Monday, 30 April 2018

Vicious Rumer by Joshua Winning – Book Review



Originally published on Set The Tape


‘The dark wants to eat me. I’ve spent long enough in dark places to know. I’m underground, buried deep, soil cramming into my mouth. The nightmare I’ve had since I was a kid. All I have to do is choke it down, fight the clawing panic, surrender to the shadows, but that would mean giving in, and Rumer Cross is no fucking coward.’

Vicious Rumer is an upcoming crime horror book from author and film journalist Joshua Winning.

The book is written from the point of view of Rumer Cross, a nineteen year old girl living in London. Rumer begins the book working for a detective agency, where she is employed to follow people around, catching evidence of her targets cheating on their wives, screwing over their employers, or generally just being jerks.

Rumer had bounced around between foster homes and the streets growing up, which has made her into hard and cynical young woman. Along with this, she has also had to deal with the legacy of her long dead mother, a mob assassin and criminal known as the ‘Witch Assassin’, responsible for some of the most bloodthirsty crimes the country has ever seen.

When Rumer is kidnapped by a vicious crime lord who believes that she’s hiding a bizarre occult relic Rumer’s simple life is thrown into turmoil. On the run and hunted by criminals and killers Rumer must try to find out who is after her, what it is they’re after, and how to stop them. Along the way Rumer must also confront the possibility that she might be cursed; a horrific legacy left behind by her occult obsessed mother that kills anyone who becomes close to her.

Vicious Rumer manages to combine real world elements of crime thriller and the occult in interesting ways to create a story that feels like it belongs in the real world, yet also skirts into the mystical with little difficulty. Two of the main story threads of the book concern the mysterious artifact that the bad guys are after, and Rumer’s apparent curse, both of which are recurring narratives throughout the book.

Despite there being such a heavy focus on the occult and magic, Killing Rumer never makes anything overt. There are no people practicing black magic, there isn’t anyone throwing spells at each other or anything like that, but come the end of the book you’re left wondering if magic and the occult actually do exist in this universe.

It’s a clever and compelling tightrope that the author treads, managing to make numerous situations that support the idea that the supernatural does exist, whilst also offering very real world explanations that makes the whole thing seem ridiculous. Even the very last moments of the book manages to throw in one last complication that makes you question the events that you’ve just read, and what might actually be real.

Rumer is an interesting and very human character, one that has her fair share of flaws and makes mistakes throughout the story. Whilst at first she comes across as someone a little too cold as the story progresses and you learn more about her and her past it becomes easy to understand how she ended up being the person she is.

She feels vulnerable beneath her hard exterior, a young woman desperate to find her place in the world and to be able to be happy, yet struggling against the fears and insecurities of her troubled past. This makes her a very real and relatable character, one that you’ll find yourself very invested in.

Vicious Rumer is an engaging mystery story that incorporates several other genres in interesting ways, creating a unique experience. A must read.


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Thursday, 26 April 2018

Legion: 10 X-Men Comics To Check Out



Originally published on Set The Tape


Legion returns to our screens, bringing the popular X-Men series back for a second season. Telling the story of David Haller (Dan Stevens), the son of X-Men founder professor Xavier, and a troubled young man diagnosed with schizophrenia but possessing mutant powers with a number of psychic abilities, Legion proved to be an engaging and interesting look at the X-Men universe.

With several X-Men films, Deadpool, Legion, and The Gifted, there’s a lot of film and television for fans to choose from. Whilst it may be easy to pick out a film to watch where do you start if you want to read some of the source material? Well, here’s a list of great X-Men comics to check out if you enjoyed Legion.


Days of Future Past

The basis for the popular film of the same name ‘Days of Future Past’ tells the story of a future world where the Sentinels have taken over, killing thousands of mutants and herding others into internment camps. The few surviving members of the X-Men form a plan to send the mind of Kitty Pryde back into her younger body in order to stop a mutant from assassinating a US Senator, thereby preventing the rise of the Sentinels.

Though a short story, originally published across just two issues, ‘Days of Future Past’ is widely considered a classic, and has been adapted across many different incarnations including the live action film, the 90’s animated series, Wolverine and the X-Men, Hulk and the Agents of S.M.A.S.H., and Ultimate Spider-Man.


