Wednesday, 25 April 2018

Anything: Why Matt Bomer Playing A Trans Woman is Problematic



Originally published on Set The Tape

Due for release in the US one month hence, Anything tells the story of the blossoming romance between a transgender sex worker Freda and her widowed neighbour Early. What makes Anything jump out is that the role of Freda is played by Matt Bomer.

The reason this makes Anything jump out is that yet again I see a cisgender man playing a trans women; and it’s instantly wrong to me. However, to most people, this will seem like just another film with a transgender character, because almost every film or television show with trans characters are played by cis actors.

As a trans woman, I very quickly came to learn that most people in my life only knew about trans people from what they saw in film and television. Whilst some of this includes documentaries, the vast majority of people who found out I’m trans only had entertainment to draw upon.

In the best case scenario this would be examples like Maura (Jeffrey Tambor) in Transparent, but they would often include sex workers or killers, like Sleepaway Camp, Ace Ventura: Pet Detective, and Silence of the Lambs. This would more often than not lead to misconceptions about who I was, or what I would be like as a trans person. The most common thing I encountered is that because trans women are so often portrayed as sex workers, people assume that I must be a sex addict that’s willing to hook up with anyone.

However, the worst thing about the way media depicts trans women is that 90% of the time, they’re played by cis men. I was told once by a friend that they “hear trans and think a bloke in a wig”. That’s what films are telling people. Films like Anything.

No matter how well the intention behind the film, or how much those involved say they are allies to the trans community, continuing to cast cis men as trans women is not only insulting, but potentially dangerous.

Hollywood has trans actors, and trans people go for trans roles all the time, but a result I have seen time and time again from trans actors who don’t get these roles is that they “don’t look trans enough”. Hollywood wants people to be instantly seen as transgender, and for them this means men dressed as women.

From Jared Leto in Dallas Buyers Club, to Eddie Redmayne in The Danish Girl, and now Matt Bomer in Anything, Hollywood seems determined to reinforce the idea that trans women are just men.

Trans actress and activist Jen Richards auditioned for a role in Anything, but was told that Bomer was pre-cast in the film, meaning that no other actor was considered for the role of Freda. Especially a trans actor.

She said: “I’m a filmmaker. I hold freedom of art sacred, but I also recognize its power as a responsibility. We shape perception, we are culpable.”


“Dear @MarkRuffalo & @MattBomer: if you release this movie, it will directly lead to violence against already at risk women,” she added.

Following the outcry online from numerous members of the trans and LGBT+ community, executive producer Mark Ruffalo responded on Twitter: “To the Trans community. I hear you. It’s wrenching to you see you in this pain. I am glad we are having this conversation. It’s time.”

Despite this, many people were still unhappy as Ruffalo went ahead with the project, keeping Bomer in the lead role, seemingly sympathising with the trans community and our struggle, despite adding to it.

Any time that a cis man is cast to play a trans woman, there are those that defend that decision. Some will say that the best people for the role get cast, some say that there aren’t any or enough trans actors to play trans roles; and some claim that films won’t get the recognition or acclaim they deserve with trans people in roles.

Whilst all of these arguments are quite clearly laughable (trans people have won Oscars for their work), there are other arguments that are even worse.

“Men are cast to play trans women because they’re just men anyway.” It’s an argument I see every time. People jump into discussions or comment sections to make known their opinion that “trans women are men”. Views that are only reinforced by casting men in these roles.

It would be easy to equate cis people playing trans roles as being akin to blackface, and whilst some people do make that argument, it’s not quite the same, but it does come close in a lot of ways. It others a marginalised community, it makes caricatures out of a group of diverse people with varying life experiences and personalities, it takes jobs away from people in those minorities, and reinforces poor stereotypes and public perception.

Sadly, any argument like this will tend to come down to personal opinion. Those who feel the same will support me, whilst those who feel different will never have their minds changed. They’ve had this view pushed on them time and time again, and it’s become entrenched.

