Thursday, 8 August 2013

Bullying in the Trans Community

About a week ago someone posted a very rude and sexual comment on the  Face Book page for Trans Girl Writer.  This was not the first such message that I’ve received, but it was the first openly public one.  I was quite understandably upset and angry with this comment and went on something of a rant on Face Book about receiving these kinds of messages and being the focus of some peoples fetishes.

I posted this rant on a couple of Face Book pages that are designed for transgender people, for them to share their thoughts and feelings and talk to other people in the same situation as them.  For the most part people were of the same opinion as me and I received a lot of positive feedback about what I had written.

However, on one particular group, which I will not name, I began to receive negative comments.  Rather than these comments being targeted at what I had written though, they were targeted towards me.  The comments became directed towards how it was my fault for attracting these kinds of comments and messages towards myself.

After a while these comments began to change towards people turning around and accusing me of making the whole thing up, and even lying about being transgender in the first place.  Their basis for such conclusions are based in the fact that I don’t have any pictures of myself on my Face Book page.

I’m early on in my transition, I’ve never lied about what stage I’m in, so I don’t like the way I look.  I don’t like to look in the mirror and see a man looking back at me, so there is no way on earth that I’d post pictures of a body that I would hate on my Face Book for the whole world to see.  I’ve read countless accounts of transgender people that don’t like pictures of themselves pre or early transition and have even gone so far as to destroy these pictures of themselves.

For another transgender person to turn around to me and say that unless I post a picture of myself then they’re going to assume that I’m a guy just pretending to be a girl is horrible.  Even when trying to put my point across to them that I am being truthful and indeed transgender they just continued to bombard me with insulting and hurtful comments, even going so far as to advising me to ‘seek professional help’.

It’s bad enough that we become the target of bullying from the rest of the world, simply for being born different from everyone else, but to have people within the community turn on you because you don’t fit into their opinion of what a trans person is or should be doing is terrible.  We should be helping each other and giving our support to fellow transgender people, not attacking them.

The comments made have since disappeared from he conversation thread, either by an admin removing them or the original commenter taking back what they have said, but the damage from these comments has already been made.  It’s ruined my day.  I feel like complete shit and just want to break down into tears.

It wasn’t a trans hater or a bigot who made me feel like that, it was another transgender person.  This elitism of ‘I’m more of a trans person than you’ or ‘if you don’t do it a certain way you’re not really trans’ is disgusting and destructive to the community.  We need to work together here people.  If we can’t even accept and support each other how can we expect the rest of the world to do so?

Amy.
xx

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Tuesday, 6 August 2013

Peter Capaldi - Doctor 12


Sunday the 4th of August saw the worldwide reveal of the actor that will play the twelfth incarnation of the television legend, the Doctor.  After weeks of speculation on who would take over the ionic role from current Doctor Matt Smith it was announced that Scottish born actor, film director and screen writer Peter Capaldi will step into part.

Possibly best known for his role in ‘The Thick of It’ as foul mouthed Director of Communications for the British government, he has also appeared in a number of other well known television shows, including two separate roles in both Doctor Who and it’s spin-off show Torchwood.

When the announcement was made I was very happy with the choice and found myself looking forward to him taking over the role more than I am the upcoming 50th anniversary special.  Capaldi has always been an actor that I have liked whenever I’ve seen him in anything and I think that he will be able to bring a level of age and authority to the role that has been missing since the 70’s.


I know that a number of people on the internet have been complaining that he’s too old to play the part, but being the same age as William Hartnell when the role was first created for me means that he is in no way too old.  I can’t help but to feel that the people that are first in line to complain that he is too old to play the Doctor are people that are only familiar with the new series of the show, and haven’t had the pleasure of watching Hartnell, Troughton and Pertwee, three of the oldest Doctors, play the part so absolutely brilliantly.

When the series was first announced back in 2005 I was excited by the return of the show, but had no real opinion on Eccleston in the role.  When it was announced that Tennant was taking over the role my heart sank and I found myself thinking ‘oh god not that twat from that awful Casanova show!’  With Matt Smith being an unknown I had no real opinion on him in the role when it was first announced.  Capaldi is the first Doctor since the show returned to television where I am really excited to see him in the role.

I know that many people are going to be polarised by this announcement, as they are every time a new Doctor is announced, but people need to calm down a little and wait to see him in the role before they make any snap decisions.  The people who are making harsh comments on the internet, saying that he’s too old and that they will never watch him as the Doctor are just being plain stupid.

I personally think that Capaldi could be the best Doctor we’ve had since the show returned and that the fans just need to relax and give him a chance to win them over.

Amy.
xx

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Friday, 19 July 2013

Arrow Season 1 Review


I never watched Smallville.  Despite being a big comic book fan I never went out of my way to watch what some call ‘the best superhero show on TV’.  I saw a handful of episodes and hated them and many of my friends continually told me of how the show just continued to loose quality.  As such when Arrow was announced I was extremely sceptical about what to expect.  I went into the first episode with no expectations and thinking I was going to hate it.  I’m pleased to say that I was proved completely wrong.

