Ghostbusters: Spectral Shenanigans, Vol 1 – Comic Review

Originally published on Set The Tape

The IDW run on Ghostbusters has been a great series, introducing many new elements to the mythology, from new and diverse characters and a deeper exploration of the characters’ backgrounds, to new villains that expand the world. If you’ve not read any of the IDW run before, Ghostbusters: Spectral Shenanigans is a good place to jump into it. It might not be the first things that IDW have done with the characters or the universe, but it is the start of their ‘Volume 1’ series, written by Erik Burnham.

The book collects together the first 12 issues of the series and sets the Ghostbusters off on their next big series of events. Things begin with the team having to go up against their first big villain once again, Gozer the Gozerian. Enraged that they were forced to take on the form of the Stay Puft Marshmallow Man when it came to destroy the world, Gozer has come back for a second attempt, this time sending a new minion, Idulnas, to force Ray to pick a new form for Gozer to take.

This story adds some interesting new tweaks to the mythology, and it’s good to start the series by bringing back something that people will be familiar with from the films. It’s also a nice explanation of why Ray wasn’t to blame because he couldn’t clear his mind whilst the others could, but that he was always the one who was going to pick Gozer’s form due to a closer connection to the world of the paranormal. This also explains why Ray was the one possessed by the villain in the second movie, as more than just ‘this keeps happening to Ray’.

From this initial story we discover that the Ghostbusters have also become contractors for the city, and that a side-effect of this is that the city is sending them outside of New York in order to help on other big cases, partially because the city can charge people for this. Thus begins a cross-country road-trip that sees the gang fighting ghosts across America.

It’s a great new addition to the series, one that means the action can easily shift outside of the New York setting without having to have clients come in to hire them; they can just be somewhere else and we know it’s because the city have hired them out. It means that the book has a lot more variety to it, and can even make use of some regional ghost stories. For example, in one of the issues they travel to Roswell and come up against what appears to be alien ghosts, complete with an alien obsessed FBI agent that looks like David Duchovny; whilst in another they delve into the real life ghost story of New Orleans Voodoo Queen Marie Laveau.

Despite showcasing a series of great one-off adventures, the book contains an ongoing mystery that is seeded throughout: a huge increase in paranormal activity. Egon investigates this and believes that he comes up with an answer – an old friend of his from college who should be dead but is somehow still alive. When it turns out that the guy trapped death in a bag when he came to reap his soul, Egon believes this is the reason why there are so many spirits in the world now.

Whilst this situation isn’t resolved by the end of the book, with Egon’s friend demanding proof that him still being alive is causing something bad, before letting death free, it’s sure to be a plot thread that will continue on into further volumes of the series. The companion issue that expands upon this concept by using diary entries from an expedition into Siberia in 1912 is one of the best in the book, with a really creepy tale and dark art-style that makes it stand out from everything else.

A great collection that brings together a year’s worth of adventures from the Ghostbusters team, Ghostbusters: Spectral Shenanigans is a great book for those who have already been reading the IDW series, as well as a perfect entry point for new fans.


Buy Amy A Coffee
Go to Amy's Blog

Follow Amy on Twitter

Add Amy on Tumblr

Connect with Amy on LinkedIn

Back To The Future: The Heavy Collection – Comic Review

Originally published on Set The Tape

Collecting together the first 12 issues of the Back To The Future comic book series Back To The Future: The Heavy Collection tells a sprawling tale that fills in some of the gaps from the films that you weren’t even aware were there.

The book mainly follows Doc Brown in 1893 after the events of Back To The Future 3 after Marty is sent back to the future, but before Doc and his family develop the Time Train. Whilst Doc works on building the Time Train he tells his sons stories about his adventures in the future, giving the readers a series on ‘one-shot’ type stories with a loose connected narrative.

They give a lot of background detail to both the Doc and Marty, showing us how they first met, how the Doc got the Delorean, and Doc’s journey to develop time travel during the decades. Whilst the stories involving Marty and his parents are interesting enough, the best of these shorter stories is the one where Doc Brown has the US government visit him asking him to develop time travel for them in order to prevent the Cuban Missile crisis. It’s fun to see the Doc put into a difficult situation like this, where he comes to realise the bigger impact that his developing time travel could have on the world. It’s interesting to see Doc Brown trying to figure out how to make the technology work and the missteps along the way, especially as he is doing so knowing that he will one day succeed because of his encounter with Marty in the 1950s.

However, the book really picks up once the Doc tries to make the maiden voyage in the Time Train, where the story drops the ‘one-shot’ model for a more traditional comic book adventure where the Doc ends up travelling all across the future in an effort to find the parts he needs to finalise the train.

This particular story acts as both a gap filler for events we’ve already seen, taking place for the Doc before the last scene of Back To The Future 3, and a sequel for Marty and Jennifer as it takes place after the film for them. This is part of the beauty of the Back To The Future comic series, it goes out of the way to explain things like how Doc Brown was able to get the hover tech for the Time Train, when did he have the opportunity to collect Einstein, and what was powering his time machine. The story answers all of these questions, yet never feels like it’s ticking things off a list just to fill in gaps; it comes naturally and feels like a series of events that would actually happen to the characters.