I’ve been told that I’m a freak, that I’ll never be anything other than a man. I’ve been treated like dirt, and I wholeheartedly believe that films like Anything are a big part of this problem. Fortunately, I’ve been a lucky one. I’ve been threatened but never assaulted. I’ve been harassed but never raped. I have a happy home and a family that loves me. I survived my suicide attempt. But not every trans person is as lucky.

To a lot of people Anything is just another film, and any words against it will just be seen as trans people making a big fuss over nothing, but it can have very real, very dangerous results. Hollywood has a problem, one that desperately needs to change.


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Star Trek: New Visions #21 – Comic Review



Originally published on Set The Tape

‘The enemy of my enemy… is not my friend. But Kirk and Kor find themselves forced to work together against a common foe. Alliance, or a chance for deadly betrayal?’

Star Trek: New Visions brings back a classic character, the Klingon Kor, to team up with Captain Kirk in an uneasy alliance as the two of them must escape from the powerful Vrotti, a race of huge lizard-like aliens.

With the two captured they are told by the Vrotti that they each have a chip implanted within their chest that will make their hearts explode if they get more than 10 meters apart, forcing the two enemies to work together in order to get away from their captors.

Whilst the initial set-up is good, and the idea of the two of them having to put aside their differences is intriguing, the story fails to live up to the potential. Kor has been a part of the Star Trek universe for decades, originating back in the original series, and appearing again in Star Trek: Deep Space Nine multiple times, he was always an entertaining and engaging character.

I appreciate that there is a limited number of pages that can be used to tell this story, but it felt like Kor wasn’t given any room to be his character, and that his animosity towards Kirk wasn’t anything more than an average Klingon. The fact that we’re following Kirk and Kor seems to be an after thought, this could have been any pair of characters.

Sadly, this lack of characterisation or connection makes the story feel very flat and lacking any real depth.

The second story in the issue goes backwards in time, telling a story centred around the Enterprise before Kirk, with Pike as the captain. Whilst the shift in look and style of this story is interesting, and makes a change of pace from the usual, the narrative itself is very slow and, dare I say, dull. Finding a ship from 1901 floating in space, the Enterprise crew discovers a man who’s supposed to be a fictional character. Any kind of mystery or drama is soon forgotten as we get a very dull explanation for how and why this person is here, then he just goes on his way.

The art style of Star Trek: New Visions doesn’t help either story either. In the first tale feels very disjointed, mixing together brand new creatures and ships with existing images from episodes. Unfortunately, as Kor was in very few episodes of the original series there’s not a great deal of options for images to use, as such Kor often feels out of place, with expressions and poses that don’t really work for what’s happening in the story.

The second story is also let down by this art style as the character of Cavor very clearly has CGI glasses and a beard stuck to his face, which makes him incredibly distracting whenever he’s around.

Star Trek: New Visions continues to tell stories within the Star Trek universe but fails to capture the quality of the original series in both storytelling and visuals.


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Supernatural: Who’s Who For Season 13


Originally published on Set The Tape

Supernatural is returning for an unprecedented 13th season (and it’s already been renewed for a 14th!) of the popular series about the monster hunting brothers Sam and Dean. With so much history and lore sometimes it can be hard to keep track of what’s happening, so here’s a quick guide to the main players.


Sam Winchester (Jared Padalecki)

The younger of the Winchester brothers, Sam is a hunter, dedicated to fighting monster, ghost, and the forces of evil wherever they may appear. Thanks to a deal with a demon made by his mother decades ago, Sam was given demon blood when a baby, giving him psychic powers. This allowed him to be manipulated into freeing Lucifer from his prison by the forces of hell.

The ‘true vessel’ of Lucifer, Sam was supposed to give his body over to the devil to destroy the world. Instead, Sam has spent the last several years fighting against Lucifer in his various hosts.