There are a lot of television shows that takes time to  find its feet and perfect their tone and storytelling during their first episodes, and to be fair Arrow did have that problem, with the show initially feeling like a mixture of Nolan’s Batman films, Lost and a handful of other television shows.  However, despite taking a few episode to figure out exactly the type of show that they wanted to make these first episodes were still exciting and competently made.

The island story could easily be its own amazing show.
The shows writers took some artistic licence during these early stages of the show that could have very easily driven viewers away, especially those with an attachment to the character from the comics.  Traditionally a character that works on his own and doesn’t have a large cast around him here Oliver Queen was given not just a family unit but also a group of allies to aid him in his crime fighting.  Both of these new elements not only made sense to the character but also went a long way to creating interesting character development and story beats.

Without doubt two of the best character arcs in the first series were Oliver’s bodyguard turned crime fighting partner John Diggle, watching the two of them go from cold and hostile to brothers in arms was hugely rewarding.  Oliver’s mother, Moira Queen was another amazing addition to the show, set up as a potential villain in the early episodes it was amazing to watch as the characters true motivations and involvement in the villains ‘Undertaking’ come to light and her shot at redemption in the final episode.

The Dark Archer proves to be an amazing villain for Oliver.

Another way in which the show stumbled at first was finding the right quality of acting.  Despite having a great cast it definitely seemed to take the cast a while to find their characters voices and motivations.  He may have physically looked the part but Stephen Amell certainly took a while to find the right presence in his action role, though his struggle to find the right tone as an actor does kind of mirror Oliver finding his footing as a vigilante in Starling City.  Despite these clunky starts the quality of acting come the end of the season was on top form, especially switching between the present and Olivers time on the island where you could see that he was quite clearly playing two very different versions of the same character.

Just like the ever expanding story of Oliver taking down The Undertaking in Starling City his time on the island also continued to evolve and expand, taking us in interesting new directions and very quickly became one of the most interesting aspects of the show, especially when Oliver was teamed up with Slade Wilson.  A surprise relationship that worked extremely well and built what could have been a boring island story into something so exciting and complex that it could easily stand on its own two feet.  It also went a long way in showing how that shows writers aren’t afraid to change things up and challenge fans expectations by having Olive become friends with one of DC’s biggest villains.

Arrow isn't afraid to challenge fans expectations of characters.

As the season progresses it starts to leave the ‘villain of the week’ formula behind and build towards the climax of the underlying story in two epic episodes filled to the brim with amazing action pieces, shocking story turns and some of the best character moments in the whole show, ensuring that when the final credits roll you’ll be eagerly awaiting the second season.

A show that started off as a very entertaining and competent superhero drama that over the course of the season built up into something more engaging and intricate filled with great character moments and action sequences that aren’t watered down for television.  A great start to what will hopefully be an amazing show that could far surpass Smallville as one of the best superhero shows.

Amy.
xx

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Doctor Who 'Prisoners of Time' Issue 3 Review


Issue 3 of ‘Prisoners of Time’ begins with the third Doctor and Sarah Jane Smith being summoned by his former companion and UNIT member Liz Shaw to assist with an extremely unusual situation.  The planet is being wracked with rain storms and the Brigadier is acting irrationally and is ordering troop movements that make no sense what so ever.  When confronted by the Doctor it is revealed that the Brigadier is being controlled by the Remoraxians, a race that has come to earth to ‘aquaform’ the planet.

The Doctor, Liz, Sarah Jane and the Brigadier must travel below the ocean surface to a UNIT Nautical Facility where the alien invasion has established their foothold and find a way of stopping their plans before the rest of the world ends the attack the only way they know how, by launching a nuclear strike on Great Britain.

The artwork captures the style and action of Pertwee's Doctor.

The third issue of ‘Prisoners of Time’ perfectly captures the feel of the Pertwee era of the show, it sets its action on earth and delivers characterisation that is very true to the original versions seen on television.

The characters are all portrayed very well, with the Doctor displaying his usual disdain for authority, having plenty of tricks up his sleeves and not being afraid to get down and dirty with the alien invaders and start throwing a punch or two.  His relationship with the Brigadier is also great to see and the two of them work brilliantly with each other, just going to re-enforce one again that the Brigadier was truly the Doctors greatest friend.

The choice in assistants is also great, with not only the most famous assistant of all time in the form of Sarah Jane Smith, but the return of one of my personal  favourites Liz Shaw.  Pertwees first assistant, Liz Shaw was something of a mould breaker, less the damsel in distress and more an intellectual equal to the Doctor her brief time in the show had some of the best episodes in the shows history and it is wonderful to see her make an appearance in the 50th anniversary comic.

The Doctor and the Brigadier still work brilliantly together.
The books artwork is done very competently, with the characters instantly recognisable and each of the locations looking different and interesting.  The colours can skip from dark and moody to bright and flashy in an instant when the Doctor bursts into action and complements the story telling perfectly, helping you to feel the excitement as the action kicks into gear.

