The Innkeepers - Limited Edition 4K UHD/Blu-ray Review

 

I've not seen many of Ti West's movies, and The Innkeepers was my first experience of his work when it was first released. At the time the film didn't really click with me, and I filed it away until I watched his truly horrifying The Sacrament, a film that's so realistic in its horror that it sent shivers down my spine. When Second Sight announced that they were releasing a new 4K UHD Limited Edition version of the film I thought that perhaps now might be a good time to give it another try, to see if perhaps my views on it have chanced in the near decade and a half since its release. 

The Innkeepers takes place in the real life Yankee Pedlar Inn, though in a dramatized version of it that sees the old building on the edge of going out of business. Despite having been around for decades, illustrated in a great opening sequence showing the building's evolution over the years, not many people are staying there, and the place is only a week away from closing for good. The place is operating with a skeleton crew of two, Claire (Sara Paxton) and Luke (Pat Healey).

The two of them have been largely bored at work, especially as there are only two guests in the building, and have been spending their time looking into the reported haunting inside the Inn. Years ago a bride took her own life in the hotel, and people have reported strange events ever since. Armed with an EVP recorder, a rather shoddy website, and the desire to catch something cool, they spend their shifts trying to contact the spirit walking the halls of the Yankee Pedlar. However, when spooky events begin to finally happen it sets them on a path that will put their lives in danger.

Horror is a broad genre, one that can do slow burn, that can be fast paced, it can have buckets of blood, or it can leave things to your imagination. You're never quite sure what you're going to get just from the label 'horror', and for much of the runtime of The Innkeepers I'd struggle to really consider it horror. Perhaps one of the best films to compare The Innkeepers to would be Kevin Smith's Clerks, a film with very little plot, that focuses on a handful of characters, and is mostly two people standing around chatting. The Innkeepers follows this mould, with the casual conversations between Claire and Luke being much of the focus of the movie. 

Whether you consider this comparison to be a good thing or not would depend on your tastes, as the person who I first watched the film with loved both of those films, and I didn't really like them much. For me, too much of The Innkeepers was given over to personal relationships, meandering moments, and humour that didn't quite land for me. Yes, the characters are nice enough, with Sara Paxton doing a wonderful job in the lead role, but when 80% of the film feels like a relationship drama rather than a horror it's not really enough to keep me fully invested.

When the horror does appear on screen it felt a little too late to really salvage the experience for me. Spooky dead people suddenly appearing on the screen to make Claire scream and run away and not much more, after an hour of build up, honestly left me feeling a little short changed. I don't know why I felt like this, as some of my favourite horror films feature their main antagonist or object of fear very little, films like Alien, Jaws, or Sinister. But where I think perhaps those work more for me than The Innkeepers is that those films felt tense throughout, they had atmosphere, and characters were engaging. The Innkeepers has almost no tension, the film isn't all that visually engaging, and none of the characters are really memorable or all that entertaining.

I really hoped that by giving the film another chance I'd finally click with it, that I'd see what made a lot of people give it high scores and praise; but I guess The Innkeepers just isn't a film that does what I need. That's not to say it's bad, there's a lot of decent moments, a strong cast, and good dialogue. It's a competently made film that it's absolutely possible to love, so don't let my bad experience with it stop you from giving it a watch.

Alongside the film the new release comes with a slew of extra features. There are two audio commentary tracks for the movie. The first one features Ti West, who wrote, directed, and edited the film, along with Producers Larry Fessenden and Peter Phok, and Sound Designer Graham Reznick. The second commentary has West joined by actors Sarah Paxton and Pat Healey. The tracks are both decent, and offer different insights into the film. The second track has a bit more of a relaxed feel to it, with the cast reminiscing on what it felt like making the film, where as the other has more technical details and behind the scenes facts. There are also several new interviews, including Ti West, Pat Healey, Larry Fesenden, Director of Photography Eliot Rockett, Composer Jeff Grace, and Line Producer Jacob Jaffke. A behind the scenes featurette and a trailer round out the on disc features. As with other Second Sight Limited Editon's, The Innkeepers also comes with a slipcase featuring new artwork, 6 collectors art cards, and a 120-page book with essays and writing about the film.

The Innkeepers wasn't quite to my taste, but it's a competently made film that many will enjoy. The film has a strong fanbase and has been popular for well over a decade, and if you're one of those fans this new release makes for an excellent new edition packed with brand new extras.

The Innkeepers Limited Edition 4K UHD/Blu-ray is available now from Second Sight.

