Wednesday, 9 December 2015

Doctor Who 'Hell Bent' Review


After the wonderful episode that was 'Heaven Sent', 'Hell Bent' feels like something of a let down.  If you take the last three episodes of the season as one story, the second part was definitely the strongest.  That doesn't mean, however, that there weren't a few moments of greatness in the series finale.

The Doctor's back on Gallifrey.  After believing it lost in the Time War, then saving it but not knowing where it is The Doctor is finally home.  And what does he do once he's home?  Well, he takes over the planet without having to even do anything.

In a sequence that's a moment of pure genius The Doctor returns to the barn seen in 'The Day of The Doctor' and 'Listen', that has a connection to where he grew up, and immediately attracts a crowd of Time Lords who seem to hang on his every action.  Rassilon, last seen in 'The End of Time' played by Timothy Dalton, now regenerated to Donald Sumpter, sends out a gunship to bring The Doctor to the capital.

The Doctor simply ignores the ship, so Rassilon sends The General and a squad of soldiers, who he ignores.  Next it's the High Council, who he again ignores.  Finally Rassilon himself must face The Doctor, and it's clear that the two Time Lords hate each other.  Rassilon orders the soldiers with him to gun The Doctor down, yet none of them do it, instead switching sides and joining The Doctor.


The Doctor has effectively deposed Rassilon and taken over as the ruler of Gallifrey, and he didn't even have to lift a finger to do it.  It's because not only is Rassilon a major douchebag with questionable morals, but because even on Gallifrey The Doctor has become something from legend.  The soldiers sent to face him are in awe of him, they know what he's done in his life, and in the Time War, and they know he's without a doubt the wrong person to ever cross.

Watching The Doctor become the ruler of his people, again, without having to do anything is brilliant.  It shows just how amazing the character is.  Everything he's done, everything that makes him who he is makes him a figure to be feared, respected and almost even worshipped even by the most powerful race in the universe.

From here the episode takes an interesting and unexpected turn, as the whole issue of the Hybrid is thrown aside as it's revealed that the only thing The Doctor actually intended to do by becoming the Lord President of Gallifrey was using Time Lord technology to try and save Clara, something he knew they'd never allow him to do.

The Doctor finally has his home back, he's respected and revered by his people and he can do whatever he wants, and he's willing to throw all of that away just to save his friend.

The scene in which The Doctor saves Clara from the moment just before her death is one that is sure to be well remembered for two reasons.  The first is that The Doctor shot and killed someone.  Yes, that person is a Time Lord and has the ability to regenerate, but regeneration is something a Time Lord has to consciously do, there was no guarantee that The General was going to be able to regenerate in time before he died.  Also, when a Time Lord regenerates they do in a way die and become a new person, The Doctor has even said that himself.  This is a scene that does away with the modern 'no guns, no killing' Doctor and starts to bring back an aspect of the classic series, that if the stakes are high enough The Doctor will commit murder.


The second thing that this scene will be remembered for is the reinforcement of the rules of regeneration.  We've known that Time Lords can change gender when they regenerate, the concept was brought up in 'The Doctor's Wife' and made very clear when The Master became Missy.  We know that Time Lords can change ethnicity, we saw that in 'Let's Kill Hitler' when Mels regenerated into River Song.  But this episode erases any doubt or argument when The General regenerates from a middle aged white man into a young black woman.  As when Missy was first introduced, this is surely a way of guaging public reaction to Time Lords changing in such a way, possibly in anticipation of something similar one day happening to The Doctor.

From here the episode became all about The Doctor trying to save Clara, and actually failing to do so.  Despite how the episode ends, with The Doctor having mostly forgotten Clara, Clara still technically not being alive as she's frozen in time, with Clara and Ashildr/Me flying off into space and time in their own Tardis Clara is still eventually going to have to return to the trap street and face the raven.

