Book reviews, geek news, LGBTQ+ articles, and more from Amy Walker, a disabled transgender writer and podcaster from the UK.
Thursday, 14 November 2019
Sherlock Holmes Vs. Dracula by Loren D. Estleman - Book Review
'A mysterious schooner runs aground in an English harbor. Its cargo is fifty boxes of earth; its only living passenger, a black dog. The captains body is lashed to the wheellifeless, drained of blood. Soon, a rash of bizarre nocturnal crimes terrifies London. It can only be the work of Count Dracula, and only one man can save the city: the worlds greatest detective, Sherlock Holmes.'
If the title of this book alone doesn't grab your attention there's not much I can do to sell you on this concept. Come on people, Holmes going up against the most famous vampire in literature?! What's not to like?
I first read this book more than a decade ago, and found it to be incredibly entertaining, so much so that I never really forgot about it, and decided to pick up a new copy recently. What I really liked about this book compared to some crossover stories is that it exists side-by-side with the original without disrupting that narrative too greatly. The majority of Sherlock Holmes Vs. Dracula happens outside of the events of Dracula, with Holmes and Watson occasionally drifting into the other books narrative.
The book nicely sidesteps the issues that arise from these brief interaction between characters such as Holmes and Van Helsing quite cleverly before the story even begins. In the preface to the book John Watson feels the need to 'set the record straight' by explaining why he and Holmes don't appear in the pages of Dracula. He claims that this was done by Van Helsing, who requested the removal of Holmes and Watson from the narrative to try and make Van Helsing look better. Watson basically accuses Stoker and Van Helsing of changing the facts of the story to make Van Helsing more of a hero, and to discredit any claims Holmes and Watson might have to the story. Not only does this introduction clear the way for the book to make some small changes to the narrative of Dracula, but also adds a level of humour to proceeding by floating the notion that Bram Stoker was being something of a dick towards them.
The story itself centres around the mystery of the Demeter, a ship that arrives in Whitby. With the crew on board missing except for the captain, who was found tied to the wheel and drained of blood, authorities call in Sherlock Holmes to investigate the mystery. What at first appears to be a strange, but very rational, case soon becomes a fight against the supernatural, as Holmes and Watson come up against a young woman transformed into a vampire, and the deadly Count Dracula himself.
The book presents Holmes' investigation as separate to the events of Dracula, and as such we get to see a version of the Count who is not just battling Van Helsing, but also trying to keep Holmes out of his business on a second front. Whilst this means that Holmes isn't having to face the full force of the vampire, it does make the suggestion that perhaps the reason why Van Helsing was able to finally defeat the monster was because Holmes has been working against Dracula in the background.
There are a lot of stories about Sherlock Holmes, probably more than even Sir Arthur Conan Doyle himself wrote about him. Not all of them are good, and some of them can go a bit strange when they pit the detective against otherworldly and supernatural forces. But this tale works incredibly well. It might be due to how well Loren D. Estleman crafts their tale, or it could be the fact that it interacts with preexisting events of another novel. Rather than crafting a whole new narrative that would cast aside everything in the original Dracula and face criticism for changing a lot of things, this book works as a companion piece, an add-on to the classic. That makes it feel somehow elevated and secure, because it feels more likely to be real.
I know that comment might seem like nonsense, as both Sherlock Holmes and Dracula are both completely fictional and neither narrative is real, but something about this story feels more grounded than some Sherlock Holmes fiction. Maybe its because Dracula is such a part of popular fiction that it is easier to accept a story like this, but then it could just be me geeking out about the two characters coming together. Either way, this book works when it probably shouldn't.
Sherlock Holmes Vs. Dracula is a great piece of fiction, drawing together two of the biggest names in fiction to battle it out. The story doesn't tread too much on the toes of the original narrative, and presents a version of events that fans of either franchise will be sure to enjoy. The worlds greatest detective taking on the greatest vampire in a truly brilliant story.
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Wednesday, 13 November 2019
Ricky Gervais Returns To Host Golden Globes Despite Rampant Transphobia
Comedian Ricky Gervais has been announced to be the host for the upcoming Golden Globes awards, his fifth time hosting the event, despite a history of transphobia.