After helping to end the fight between God and his sister, Amara, Sam’s mother was brought back to life. Despite having never known his mother he formed a quick relationship with her, working together with the British Men of Letters.



Dean Winchester (Jensen Ackles)

The elder of the Winchester brothers, Dean is a hunter alongside his brother Sam. Following the death of his mother, and his father becoming a hunter, Dean not only learnt about the world of the supernatural, but played a large part in raising Sam. As adults, following the disappearance of their father, Dean convinced Sam to join him in his search, hunting monsters along the way.

Following the death of Sam, Dean made a deal with a demon to bring him back to life, though it resulted in Dean being sent to Hell. Despite spending only a few months in Hell from Earth’s perspective, it was 40 years for him, resulting in deep psychological scars that are still around to this day.

Over the years Dean has been to Purgatory, travelled through time, and even briefly became a demon thanks to the mystical Mark of Cain, though he was cured thanks to Sam and his friends. After helping to end the war with Amara, whom he inadvertently unleashed, he began to reconnect with his long dead mother, though the two of them often argued about her working alongside the British Men of Letters.



Castiel (Misha Collins)

Castiel, often called Cass for short, is a powerful Angel, one of the soldiers of Heaven sent to Earth to fight in the war against Lucifer. He was the Angel that rescued Dean from Hell, and soon developed a bond with the Winchesters, even going so far as to rebel against Heaven in order to save them, and stop Lucifer.

Following the prevention of the apocalypse, Castiel took part in a civil war in Heaven, fighting against other Angels to prevent a hard-line faction from restarting the end of the world. During the course of this war Castiel was corrupted by the power he was absorbing and briefly became ruler of Heaven, before unleashing the Leviathan from Purgatory.

When Amara, the sister of God, was released from her prison, Castiel made a deal with Lucifer to become his vessel, using him in the fight against her. Unfortunately, Lucifer managed to escape into the world. Castiel spent the next year hunting him down, but when he and the Winchesters discovered a woman pregnant with Lucifer’s son Castiel took it upon himself to protect the unborn child, wanting to raise him to be a force for good.

During the climactic confrontation with Lucifer at the end of the last season Castiel was killed as the fallen angel was trapped in another world. Having been resurrected more than once in the past, it remains unclear if Castiel will return to life again, or if he is gone for good.



Mary Winchester (Samantha Smith)

Sam and Dean’s mother, Mary grew up in a family of hunters, but tried to give up the life when she fell in love with John Winchester. Unfortunately, John was killed, leading to Mary to make a deal with a demon to bring him back to life.

This deal resulted not only in Sam being made a psychic child, but also led to Mary’s death at the hands of a demon. Spending decades as a ghost in the former Winchester house, Mary eventually moved on to Heaven.

Following the end of the war against God’s sister, Mary was brought back to life as a thank you to Sam and Dean. Struggling to reconnect with her sons, who had both aged 30 years, Mary became involved with the British Men of Letters, and was even brainwashed into being a killer for them.

Fortunately, she was saved by her sons and helped to end the threat of the British Men of Letters in time to help them stop Lucifer from getting his infant son. Unfortunately, Mary became trapped in an apocalyptic alternate dimension with Lucifer in the process.


Lucifer (Mark Pellegrino)

Also known as the Devil, Lucifer was the second Archangel created by God, and God’s favourite son. When he refused to bow before humanity he fell from Heaven, leading to a war between Heaven and Hell. Eventually, he became trapped in The Cage, deep in Hell.

Thanks to plans put into motion by his followers, Sam unleashed Lucifer from the Cage. Lucifer spent much of the next year building his forces for the coming apocalypse, and tried to get Sam to agree to be his vessel. Despite briefly inhabiting Sam, he was defeated and trapped in the Cage a second time.

When Amara was unleashed onto Earth the Cage was damaged, allowing Lucifer to reach out to Sam through a psychic link. He tricked Sam into journeying into Hell, making him believe that he was needed to defeat Amara. Despite Sam not agreeing to let him inside, Castiel agreed, freeing Lucifer from the Cage.