It's made very clear that Clara isn't off the hook, she will eventually have to go back to Gallifrey and be sent back to the moment of her death, but she;s been given an extremely long stay of execution, essentially able to spend an eternity with another undying woman having adventures in space and time.  After how the death of Clara was handled in 'Face The Raven', and the fall out of that event in 'Heaven Sent' this feels like a cheap way out.  Moffat has killed the character, but still gets to give her an ending that will keep Clara fans happy.  It just feels like a bit of a cheat to those that liked the way she died.


One thing that absolutely has to be spoken about though is the inclusion of the original Tardis interior.  In a moment of pure fan service, that makes a hell of a lot of sense in the context of the show's universe, The Doctor steals another Tardis, one that has the same control room as the original William Hartnell Tardis.

Yes, this is quite obviously a little treat for fans of the show, it's nostalgia and fan service, but it also adds something to the show.  It's saying that the original Tardis interior wasn't something that The Doctor chose, like he has done in later incarnations, but is the standard default control room that all Tardis' have.


The episode ends with Clara and Ashildr/Me off to have adventures in their own American Diner shaped Tardis (why that of all things?) and The Doctor ready to continue on, to find a new companion and keep on being The Doctor.  He dons his velvet jacket, grabs his new Sonic Screwdriver (which is a thing of beauty), snaps his fingers to close the Tardis door and head off to even more edventures.

Amy.
xx

Zoolander 2 Writer 'Hurt' By Transphobia Accusations


When the trailer for comedy film 'Zoolander 2' was released it was met with some criticism when some people felt that the depiction of the androgynous character played by Benedict Cumberbatch.

The scene features Cumberbatch playing an androgynous model called All, who is introduced to the film's protagonists Ben Stiller and Owen Wilson.  Stiller asks, 'Are you a male or female model?'  To which Cumberbatch replies, 'All is all.'  Owen Wilson quickly jumps in to ask, 'I think he's asking if you have a hotdog or a bun?'

Some members of the LGBT+ community were quick to condemn the joke, claiming it to be awful and unfunny, stating that it pokes fun at the increasing amount of androgynous, transgender and non-binary models.

Following these accusations, and the launch of a petition to boycott the film, which is close to reaching it's 25,000 target, the films writer, Justin Theroux has spoken out.

Theroux has insisted that he intended no offense towards the transgender community by including Cumberbatch's androgynous character.  'Our target is not, and never was to disenfranchise anyone,' he said in an interview with The Wrap.


'I don't know what to make of it, because it hurts my feelings in a way.  I take great care in the jokes that I write, and the umbrage being taken is out of the context of the scene.  I wish people would see the movie first.  Satire is a thing that points out the idiots, and we went through it on 'Tropic Thunder' with the 'R word'.'

Theroux also wrote the script for the film 'Tropic Thunder', that received criticism not only for having a character in blackface for the majority of the film, but for the use of the word 'retard'.  Whilst both of these issues were raised as concerns at the airing of the trailer for 'Tropic Thunder', as like 'Zoolander 2', they were still hotly debated as being offensive after people had seen the film itself.

Talking about the 'Tropic Thunder' controversy, Theroux said; 'The goal is not to mock or be cruel to the mentally challenged, but exalt in the stupidity of people who use the word.  I'm all for letting words be ugly when the target is correct.  With social media and all the rest of it, people's issues need to be heard...at the end of the day people are looking for bandwidth.  People are looking for places to inject their voice.  But our target is not, and never was, to disenfranchise anyone.'

The petition against the film not only slams the jokes used as being offensive, but also points out that if the creators of the film wished to make a commentary on the presence of androgynous, transgender and non-binary people in the fashion industry they could have approached some of these real life models, such as Andreja Pejic, rather than cast a cis man in the role.

'Zoolander 2' is set for release in February 2016.


Amy.
xx

CrashPad Series - Episode 151 Hayley Fingersmith and Sugar Blair

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CrashPad Series - Episode 165 Kimberly Kills and Brittany Bendz


'Why measure your pleasure by mere inches?  For Kimberly Kills, fun comes by the foot.  Brittany Bendz' foot, to be precise, as they close 2013 with a most impressive game of footsie. - Keymaster.'