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40 Acres - Film Review

 

There's a big focus on post-apocalypse media lately (not a surprise when the world seems to be hellbent on getting to that point), and whilst a lot of these stories throw in some vaguely fantastical element, such as the undead, a rage virus, or fungus zombies, 40 Acres instead takes a much more subdued and realistic approach to the end of the world. The result of this is a film that might feel less overtly bleak or fatalistic than others, it's one where when the awful things do start to begin they hit all the harder because it's not monsters that these people need to fear, but very real, very familiar violence.

40 Acres tells the story of the Freeman family, headed up by Hailey (Danielle Deadwyler), and her husband Galen (Michael Greyeyes), who met whilst serving as soldiers years before. A number of years ago, a fungal spore spread across the world, affecting crops and plants the world over. This resulted in mass starvation, war, and civilisation falling apart as farmable land became the most valuable resource. Hailey and Galen have an isolated farm in Canada, where they live with their children, Emmanuel (Kateem O'Connor), and Raine (Leenah Robinson), who Hailey and Galen brought together from previous relationships respectively; and Danis (Jaeda LaBlanc) and Cookie (Haile Amare), who they had together. 

With their farmland a valuable resource, and their only means to survive, Hailey and Galen has used their military training to secure the farm, and to raise their four children to be fighters. Despite this ability to survive, demonstrated with a brutal opening sequence showing what happens when raiders come to call, their life leaves them isolated and alone. Whilst Hailey is content with this, needing only the infrequent interaction with a friend over the radio, her son Emmanuel has reached the age where he needs other people. 

When news hits the Freeman's that some of the surrounding farms inside their trading network have gone silent, and that a roving gang of cannibals might be to blame, the family must come together to defend what they have. But when Emmanuel discovers a beautiful young woman just outside their fence, asking for help, it sets the entire family on a dangerous path. 

As the name of the film implies, 40 Acres is slightly more than just a post apocalypse home invasion story. Following the American Civil War, freed Black slaves were promised 40 acres of land and a mule as a form of reparation for how they were treated. This promise was largely a lie, and is part of a larger system of failed promises, broken systems, and outright cruelty that have been used to target people of colour in the US. With the name of the film in mind, it's easy to also spot that the vast majority of the film's cast are people of colour, with the Freeman family being of both Black and Canadian Native descent. In contrast, every single one of the raiders and cannibals who appear in the film is white, with the only good white person being Hailey's friend.

The film isn't overtly about racism or colonisation, but the themes are very much there. The people we're watching are suffering at the hands of brutalist white people, who've come for their land and resources, and will literally use up these people's bodies to keep themselves going, treating them as little more than meat to be consumed. I think writer/director R.T. Thorne made a very deliberate choice in this, and to toss many of the racist stereotypes that were used against Black and brown people over the centuries back onto the white oppressors. The white man is the one that is violent, that eats humans, that doesn't want to build their own society but will come and invade yours. I can't help but feel that 40 Acres has a lot to say, and that much smarter people than myself will be able to watch the film and pick out all kind of nuance and clever details that I certainly missed.

Outside of the themes of the film, 40 Acres is a damn fine film. The Freeman family makes for interesting protagonists, and watching their dynamic and the cracks that form from that makes the film very engaging. You can't argue that Hailey and Galen have kept their family alive by raising them like soldiers, but you can also see how it's creating some divisions, such as Raine not being allowed to read a certain book because she wasn't told to read it, or Emmanuel being a young man with no chance of finding love because he's never allowed to leave. The family dynamics have no clear right or wrong, as you can see why the parents have done what they've done and approve of some of it, whilst also understanding why the children are pushing back. 

The cast present this wonderfully, particularly Danielle Deadwyler and Kateem O'Connor, whose mother son relationship is the central piece of the film. Each of them delivers strong performances, with Deadwyler being the stand out as an incredibly intense mother who you'd never want to cross. She brings intense grit and determination to the role, and you believe that she used to be a soldier; yet despite this you can also see a large amount of both love and guilt shining through. The film touches upon a troubled past between Hailey and her son, giving us a couple of flashbacks that informs a lot of their relationship with very little, and it makes you re-evaluate much of what you've seen between the two of them. 

40 Acres doesn't try to break the post-apocalypse mould, and a lot of what you get here you'll have experienced before; but I also feel that it's not trying to do this. Instead, it's telling a familiar story through a different lens. It has interesting themes and commentary that can be largely overlooked in favour of a fairly by the numbers movie that will still entertain, or it can be examined in greater depth to give viewers an experience that sets it aside from others in the genre. How much you get from the film will depend on you to a certain extent, but if you go in willing to see more, and to learn, 40 Acres becomes a wonderfully inventive and memorable addition to the genre.

40 Acres is in UK cinemas now, and available to download digitally today.

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