’s absolutely heartbreaking.
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Thursday, 5 July 2018
Power Morphicon 6 Artwork Revealed
The official artwork for Power Morphicon 6, the premier Power Rangers convention, has been revealed online ahead of the event.
Designed by Tsuyoshi Nonaka, the artwork depicts the original Red Ranger from Mighty Morphin Power Rangers, the evil Lord Drakkon, and the Red Ranger from the upcoming series, Power Rangers Beast Morphers. The artwork will be featured on programs, t-shirts, badges, bags, and more.
Power Morphicon 6 will take place at Anaheim, California, from August 17th to 19th.
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TV Rewind… Agents of S.H.I.E.L.D. 1×03 – ‘The Asset’
Originally published on Set The Tape
The third episode of Agents of S.H.I.E.L.D. finally starts to give the audience a peak at what the series is going to look like now that the hype of the pilot episode has gone and after the first episode without a movie character appearing (other than Clark Gregg’s Coulson of course) in order to garner interest of excitement. Thankfully, whilst not perfect, ‘The Asset’ does give a good indicator as to how the show will be going forward.
It’s the first episode we have where the team is already established and they have their first real secret agent story. When scientist Franklin Hall (Ian Hart) is kidnapped from a S.H.I.E.L.D. convoy using mysterious gravity manipulating technology it’s down to Coulson and the gang to locate him and plan his rescue.
It’s a good spy story and in some ways it reminded me of early Alias, especially with the female agent infiltrating a swanky party, but luckily it has enough of its own identity and Marvel-ness to be different from other such espionage stories.
The episode in many ways feels more like a second pilot, using Skye (Chloe Bennet) as our introduction to a side of S.H.I.E.L.D. that we’ve not yet seen. She gets to see how they gather their intel, plan their operations, and ultimately is the ‘agent’ they send in to complete an important part of the mission.
Whilst Skye is a good vehicle for introducing the audience to this world as she’s as much in the dark about S.H.I.E.L.D. as the audience, it is something that is already running the danger of making her the central focus in what should be an ensemble show.
Thankfully, the rest of the team do get small moments to shine, even if they don’t get a chance to really do much. Ward (Brett Dalton) reveals some insight into his past when he tells Skye about his childhood and the cruelty of his older brother. Despite the future developments that will take place with Ward, this is actually a very honest look into the character’s past, an important event that massively shaped the man he is. It also gave the character some much needed depth, rather than just the snarky agent who doesn’t like working with a team.
‘The Asset’ also gave Fitz (Iain De Caestecker) and Simmons (Elizabeth Henstridge) some good moments too, with a few lines that stole the scenes they were in. Simmons calling out Coulson for repeatedly shouting Fitz’s name whilst he’s trying to bring down the security system – “Saying his name repeatedly does not increase productivity!” – is a fun little jab at what is a big television/film trope. Fitz also manages to get a few laughs, both when he turns up to listen in on the mission with a huge bowl of popcorn, and when trying to avoid what he really means when he stammers “she probably used her… uh… boobs”.
This episode will also go on to be massively important later down the line in season five, so if you’re not up to date jump ahead to the next paragraph to avoid spoilers. The inclusion of Franklin Hall, the comic book identity of super villain Graviton, had fans expecting this to be an origin story for that character, one that would give the series a super powered antagonist. Keeping it on the back burner for years, Agents of S.H.I.E.L.D. would surprise viewers by not only bringing gravitonium back in season five, but making it a huge story component, and Graviton their finale villain. Having set this all up in episode three but waiting five seasons to use is a actually a pretty genius move, and feels like a lot more organic and real series of events, rather than falling into the television trope of setting things up in the same season they’re going to be used, or possibly the end of the season before.
‘The Asset’ isn’t a perfect episode, it still feels like it’s trying to push the humour too much for what feels natural and right for the tone, but it’s an episode that shows much more what the series can be than those that came before it. It’s fun, it has mystery and intrigue, it shows the characters outside of their comfort zones, and it has some crazy set pieces too. The first half of season one of the series was definitely a show that had ups and down, but this is very much one of the ups.
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Wednesday, 4 July 2018
RIP Whitney
This evening, just a few hours ago a good friend of mine passed away. Whitney Hackett. After battling terminal cancer for months she lost her battle.