After reconciling with God, Lucifer worked alongside him and the Winchesters against Amara, but was banished out of Castiel’s body in their final confrontation. After searching the Earth for a suitable vessel with power and influence Lucifer managed to possess the President of the United States.

Despite being removed from the President’s body, Lucifer did manage to impregnate one of his aides with a half angel child. Lucifer made it his mission to try to track down his son, resulting in a confrontation with the Winchesters that ended with Castiel dead, and him and Mary Winchester trapped in another dimension.



Crowley (Mark Sheppard)

Born in Scotland in the 1600’s as Fergus MacLeod, Crowley made a deal with a demon for ‘an extra three inches below the belt’, resulting in him going to hell when he died. With his soul in Hell, Crowley was eventually corrupted and became a Demon. Working his way up the ranks, he eventually became the head of the Crossroads Demons.

After Lucifer failed to bring about the end of the world during the apocalypse Crowley moved into the vacuum left behind and became the King of Hell. Over the years Crowley has bounced back and forth from being a villain to an unwilling hero, working alongside the Winchesters multiple times and even forming a strange kind of friendship with them.

When Lucifer escaped from the Cage and tried to take over Hell once again Crowley worked alongside the Winchesters to stop him. Luring Lucifer through a tear in reality to a parallel world, Crowley stabbed himself with a demon killing knife, sacrificing himself to complete a spell and trapping Lucifer. It’s unknown if this is indeed the end of Crowley, or if the King of Hell will somehow make a surprise return.



Rowena MacLeod (Ruth Connell)

The mother of Crowley, Rowena is a witch from the 17th Century who has survived for hundreds of years using magic. Rowena has been an antagonist and ally for the Winchesters, sometimes helping them in their missions if it helps her gain more power or stay alive.

She has worked with them to stop Amara, helped to remove the Mark of Cain from Dean, and assisted in the fight against Lucifer. It appears that Lucifer killed her recently, burning her body to a crisp, but as she has returned from the dead before, Rowena could very well appear again.



Jack Kline (Alexander Calvert)

Jack is the son of Lucifer and Kelly Kline (Courtney Ford). Born at the end of season 12, Jack’s birth led to the death of his mother, due in part to his immense power as a half angel, half human Nephilim.

It’s unknown what Jack will be like, or where he allegiances will lay. Will he be evil like his father, or a force for good as Castiel believed.


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Tuesday, 24 April 2018

Legion – Who is David Haller?



Originally published on Set The Tape

The television show Legion may have introduced a lot of viewers to the character of David Haller, the son of Charles Xavier, but he’s been around in comics for a lot longer, having been created by legendary X-Men writer Chris Claremont, and artist Bill Sienkiewicz back in 1985.

Professor Xavier met David’s mother Gabrielle whilst he was working in an Israeli psychiatric hospital with Eric Lensher/Magneto, using his psychic abilities to ease the pain of Holocaust survivors. Having spent years in a catatonic state, Xavier helped to heal her, and whilst assisting with her recovery the two of them fell in love. The two of them eventually parted ways, though Gabrielle never told Charles that she was pregnant at the time.

When David was a child he became the victim of a terrorist attack in which he was the only survivor, which resulted in his mutant powers manifesting early. David incinerated the minds of the terrorists, but ended up absorbing the mind of their leader. The trauma caused David to fall into a coma and his mind splintered, creating dozens of personalities, each of whom controlled a certain aspect of David’s powers.

Whilst being cared for on Muir Island by an ally of the X-Men, Moira Mac Taggert, David became possessed by the mutant psychic The Shadow King, who used David’s abilities to increase the hatred in the world, feeding off the power. Despite eventually defeating The Shadow King and casting him out of David’s body, a number of mutants were killed.