Gervais previously hosted the event in 2015, where he made remarks about Caitlyn Jenner's transition, deadnaming her in the process. 'I'm going to be nice tonight. I've changed - not as much as [Caitlyn Jenner's deadname]. What a year she's had!' He later defended his choice of a crass and demeaning joke as 'playing with the notions of stereotypes'.
He would go on to make more transphobic comments about Jenner in a stand-up special. During the special he referred to her as an 'it', and misgendered her several times. 'It won a medal. It was on the telly all the time. A big famous man. With huge... I don't know. I would never deadname her, but when she was a man... I'd never deadname her now, but this is like a flashback.'
'She’s always identified as a woman,” he said. “That means she’s a woman. Fine, if that’s the rules. If you feel you’re a woman, you are. I’m not a bigot who thinks having all that done is science going too far.' He added. 'In fact, I don’t think it’s going far enough. ’Cause I’ve always identified as a chimp, right? Well, I am a chimp. If I say I’m a chimp, I am a chimp pre-op. But don’t ever deadname me. Don’t call me Ricky Gervais again. From now on, you call me Bob.'
This was far from the last time that Gervais engaged in transphobic 'humour', as he has continued to make multiple transphobic comments on his social media platforms.
He has also made 'jokes' where he identifies as other animals and objects, such as a 'two-spirit penguin'. He has also said that his pronoun is 'it'.
Just a few weeks ago he received criticism for announcing that he was planning to dress as a trans woman for Halloween. 'I was going to dress up as something weird and creepy for my Halloween party, but I'm bucking the trend this year and I'm going as brave female activist Jessica Yaniv.' He said. 'This also means that I don't have to wax my big hairy balls.'
He has also once claimed to identify as black when he was called out by a woman of colour for racist and privileged comments that he made.
Some people have also pointed out that his being asked to host the awards following his history of attacking minorities is a stark contrast to Kevin Hart, who was removed from hosting the Oscars following previous tweets coming to light in which he made homophobic jokes. Perhaps it's because Hart's targets were gay cis people rather than trans people that made them unacceptable whilst Gervais gets a free pass; or it could be because only one of them is white.
Gervais has also been seen on video laughing at comedian Louis CK using the N word. He has also publicly making jokes about AIDS. Both of these moments received heavy criticism.
Ricky Gervais constantly punches downwards with his 'humour', attacking and mocking minorities to help to increase his own feelings of smug self worth. He has laughed at people who have criticised him and his jokes, yet will appear on social media engaging in harassment of people who disagree with him in a petulant attempt to come off as the winner. He makes comments saying that the only people who complain about him are 'PC' and have 'pronouns in their bios'. This is the person that will be representing the Golden Globes. Disgusting.
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Tory Stripped From Role For Anti-LGBTQ+ Sentiment
Wiltshire Tory councillor Mary Douglas has been stripped from her front-bench role following a statement she made insulting the LGBTQ+ community.
Ms. Douglas refused to give a £1,000 grant that was earmarked for 2020's Salisbury Pride event. When the group organising the event requested the grant she would not issue it to them. It was reported that during a meeting of the Salisbury St Francis and Stafford council on Monday 11th November she made comments that disparaged the community.
'I cannot support this,' she said during the meeting. 'I am not saying I do not accept, or respect, or love people who identify as LGBTQ+, because of course I do. I support completely their right to make choices, however I do not support those choices themselves, nor the ideology and world view they represent.
'These are wonderful people, well-meaning and sincere, but misguided by a powerful ideology. I do not want to be part of promoting this, and I want to be clear this is not just my view, I represent a large number of people, some of who are afraid to say anything.'
Despite her comments she was outvoted during the meeting, and the funds were awarded to the Pride organisers.
Council leader Philip Whitehead told the press that following Ms. Douglas' comments he had 'taken the decision to remove councillor Mary Douglas as portfolio holder for social mobility and skills. I would like to thank her for her work during her time as portfolio holder. She will step down from the role with immediate effect but remains a Wiltshire Council councillor.'
Salisbury deputy mayor, and one of the organisers of Salisbury Pride, Caroline Crobin described Ms. Douglas as 'an embarassment to the public office who is no longer fit for that role'. After it was announced that Douglas lost her position as portfolio holder Ms Corbin said 'You can't represent people that way, so it's right the council has taken the action it has.'
Wiltshire Council has said that it has not received further complaints following the incident. Salisbury Pride is scheduled to take place on June 13th, 2020.