I remember the first time that I saw Whitney. We were working together at a call centre for a company called Teleperformance. She had just started her training. I noticed her straight away because of her Pokemon hoodie. Being a geek and someone that's into Pokemon I immediately thought 'I need to talk to that person'. Anyone who comes to work wearing an Umbreon hoodie is bound to be pretty awesome after all.
When we finally got chatting it was pretty clear that we had similar interests, and a friendship began to form. Over the months that we worked together we went from colleagues to good friends, and I would always look forward to our shifts together, even if they were bound to be long and stressful.
When I left Teleperformance one of the few things that I was sad to be leaving behind was Whitney. On my last day she gave me a gift, a Pokemon key-ring. This gift wasn't just something that she had picked up in a shop though, this was something that belonged to her, something that she had had with her every day that we'd worked together. Of all the gifts I received that day, all the messages of good luck, that tiny gift was the most important to me. I still have it to this day, on my keys, with me wherever I go.
As can sometimes happen when people stop working together our friendship drifted and we didn't speak for a few months. When I finally spoke to her she had not long received the news about her diagnosis. I couldn't believe what she told me, I didn't want to believe what she told me; but that was when I knew that I couldn't let our friendship slip again. I had to make sure she stayed in my life.
I made that determination into something that drove me forward to making sure I passed my driving test as quickly as I could, desperate to be able to use my new license to visit her. Thankfully it worked, and I was able to start seeing my friend again. I visited her, took her out, even kidnapped her to make sure that she saw the latest Pokemon movie.
During this time we chatted online a lot too, and she told me that she was planning to raise money to go to Japan. Thankfully there are so many generous people in the world, and Whitney's target wasn't just met, but totally broken. The level of generosity people showed, some to a complete stranger, was amazing. She finally got to have the holiday of her dreams, the one that we'd spoken about so many times.
When Whitney took a turn for the worse, when it became obvious that the end was close, her family asked if I wanted to come and see her, a chance to say goodbye.
All the way over to her house I wracked my brain thinking about what I would say. I wanted to tell her that she is one of the bravest people I've ever known. I wanted to tell her that she's one of my only friends in the area, and that I treasured our friendship. I wanted to tell her that I would never forget her. But I didn't know how I was supposed to do this. How to put it into words. How are you supposed to say all of that to someone as they lay dying?
In the end I didn't say any of those things. I sat with her, holding her hand whilst she struggled to stay awake. Instead, I told her the most important thing, that I loved her. That was the last time I saw her, just a day before she passed.
Before I went in to see her, her mother told me that she didn't look like Whitney anymore. She didn't. She was tiny and frail. She didn't look like the girl I knew. But that's not how I remember her. When I think of Whitney I don't think of her in that bed at the end; I remember the young woman who talked about Pokemon, who spoke with me about anime and manga, who told me about all of the places she wanted to visit and things she wanted to do if she ever got to go to Japan. I remember my friend who should have been thinking about her future career, who should have been imagining her wedding, who should have been considering if she wanted children one day. I think of that young woman facing the worst scenario imaginable and doing it with such strength, grace, and dignity.
Whitney may be gone, but whilst her family and friends remember her she'll never leave us.
I'll always remember our times together, I'll treasure our friendship, and I'll always keep her fox safe, the piece of her given to me to remember her by. Goodbye Whitney, at least your fight is finally over.
Amy.
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Friday, 29 June 2018
Looking back at… Who Framed Roger Rabbit
Originally published on Set The Tape
I’m not sure how old I was when I first watched Who Framed Roger Rabbit but the thing that stuck out in my mind straight away was Judge Doom (Christopher Lloyd). I’ve seen Christopher Lloyd in other roles, and have found him charming and enjoyable to watch, but his performance as Judge Doom still gives me the creeps, even decades later. There’s a lot about this film that’s stand out and iconic, but Doom is always it for me.
It’s strange to think that Lloyd wasn’t the first choice in the role, though it is a shame that we can’t see a version where Tim Curry got the part, but it’s not the only part of the film where the first choice was someone else.
