Wednesday, 13 November 2019

Tory Stripped From Role For Anti-LGBTQ+ Sentiment




Wiltshire Tory councillor Mary Douglas has been stripped from her front-bench role following a statement she made insulting the LGBTQ+ community.

Ms. Douglas refused to give a £1,000 grant that was earmarked for 2020's Salisbury Pride event. When the group organising the event requested the grant she would not issue it to them. It was reported that during a meeting of the Salisbury St Francis and Stafford council on Monday 11th November she made comments that disparaged the community.

'I cannot support this,' she said during the meeting. 'I am not saying I do not accept, or respect, or love people who identify as LGBTQ+, because of course I do. I support completely their right to make choices, however I do not support those choices themselves, nor the ideology and world view they represent.

'These are wonderful people, well-meaning and sincere, but misguided by a powerful ideology. I do not want to be part of promoting this, and I want to be clear this is not just my view, I represent a large number of people, some of who are afraid to say anything.'

Despite her comments she was outvoted during the meeting, and the funds were awarded to the Pride organisers.

Council leader Philip Whitehead told the press that following Ms. Douglas' comments he had 'taken the decision to remove councillor Mary Douglas as portfolio holder for social mobility and skills. I would like to thank her for her work during her time as portfolio holder. She will step down from the role with immediate effect but remains a Wiltshire Council councillor.'

Salisbury deputy mayor, and one of the organisers of Salisbury Pride, Caroline Crobin described Ms. Douglas as 'an embarassment to the public office who is no longer fit for that role'. After it was announced that Douglas lost her position as portfolio holder Ms Corbin said 'You can't represent people that way, so it's right the council has taken the action it has.'

Wiltshire Council has said that it has not received further complaints following the incident. Salisbury Pride is scheduled to take place on June 13th, 2020.


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Marvel Action: Avengers #8 – Comic Review



Originally published on Set The Tape

We finally discover what the Fear Eaters are after months of build-up, but just what is it that they’re after, and why are they manipulating Black Panther?

It seems like every issue up till now has been building towards the reveals that we get here. AIM and the U-Foes, Count Nefaria and the Ruby Egress, they’ve all been part of the bad guys’ plans to prepare for the coming invasion of the Fear Eaters; and now the Avengers finally know about the bigger threat to the Earth.

The issue picks up where the previous one left off, with Captain America face to face with one of the mysterious aliens, and Black Panther apparently fallen victim to their mental manipulation, seeing his deceased father. The U-Foes and Madam Masque walk into this situation, and as per comic book rules they end up fighting the heroes despite being there to help them.

Once the misunderstanding has been sorted out and the fight comes to a close the U-Foes are able to fill in the Avengers, and the readers, about the origins of the Fear Eaters, and their apparent only weakness, Vibranium. The revelation comes as a surprise, as despite the fact that Captain America was able to beat a Fear Eater in combat it’s not obvious that this was because of what his shield was made from; and it explains why the creatures have targeted Black Panther.

It’s still not clear why they’ve made T’Challa their focus. Surely taking him out of the equation would be a better way of preventing him from equipping the Avengers with Vibranium? This does make me think that perhaps there’s more going on than is at first clear, and that perhaps T’Challa isn’t being manipulated by the Fear Eaters. The fact that the issue ends with T’Challa appearing to make some kind of Iron-Man/Black Panther armour makes me think that he might be preparing for the oncoming invasion rather than being used by the aliens. Whatever is happening, it’s sure to cause some twists and turns in the next issue.

The information we’re given in this issue helps to clear up what’s been going on since the title’s launch, and certainly raises the stakes somewhat without giving away too much of what is to come. So far the series has wrapped up each chapter of the story within three issues, and whilst this story might come to a close next issue it could conceivably go on for longer. Whatever path Matthew K. Manning chooses to take the story, I’m sure it’s going to be good.


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Tuesday, 12 November 2019

Marvel Action: Black Panther #5 – Comic Review



Originally published on Set The Tape

Okay, Vita Ayala might have done one of the best things I can think of for this title, giving Shuri fairy wings. But before I start gushing over how much I enjoyed that, let’s talk quickly about the plot of the issue.