The Dark Phoenix Saga

Another classic story from legendary X-Men writer Chris Claremont, ‘The Dark Phoenix Saga’ is another story that has been used across multiple X-Men media, and is the basis for the upcoming new film.

Returning from a mission to space, Jean Grey is exposed to deadly radiation and transforms into the cosmic entity known as the Phoenix. Unfortunately, this makes her a target for the Hellfire Club, a group of evil mutants, who manage to manipulate her mind, corrupting Jean into becoming the Dark Phoenix. Travelling into space, Dark Phoenix commits acts of planetary genocide, forcing the X-Men into a confrontation for not only Jeans soul, but her very life.

Though there would be some revisions of this story over the ensuing decades, with some ret-conning being made in order to change the Phoenix into a separate entity in order to absolve Jean of genocide, it remains a monumentally important story in X-Men lore, not only inspiring adaptations and imitations, but a number of follow-up adventures.


House of M

Though not strictly an X-Men story as it encompassed the whole of the Marvel Universe, the heavy involvement of X-Men characters and the effect it would have on all X-Men titles for years makes this a hugely important book for those wanting to read more about them.

Following the mental breakdown of the mutant Avenger Scarlet Witch, which resulted in the deaths of several heroes, the X-Men and the Avengers meet to discuss what should be done with her. When the option of killing her is put on the table her brother, Quicksilver, convinces her to alter reality, making them and their father, Magneto, the rulers of mutant led world.

Whilst everyone else in this world has no memories of the real timeline, Wolverine not only remembers, but recovers all of his lost memories. Determined to put things right, Logan recruits a group of heroes and unlocks their real memories in order to fight against Scarlet Witch and restore reality. While they do succeed in this, there are disastrous consequences as Scarlet Witch utters the words ‘no more mutants’, de-powering most of the mutant population, leaving barely more than 200 mutants left in the entire world.

The loss of most of the mutant population changed the landscape of Marvel for years, and changed the X-Men from a group of superheroes fighting for acceptance, to an endangered species fighting against extinction as their enemies closed in around them. A hugely important story in the X-Men story.


Astonishing X-Men

Written by Joss Whedon, ‘Astonishing X-Men’ was an ongoing series that told a number of important stories. It dealt with the fallout of the death of Jean Grey (which would remain in place for many years, the character only recently having returned to life), the blossoming romance between Cyclops and Emma Frost, and the return of Colossus after his death years before.

The Whedon run introduced a number of characters that would go on to remain a part of the X-Men universe, such as Blindfold, Danger, Armour, and Dr Kavita Rao. The first story arc, dealing with a potential cure for mutants, not only won the 2006 Will Eisner Award, but was also part of the basis of X-Men: The Last Stand cure subplot.


God Loves, Man Kills

When investigating into the deaths of two murdered mutant children it is revealed that Reverend William Stryker is responsible, an extremist who not only murdered his own wife and son when his mutant son was born, but wants to exterminate all mutants. Kidnapping Professor Xavier and hooking him up to a machine that will use his mental abilities to kill every mutant, the X-Men have to team up with Magneto to stop their extinction and save their mentor.

The basis for the second X-Men film, ‘God Loves, Man Kills’ showed a much darker side to the X-Men universe, one where people are willing to go to extremes to not only kill the X-Men, but an entire race. It inspired a number of stories over the years that painted the X-Men as a group of not just superheroes, but people fighting for the very right to exist against overwhelming hate.


Messiah Complex

Following the events of ‘House of M’, ‘Messiah Complex’ deals with the first new mutant since Scarlet Witch decimated the race. When a new mutant signature is detected the X-Men enter a race against time to locate and protect the mutant before the various factions intent on their destruction find them and kill them.

Encompassing a number of X-books, the story brought together several teams as they worked together to find a way to save their own future. It showed the lengths that their villains were willing to go to destroy the mutant race, including wiping out an entire town of civilians, and introduced Hope, a character that would have a major impact upon the X-Men books for years to come.


Age of Apocalypse

A series of books taking place within an alternate timeline, ‘Age of Apocalypse’ became an incredibly popular event, and would be revisited numerous times over the years. When David Haller, Legion, travelled back in time to kill Magneto he accidentally creates an alternate timeline when he kills Professor Xavier by mistake.