Another great issue of what is shaping up to be a very interesting series, though not quite 100% perfect.  It is a shame that a story that’s celebrating the Pertwee era does not also include UNIT personnel Benton and Yates, or his arch enemy the Master.  Aside from these small quibbles, however, a great read.

8/10

Amy.
xx

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Monday, 17 June 2013

Delve into the Metro


Unfortunately not many people that I know have played the Metro games, or even heard of them which is a huge shame as Metro 2033 and its recent sequel Metro: Last Light are two of the better games available on Xbox 360 and Playstation 3.  Based o the novels written by Dimitry Glukhovsky Metro offers a great mixture of first person shooting, stealth, story and supernatural intrigue.

Metro 2033

 
Metro 2033 follows the story of the young Metro dweller Artyom as he is drawn into a battle to protect his home station, and by further extent the whole of the Metro, from the sinister forces of the Dark Ones.  Forced to travel through the Metro on a mission to save the last of humanity we see Artyom grow from an inexperienced young man into a hardened warrior.

The game is going to have a number of people complaining about it, and to be fair straight from the start the shooting element in the game isn’t really that great.  The weapons can sometimes feel underpowered and enemies can soak up round after round without reacting, but the game isn’t designed to be a hardcore shooter.

Metro isn’t supposed to be played as a running and gunning type of game.  You need to take your time and being stealthy, watching your enemies movements and planning your assault appropriately.  When played this way Metro changes from a mediocre shooter into a well crafted adventure.

Fight for survival against hideous mutants and monsters.

Add to this great stealth and action element monsters and the supernatural the game really stands out from the rest of the crowd.  With sections of the game dedicated to traversing the wasteland on the surface, avoiding traps and mutated nasties and Metro tunnels filled with the tormented spirits of those that have died there. 

In addition to the unique type of game play and story are some really very beautiful visuals and excellent level designs that create a truly unique atmosphere and location.  There are a lot of other games set in a post nuclear apocalypse or in abandoned locations, such as Bioshock and Fallout, but Metro stands above these as a truly believable location.  A lot of this comes from the Metro inhabitants, who go about their day and have their own conversations that you can listen in on that goes a long way to going towards making a believable world.

The Metro becomes a very real place.
Metro 2033 crafts its story amazingly well, letting the events unfold slowly over the course of the game, leading you in a certain direction but all the while giving you just enough intrigue to question the actions of Artyom and his companions.  Following these clues and performing certain specific actions can reveal a hidden second ending referred to as the ‘good ending’.  It takes a lot of time and effort to uncover this ending but is worth the effort as it reveals some unique plot points that gives hints to the direction that the sequel, Metro Last Light, will explore. 

A great game that plays wonderfully well despite its faults and dares to try and give us something other than a generic first person shooter.  8/10
 

Metro Last Light


Set almost a year after the events of 2033, Last Light sees the return of series hero Artyom who is now a Ranger of the Metro.  The game follows Artyom as he attempts to find the last surviving Dark One and repair the damage that he wrought at the end of 2033, whilst also exploring the results of the discovery of the military outpost D6, found in the latter parts of 2033.

A fully self contained military bunker filled with supplies and weapons D6 has become the home of the Metro Rangers, it's become the Metro system's most coveted station city.  This forces Artyom into direct conflict with several human factions within the Metro as each tries to find and conquer the fabled D6.

This allows Last Light to build upon the world established in 2033 and explore how the humans that have survived the nuclear apocalypse govern themselves and interact with each other.  It sheds light on some of the worst parts of human nature and our love of warfare and self destruction, yet doesn’t get preachy or overly melancholy when doing so.

The Metro is home to many monsters, some human.
Last Light manages to continue on the story of 2033 and improve upon the previous game in every way.  We are treated to completely new environments, with the only repeat visit to a past location being the D6 station, and each new place both above and bellow ground is given a unique look and feel.  For a game set within an underground rail system the game designers are able to offer us a vast wealth of spectacle and wonder to explore.

New and interesting enemies prowl these strange new surroundings, as well as classic monsters making a return, and with the savage winter above ground making way to spring the surface world has been transformed from rocks and ice to watery marshlands.

The game also introduces lots of little game play changes that go a long way to making for a much more enjoyable and immersive experience, from customisable weaponry to having to clean your gas mask visor when dirty.  Last Light feels like a completely fresh experience rather than a quick and easy sequel where the developers really have put in a lot of work and effort to make the best experience they could.

The surface takes on a strange beauty as winter passes.
One of the biggest improvements made over the original is the gunplay element.  In the first game entering into a gunfight could very quickly lead to Artyom becoming overwhelmed by the enemy followed by a nasty death. 

This time round the combat is one of the more enjoyable elements of the game, making stealthing an optional way of playing the game rather than a necessity.  The stealth element has also improved greatly, with neat little additions such as being able to unscrew light bulbs and cut power in areas to assist you move unnoticed. 

Explore a unique and engaging story.
Last Light has improved upon everything 2033 did wrong and everything it did right to create one of the best action adventure games around.  Though it could be played on its own and still enjoyed for the great game it is it’s definitely worth playing together with 2033 to give the gamer a fantastic experience.  9/10

Amy.
xx

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