The story begins with Black Panther taking down a gang of bad guys lead by Batroc the Leaper, which results in one of his aides getting hurt and needing medical attention. Rather than electing to use Shuri’s tech to heal himself he chooses to use the expertise of one of the local medicine women. Shuri, being the science nerd that she is, thinks that there’s no place in the modern world of medicine for ancient remedies and insults the healer. When Shuri starts to become the victim of a number of accidents and mishaps she becomes convinced that she has been cursed by the healer, and sets out to find a way to break the spell.

I really enjoyed the focus on Shuri in this issue, and the framing of traditional healing techniques and medicine versus modern science. The story doesn’t so much as pit the two against each other with one clear winner coming out on top, but makes the point that just because something is considered old or outdated doesn’t mean that there isn’t merit to it, or that those with age shouldn’t be listened to. It’s a lesson that Shuri seems to need to be taught, having become so focused on science and technology.

The best thing about the story, however, is the way that her journey to lift her perceived curse feels like something from a Saturday morning cartoon or Disney movie. There’s a princess with fairy wings, albeit products of science, going through jungles and caves searching for rare ingredients, running from traps and scary animals, and picking up a warthog sidekick up along the way.

The art by Ariana Florean really adds to this feeling. Florean takes on a less realistic approach and feels a lot more cartoonish in their work. Characters are bold and look different from each other, with unique body shapes or exaggerated features. Animals have almost human expressions, and feel more alive and full of energy. The whole thing seems to take on a more magical and comical life thanks to this artwork, and really helps the issue feel like a lot of fun.

Whilst this is a stand alone type of story it feels a lot more entertaining than the initial three part story that kicked off the title. The focus on character, along with the lighter tone and fun artwork, means that it doesn’t start to feel drab or dull in any places, and I’d have been happy to have seen this story go on for more than just the single issue.

I was excited to see what Vita Ayala would be bringing to the title, and so far it’s been a great improvement on all factors. I really hope that the title can keep this level of energy and freshness going forward.


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Monday, 11 November 2019

Transgender Teen YouTuber Vows To Continue To Share Transition Despite Death Threats




Hannah Phillips, a 19-year-old trangender girl from the UK, has revealed that despite receiving near daily threats and abuse for her YouTube channel, where she shares her transition, she will continue to create and share content about her journey.

Hannah began her channel four years ago, shortly after coming out as trans, and claims to be the first transgender person to release a video every day. The channel documents her journey as she transitions. However, Hannah has revealed that she is the victim of death threats and abuse because of her content.

'I get negative comments on a daily basis, anything from generic death threats to direct transphobia, but it doesn't bother me. I ignore it and carry on.' She said, speaking to the press on the subject.

'The bad is outweighed by the good, though. I get messages from people's parents who thank me for helping them to understand what their child is going through, and messages from the trans community, thanking me for being so honest about what I've been through.'

Hannah described how she came out to her parents as transgender when she was fifteen, and wrote them a letter explaining her situation and what she wanted to do going forward. 'The next day they spoke to me and told me they supported me and accepted my decision. My brother said exactly the same. As soon as I told them the truth it felt like a burden had been lifted and the final piece of the jigsaw had been added.'

Hannah has had to deal with transphobia in the past, however, as she left school during Year 10 due to transphobic bullying and humiliation from other students. She left the school the next day and enrolled in college to study performing arts.

She has said that despite the abuse she is receiving for producing her videos, she will continue to do so to try to help other teens that experienced similar situations to her.


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X-Men: Mutant Empire Omnibus by Christopher Golden - Book Review




'MAGNETO'S EMPIRE WILL RISE…

'They live as outcasts, hated and feared by the very humanity they protect. They are mutants, born with strange and wonderful powers that set them apart from the rest of the human race. Under the tutelage of Professor Charles Xavier, they are more than mutants. They are - the X-Men.

'Magneto - the X-Men's oldest, deadliest foe - has taken over a top-secret government installation that houses the Sentinels, powerful mutant-hunting robots. The X-Men must fight to keep this deadly technology out of Magneto's hands and stop him from carrying out his grand plan: establishing a global Mutant Empire. The X-Men must join forces with old enemies to stop him - but in Magneto's brave new world, who can they trust?'

X-Men: Mutant Empire Omnibus brings together three classic X-Men novels into one huge paperback edition, that pits the iconic mutant heroes against their greatest foe, Magneto, as he attempts to turn New York City into his own mutant empire.