Most of this comes from the fact that the stories are all co-written by Bob Gale, one of the original creators of the Back To The Future films. A lot of comics based on film franchises are written by fans who love the movies, yet they often feel more like fan fiction than a continuation of the source material. But this is never the case with the Back To The Future books. They fit the franchise perfectly because they’re written by the person who wrote them back in the day. They’re a companion piece, a continuation, and a celebration of the Back To The Future films all in one.


Buy Amy A Coffee
Go to Amy's Blog

Follow Amy on Twitter

Add Amy on Tumblr

Connect with Amy on LinkedIn

Agents of S.H.I.E.L.D. 1×17 – ‘Turn, Turn, Turn’ – TV Rewind

Originally published on Set The Tape

Agents of S.H.I.E.L.D. began with a very simple premise: that the audience would follow the adventures of Phil Coulson (Clark Gregg) and his team as they participate in covert missions for the global organisation S.H.I.E.L.D.. Outside of some minor team changes or a big guest star or two there seemed to be little that would alter the show in any major ways outside of the initial setup. Then Captain America: The Winter Soldier came along and destroyed everything.

‘Turn, Turn, Turn’ is the episode that coincides with the second Captain America film, where it’s revealed that S.H.I.E.L.D. has been infiltrated by the evil organisation Hydra since it was founded. It’s no exaggeration to say that from this point onward nothing about this show will ever be the same again.

The episode begins with the ‘surprise’ reveal that a Hydra message has been sent out over every S.H.I.E.L.D. frequency, initiating sleeper agents across the organisation to attack and kill those loyal to S.H.I.E.L.D.. This makes the sudden turn of Victoria Hand (Saffron Burrows) wanting Coulson captured and his team dead at the end of the last episode make a lot more sense. It also puts Simmons (Elizabeth Henstridge) in a lot of danger, her being stuck in The Hub with the somewhat unknown Agent Triplett (B.J. Britt) and dozens of Hydra soldiers.

The Simmons story is handled pretty well, with a number of points where Triplett comes across as quite sinister; by the end it’s clear that he’s not Hydra, preferring to die an Agent of S.H.I.E.L.D. than defect to the enemy, but it’s a small mystery that could have gone either way. The double reveal that both Trip and Victoria Hand are actually S.H.I.E.L.D. is a great scene, and one that showcases just how much of a great character Hand is.

With one major S.H.I.E.L.D. operative confirmed as being loyal, it’s no surprise that another is actually Hydra, Coulson’s good friend John Garrett (Bill Paxton). By then, the fact that he’s actually a bad guy is not so much of a surprise. His sudden urge to kill Victoria Hand is too much of a turn for him not to be a villain. The revelation that he’s also the Clairvoyant is a shock though, and a plot that the series will hopefully explore in greater detail as the series progresses.

The biggest shock of the episode – that one of the core team has been Hydra since the very beginning of the series – comes when Agent Ward (Brett Dalton) murders Victoria Hand. Considering how great she was in this episode, it’s a huge shame to lose her, but she certainly went out in a memorable way.

It’s not a surprise that one of the main characters would turn out to be Hydra, but that it’s Ward was not easy to see coming, mainly because he’s been so dull and lacklustre up to now. Perhaps this is the only way that the writers could think to make the character more interesting, a character whose only major thing was being attracted to Skye (Chloe Bennet). Whatever the motivations for making him Hydra it certainly makes things more exciting going forward, especially after he admits his feelings for Skye before saving her life.

The changes to the series are incredibly bold and mean that nothing will ever, or can ever, be the same again. It also changes everything that came before, especially with the knowledge that Ward has been a bad guy since the start. With S.H.I.E.L.D. now gone the team are left with no resources, no back-up, Garrett on the loose, and a snake within their midst things have never been more dire for Coulson and his team.


Buy Amy A Coffee
Go to Amy's Blog

Follow Amy on Twitter

Add Amy on Tumblr

Connect with Amy on LinkedIn

Harley Quinn: Mad Love – Book Review

Originally published on Set The Tape

When Harley Quinn was first made for the Batman Animated Series episode ‘Joker’s Favour’, in what was supposed to be a one-off role, her creators Paul Dini and Bruce Timm couldn’t predict the impact that she would have, now being one of DC’s most beloved and recognisable characters.

Originally designed as a side-kick for the Joker, her origin story was heavily expanded in the graphic novel Mad Love, which was then made into an episode of the series, where it was revealed that she was in fact once the Jokers psychiatrist before he sent her mad. This is the story that the new novel Harley Quinn: Mad Love tells, albeit in a much more expansive and deeper way. Writers Paul Dini and Pat Cadigan work together to craft a tale that’s more about the deeper emotional journey of Harleen Quinzel rather than a focus on her time as the costumed villain.