The ancient mutant Apocalypse ends up attacking the world 10 years sooner than he should have, leading to his victory. Apocalypse rules the entire Earth with an iron grip, and has a number of corrupted heroes working for him and his mutant empire. A number of mutant factions, including a team of X-Men led by Magneto, fight against him and try to undo the events that led to the death of Professor X.

Despite being a limited time event, ‘Age of Apocalypse’ proved so popular that it would return a number of times, and even some characters from that timeline would become permanent residents in the regular Marvel Universe.


New X-Men

Written by Grant Morrison, ‘New X-Men’ ran for a number of years and encompassed several story arcs. Shifting the focus away from the X-Men as a superhero group, and instead taking a look at the running of the Xaviers School, the series would introduce a number of characters that would remain part of the X-Men series for years, including Cassandra Nova, Beak, Quentin Quire, and Fantomex.

The series would deal with a number of story lines, including the outing of Professor Xavier as a mutant, the destruction of Genosha, Emma Frost joining the team, and the return of Magneto.


Mutant Massacre

The X-Men would become used to death and disaster over the course of their run, probably more than any other Marvel book. ‘Mutant Massacre’ is a prime example of a story where even when the heroes stop the villains, they don’t really win.

When the villainous Marauders attack the mutant community of the Morlocks the X-Men and X-Factor teams rush to their aid. Whilst they manage to stop the Marauders many Morlocks are killed, a a number of heroes severely wounded as a result; Colossus is left as a quadriplegic, Kitty Pryde is trapped in her phased form which almost kills her, Nightcralwer was put into a coma, and Angel was literally crucified, which eventually led to him losing his wings to gangrene.

A dark and sobering look at the X-Men universe, and one that would play into a lot of future stories.


Second Coming

A follow-up to ‘Messiah Complex’, ‘Second Coming’ tells the story of the return of Hope Summers and her adoptive father Cable, following their previous escape to the future. The return of the first new mutant acted as a beacon for the various X-Men factions to rally behind, whilst becoming a target of their enemies.

Hope’s return brings a number of villains out of hiding, including Bastion, the Purifiers, William Stryker, and Bolivar Trask to name but a few. Every mutant must come together and fight to the death in order to secure their future in this event that involved every X-book. Whilst they do manage to defeat their enemies, several heroes are injured, and even killed doing so.


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Doctor Who: The Terror Beneath – Book Review



Originally published on Set The Tape

‘The Twelfth Doctor grapples with two deadly small towns in this brand-new collection, kicking off year-three! It’s the return of fan-favourite comics companion, space bassist Hattie, as the Doctor takes her for the best fish and chips in the galaxy. But there’s something ancient and unknowable beneath the waves of the 1970’s seaside town where they end up – something that weaves itself into Hattie’s dreams and drags itself up onto the land in mounds of shambling seaweed!’

The latest Twelfth Doctor Adventures Doctor Who: The Twelfth Doctor – Time Trials Volume 1: The Terror Beneath sees the Doctor stumble across two small towns with very strange events happening.

The first story sees the Doctor once again teaming up with Hattie, a young woman from the future space colony The Twist, who shares the Doctors love of music and uses her adventures with him to inspire her songs; as the Doctor takes her away from her new found fame and success, letting her spend some time in a quite English seas-side town in the 1970’s.

As with typical Doctor Who fashion, however, things aren’t quite as they seem in Seaton Bay, as a strange psychic presence is sending creatures made of seaweed into the town, resulting in dozens of residents falling into comas.

The story feels a lot like classic episodes of Doctor Who, probably in large part to the quite British town setting, something that happened a lot in the old stories. The sleepy seaside location and 1970’s settings instantly brings to mind stories like ‘The Daemons’, ‘The Android Invasion’, and ‘The Curse of Fenric’, all of which used their locations to great effect.

The seaweed monsters also bring to mind images of the Sea-Devils emerging from the ocean in the Jon Pertwee stories, with monsters emerging from the sea something that has gone on to become iconic for the franchise.