An interesting episode from CrashPad that starts off quite normal.  We've got two women kissing and caressing, building sexual tension and pleasure as they slowly and tenderly explore each others bodies.

Slipping down to their underwear Brittany begins by giving Kimberly some oral pleasure by sucking and teasing her cock before the two of them engage in giving each other handjobs.

So far so normal, then the episode takes a surprising turn when Brittany suggests a footfuck to Kimberly.  Slipping a condom over Brittany's foot and lubing up her arse Kimberly slowly herself onto Brittany, filling her waiting hole with Brittany's foot,


Something I'd never heard of before, let alone seen, this was something of an eye opener to be sure.  New and interesting to watch, Kimberly loves every second of having Brittany inside her.

A short but sweet episode, that gives you something new and unusual to see as two beautiful trans women pleasure each other in interesting ways.

To watch this episode and more like it head over to www.crashpadseries.com.

Amy.
xx

Flash/Arrow 'Legends of Today/Legends of Yesterday' Crossover Review


Last year The Flash and Arrow gave us a fairly standard television crossover, where Team Arrow visited the Flash, and the Flash hopped over to Starling City to guest star on Arrow.  It was okay, but it wasn't anything special, especially as the two characters appeared on each others show again towards the end of the seasons.

This year, however, CW has given us an actual crossover event.  Gone was the idea of having two separate episodes that feature the Flash and Green Arrow on each other's show and in it's place was one cohesive story that spanned both shows and involved the whole cast of both Flash and Arrow.

The crossover event, 'Legends of Today/Legends of Yesterday', as the name suggest is not just a crossover event, but acts as a partial set up to the CW's new series 'Legends of Tomorrow'.  Legends of Tomorrow will feature both Hawkman and Hawkgirl (introduced in this crossover) and Vandal Savage (also introduced in the crossover).

Whilst some might complain about the show being used to set up another spin-off it works well enough in the world of Flash and Arrow, especially given that so much of Arrow's season is being used to introduce the mystic element of the CW's universe.  Having reincarnated Egyptian's and an immortal with a magic staff fitted into that well, without feeling too sudden or forced.



The evolution of Kendra into Hawkgirl is given enough time over the two hour event without it feeling overly quick or it outstaying it's welcome, and serves as a good contrast to Hawkman, who enters the show with a crash.  Some people have complained that the Hawks costumes are too dull and not bright enough, but when standing next to Flash, Green Arrow or the rest of the heroes they definitely stand out and look unique.

Whilst the two episodes built up the Hawks and Vandal Savage they also took the time to add a little something to each series ongoing story.  In Central City, Patty discovers the existence of Harry and shoots him, believing him to be the Earth One version of Harrison Wells, leading to Jay Garrick using a chemical to regain limited use of the Speed Force in order to save Harry life.  There's no way Patty finding out about Harry is going to be forgotten about, and the idea of the chemical that can induce the Speed Force raises some very interesting possibilities.  Will it be used to make Barry fast enough to take on Zoom?  Will it be used to give Jay back his powers so we can have a Flash/Flash team up?  Is Jessie Quick or Wally West going to become a speedster?  It certainly seems likely that one or more of these is going to happen some point down the line.

On the Arrow side of things the show picks up a story thread that I actually forgot about, Ollie's son.  Back in season two of Arrow it was revealed to the audience that long before Ollie was marooned on the island he got a girl pregnant, who moved away to Central City to have their child in secret.  Due to some terrible timing Ollie sees his ex and their child and realises that he has a son.  Ollie manages to get permission to build a relationship with his son, on the condition that he tells no one about it.  Now, due to some time travel shenanigans we get to see how Ollie hiding this from Felicity leads to the end of their relationship, but thanks to Barry giving the gang a do over this doesn't happen again, but Ollie still hides it from Felicity, meaning that there could be some drama on the horizon for the two of them.