Beginning during her childhood, the book explores Harleen’s early years, a time when she comes to believe that police and law enforcement officials are corrupt, evil men out to punish ‘good’ people like her father, and where the seeds of her future madness are sown when she witnesses the murder of two gangland thugs. This is an area that has never really been explored in the past, but is a welcome addition to the Harley Quinn mythos.

It’s always seemed something of a leap that the Joker was so manipulative that he could turn a well educated and intelligent doctor into someone as mad as Harley, so making it clear that she herself suffered through childhood trauma, that she was suffering from mental health issues before she ever heard the name Joker, makes her eventual psychological break much more realistic.

Harleen’s time in Arkham before she eventually becomes a patient there herself is also expanded upon, not only showing her as a competent young doctor trying new and innovative treatments, but also her first meetings with other Batman villains such as Poison Ivy and Killer Croc.

And yes, the book does cover the events of ‘Mad Love’, though these don’t fill a huge amount of the book. The initial meetings between Harleen and the Joker are heavily expanded upon, not just giving us more interactions between the two of them, but a deeper insight into the emotional journey Harleen is going through. The more memorable moments from the story, the Death of a Hundred Smiles for example, is very brief and feels a little out of place mainly due to trying to mix together a very real world and the events of a children’s TV episode, yet still works well.

Harley Quinn: Mad Love gives readers the best insight into the history and mental state of Harley Quinn to date, making use of the novel format to spend time delving into her inner thought processes that a comic just couldn’t do with its limited space and restrictions of the format. The book lets you see Harley more as a real person than just a costumed crazy: a deeply flawed and damaged person yes, but a person nonetheless.

It’s strange to read about comic book characters in a prose book, a format where they’re hardly used. Comic books are such a visual medium and form of story telling that it can translate to television, film, and video games with little difficulty, but the written word can at times be difficult. Thankfully, the focus on character here means that it never feels like the story doesn’t belong in a book, or that the world is too fantastical to work in this format.

If you’re a fan of Batman, Harley Quinn, or even just comics in general, then Harley Quinn: Mad Love is a great read, one that makes the world of Gotham City and Arkham Asylum feel real, and the inhabitants less like colourful caricatures or stereotypes. Whether it’s major players like Harley and the Joker, or more minor characters that appear only briefly and are created just for the book, everyone is given the time and effort to be made into a realistic and rounded character. A great book for fans of comics, and an absolute must for those who love Harley Quinn.


Buy Amy A Coffee
Go to Amy's Blog

Follow Amy on Twitter

Add Amy on Tumblr

Connect with Amy on LinkedIn

Phantoms: Haunting Tales From Masters of the Genre – Book Review

Originally published on Set The Tape

Collected together by British Fantasy Award nominated author Marie O’Regan, Phantoms: Haunting Tales From Masters of the Genre presents readers with an anthology collection of eighteen ghost stories from a host of writers.

Ghost stories can often be focused on the sinister hauntings that befall families when they move into a new home, or receive some cursed object. Many modern horror films follow these very basic set-ups with varying degrees of success, but whilst this works well for the visual medium something different is often needed for the written word, and Phantoms presents an older form of ghost stories, one where the story is about the person rather than the ghosts.

In many of the stories presented in this collection the haunting takes a back seat for a focus on the human reactions to these extraordinary and often horrifying scenarios. ’20th Century Ghost’ by Joe Hill focuses on the haunting of an old fashioned movie theatre and the obsession that forms for the ageing owner as he desperately wants to encounter the young woman that died there decades before. Instead of ghastly encounters with moviegoers the story tells a tale of unrequited love, and ultimately obsession, that becomes the sole focus of this man’s life.

In contrast to this, ‘One New Follower’ by Mark A. Nathan manages to be a hugely creepy tale involving murder, cults, mysteries from beyond the grave, and dark isolation that chills the reader from early on. Along with ‘The Adjoining Room’ by A.K. Benedict, which has an otherworldly, almost Hellraiser quality to it, these stories puts their characters through hell in some truly nightmarish scenarios.

One of the boldest stories within the collection has to be ‘A Haunted House Is A Wheel Upon Which Some Are Broken’ where the story is presented as a choose your own adventure style book, where the reader gets to choose what happens next and how the tale will unfold. Despite Paul Tremblay appearing to present the reader with a number of choices it actually becomes impossible for the protagonist and the reader to leave the house early, forcing both to go through the the whole house.

Often anthology collections can be a mixed bag of elements, with varying quality, but Phantoms manages to present a broad range of stories, tales of revenge, betrayal, love, and loss, without any of the stories standing out as particularly poor. Marie O’Regan has made some wonderful choices in the stories and writers that she has collected together, giving readers a great range of tales that showcases how versatile and varied ghost stories and horror can be.


Buy Amy A Coffee
Go to Amy's Blog

Follow Amy on Twitter

Add Amy on Tumblr

Connect with Amy on LinkedIn