The second story, which has the Doctor travelling alone, sees him land in a small American town of Sweet Haven, where reality has warped out of all recognition. The towns people have become raging maniacs, dark clouds blocking out the sun, and a giant smile hanging in the sky.

Things only become stranger when the Doctor locates the source of the mysterious events, an old farm house that has been transformed into something that resembles a clown’s nightmare home, psychedelic colours, weird angles, and the same type of smile that’s hanging in the sky.

Despite some early promise in this story, with the inhabitants of Sweet Haven turning into a ravenous horde that has trapped a few besieged people in the police station, the story feels like it lacks any real big conclusion, with the Doctor defeating the enemy with almost no effort at all. Whilst the Doctor is an incredibly smart person, and can win against overwhelming odds, it can be a bit dull to see him solve a problem within seconds without having to really try.

The art styles of each story differs greatly too, with the first story having a very elegant, almost painted style, whilst the second has a much rougher hand drawn style, which enhances the bizarre and almost crazy events. The art styles are nothing alike, and stand out starkly against each other, but both of them complement their respective stories and work well to create certain feels.

Whilst I personally found the second story to be weaker than the first, both stories had interesting plots, complete with diverse supporting characters, and small town locations that will be instantly recognisable to most readers. A good pair of stories that highlights how different and diverse Doctor Who can be when making use of ‘a small town’ as its main setting.

A well told pair of stories, with some beautiful art from Mariano Laclaustra, Doctor Who: Time Trials – The Terror Beneath, is a book that will appeal to fans of classic Doctor Who as well as new fans.


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Wednesday, 25 April 2018

Anything: Why Matt Bomer Playing A Trans Woman is Problematic



Originally published on Set The Tape

Due for release in the US one month hence, Anything tells the story of the blossoming romance between a transgender sex worker Freda and her widowed neighbour Early. What makes Anything jump out is that the role of Freda is played by Matt Bomer.

The reason this makes Anything jump out is that yet again I see a cisgender man playing a trans women; and it’s instantly wrong to me. However, to most people, this will seem like just another film with a transgender character, because almost every film or television show with trans characters are played by cis actors.

As a trans woman, I very quickly came to learn that most people in my life only knew about trans people from what they saw in film and television. Whilst some of this includes documentaries, the vast majority of people who found out I’m trans only had entertainment to draw upon.

In the best case scenario this would be examples like Maura (Jeffrey Tambor) in Transparent, but they would often include sex workers or killers, like Sleepaway Camp, Ace Ventura: Pet Detective, and Silence of the Lambs. This would more often than not lead to misconceptions about who I was, or what I would be like as a trans person. The most common thing I encountered is that because trans women are so often portrayed as sex workers, people assume that I must be a sex addict that’s willing to hook up with anyone.

However, the worst thing about the way media depicts trans women is that 90% of the time, they’re played by cis men. I was told once by a friend that they “hear trans and think a bloke in a wig”. That’s what films are telling people. Films like Anything.

No matter how well the intention behind the film, or how much those involved say they are allies to the trans community, continuing to cast cis men as trans women is not only insulting, but potentially dangerous.

Hollywood has trans actors, and trans people go for trans roles all the time, but a result I have seen time and time again from trans actors who don’t get these roles is that they “don’t look trans enough”. Hollywood wants people to be instantly seen as transgender, and for them this means men dressed as women.

From Jared Leto in Dallas Buyers Club, to Eddie Redmayne in The Danish Girl, and now Matt Bomer in Anything, Hollywood seems determined to reinforce the idea that trans women are just men.

Trans actress and activist Jen Richards auditioned for a role in Anything, but was told that Bomer was pre-cast in the film, meaning that no other actor was considered for the role of Freda. Especially a trans actor.

She said: “I’m a filmmaker. I hold freedom of art sacred, but I also recognize its power as a responsibility. We shape perception, we are culpable.”


“Dear @MarkRuffalo & @MattBomer: if you release this movie, it will directly lead to violence against already at risk women,” she added.

Following the outcry online from numerous members of the trans and LGBT+ community, executive producer Mark Ruffalo responded on Twitter: “To the Trans community. I hear you. It’s wrenching to you see you in this pain. I am glad we are having this conversation. It’s time.”