When the X-Men are spending a rare day to themselves, relaxing in the grounds of the Xavier Institute, a spaceship crashes within the grounds, bringing their festivities to an abrupt end. Thankfully, instead of being an alien invasion it's half of the outlaw pirate group The Starjammers, led by the father of Scott Summers, the X-Man Cyclops. The Starjammers inform the X-Men that Cyclops' father has been captured by the tyrant Deathbird, and faces execution.

At the same time, a military facility in Colorado that houses the deadly Sentinel machines falls under attack by an unknown group. These two missions force the X-Men to split their forces. Cyclops, Jean Grey, Archangel, Rogue, and Gambit leave Earth and travel into deep space to rescue the rest of the Starjammers; whilst Storm, Wolverine, Iceman, Beast, and Bishop try to prevent the Sentinels from falling into the wrong hands.

When the X-Men discover that Magneto and his deadly Acolytes are the ones after the Sentinels the stakes get a lot higher. Unable to stop the theft, the X-Men are shocked when Magneto uses the Sentinels to take over New York, declaring it the start of his new mutant empire and a save haven for all mutants. Now the team must try to fight their way through an army of mutants, and the Sentinels, to stop their oldest foe, hoping that the rest of their team can make it back from space in time to help against the overwhelming odds they face.

X-Men: Mutant Empire is a big story. It seems pretty obvious to say that, considering that it collects together three novels, but it's worth pointing out that so much happens in this book. The whole first third of the book feels like set-up for the rest of the story, and there are so many twists and turns when the X-Men have to assault Magneto's empire that it would be easy to see this as a story that would span a year or more across multiple titles if it were a comic, released as a huge bumper graphic novel.

One of the best things about the book is how it feels like a comic in a lot of ways. The story here was completely original to the book, and didn't happen in the comics, yet has so many connection to past stories and continuities that it feels like it could easily slip into the comics without any real effort. The side adventure with the Starjammers draws upon lots of existing backstory by bringing in the Shi'ar, the Kree, and the Imperial Guard. Though contained only within the first section of the book the space adventure is a lot of fun, and thanks to the inclusion of the Imperial Guard and the Shi'ar, reminds me a lot of the classic X-Men cartoon from the 90's. Maybe it's because of the more fantastical setting and the strange aliens the team faces, but this part of the book stands out as particularly different from the rest of the story.

Despite dealing with fantastical characters and events that are well beyond normal the story feels a lot more grounded when it reaches the streets of Manhattan. The X-Men are reduced to sneaking through the streets and back alleys of the city, getting into fights in bars as they try to locate Magneto and bring an end to his plans. It's strange to see such brightly costumed characters sneaking around a city instead of running straight into battle and being the big heroes, but it adds a sense of realism to the proceedings. Even if they had the whole team with them they'd be up against huge odds, but with half the team in space it's even more stacked against them.

The sense of realism in the novel are one of the best things about the translation from comics to prose for the X-Men, the other is that unlike comics, which focus on action a lot of the time, we get to spend more time with the characters and get to know what's going on in their heads. Readers get the chance to explore the inner workings of Bishops trauma from his experiences in his nightmare future and how this current situation terrifies him. We get a greater understanding of Jean and Scott's relationship and their strong psychic bond. And we have the chance to see how Iceman goes from being the joker of the group to a much fiercer warrior, and the things that drive him to that point.

These quieter moments when the reader can forget about the over the top action and learn more about the characters are some of the best parts of the book, and gives some insight that the comics rarely give. Yes, sometimes it can feel a little repetitive when we're told about Bishops past and his motivations for the third time; but then this would have been in a separate book in it's original format, so it's a little more understandable.

Whilst the bringing together of the three individual books as one is great, there is one drawback to the collected volume. The original books had a combined page count of close to 1000, but X-Men: Mutant Empire Omnibus clocks in at just under 700 pages. In order to achieve this, the font size has been reduced to fit more onto each page. The result of this is that it can at times feel like it takes a lot longer than usual to read, and I a times felt that I'd made little progress through the book despite having read a good portion of it. This is just a personal thing, however, and the real drawback I found to this condensing of the book is that the font size is very small, and I am concerned that readers with sight problems could find it difficult to read and enjoy the book. Despite these small criticisms, however, the book is a great addition to Titan Marvel prose series.

X-Men: Mutant Empire Omnibus is a huge book, filled with great character moments and some brilliant action sequences. Christopher Golden crafts a tale that would be at home on the comic pages just as much as it does here, and knows the world and characters brilliantly. Three books for the bargain price of £9.99, any comic book fan would be a fool to miss out.




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