Whilst the episode gave us plenty of action, humour and drama all whilst establishing a whole new group of characters there is one small complaint I have.  Vandal Savage.  I like Vandal Savage in the comics, I think he's a very interesting, scary and powerful villain, and was super excited when they said he was going to be the villain in Legends of Tomorrow.  Who else would be good to use in a time travel series than an immortal villain?

The only problem is, this isn't Vandal Savage.  At least, not really.  In the comics Vandal Savage has existed since the stone age.  He was a cave man who became irradiated by a meteor and became immortal.  In the CW universe he's been given Hath-Set's origin story.  Whilst that might not seem like a big change it really goes chance what the character is about.  He's tied to Hawkman and Hawkgirl, he's got different motivations and his abilities came from a different place.  It might seem like a small gripe, but it really spoilt something about the CW version of the character for me.

Amy.
xx

Monday, 7 December 2015

Final Fantasy 7 Remake To Be Released Episodically


If you're into video games and have the Internet then the chances are very good that you'll be aware of the long called for remake of the Playstation classic, Final Fantasy 7.  Over the weekend Square Enix released the first gameplay trailer of the new game, that left many fans stunned at just how good it looked.  Shortly after this, though, they released further information, that the remake would be released in parts, rather than as a whole game.

In an interview for website Gematsu, the game's director Tetsuya Nomura spoke briefly about the decision split the game down.

'If we dedicated our time to a single release , parts of it would be summarised.  We'd have to cut some parts, and additional parts would come in few, so rather than remake the game as a full volume, we decided to do multiple parts.'


In the same interview the producer, Yoshinori Kitase also spoke about the choice to release the game in parts rather than as a single release, as well as maintaining mystique around how the game will be released.

'The idea that a remake of Final Fantasy VII would not fit into a single release was there from the very beginning.  We still can't share more information about it's multiple parts, but please look forward to future announcements.

'As you can see from the trailer, we showed Sector 1 and Sector 8, but those areas alone, I think you see a lot of density.  When you're remaking the entirety of the original version in that quality, it's not possible to fit it all in one release.'

As yet it is unclear how the game will be released, whether as downloads similar to Telltale's 'The Walking Dead' or 'Life Is Strange', or as individual retail games.  Either way, with the level of excitement around the project it's sure to sell well regardless.

Amy.
xx

Friday, 4 December 2015

Transphobic Caitlyn Jenner Billboad Removed Following Complaints


Cranium, a signage company in Auckland, New Zealand, has faced severe criticism from the LGBT+ community and their supporters following what has been described as a transphobic and tasteless billboard that appeared to mock both Caitlyn Jenner, and the transgender community as a whole.

The billboard featured the Vanity Fair cover image of Caitlyn Jenner, photoshopped to have her wearing a Santa hat, with the slogan 'I hope your sack is fuller than mine this Christmas.  Merry Christmas from Cranium.'

The advertisement received hundreds of complaints within hours, and has been reported on globally, leading the company to censor the image.

Phillip Garratt from Cranium has apologised on Facebook for any offense caused, saying that the billboard was 'poor judgement' on Cranium's part.  He added that 'Cait is welcome at my house with my family any time.'

Cranium attempted to appease those who had taken offense at the advert by donating $1,000 to the LGBT+ organisation Rainbow Youth.

Rainbow Youth welcomed the donation, but warned that 'jokes' about the transgender community are not only insulting, but dangerous.  A spokesperson for the group commented that 'jokes' such as this will only further marginalise the transgender community, and encourage others not to take transgender issues seriously.

Some people have publicly ridiculed both the apology and the donation, saying that the donation is simply an attempt to 'buy off' the LGBT+ community and an attempt to save face and lessen the damage to the company’s reputation.


Cranium may be facing more than just public criticism, however, as it transpires that Cranium did not obtain permission to use the copyrighted image of Caitlyn Jenner, and that the billboard breaches copyright law.  It may also fall under the Fair Trade Act, as it could be seen as misleading people into thinking that Caitlyn Jenner authorised and endorsed the advert when she did not.