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Marvel Action: Avengers #8 – Comic Review
Originally published on Set The Tape
We finally discover what the Fear Eaters are after months of build-up, but just what is it that they’re after, and why are they manipulating Black Panther?
It seems like every issue up till now has been building towards the reveals that we get here. AIM and the U-Foes, Count Nefaria and the Ruby Egress, they’ve all been part of the bad guys’ plans to prepare for the coming invasion of the Fear Eaters; and now the Avengers finally know about the bigger threat to the Earth.
The issue picks up where the previous one left off, with Captain America face to face with one of the mysterious aliens, and Black Panther apparently fallen victim to their mental manipulation, seeing his deceased father. The U-Foes and Madam Masque walk into this situation, and as per comic book rules they end up fighting the heroes despite being there to help them.
Once the misunderstanding has been sorted out and the fight comes to a close the U-Foes are able to fill in the Avengers, and the readers, about the origins of the Fear Eaters, and their apparent only weakness, Vibranium. The revelation comes as a surprise, as despite the fact that Captain America was able to beat a Fear Eater in combat it’s not obvious that this was because of what his shield was made from; and it explains why the creatures have targeted Black Panther.
It’s still not clear why they’ve made T’Challa their focus. Surely taking him out of the equation would be a better way of preventing him from equipping the Avengers with Vibranium? This does make me think that perhaps there’s more going on than is at first clear, and that perhaps T’Challa isn’t being manipulated by the Fear Eaters. The fact that the issue ends with T’Challa appearing to make some kind of Iron-Man/Black Panther armour makes me think that he might be preparing for the oncoming invasion rather than being used by the aliens. Whatever is happening, it’s sure to cause some twists and turns in the next issue.
The information we’re given in this issue helps to clear up what’s been going on since the title’s launch, and certainly raises the stakes somewhat without giving away too much of what is to come. So far the series has wrapped up each chapter of the story within three issues, and whilst this story might come to a close next issue it could conceivably go on for longer. Whatever path Matthew K. Manning chooses to take the story, I’m sure it’s going to be good.
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Tuesday, 12 November 2019
Marvel Action: Black Panther #5 – Comic Review
Originally published on Set The Tape
Okay, Vita Ayala might have done one of the best things I can think of for this title, giving Shuri fairy wings. But before I start gushing over how much I enjoyed that, let’s talk quickly about the plot of the issue.
The story begins with Black Panther taking down a gang of bad guys lead by Batroc the Leaper, which results in one of his aides getting hurt and needing medical attention. Rather than electing to use Shuri’s tech to heal himself he chooses to use the expertise of one of the local medicine women. Shuri, being the science nerd that she is, thinks that there’s no place in the modern world of medicine for ancient remedies and insults the healer. When Shuri starts to become the victim of a number of accidents and mishaps she becomes convinced that she has been cursed by the healer, and sets out to find a way to break the spell.
I really enjoyed the focus on Shuri in this issue, and the framing of traditional healing techniques and medicine versus modern science. The story doesn’t so much as pit the two against each other with one clear winner coming out on top, but makes the point that just because something is considered old or outdated doesn’t mean that there isn’t merit to it, or that those with age shouldn’t be listened to. It’s a lesson that Shuri seems to need to be taught, having become so focused on science and technology.
The best thing about the story, however, is the way that her journey to lift her perceived curse feels like something from a Saturday morning cartoon or Disney movie. There’s a princess with fairy wings, albeit products of science, going through jungles and caves searching for rare ingredients, running from traps and scary animals, and picking up a warthog sidekick up along the way.
The art by Ariana Florean really adds to this feeling. Florean takes on a less realistic approach and feels a lot more cartoonish in their work. Characters are bold and look different from each other, with unique body shapes or exaggerated features. Animals have almost human expressions, and feel more alive and full of energy. The whole thing seems to take on a more magical and comical life thanks to this artwork, and really helps the issue feel like a lot of fun.
Whilst this is a stand alone type of story it feels a lot more entertaining than the initial three part story that kicked off the title. The focus on character, along with the lighter tone and fun artwork, means that it doesn’t start to feel drab or dull in any places, and I’d have been happy to have seen this story go on for more than just the single issue.
I was excited to see what Vita Ayala would be bringing to the title, and so far it’s been a great improvement on all factors. I really hope that the title can keep this level of energy and freshness going forward.
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