Despite this, many people were still unhappy as Ruffalo went ahead with the project, keeping Bomer in the lead role, seemingly sympathising with the trans community and our struggle, despite adding to it.

Any time that a cis man is cast to play a trans woman, there are those that defend that decision. Some will say that the best people for the role get cast, some say that there aren’t any or enough trans actors to play trans roles; and some claim that films won’t get the recognition or acclaim they deserve with trans people in roles.

Whilst all of these arguments are quite clearly laughable (trans people have won Oscars for their work), there are other arguments that are even worse.

“Men are cast to play trans women because they’re just men anyway.” It’s an argument I see every time. People jump into discussions or comment sections to make known their opinion that “trans women are men”. Views that are only reinforced by casting men in these roles.

It would be easy to equate cis people playing trans roles as being akin to blackface, and whilst some people do make that argument, it’s not quite the same, but it does come close in a lot of ways. It others a marginalised community, it makes caricatures out of a group of diverse people with varying life experiences and personalities, it takes jobs away from people in those minorities, and reinforces poor stereotypes and public perception.

Sadly, any argument like this will tend to come down to personal opinion. Those who feel the same will support me, whilst those who feel different will never have their minds changed. They’ve had this view pushed on them time and time again, and it’s become entrenched.

I’ve been told that I’m a freak, that I’ll never be anything other than a man. I’ve been treated like dirt, and I wholeheartedly believe that films like Anything are a big part of this problem. Fortunately, I’ve been a lucky one. I’ve been threatened but never assaulted. I’ve been harassed but never raped. I have a happy home and a family that loves me. I survived my suicide attempt. But not every trans person is as lucky.

To a lot of people Anything is just another film, and any words against it will just be seen as trans people making a big fuss over nothing, but it can have very real, very dangerous results. Hollywood has a problem, one that desperately needs to change.


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Star Trek: New Visions #21 – Comic Review



Originally published on Set The Tape

‘The enemy of my enemy… is not my friend. But Kirk and Kor find themselves forced to work together against a common foe. Alliance, or a chance for deadly betrayal?’

Star Trek: New Visions brings back a classic character, the Klingon Kor, to team up with Captain Kirk in an uneasy alliance as the two of them must escape from the powerful Vrotti, a race of huge lizard-like aliens.

With the two captured they are told by the Vrotti that they each have a chip implanted within their chest that will make their hearts explode if they get more than 10 meters apart, forcing the two enemies to work together in order to get away from their captors.

Whilst the initial set-up is good, and the idea of the two of them having to put aside their differences is intriguing, the story fails to live up to the potential. Kor has been a part of the Star Trek universe for decades, originating back in the original series, and appearing again in Star Trek: Deep Space Nine multiple times, he was always an entertaining and engaging character.

I appreciate that there is a limited number of pages that can be used to tell this story, but it felt like Kor wasn’t given any room to be his character, and that his animosity towards Kirk wasn’t anything more than an average Klingon. The fact that we’re following Kirk and Kor seems to be an after thought, this could have been any pair of characters.

Sadly, this lack of characterisation or connection makes the story feel very flat and lacking any real depth.

The second story in the issue goes backwards in time, telling a story centred around the Enterprise before Kirk, with Pike as the captain. Whilst the shift in look and style of this story is interesting, and makes a change of pace from the usual, the narrative itself is very slow and, dare I say, dull. Finding a ship from 1901 floating in space, the Enterprise crew discovers a man who’s supposed to be a fictional character. Any kind of mystery or drama is soon forgotten as we get a very dull explanation for how and why this person is here, then he just goes on his way.

The art style of Star Trek: New Visions doesn’t help either story either. In the first tale feels very disjointed, mixing together brand new creatures and ships with existing images from episodes. Unfortunately, as Kor was in very few episodes of the original series there’s not a great deal of options for images to use, as such Kor often feels out of place, with expressions and poses that don’t really work for what’s happening in the story.

The second story is also let down by this art style as the character of Cavor very clearly has CGI glasses and a beard stuck to his face, which makes him incredibly distracting whenever he’s around.

Star Trek: New Visions continues to tell stories within the Star Trek universe but fails to capture the quality of the original series in both storytelling and visuals.


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