When David eventually awoke from his coma with his mind healed he wanted to bring about his fathers aim of humans and mutants living together, believing that killing Magneto would be the best way of achieving this. Travelling back in time to kill Magneto before he rose to power, David accidentally kills Xavier instead, bringing the alternate timeline ‘Age of Apocalypse’ into being.


The time travelling mutant Bishop travels back to the point when David killed his father and manages to stop him from doing so, setting history back on course. Unfortunately, the events resulted in David’s mother having a miscarriage, causing David to never exist.

Some years later, David is somehow discovered alive by the New Mutants, who help to free him from his prison, though his mind is once again fractured. It is revealed that when Bishop killed him, David was thrown outside of time, and that this resulted in thousands of personalities forming within his mind.

Helped to heal once again by the X-Men and his father, David comes to the defence of the mutant nation against their enemies during the events of ‘Second Coming’, defending their home from an army of Sentinels with his immense powers. With help from Doctor Nemesis, and Reed Richards of the Fantastic Four, David is given a device that enables him to control his personalities, accessing them one at a time to let him access various abilities.

Following the events of Avengers Vs X-Men, in which a Phoenix Force controlled Cyclops kills Professor Xavier, David loses control of his powers once again, causing a number of evil and destructive personalities to take over. In order to stop himself from causing more death and destruction David tries to erase himself from existence by never being born. As proven before, however, David’s powers are incredible, and potentially limitless, and he may very well return one day soon.

Having appeared in the animates series X-Men: Evolution and Marvel Anime: X-Men, Legion has proven to be a very popular character, a popularity which is sure to grow with the second season of Legion.

To learn more about Legion and his comic incarnation, make sure to check out the second series of X-Men Legacy, as well as X-Men: Legion Quest, X-Men: Legion – Chadow King, and X-Men: Age of X.


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Rampage: 5 Great Video Game Movies… And 10 Not-So-Great



Originally published on Set The Tape


Video games are a great medium for telling stories. They’re not limited by the run time of a film, or even a television series, and can tell an unfolding story over anything from several hours to several games. They let the player feel immersed in their worlds and feel like a part of the story. Perhaps this is the reason why many video game movies fail to capture the magic of their source material.

However, there are those times when not only do video game movies live up to expectations, but they actually happen to be really good films. Before the arrival of the latest entry into the mixed genre of video game films, let’s take a look at five of the best video game movies, and ten of the worst.

The Best:


Street Fighter (1994)

It’s easy to make fun of this film. The live action Street Fighter movie isn’t perfect, far from it. Blanka looks terrible, Dhalsim does practically nothing, and the story isn’t anything like the game. There’s not even a fighting competition.

What it does do, however, is embrace the spirit of the game. It plants its tongue firmly in cheek and makes a colourful, over the top, and at times downright silly film about an insane tyrant and the group determined to stop him from taking over the world.


It works because it doesn’t try to be serious, and because the action is actually quite competent and entertaining. It also made the brilliant move in casting Jean-Claude Van Damme in the role of Guile, giving the lead hero some action move pedigree; and in the casting of Raul Julia as M. Bison. Not the first person to come to mind as the villain to go up against Van Damme, Julia is absolutely brilliant in the role. He’s campy and over the top in just the right way, and has such amazing presence when on screen.



Resident Evil: Afterlife (2010)

The fourth entry in the Resident Evil film series is still, for me, the best. The first film since the original in which Paul W.S. Anderson returned to direct, it ditched a lot of the baggage from the previous films, deciding not to try to take itself too seriously, or make a film that was too gritty. It embraced a lot more of the fun elements of the series and decided to just be an enjoyable popcorn movie, making it the first really entertaining entry in the series.

It also added more elements from the games, such as the Majini type infected, and the Executioner, but it was the inclusion of Wentworth Miller as Chris Redfield and Shawn Roberts as Albert Wesker that really helped.