Amy.
xx

Agents of S.H.I.E.L.D. 'Closure' Review


'Closure' begins with what is one of my favourite scenes of this season so far, Coulson and Rosalind eating dinner and talking shit to each other.  Now, for an action adventure show set in one of the best on screen comic book universes this might seem like a strange scene to pick out, but I love the way the two characters interact.

From the very first scene that the two of them were in together there was something special there.  There was a chemistry between both the characters and the actors that let the dialogue sparkle.  It went from two older spies interacting into two amazing characters forming a relationship I genuinely cared about.  Out of every relationship in the show so far this is one of my favourites.  It's not as drawn out as Fitz and Simmons, or a sudden and surprising as May and Andrew, or as dull and doomed to failure as Daisy and Ward, it just felt real and natural.  Which is why last episode I was praying that Rosalind wasn't a part of Hydra, just so that relationship wouldn't be over.

Unfortunately, whilst it didn't end then we only had another five minutes of this amazing coupling before it all ended in tragedy.  Rosalind gets shot in the throat by Ward and bleeds to death in Coulsons arms.


Whilst this initially shocked me, it pretty quickly angered me too.  It just felt like a waste, and something we'd already seen before.  First of all, the relationship with Rosalind made Coulson more interesting and human.  There's only so much 'cool secret agent' that a character can be built on before feeling stale.  Yes, now we have an angry vengeous Coulson, which is a part of the character we've not seen like this before, it won't last.  And when it's over, he'll go back to pre-Rosalind Coulson, which is a shame.

Secondly, this removes Constance Zimmer from the show.  I like Constance Zimmer, I smile every time she pops up in a show and think she's great in every role I've seen her in.  Why wasn't she brought back for season three of The Newsroom?!  Using her in this way, to build up emotion and shock by killing her off feels like a waste of her acting ability and the character.  She brought a level of maturity and class to the show, and that's gone now too.  Yes, we still have Ming-Na and Clark Gregg, but other than that the cast are all younger.  Having another kick arse mature actor was something that made these early season three episodes great, and we've lost some of that now too.

As for 'having seen this before', does anyone remember Buffy The Vampire Slayer?  In season two the show gave Giles, the 'dad' of the show a love interest in the form of Jenny Calendar, who was killed off by a former friend turned bad guy, Angel, and sent Giles on a brief path of vengeance.  Now, replace Giles with Coulson, Jenny Calendar with Rosalind and Angel with Ward and it's the same scenario.  Except that other than the instant shock value of Rosalind's death it doesn't have the emotional punch that Giles finding Jenny's dead body in his bed did in Buffy, which I'm sure is one of the reasons every Buffy/Angel fan remembers that episode so much.  Agents of S.H.I.E.L.D. seems like it tried to do the same thing here, but it just didn't have the same emotional impact, and will probably be a lot less remembered too.  All of which feels like a disservice to the potential Rosalind had.

Despite these negative factors in killing Rosalind, it did give us a hell of an opening that made the rest of the episode a fast paced ride.  Coulson was straight away thrown into a life or death situation, fighting alone against Hydra agents with nothing but his wits.  Air Freshener bomb on the candles, genius move though.


Following on from there we're given a little of everything.  We've got two kidnappings, a band robbery, torture, secret bases, the start of The Secret Warriors and Coulson diving out of a Quinn Jet and freefalling through a castle into a portal to outer-space.  All of this, and it's not even the mid-season finale!

As fast paced and action packed the episode was you just know that things are going to be even bigger and better next week.  Coulson hunting down Ward on an alien planet with an evil, immensely powerful InHuman on the loose.  Fitz trying to rescue Will.  The combined forces of S.H.I.E.L.D. and the Secret Warriors launching a full scale assault on Hydra.  It's sure to be epic.

Whilst I personally felt that the loss of Rosalind was a big mistake on the shows part, this is easily one of the best episodes of S.H.I.E.L.D. and really shows how to pack a lot of great moments into 45 minutes of television.  Easily the show at it's best.  Roll on the mid-season finale.

Amy.
xx

CrashPad Series - Episode 197 Leah Lochhart and Tiffany Starr

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