The film had multiple drafts, directors turned the film down, none of the principal cast were the first choices. It’s amazing that despite the ups and downs in the pre-production and the difficulty in obtaining the rights to use all of the animated characters the film ended up being as good as it is. Thankfully, the end product was a critical and commercial success.
Who Framed Roger Rabbit isn’t the first film to combine live action film and traditional animation, there’d been dozens by the time it came out, but it was the first to do things differently, to break the rules. The camera moved in scenes so that the animation didn’t look like it was placed on flat backgrounds, the lighting and shadows moved like they would in fully live action scenes, and the cartoons interacted with real objects as much as possible.
The film looked at the rule book and threw it away, it gave audiences a new experience and it still stands the test of time because of this. The people behind the film had to tell a good story and make new technology at the same time. It’s both a piece of great entertainment, and a breakthrough in film making.
What makes Who Framed Roger Rabbit last isn’t the technology behind it, it’s the story and the characters. Set in an alternative 1947 Los Angeles, where ‘toons’ are real living creatures that live and work with real people, at its heart it’s a mystery story. A detective noir wrapped in bright, colourful cartoons.
The plot revolves around the murder of a movie mogul, a crime for which Roger Rabbit is framed. Anyone who is familiar with detective mystery stories will be familiar with where the plot goes, revealing an ever expanding mystery; but Who Framed Roger Rabbit isn’t just content with going through the motions of a mystery story, but goes out of its way to tell a deep and engaging story, a plot with multiple lays and twists.
Yes, it’s a kids movie, but beneath the bright colours and cameos from classic characters such as Bugs Bunny and Mickey Mouse it’s got emotional depth and adult themes. Who Framed Roger Rabbit is a film that appealed to me as a child because it’s over the top and wacky, but carries on being a film I’ll watch again and again as an adult.
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Thursday, 28 June 2018
Ghostbusters: Answer The Call – Book Review
Originally published on Set The Tape
The team from the 2016 Ghostbusters return for another comic outing following their inclusion in the Ghostbusters 101 crossover event. Whilst we all know how the internet reacted to the newer version of the Ghostbusters the team itself was very entertaining, with some great quirks and character traits, all of which are further explored in Ghostbusters: Answer The Call.
After responding to a call at an old brownstone in New York City, the Ghostbusters find themselves going up against a spirit a lot more powerful than they were expecting, a Schreckgespenst, or Boogyman. The spirit is the ghost of a mad scientist called Dr Kruger who has found a way of invading people’s worst fears and trapping them in their nightmares (yes, the characters do address the fact that the ghost that invades dreams is called Kruger).
This nightmare invaision ability gives the story ample opportunity to explore the psyche of the characters, giving more insight into the characters than the actual film did. We learn about their insecurities, their past traumas, and in the case of Holtzman, what makes her so determined to be strange and different.
We also learn of an event in the past that connects all of the Ghostbusters to a time long before the events of the first film. Whether or not it means there was some kind of fate involved in the four of them coming together is left open, but it does add an extra layer to the characters then there was before.
Kruger seems to challenge our heroes in ways that the villain of the movie didn’t, he makes them doubt themselves, to lose faith in their abilities and even come close to giving up on being Ghostbusters altogether. The stakes feel bigger than anything that the team has faced before, and this makes it feel like a worthy follow-up. If this story was used for a sequel film it would make for a great second movie.
The story has some good action in it, as well as the deeper character beats, with some over the top moments that really are too silly but work brilliantly. The proton whip that can be used to drag spirits out of people they’ve possessed is a particularly cool and inventive device, though the ghost killing zamboni might be Holtzman going a bit too far, especially as it tears a hole in the roof.
Corin Howell’s art is great throughout, and is able to capture the likenesses of the characters and infuse them with energy. It’s not just the Ghostbusters that Howell makes pop on the page, his ghosts are particularly good, and whilst Dr Kruger looks good it’s his spooky ghost child that really steals the scene.
Ghostbusters: Answer The Call is a great follow up to both the original film and Ghostbusters 101. It manages to be full of action, character development, scares, excitement, and even some emotional depth. Whilst I found the film enjoyable it didn’t go too deep into the characters, and this book manages to make up for that. It may even appeal to some of the people who hated the film, though that’s perhaps asking too much.
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