Wesker was played to the perfect mix of evil and camp villain that was so popular form the fifth game, and the film even went so far as recreate a fight between him and Chris from that game shot for shot. As a fan of the game series it was a brilliant moment to see parts of the game come to life on the big screen in such a way, and actually game me a lot of hope for the continuation of the film series.



Pokemon: The First Movie (1998)

Your age probably determines whether or not this film will appear on your list, but being the prefect age when this film hit the UK I was swept up in the hype of the first Pokemon cinematic outing. Giving fans a look at where the television show would go next with the inclusion of a few generation two Pokemon, it also dealt with a plot thread that had been teased across a number of episodes, the appearance of Mew-Two.

The original must catch Pokemon of the first games, Mew-Two was beefed up to become a super powered global threat, one that the shows heroes and villains would have to team up to fight against. Not only did the film deliver some great monster v monster action, it also went a lot deeper than viewers were expecting, with such famous quotes like: “I see now that the circumstances of one’s birth are irrelevant. It is what you do with the gift of life that determines who you are.” Quotes like this prove that the franchise has some deeper messages to tell its young audience.



Silent Hill (2006)

Video games do horror really well, mainly because it puts you into the horror itself and makes you face the monsters, rather than being an observer. The Silent Hill franchise was always one of the most successful, and proved to be one of the better film adaptations.

Taking inspiration from the first game, but mixing things around, the film sees a mother taking her adopted daughter to the town of Silent Hill to try to solve the mystery of the nightmares that plague her, only to discover hell on earth.

The film captures the atmosphere of the games brilliantly, both in the fog shrouded town and the terrifying hellscapes. It looks like it came straight out of the game, recreating locations, creatures, and even camera shots perfectly to make fans feel right at home. A film that embraces its source material and delivers a film that audiences who haven’t played the games will enjoy, Silent Hill is a brilliant example of how to translate games into film.



Mortal Kombat (1995)

Another Paul W.S. Anderson entry, the first Mortal Kombat film is still the best of the franchise, mixing over the top action, strange fantasy, and cheese to great effect. Following a group of mismatched heroes as they fight against an otherworldly threat in order to protect the earth, it actually stays surprisingly true to the story and the spirit of the fighting game.

With a relatively unknown cast, Christopher Lambert is the biggest name in the credits as the lightning god Lord Rayden, and feels slightly out of place here, but manages to walk that fine line between entertaining and utterly ridiculous.

Whilst Mortal Kombat might not be the best video game movie it’s surprisingly well but together, entertaining, and has the best song of any film on this list. Seriously, go listen to it. It’s brilliant.


The Worst:



House of the Dead (2003)

How do you turn a story about a mad man about to unleash an army of zombies and mutants upon the world, opposed only by a group of secret agents into an entertaining film? How about turning it into a story about teenagers attending a rave on an island that has a zombie priest from the 18th Century hiding on it? Yeah, probably not the best idea.

House of the Dead has nothing in common with the game it shares a name with, other than zombies anyway. A poorly put together film with an awful script, terrible acting, and no connection to the game. One to definitely be avoided.



Max Payne (2008)

Based upon the popular action game series about a cop whose whole family were brutally murdered, the Max Payne film fails to capture a lot of the gritty and downbeat emotions of the game. Where the game offered great action it also had a lot deeper story and character development, giving players a main character that was deeply hurt, emotionally battered, and suffering from PTSD.

The film, on the other hand, gave a rather lack lustre action film about a cop stopping a drug conspiracy. It could have been a lot better than what it was, and whilst not awful in itself, it fails to live up to the Max Payne name. Plus, the casting of Mark Wahlberg in the main roles is definitely a misstep.



Doom (2005)

One of the greatest games of all time, Doom inspired an entire genre and has been ported to almost every console ever made (even being modded into other video games as a playable extra). With a simple premise of a soldier fighting against the forces of Hell on Mars, it should have been fairly simple to create a half decent film out of it.

With the inclusion of The Rock, Karl Urban, and Rosamund Pike in the cast it looked like the Doom movie was going to be a success. Unfortunately, the film made some missteps with the plot, dropping the whole plot about harnessing energy from Hell into a mutation that brings out ‘the evil gene’ instead.

Despite good performances from the main cast, The Rock playing a villain, and a fun sequence filmed in first person, the film falls short of the action and energy of the source material.



Hitman (2007)

Based upon the popular stealth series of the same name, Hitman saw Timothy Olyphant take on the iconic role of Agent 47. Despite being a financial success the film received incredibly poor reviews. Thanks to some fairly poor dialogue, and a plot that not only fails to live up to the game series, but also makes little sense and falls all over the place, Hitman became such a disaster that the film franchise was rebooted several years later with Hitman: Agent 47 in 2015.



Alone in the Dark (2005)

Another video game film directed by Uwe Boll (alongside other flops like House of the Dead and BloodRayne), Alone in the Dark is based upon the supernatural survival horror series of the same name, but bears very little resemblance to the source material.

Not even the star power of Christian Slater, Tara Reid, and Stephen Dorff could help a film that was so poorly received that it is often credited as ‘one of the worst films ever made’ on many lists. Strangely, a sequel was made a few years later, though it actually ended up being a better film.



Street Fighter: The Legend of Chun-Li (2009)

Failing to capture any of the success of the 1994 film Street Fighter: The Legend of Chun-Li focused on one of the more popular characters from the franchise, chronicling her early life and rise to becoming a fighter, eager for revenge against M. Bison for his crimes against her family.

Despite a plot that sounds like it should work, the film suffered from a terrible script, lack lustre fight sequences, and poor casting choices. Added into the mix was the fact that the film took itself far too seriously, lacking any of the humour or charm of the previous live action Street Fighter film.



Prince of Persia: Sands of Time (2010)

Based upon the popular game series, Prince of Persia: Sands of Time combined together elements of several of the games in the franchise to deliver an action adventure series about a sword wielding prince who sets out to stop a villain after a magic dagger.

The film wasn’t especially terrible, and had a decent budget and cast trying to make it a success, but thanks to the poor decision to whitewash the main characters the film was extremely poorly received, despite becoming the highest grossing video game adaptation of all time (before losing that title to Warcraft in 2016).



Double Dragon (1994)

Two brothers in possession of half of a magical ancient Chinese amulet become the target of a crime lord who has the other half, and wants to join them both together to gain absolute power.

With a plot that barely resembles the games it was based upon, poor special effects, and dialogue that even the worst video game would be ashamed of, Double Dragon was a huge flop upon release, though it did find some cult following over the years, mainly due to being seen as ‘so bad it’s good’.

Despite the film being pretty awful the trailer is actually pretty fantastic, and is definitely worth a few minutes of your time to track down on YouTube.



Lara Croft: Tomb Raider – Cradle of Life (2003)

Following the success of the first Lara Croft: Tomb Raider starring Angelina Jolie in the lead role a sequel was quickly put into production to try to recapture the magic. The film received a lot of criticism for not being as good as the first film, though it wasn’t hated by many.

Paramount blamed the films financial failure in large part on the release of the then-latest game in the series, Tomb Raider: The Angel of Darkness, which was rushed into stores in time for the film’s release, unfinished and full of bugs.



Super Mario Bros. (1993)

Widely considered one of the worst video game films of all time, and one of the worst films in general, the Super Mario film saw Bob Hoskins don the role of Mario Mario as he travels to a dystopian parallel world with his brother Luigi Mario, played by John Leguizamo, to try to save a princess from an evil ruler.

Sharing nothing in common with the game series other than the name, any of the fun, bright colours, or character design was lost in the translation to the big screen. Instead of being a fun adventure film for the whole family, it was dark, dreary, and dull. Easily the worst part of the Super Mario franchise.


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